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How do Premier League teams kick off games in 2024-25?

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How do Premier League teams kick off games in 2024-25?

Plenty of attention has been paid to the new ‘Dynamic Kick-off’ regulations in American football’s NFL in the early days of its 2024 season but even in the fluid realm of the Premier League, how a team begins play is an increasingly-rehearsed process.

And despite the ongoing evolution in intricate tactics, even the greatest of Johan Cruyff’s disciples seem keen to return the game to its roots by hoofing the ball up the pitch from kick-off. Each of last season’s final top six in the Premier League have done so at some point in their first three matches of 2024-25. However, they have also provided variety in the ways they line their players up, and how quickly they get the ball forward.

Below, The Athletic analyses the kick-off routines used by Manchester City, Arsenal, Liverpool, Aston Villa, Tottenham Hotspur and Chelsea (to start either a game or the second half of one) across the first three weeks of the season ahead of the Premier League’s return this weekend.


Manchester City

As you would expect from a Pep Guardiola team, City’s kick-off routines have been attempts to retain control through short passes and plenty of off-ball movement.

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Ahead of their first kick-off of the season away at Chelsea, Kevin De Bruyne and Bernardo Silva both lined up close to the ball, with Savinho out wide on the left and Erling Haaland and Jeremy Doku close to each other on the right. Rico Lewis was the sole defensive member of the team to the left with their other defenders forming the final line behind Mateo Kovacic on the edge of the centre circle.

De Bruyne passed the ball back to goalkeeper Ederson, who went long towards Haaland on the right. He flicked it on, but Chelsea ’keeper Robert Sanchez came off his line to collect the ball close to the edge of the box before Doku could reach it. By the time Sanchez caught the ball, City had seven players close to his penalty box to kickstart the press.

At home against Ipswich Town the following weekend, Guardiola opted for a different approach when City kicked off the second half (they were leading 3-1 by then). De Bruyne and Bernardo still stayed close to the ball, but Haaland joined Savinho out wide on the right while Doku was positioned further inside on the other flank. Lewis, on the right, lined up alongside Kovacic, who stood near the edge of the circle again, while the back three were positioned deeper than they had been at Stamford Bridge.

City began the second half with a 14-pass move in which they found both Savinho and Doku at different points, with seven players in total getting a touch. When Ipswich finally cleared the ball for a throw-in, City had De Bruyne and Bernardo in pockets where they could cause damage and both wingers high and wide with limited immediate pressure.

At West Ham, City chose a similar approach to the Ipswich one before the opening kick-off but with Jack Grealish alone on the left while Haaland and Doku went wide on the right. Their back three were much closer together that time and leaned more towards the left, indicating they would channel their first attack of the match to the right.

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De Bruyne again passed all the way back to Ederson, who shaped up for a long pass but then went short to left-back Josko Gvardiol, who returned it to him. City then drew West Ham towards the left with De Bruyne dropping deep, as he did against Ipswich, before playing it out to their right and finding Lewis in acres of space. When Lewis received the ball, he was ahead of six West Ham and five City outfield players, giving the champions a chance to cause some early damage.


Arsenal

Arsenal have had a set pattern in place across their three league games so far, passing the ball back to goalkeeper David Raya from kick-off and surging towards the flanks in numbers while leaving central areas open. Raya is then tasked with hitting one of the wings; he went towards the left against Wolves and Brighton, and to the right against Aston Villa.

In the Wolves game, Arsenal had a front five streaming forward even before Thomas Partey knocked the ball back towards Raya. Bukayo Saka and Martin Odegaard made inward runs on the right anticipating a long ball to the left, where Declan Rice is most central with Gabriel Martinelli holding the width and Kai Havertz between them, while Oleksandr Zinchenko stayed back. Arsenal’s defenders stayed in a high final line to ensure they could move further up once Raya, who came well outside his box, launched the ball forward.

By the time Raya readied himself to kick, William Saliba was the lone defender in the final line with Gabriel and Ben White, who also made their way forward.

Wolves stepped forward to try to win the ball just beyond the halfway line, but it came back to Zinchenko. He played it forward to Martinelli, but the Brazilian’s subsequent pass towards the middle was cleared.

