Sports
How hitting with runners in scoring position has been Shohei Ohtani's one Dodgers flaw
The timing was coincidental.
But, on Shohei Ohtani’s first off day as a Dodger, the discourse Wednesday centered on the one big struggle of his 2024 season — a weakness that had cropped up once again the night before.
When there hasn’t been a baserunner at second or third base season, Ohtani has been the best hitter in baseball. He is batting an MLB-best .398 in such spots. His .774 slugging percentage is more than 100 points better than all but two other players.
When the Dodgers need to start a rally, the $700 million signing is often their most potent spark.
However, with runners in scoring position over the first month of the year, the slugger’s production has unexpectedly cratered, leading to a trend of frustratingly empty key at-bats.
With RISP, Ohtani is batting just .184 (seven for 38) with a .237 slugging percentage. Of the 14 big leaguers with at least 35 such at-bats, he is the only one with less than 10 RBIs. And, somewhat amazingly, he has driven more runs without RISP (10, including all seven of his home runs) than with RISP (nine).
The two latest examples came in a Tuesday loss to the Arizona Diamondbacks, when Ohtani struck out in the fifth inning with runners on second and third, then almost hit into an inning-ending double-play in the top of the 10th, having to use his speed to beat a throw to first and prolong the inning — one that still resulted in only one Dodgers run, before the Diamondbacks scored twice in the bottom half for a walk-off win.
“Certainly, there was some opportunities,” manager Dave Roberts said a day later, after — in what he insisted was an unrelated decision — deciding to give Ohtani his first day off. “But, I don’t want to say [it was him taking a] step back.”
Maybe in the context of this season, it wasn’t.
But, compared to his past three seasons with the Angels, when producing in situational at-bats was one of the two-time MVP‘s signature strengths, Ohtani’s struggles this year have thus far been confounding.
From 2021-2023, Ohtani was one of MLB’s best hitters with RISP. He batted .305 in those situations, the 22nd-best mark in the majors in that span. He slugged .689, easily the best mark among big-league hitters.
On the surface, the explanations for this year’s regression seem simple.
Compared to his non-RISP at-bats, Ohtani swings more frequently (56% with RISP, 43% without) and chases more often (31.5% with RISP, 26.5% without) with a chance to drive in runs.
It has led to shorter at-bats (he sees 3.5 pitchers per plate appearance with RISP, and 4.2 without) and, despite a decreased in strikeouts, an also slightly lower walk rate (9.1% with RISP, 10.5% without).
Whenever he does come up empty on a pitch outside the strike zone, it’s easy for fans and media members to identify in real-time.
“Shohei is as aggressive as those bees were,” Roberts said, jokingly referring to the swarm of bees that delayed Tuesday’s game. “Hitters [like him] want to hit … They want to hit in big spots.”
Shohei Ohtani was given a day off for the first time this season, though Dodgers manager Dave Roberts was quick to point out it wasn’t because of his struggles with runners in scoring position.
(Ross D. Franklin / Associated Press)
It’s just that, this year, he almost seemed to want to do so too badly too many times.
There is an important caveat to all this, though: Ohtani’s approach with RISP this year hasn’t seemed to differ much from what he did in Anaheim.
From 2021 to 2023, Ohtani swung with RISP almost 53% of the time, only slightly less than this year. He would chase pitches at a 35% rate, slightly more often than the opening month of this season.
Such aggression is evidently by design. When asked about his RISP approach a couple weeks ago, Ohtani acknowledged through his interpreter that “the zone that I am swinging is a little bit larger with runners in scoring position.”
Opponents, after all, are more likely to pitch around him with RISP. If he wants to “move the ball forward,” as Roberts likes to say, it requires hitting pitches not directly over the heart of the plate.
“Certainly,” Roberts said, “he feels like he’s the best option to drive in a run.”
Of course, as the manager conceded, that does give pitchers a way to exploit Ohtani, tempting him with offerings out of the zone he sometimes shouldn’t be chasing.
Yet, at the same time, Roberts said, “I think his DNA … is to want to swing the bat.” Which, in the manager’s opinion, “is still a good thing.”
So how does Ohtani get better with runners in scoring position?
Given his track record, the answer might not be as obvious as being more selective with his approach at the plate.
Sure, Roberts said, Ohtani needs to keep improving his plate discipline — a trait he has highlighted as a key to the slugger’s strong start to the year overall.
But, just as important, is for Ohtani to simply execute better when swinging outside the zone, and replicate the productive aggressiveness he honed in years past.
