Sports
The Lakers and Clippers are ready to share their home for the final time
Ten seasons ago, the Clippers opened their preseason by visiting four of their Western Conference rivals. They went to Portland, Utah, Sacramento and finally to Phoenix before they opened the doors to their home arena.
Fans had a lot of reasons to be excited — the team hired Doc Rivers in the offseason to coach and was about to enter the season as bonafide contenders. The season, Rivers felt, was about to be theirs. And, their arena should reflect that.
So, the Clippers covered the banners at Staples Center celebrating the Lakers’ championships and the retired numbers of their all-time greats, and instead featured images of Chris Paul, Blake Griffin and the rest of that Clippers’ core.
“I didn’t look at it as a banner thing,” Rivers said before the preseason home opener. “I look at it as putting our guys up. … It’s our arena when we play. I thought it would be good that we saw our guys. No disrespect to them, but when we play, it’s the Clipper arena as far as I know.”
But it was absolutely a banner thing — the Clippers finally saying “Enough” to one of the NBA’s strangest real-estate partnerships with two franchises sharing an arena.
“He took a lot of heat, but it makes sense,” Clippers coach Tyronn Lue said Tuesday. “We understand what the Lakers mean to the city and what they’ve done, but for us to have a place that we can call home and be comfortable, I think that was the right thing to do.”
Chuck the Condor waves a banner midcourt during pregame festivities for a Clippers-Trail Blazers game at Staples Center in 2021.
(Robert Gauthier / Los Angeles Times)
Rivers and the Clippers’ decision in 2013 is just one chapter in this co-habitation story. Provided the teams don’t meet in the playoffs this spring, Wednesday will be the final chapter.
The Clippers will host the Lakers — the final time the Lakers will be the visitors inside the building where they play their home games with the Clippers set to move into the new Intuit Dome in Inglewood next season. The Lakers (31-28, ninth in the West) have won two of the three games this season. The Clippers (37-19, fourth in the West) will be without All-Star forward Paul George, who will sit out his second consecutive game because of a sore left knee.
“Yeah, it’s weird. That’s the word,” Lakers guard D’Angelo Russell said about road games at Crypto.com Arena. “…You go home and your place is redecorated. It just looks different.”
The two teams have played 97 times since the arena’s opening in 1999, the Clippers holding the series advantage, 50-47. One of those regular-season wins for the Lakers actually came in Orlando, Fla., in 2020, making the Clippers 50-46 in Staples Center/Crypto.com Arena ahead of Wednesday’s finale.
As far as anyone can tell, no NBA teams have ever had this kind of shared existence. As Clippers wing Norman Powell pointed out, teams all over the league, such as the Raptors, share their spaces with NHL teams. But the switch from hockey to basketball is different from the switch from one NBA team to another.
A partial to-do list for swapping between Lakers and Clippers games is as follows: change the wrapping on pillars inside the main concourse and outside the building; change the court; swap out the baskets; configure the different courtside seats and scorer’s table; update the merchandise stands; swap the TV trucks and stationary cameras; and redecorate the tunnel to the court for the home team.
The Clippers’ court is 10 feet longer and two feet wider than the Lakers’ court and has 34 more wood panels.
The end result has led to the arena successfully housing two teams without much friction.
“They had to make it home. It makes sense. They want to make it as ‘home’ as possible,” Lakers star LeBron James said. “And it feels like a road game. Their lighting is different, the court is different, the seats look different — all that type of stuff. It feels like a road game — but you just don’t have to travel. Feels like you’re driving to a road game.”
There are other subtle changes for players when the teams play each other. The parking lot underneath the arena is twice as full during Lakers-Clippers games.
“It takes like twice as long to get your car,” Austin Reaves joked. “I mean, his car (pointing at James) might get to stay down there. They probably move mine upstairs.”
Pregame routines change. The home team has access to the weight room, the “visitors” have to use a temporary weight room in a storage area. Court access times are different, particularly for players like James who arrive very early to prepare.
Russell noted one of the strangest quirks: When the Lakers are the visiting team at Crypto.com Arena, they don’t get to use the tunnel to the court that’s steps from the locker room. Instead, they have to use the visitor’s tunnel, which means they run on and off the court past the Clippers locker room, both hockey locker rooms and the normal visiting NBA locker room.
“Walking out through the tunnel is probably the weirdest thing” he said, “we’ve got to go all the way [around].”
It might only be a few hundred extra steps, but it’s different enough to make the night feel a little off.
“I mean it is definitely a different feel,” Powell said. “I think both organizations do a good job of putting their own touch on the arena when it’s a home game and it’s us playing against each other. When it’s a Laker game, it’s a little more dark and intimate with how they black out the stands and like the focus, you can see all the lights are on the court. And the Clippers have a more inclusive environment where everybody’s just trying to get everybody involved and into the game and to have different things going on.
“It’s definitely a different feel when you walk in and, like, the setups that the Lakers have for their team and what we do.”