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Wolves recovered possession quickly but as Arsenal already had men forward, they pressed them to force a long pass and won the ball back by the 34-second mark.

Away to Villa, Arsenal used a different tactic by opting to go to the right flank instead. Havertz moved over to the right to charge forward with Saka, while Odegaard stayed more central. Rice and Martinelli made more conservative runs on the left while the back four stayed high in line with the edge of the centre circle.

When Partey’s pass got to Raya, Saliba was the furthest behind once again while all the runners moved towards the right. Raya’s long ball was nodded on by Havertz, who occupied the same area as Saka, allowing Villa left-back Lucas Digne to get a head start and marshal the ball out for a goal kick. The move mirrors City’s approach against Chelsea the previous weekend.

Finally, against Brighton, Arsenal went to the left again, with Havertz once more drifting over to the other side. This time, they kept two centre-backs in front of Raya, anticipating a higher Brighton press, with Saliba even blocking opposition striker Danny Welbeck. Raya’s pass was met by Jan Paul van Hecke, who headed it out for a throw-in.

By then, nine Arsenal players were in the Brighton half, allowing the home side to establish early territorial dominance.

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Winning the initial header doesn’t seem to be Arsenal’s focus from these routines, particularly considering the 5ft 8in (178cm) Leandro Trossard was their left-winger against Brighton, though Havertz’s 6ft 4in height does help, as it did against Villa. The aim is for them to get as many of their players forward as possible, pinning the opposition back rather than prioritising control.


Liverpool 


Liverpool huddle before kick-off at Manchester United on September 1 (Paul Ellis/AFP via Getty Images)

Arne Slot’s early months as Liverpool head coach have seen him receive praise for establishing an identity that blends the best qualities of Jurgen Klopp’s 2023-24 squad with his own touches.

Liverpool have continued to use a high line and that has been evident from their kick-off setups, which is similar to Arsenal’s.

On the opening weekend against Ipswich, Dominik Szoboszlai was tasked with kicking off the contest, with four team-mates also close to the halfway line.

Unlike City and Arsenal, who have players starting from wide positions, Liverpool were much narrower. Luis Diaz, Diogo Jota and Alexis Mac Allister lined up on the left while Mohamed Salah took up the sole spot on the right. Behind them, Trent Alexander-Arnold inverted to form a midfield line with Ryan Gravenberch, with Liverpool’s remaining defenders forming the final line just beyond the centre circle. Both the first and final lines compressed space by lining up next to each other.

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Below, Szoboszlai passed to goalkeeper Alisson, who went long towards the left. Like Haaland and Havertz from the examples above, the ball was directed towards Jota, who was in the half-space rather than wide, which helped him find Diaz further out. The Colombian received support from Andy Robertson and the latter’s first-time cross was cleared.

Slot went one step further in his official Anfield bow against Brentford the following week. To kick off the game’s second half, the front four remained the same but the midfield two became a trio with Robertson inverting to position himself directly behind Jota on the left. Ibrahima Konate and Virgil van Dijk formed the final line right next to the centre circle.

This time around, Alisson’s long pass was met by Brentford defender Nathan Collins, who was then fouled when he went up for a return header after the ball was sent forward again by Robertson. When the foul occurred, every Liverpool outfield player was in Brentford’s half. With the play drawn towards the left, Szoboszlai, Alexander-Arnold and Salah were in space on the right.

Then, against Manchester United, deemed the first big test of Slot’s tenure, the Dutchman unleashed what looked like an even more daring approach to start the second half, despite holding a 2-0 lead at Old Trafford. The front line of four was backed up by a second line of four with Gravenberch, Van Dijk and Robertson on the left and Alexander-Arnold in the half-space on the right. Konate was furthest back but still higher than he had been against Ipswich or Brentford.

However, as Alisson readied himself to launch one upfield, Van Dijk and Robertson dropped back even as their other team-mates made their way forward. Alisson’s pass was met by Jota, who (after a couple of ricochets) got past United right-back Noussair Mazraoui to the byline. Liverpool were unable to get enough men into the box, though, and Jota’s final pass sailed out for a throw-in on the other side of the pitch. They did, however, have enough players in United’s defensive third to disrupt their restart from the ensuing throw-in.