That could mean more consistency with his mechanics. It could mean trying to hit the ball the other way more often, something he has not done nearly as much with RISP this year compared to the past.
Whatever the case, his approach in clutch moments will continue to attract scrutiny — serving as the one place this year to poke holes in his game.
“I did see some more expanding than he has done in let’s say the last, seven to 10 games,” Roberts said of an ever-evolving process. “But I think in general, he’s been in a good spot.”
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Russell Wilson has had his share of ups and downs in his NFL career.
He helped the Seattle Seahawks to a Super Bowl championship in 2013 and was named to the Pro Bowl four times. But the last few years of his career arguably did some damage to his legacy as he’s spent the last three seasons with three different teams.
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New York Giants quarterback Russell Wilson watches from the sidelines during the second quarter against the Philadelphia Eagles at MetLife Stadium in East Rutherford, N.J., on Oct. 9, 2025. (Brad Penner/Imagn Images)
Wilson is still on the free-agent market as he looks to latch on to a new team for 2026. However, former NFL star Aqib Talib implored Wilson to hang up the cleats.
“Do your TV thing, Russ. It’s over with, man. Once you’ve got to decide, do I even want to play?” Talib said on “The Arena: Gridiron.” “I think you don’t really want to play. I hate when guys get to the later part of their career and then they start doing the bounce-around thing and they’re not going to win. There was no chip in New York. That’s just going to be another stop on your resume.”
Wilson reportedly garnered some interest from NFL teams.
New York Giants quarterback Russell Wilson stands on the field before a game against the Philadelphia Eagles at Lincoln Financial Field in Philadelphia, PA on Oct. 26, 2025. (Bill Streicher/Imagn Images)
He told the New York Post that the New York Jets were one of them.
Wilson also was reportedly a candidate to take Matt Ryan’s spot on CBS’ “The NFL Today” after Ryan left to take a front office job with the Atlanta Falcons.
Wilson has 46,966 passing yards and 353 passing touchdowns in 205 career games, but the 2025 season with the New York Giants was one to forget.
Wilson started three games and made some bizarre decisions in a loss against the Chiefs. Jaxson Dart was named the starting quarterback. As he came in to take a few snaps while Dart was being checked for a concussion, Wilson was booed.
New York Giants quarterback Russell Wilson watches from the sidelines during the second half against the Denver Broncos at Empower Field at Mile High in Denver, Colo., on Oct. 19, 2025. (Ron Chenoy/Imagn Images)
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Should he end up signing with another team, Wilson will be entering his age-38 season.
A lot has changed since Jacori Perry attended Morningside High School.
Perry is now a renowned artist who goes by the names Mr. Ace and AiseBorn.
The school is now known as Inglewood High School United.
And the lecture hall on that campus now features a large, ornate mural of a soccer ball being grasped by the hands of two people — freshly painted by the 2004 Morningside graduate as the city of Inglewood prepares to host eight World Cup games at SoFi Stadium starting next month.
Local artist Mr. Ace works on his mural at Inglewood High School United on May 11. The artists, whose real name is Jacori Perry, attended the school when it was known as Morningside High more than two decades ago.
(Eric Thayer/Los Angeles Times)
“If you told me that I would be back here painting one of the walls on this campus when I was in high school, I don’t think that I necessarily would have foreseen it,” Mr. Ace said as he was putting the finishing touches on his mural last week. “So I’m a little in amazement about just the way life works in that sense.”
He was one of several Los Angeles-based artists to participate in a Road to World Cup Community Day last month at Inglewood High United. Many of the artists — including Juan Pablo Reyes (“JP murals”), Michelle Ruby Guerrero (“Mr. B Baby”) and Angel Acordagoitia — sketched designs on portable panels (12-feet by 8-feet) and picnic tables for community members to paint.
The picnic tables will remain at the high school in front of Mr. Ace’s mural. The mobile murals will be placed throughout LAX to welcome visitors arriving for the World Cup.
Kathryn Schloessman, CEO of the Los Angeles World Cup 2026 Host Committee, said in a news release that the event was “just one example of how the energy of the World Cup can be felt in neighborhoods across our region.”
“Students, artists, and volunteers came together to create a work of art that will live on well beyond the end of the tournament,” Schloessman said. “It’s a reflection of the creativity, diversity, and community pride that makes our region so special as we prepare to host the world for FIFA World Cup 2026.”
Community members were encouraged to take part in the painting process, no matter their skill level.
“We made it easy enough for people that have zero experience to a proficient level of experience, for them to all be involved,” said Reyes, who designed and helped paint two mural panels and three tables. “We did the sketch, and then I tried to dab a little bit of color — whatever color is supposed to be there, I dabbed a little bit of color right there, so they would have a guide. …
Students and community members help paint a mural panel during a Road to World Cup Community Day event May 2 at Inglewood High School.