The lighting is the biggest difference, which strangely enough began as a major similarity. Until the 2006-07 season, the teams used the same lighting inside Staples Center until the Lakers adopted the theater lighting they still use, where the focus is on the court and the few first rows of seats. In 2014, the Clippers began using a brighter LED lighting.
A view of the Intuit Dome, showing a basket stanchion and grandstands, while under construction in January. The Clippers will open the 2024-25 season there.
(Irfan Khan / Los Angeles Times)
“It feels different, for sure, when it’s a home game for them. It doesn’t feel like Staples or Crypto,” James said.
Assuming the Lakers and the Clippers don’t meet in the playoffs, all of the awkwardness soon will be obsolete, each team having their own home court.
You won’t have to trick anyone.
“It’s weird showing up and having to do that. I did it my rookie year, come back and still doing that. It is what it is,” Russell said. “You adjust. And you know what that norm is and you adapt to it.
“Obviously, there’s a change on the way and I think it’s good for Lakers and Clippers players and it’s good for the fans.”
Times staff writer Broderick Turner contributed to this report.
Sports
Ex-NFL star implores Russell Wilson to hang it up: ‘Do your TV thing’
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Russell Wilson has had his share of ups and downs in his NFL career.
He helped the Seattle Seahawks to a Super Bowl championship in 2013 and was named to the Pro Bowl four times. But the last few years of his career arguably did some damage to his legacy as he’s spent the last three seasons with three different teams.
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New York Giants quarterback Russell Wilson watches from the sidelines during the second quarter against the Philadelphia Eagles at MetLife Stadium in East Rutherford, N.J., on Oct. 9, 2025. (Brad Penner/Imagn Images)
Wilson is still on the free-agent market as he looks to latch on to a new team for 2026. However, former NFL star Aqib Talib implored Wilson to hang up the cleats.
“Do your TV thing, Russ. It’s over with, man. Once you’ve got to decide, do I even want to play?” Talib said on “The Arena: Gridiron.” “I think you don’t really want to play. I hate when guys get to the later part of their career and then they start doing the bounce-around thing and they’re not going to win. There was no chip in New York. That’s just going to be another stop on your resume.”
Wilson reportedly garnered some interest from NFL teams.
New York Giants quarterback Russell Wilson stands on the field before a game against the Philadelphia Eagles at Lincoln Financial Field in Philadelphia, PA on Oct. 26, 2025. (Bill Streicher/Imagn Images)
He told the New York Post that the New York Jets were one of them.
Wilson also was reportedly a candidate to take Matt Ryan’s spot on CBS’ “The NFL Today” after Ryan left to take a front office job with the Atlanta Falcons.
Wilson has 46,966 passing yards and 353 passing touchdowns in 205 career games, but the 2025 season with the New York Giants was one to forget.
Wilson started three games and made some bizarre decisions in a loss against the Chiefs. Jaxson Dart was named the starting quarterback. As he came in to take a few snaps while Dart was being checked for a concussion, Wilson was booed.
New York Giants quarterback Russell Wilson watches from the sidelines during the second half against the Denver Broncos at Empower Field at Mile High in Denver, Colo., on Oct. 19, 2025. (Ron Chenoy/Imagn Images)
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Should he end up signing with another team, Wilson will be entering his age-38 season.
Sports
Artists, community come together to welcome World Cup to Inglewood with murals and more
A lot has changed since Jacori Perry attended Morningside High School.
Perry is now a renowned artist who goes by the names Mr. Ace and AiseBorn.
The school is now known as Inglewood High School United.
And the lecture hall on that campus now features a large, ornate mural of a soccer ball being grasped by the hands of two people — freshly painted by the 2004 Morningside graduate as the city of Inglewood prepares to host eight World Cup games at SoFi Stadium starting next month.
Local artist Mr. Ace works on his mural at Inglewood High School United on May 11. The artists, whose real name is Jacori Perry, attended the school when it was known as Morningside High more than two decades ago.
(Eric Thayer/Los Angeles Times)
“If you told me that I would be back here painting one of the walls on this campus when I was in high school, I don’t think that I necessarily would have foreseen it,” Mr. Ace said as he was putting the finishing touches on his mural last week. “So I’m a little in amazement about just the way life works in that sense.”
He was one of several Los Angeles-based artists to participate in a Road to World Cup Community Day last month at Inglewood High United. Many of the artists — including Juan Pablo Reyes (“JP murals”), Michelle Ruby Guerrero (“Mr. B Baby”) and Angel Acordagoitia — sketched designs on portable panels (12-feet by 8-feet) and picnic tables for community members to paint.
The picnic tables will remain at the high school in front of Mr. Ace’s mural. The mobile murals will be placed throughout LAX to welcome visitors arriving for the World Cup.
Kathryn Schloessman, CEO of the Los Angeles World Cup 2026 Host Committee, said in a news release that the event was “just one example of how the energy of the World Cup can be felt in neighborhoods across our region.”
“Students, artists, and volunteers came together to create a work of art that will live on well beyond the end of the tournament,” Schloessman said. “It’s a reflection of the creativity, diversity, and community pride that makes our region so special as we prepare to host the world for FIFA World Cup 2026.”