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Liverpool’s approach from kick-offs, while mirroring Arsenal’s on the surface, has the positional interchanges we see from City.

Jota and Diaz are both capable of switching between the left-winger and centre-forward positions and this approach also allows Salah to begin halves with lower intensity and conserve his energy.


Aston Villa 

Villa are the first team on this list to start matches off with a forward and use a midfield recipient from kick-off, with an emphasis on control and baiting the opposition’s press.

Away against West Ham on the opening weekend, Morgan Rogers started the second half for Villa with Ollie Watkins and Leon Bailey lining up close to each other on the left and John McGinn tucking inside on the right. Youri Tielemans and Amadou Onana stood right next to each other within the centre circle, while Villa’s back four formed their final line a few yards further back, fanning out to cover the middle of the pitch and both flanks.

Below, Rogers passed the ball to Tielemans, who went back to Pau Torres. As West Ham committed men forward, Villa played it out wide to right-back Matty Cash, who beat his man but then gave the ball away, before Villa won a throw-in in their own half.

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Unai Emery’s side were much more conservative when they took on Arsenal at home the following weekend.

This time, Watkins moved to the right, leaving Bailey as the sole runner on the left. Tielemans pushed closer to Rogers while Onana retained his position near the edge of the centre circle. The gap between Onana and the back four was much larger, while the full-backs pushed slightly further ahead of their centre-backs.

Villa passed back to goalkeeper Emiliano Martinez, who, with the team’s overall shape, would have been expected to go towards the left wing. However, Havertz cleverly presses him on that side to force Martinez to pass to the right wing, where Jurrien Timber wins the initial duel but then gives the ball away. From there, Villa worked it back to their defenders before eventually surrendering possession as Arsenal pressure resulted in Torres passing to an offside Bailey.

Against Leicester City in their third match of the season, Emery unleashed another pre-kick-off formation.

This time, Watkins returned to the left alongside McGinn, while Onana moved further up the pitch to join Bailey on the right, so forming a front four. Tielemans stood just a couple of feet away from Rogers to receive the initial ball, while Digne inverted to line up a few yards behind McGinn and Watkins, leaving plenty of space in midfield.

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Rogers passed to Tielemans as expected, and he played the ball further back to the defence. Torres tried to dribble out of danger but couldn’t and Leicester cleared it back to their defence before constructing a move that pegged Villa back, indicating the risk this approach holds when Emery’s side fail to wriggle out of pressure.


Tottenham Hotspur

Tottenham’s kick-off setup contrasts with all the teams above in terms of width.

In the example below from their opening fixture against Leicester, Spurs, like Villa, kicked off using a forward in Dominic Solanke, but stationed Son Heung-min and Brennan Johnson extremely wide on the left and right respectively, with James Maddison starting close to Solanke.

Their second line leaned towards the left; Rodrigo Bentancur was on the edge of the centre circle in midfield with Pedro Porro in the right half-space and Pape Sarr in between them. Destiny Udogie was slightly behind in the left half-space, leaving just centre-backs Cristian Romero and Micky van de Ven to form the final line closer to their penalty area than to their team-mates. Romero and Van de Ven then fanned out, hinting that Spurs would start with short passes, which was what they did.

Solanke passed the ball to Bentancur, who played a one-two with Sarr before finding Van de Ven. Spurs worked the ball to Maddison, dropping deep on the left flank (similar to De Bruyne for City), and he tried to find Udogie, whose poke forward was too far ahead for Solanke to reach.

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With Solanke out injured against Everton, Spurs brought Wilson Odobert into their line-up, while Dejan Kulusevski also started.

As Son, as the centre-forward, prepared for kick-off, he had two options close to him in Maddison and Kulusevski, while Johnson and Odobert held the width once again. The second line was formed by Porro drifting into central midfield, the returning Yves Bissouma at the edge of the centre circle and Udogie much wider on the left. Romero and Van de Ven formed the final line but were higher up the pitch than against Leicester, a signal they anticipated less pressure from the outset than in Leicester.