(Dawn M. Burkes / Los Angeles Times)
“I was right there, kind of supervising, making sure that everything went as planned. And if anybody has questions, they’re more than welcome to let me know about them. But, yeah, it’s pretty easy for them to kind of be involved and feel that sense of ownership and have a sense of pride that, ‘Yeah, I was part of that mural-creation process.’ It’s a rich experience for them.”
Acordagoitia sketched several table-top designs for the public to paint at the event.
“They did great,” he said of the community members. “They helped a lot. They were asking questions. They got all the other colors correct. So, yeah, they were excited. A lot of kids were excited to see the live painting, because now kids are used to being on their phones. So that was a great experience for them.”
Acordagoitia also opted to paint a mural panel on his own because “it was a little more technical,” involving portraits of his 8-year-old son, a nephew and a friend.
“I wanted to focus more on the youth because that’s really our future,” he said. “So that’s, that’s the main thing about the mural, just about the kids, soccer, culture, community. It’s exciting for me, because I grew up playing soccer and to include soccer with art, it’s just a dream come true.”
Guerrero said “the community was a big help in filling in all the background colors that I need in order to build the detail and layers” on the two mural panels she designed.
“My whole style is based on culture. And I think that there’s a connection there with the World Cup and how I feel like it brings together all the culture and just, like, celebration,” Guerrero said. “It kind of goes hand in hand with the type of work I do, because my stuff is really festive, celebrating culture. And just as an L.A.-based artist, I think the collaboration made sense.”
The four artists also took part in another Road to World Cup Community Day in downtown L.A. at Gloria Molina Grand Park on March 14. At that event, the artists sketched designs on large sculptures shaped like soccer balls and an oversized picnic table, also for community members to paint.
While Mr. Ace opted to paint his permanent mural at Inglewood High School United on his own, he was sure to include the community theme into his work.
“The idea was really centered around just creating something that was community-based — something that represented the World Cup but also represented some sense of community,” he said. “And so what I did was try to create something that was symbolic, very direct in terms of its relationship to soccer and figuring out through that how to create something simple that [brings] into that a sense of community. And that’s how I landed on the two hands holding the soccer ball.”
Local artist Mr. Ace works on his World Cup-themed mural at Inglewood High School United on May 11.
(Eric Thayer / Los Angeles Times)
Back when he was a student on that campus, Mr. Ace said he was always involved in art and knew he wanted a career as an artist. He struggled to come up with the right words to describe how it felt being back there creating a work of art to be shared with the students, all of the community and everyone who happens to see it on the way to a World Cup match.
“I guess there’s no words to really describe it,” he said. “I think if any artist gets the opportunity to paint at their own high school — especially if they’ve been doing large-scale works around the city, the country or the world — I think that is a little touching. When it’s attached to something like the World Cup … you know, a large part of my childhood was spent in Inglewood, so coming from my circumstances and life, I think it’s even more intriguing.”
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The best Indianapolis 500 finish could be subjective, depending on which driver a fan was rooting for to win.
It certainly is in the eye of the beholder.
So take this list for what it’s worth. One view of the 10 best finishes in Indianapolis 500 history. Of course, it skews to more recent decades when the runs have come a little faster and the finishes have had a tendency to be a little closer.
We’ll add one each day to this list of fantastic finishes ahead of the 110th running of the Indy 500 on May 24 (12:30 p.m. ET on FOX).
10. Ericsson outduels O’Ward (2022)
After a red flag, Marcus Ericsson held off Pato O’Ward in a two-lap shootout. The shootout didn’t last two laps, though, as there was a crash on the final lap behind them. Ericsson had a comfortable lead when the red flag came out for a crash with four laps to go, a situation where in past Indianapolis 500 races, they likely would have ended the race under caution with Ericsson as the winner.
9. Foyt survives chaos (1967)
How does a driver who wins by two laps end up on this list? It’s because the win nearly didn’t happen on the last lap. A big crash with cars and debris littering the frontstretch just ahead of Foyt as he came to the checkered flag forced him to navigate through the wreckage for the win.
8. Sato can’t catch Franchitti (2012)
This was one of those finishes where the leader holds on for the win, but boy did the leader have to hold on. Takuma Sato tried to pass Dario Franchitti early on the final lap but to no avail and Franchitti sped off for the victory. This was one of those Indy 500s that made you hold your breath all the way to the checkered flag.
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