Community members were encouraged to take part in the painting process, no matter their skill level.
“We made it easy enough for people that have zero experience to a proficient level of experience, for them to all be involved,” said Reyes, who designed and helped paint two mural panels and three tables. “We did the sketch, and then I tried to dab a little bit of color — whatever color is supposed to be there, I dabbed a little bit of color right there, so they would have a guide. …
Students and community members help paint a mural panel during a Road to World Cup Community Day event May 2 at Inglewood High School.
(Dawn M. Burkes / Los Angeles Times)
“I was right there, kind of supervising, making sure that everything went as planned. And if anybody has questions, they’re more than welcome to let me know about them. But, yeah, it’s pretty easy for them to kind of be involved and feel that sense of ownership and have a sense of pride that, ‘Yeah, I was part of that mural-creation process.’ It’s a rich experience for them.”
Acordagoitia sketched several table-top designs for the public to paint at the event.
“They did great,” he said of the community members. “They helped a lot. They were asking questions. They got all the other colors correct. So, yeah, they were excited. A lot of kids were excited to see the live painting, because now kids are used to being on their phones. So that was a great experience for them.”
Acordagoitia also opted to paint a mural panel on his own because “it was a little more technical,” involving portraits of his 8-year-old son, a nephew and a friend.
“I wanted to focus more on the youth because that’s really our future,” he said. “So that’s, that’s the main thing about the mural, just about the kids, soccer, culture, community. It’s exciting for me, because I grew up playing soccer and to include soccer with art, it’s just a dream come true.”
Guerrero said “the community was a big help in filling in all the background colors that I need in order to build the detail and layers” on the two mural panels she designed.
“My whole style is based on culture. And I think that there’s a connection there with the World Cup and how I feel like it brings together all the culture and just, like, celebration,” Guerrero said. “It kind of goes hand in hand with the type of work I do, because my stuff is really festive, celebrating culture. And just as an L.A.-based artist, I think the collaboration made sense.”
The four artists also took part in another Road to World Cup Community Day in downtown L.A. at Gloria Molina Grand Park on March 14. At that event, the artists sketched designs on large sculptures shaped like soccer balls and an oversized picnic table, also for community members to paint.
While Mr. Ace opted to paint his permanent mural at Inglewood High School United on his own, he was sure to include the community theme into his work.
“The idea was really centered around just creating something that was community-based — something that represented the World Cup but also represented some sense of community,” he said. “And so what I did was try to create something that was symbolic, very direct in terms of its relationship to soccer and figuring out through that how to create something simple that [brings] into that a sense of community. And that’s how I landed on the two hands holding the soccer ball.”
Local artist Mr. Ace works on his World Cup-themed mural at Inglewood High School United on May 11.
(Eric Thayer / Los Angeles Times)
Back when he was a student on that campus, Mr. Ace said he was always involved in art and knew he wanted a career as an artist. He struggled to come up with the right words to describe how it felt being back there creating a work of art to be shared with the students, all of the community and everyone who happens to see it on the way to a World Cup match.
“I guess there’s no words to really describe it,” he said. “I think if any artist gets the opportunity to paint at their own high school — especially if they’ve been doing large-scale works around the city, the country or the world — I think that is a little touching. When it’s attached to something like the World Cup … you know, a large part of my childhood was spent in Inglewood, so coming from my circumstances and life, I think it’s even more intriguing.”
Sports
Indy 500: Counting Down The 10 Best Finishes In Race History
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The best Indianapolis 500 finish could be subjective, depending on which driver a fan was rooting for to win.
It certainly is in the eye of the beholder.
So take this list for what it’s worth. One view of the 10 best finishes in Indianapolis 500 history. Of course, it skews to more recent decades when the runs have come a little faster and the finishes have had a tendency to be a little closer.
We’ll add one each day to this list of fantastic finishes ahead of the 110th running of the Indy 500 on May 24 (12:30 p.m. ET on FOX).
10. Ericsson outduels O’Ward (2022)
After a red flag, Marcus Ericsson held off Pato O’Ward in a two-lap shootout. The shootout didn’t last two laps, though, as there was a crash on the final lap behind them. Ericsson had a comfortable lead when the red flag came out for a crash with four laps to go, a situation where in past Indianapolis 500 races, they likely would have ended the race under caution with Ericsson as the winner.
9. Foyt survives chaos (1967)
How does a driver who wins by two laps end up on this list? It’s because the win nearly didn’t happen on the last lap. A big crash with cars and debris littering the frontstretch just ahead of Foyt as he came to the checkered flag forced him to navigate through the wreckage for the win.
8. Sato can’t catch Franchitti (2012)
This was one of those finishes where the leader holds on for the win, but boy did the leader have to hold on. Takuma Sato tried to pass Dario Franchitti early on the final lap but to no avail and Franchitti sped off for the victory. This was one of those Indy 500s that made you hold your breath all the way to the checkered flag.
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