Son found Bissouma with the first pass and the midfielder went long, towards Odobert on the left. Odobert won the second ball and fed Maddison, but Spurs ended up going back to their defence, still staying within Everton’s half as the visitors sat deep.

In the most recent match, against Newcastle, Spurs used yet another kick-off shape as they began the second half 1-0 down.

As Son prepared to make the opening pass, Johnson again positioned himself wide on the right, but Udogie was now the widest player on the other flank with Odobert dropping inside, while Kulusevski was deeper than where he was positioned in the Everton match. Porro also pushed up to man the right side of the second line, with Maddison in a deeper position down the middle and Bissouma on the left. The gap between midfield and their two-man defensive line was smaller as Spurs aimed to push forward from the start of the half in search of an equaliser.

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On this occasion, Son played it to Kulusevski, who lofted a ball towards Udogie on the left — as Bissouma did for Odobert against Everton. The pass was too heavy and Newcastle won it back, but as Spurs pushed men forward, they regained possession quickly. The resulting sequence saw Kulusevski’s shot from inside the box deflected.

Spurs’ system under coach Ange Postecoglou has often depended on high-risk, high-energy football and their kick-offs are a good illustration of that. Their setup allows them to stream men forward and, more importantly, compress the wide areas to force teams down the middle, where they can win the ball back by applying pressure.


Chelsea

Chelsea’s kick-off approach under new head coach Enzo Maresca is quite different from their approach with Mauricio Pochettino in the dugout last season.

Instead of Conor Gallagher, sold to Atletico Madrid in the summer, or another midfielder, Nicolas Jackson has been handed kick-off duties by Maresca. Chelsea have used a mix of Spurs’ and City’s approaches, stationing their left-winger out wide while allowing Cole Palmer on the right to stay closer to Jackson.

Against City on the opening weekend, Enzo Fernandez gave Jackson a short initial option on the left, with Moises Caicedo and Romeo Lavia on the edge of the centre circle. Chelsea’s back four stayed closer to their box with Malo Gusto and Marc Cucurella inverting from the right and left, respectively.

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To start the second half, trailing 1-0, Jackson passed to Cucurella, who tried to go long towards Christopher Nkunku wide on the left, but the pass was too heavy, and City saw it through to Ederson with minimal pressure. Given the quality of the opposition, Chelsea didn’t press too high, granting City’s back three the space and time to get into a passing rhythm.

Chelsea’s approach seemed to be a reaction to playing a superior side in the four-in-a-row champions, however, as they changed their setup away against Wolves the following weekend.

The inclusion of Noni Madueke and Lavia’s absence through injury meant, in addition to having Palmer close to Jackson, Maresca could station both wingers — Mykhailo Mudryk on the left and Madueke on the right — out wide. Gusto joined the midfield to form a trio with Fernandez and Caicedo, which meant the right-back area was completely empty, with Cucurella inverting and pushing ahead and the centre-backs staying close to each other in the middle.

This time, Jackson passed to right centre-back Wesley Fofana, who immediately went long towards Madueke. The winger was open and flicked the ball on towards Palmer, but Wolves skipper Mario Lemina got there first. As Wolves then tried to move forward, Chelsea pressed high to force the opposition to the left, trying to tempt them into a risky switch which never came.

The setup Maresca used against Crystal Palace in the third match might be the one he sticks with as the Chelsea squad get accustomed to his tactics.

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Chelsea, winning 1-0, kicked off the second half with Fernandez, who had Jackson (left) and Palmer (right) closest to him while Pedro Neto hugged the touchline on the left and Madueke was stationed wide right. Gusto and Caicedo formed a much deeper second line, with Cucurella wider than in previous matches. The centre-backs were also deeper than before, staying closer to their penalty area.

Fernandez passed the ball back to Sanchez, who, under no pressure, lofted the ball towards the left. Chelsea failed to win the first header and Fernandez’s second header towards Neto was cleared out. When the ball went out of play, Chelsea had Palmer, their primary creative outlet, in the kind of position they would want him, but their rest defence was slightly vulnerable with Caicedo moving up the pitch.


Space and time may have limited us to a deep dive on only last season’s top six in this article but fans of Bournemouth, Brighton, Newcastle and Manchester United can analyse their team’s kick-off approach in the graphics below:

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‘That’s for you, b—’: Why Yankees great CC Sabathia was a Hall of Fame teammate

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‘That’s for you, b—’: Why Yankees great CC Sabathia was a Hall of Fame teammate

New York Yankees catcher Austin Romine was buckling his shinguards in the dugout when he heard a booming voice and immediately looked up.

It was CC Sabathia. He was pissed.

“First dude,” Sabathia said.

It was Sept. 27, 2018. Sabathia was set on revenge against the Tampa Bay Rays, after reliever Andrew Kittredge aimed a 93-mph fastball at Romine’s head and narrowly missed in the top of the sixth inning with the New York Yankees ahead, 7-0, at Tropicana Field.

He decided he was going to hit catcher Jesús Sucre to lead off the bottom of the inning to send a message. He was going to do it even it meant getting ejected and finishing the season just short of a contract incentive that would have netted him $500,000.

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Aware of the pending payday, Romine briefly tried talking Sabathia out of it. He knew Sabathia started the game needing to throw seven innings for the bonus, and the lefty was two innings shy.

“Nope,” Sabathia said, walking away. “First dude.”


On Tuesday, the Baseball Hall of Fame will announce whether Sabathia has earned first-ballot enshrinement.

When voters from the Baseball Writers’ Association of America contemplated Sabathia’s resume, they weighed all the stats and accolades. They considered that he was the ace when the Yankees won the World Series in 2009, a feat the team hasn’t accomplished since. They noted his 2007 American League Cy Young Award with the Cleveland Guardians, plus his 3,093 strikeouts, 251 wins and six All-Star appearances over his 19-year career. And some likely were still awed that Sabathia saved the Milwaukee Brewers’ 2008 playoff run by making each of his final three starts of the season on three days rest.

What the voters couldn’t quantify, however, was the outsized impact he had on his teammates and the respect he garnered throughout the game.

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Never was that more on display on a public stage than in Sabathia’s last start of 2018.

After Sabathia forfeited the half-a-million dollar bonus by plunking Sucre on the butt and getting thrown out, he pointed to Kittredge in the Rays’ dugout and TV cameras could read his lips:

“That’s for you, bitch.”

At the time, it seemed like a shocking move. He had thrown just 54 pitches over five innings, and he was cruising, dotting his signature slider on both sides of the plate and handcuffing righties with the cut fastball that resurrected him late in his career. He wasn’t going to get another chance in the regular season to reach the incentive.

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But to Romine and to manager Aaron Boone, it wasn’t a surprise.

All game, the Rays had chirped from their dugout at Sabathia for pitching inside and then hitting Jake Bauers on the hand.

When Romine collapsed to the dirt to avoid Kittredge’s fastball, he had a simple question to the catcher Sucre: “Why?”

For Sabathia, there was no question what had to happen next. He had to protect his teammates, even if home plate umpire Vic Carapazza already had issued warnings to both dugouts.

As Romine dusted himself off, Sabathia left the Yankees’ dugout to shout at the Rays. Boone held him back, walking him to the dugout.

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In the process, Boone asked Sabathia not to retaliate. He knew it was a futile request.

“I remember being like, ‘Yeah, let’s not have him throw at anyone here,’ and knowing in my head that I don’t think he’s listening to me in this spot,” Boone said.

The fastball Sabathia hit Sucre with was 92.5 mph — the fastest pitch he threw all night.

“It speaks volumes to the old school baseball player he was, and the kind of baseball player he came up with,” Romine said. “No one is throwing at your guys, especially at the head. I think that really set something off in him. I’m never going to say it was about me. It was about his team. It was about his catcher and about his team being thrown at, and he’s been the guy to protect his team throughout his career. You’re throwing at the nine-hole backup catcher, and that’s one thing. You’re not going to throw at the three-hole, four-hole hitters.”

“That’s the type of guy you want to go to battle with,” Aaron Judge said at the time.

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“I don’t really make decisions based on money, I guess,” Sabathia said after the 12-1 win. “I just felt like it was the right thing to do.”

Romine played parts of eight seasons as Sabathia’s teammate. He said Sabathia was a de facto captain in the Yankees’ clubhouse, and that the respect Sabathia received from his opponents was unlike anything he’d ever seen.

“He’s still the only guy ever where, generally, leadoff hitters come over and they tip their hat to the opposing manager,” Romine said. “Well, they would do that, and CC would be sitting on that water cooler, and the leadoff hitter would tip their hat to CC. It was funny to watch.”

“He’s getting ready to go to the Hall of Fame because of his excellence on the mound and the numbers he put up and the things he did,” Boone said. “But I think you’d be hard pressed to find somebody that he ever played with that probably didn’t have him near the top of their all-time teammate list. He’s such a connector. Easy to relate to. Easy to talk to. Made you feel important. Lived for the team over his own personal stuff.

“The great ones that are like that, and Judgey is like that a little bit too. I feel like there’s an underlying confidence that they know that they are going to get theirs and do well. So they don’t really even care about it. It’s about winning and the team, and they live it. CC lived it over and over again.”

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At the end of the season, the Yankees gave Sabathia the bonus even though the ejection meant he came up just short.

“Grand scheme of things,” Boone said, “and the career he had, the $500,000 — it didn’t matter to him. Just didn’t matter. His first thing was being a teammate — being a great teammate. The competitive part of things.

“In the end, it just added to the legend of CC.”

(Top photo of Sabathia after his ejection against the Rays in September 2018: Mark LoMoglio/Icon Sportswire via Getty Images)

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Coveted rookie card of Pirates star Paul Skenes pulled by young collector after offer from MLB team

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Coveted rookie card of Pirates star Paul Skenes pulled by young collector after offer from MLB team

The coveted one-of-a-kind autographed MLB debut patch card of Pittsburgh Pirates pitcher Paul Skenes is no longer on the market. 

An 11-year-old collector from Southern California decided to pull the card, which was featured in the 2024 Topps Chrome Update set.

The card of Skenes, who was named the 2024 National Leage Rookie of the Year, drew significant interest when the trading card and collectible manufacturer unveiled it in November. 

Shortly after the card became public knowledge, the Pirates became vocal about getting it.

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Pittsburgh Pirates starting pitcher Paul Skenes pitches against the Chicago Cubs during the fourth inning at PNC Park. (Charles LeClaire/USA Today Sports)

While any Skenes autographed card carries some value, the MLB debut patch edition is a one-of-a-kind collectible, making it highly sought.

The Pirates offered a lengthy package of perks in exchange for the card. A pair of premium Pirates season tickets for a three-year period, a meet and greet with Skenes and autographed jerseys were among offerings from the team. 

Despite the latest turn of events, the Pirates confirmed the team remains ready to honor the offer.

ICHIRO SUZUKI HEADLINES NEWEST BASEBALL HALL OF FAME CLASS; 2 OTHERS ELECTED TO COOPERSTOWN

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“An 11-year-old collector just pulled the Paul Skenes 1/1 Debut Patch card! Our offer still stands… you know where to find us,” the Pirates posted on X Tuesday.

LSU gymnast Livvy Dunne, who is dating Skenes, added another incentive to whomever locates the card. 

“Let’s raise the stakes…the person who finds this card can sit with me at a Pirates game in my suite,” Dunne wrote in a post to her Instagram story.

Paul Skenes and Olivia Dunne

Paul Skenes and Olivia Dunne on the set of ESPN “College GameDay” at the LSU Quad Nov. 9, 2024, in Baton Rouge.  (LSU Athletics/University Images via Getty Images)

Skenes, 22, delivered a season to remember in 2024, finishing 11-3 with a 1.96 ERA and 170 strikeouts.

Before winning NL Rookie of the Year, Skenes was named to the MLB All-Star team. Skenes was the top pick in the 2023 MLB Draft and made his big league debut in May. 

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Paul Skenes

Pittsburgh Pirates starting pitcher Paul Skenes pitches in the first inning against the Milwaukee Brewers at American Family Field.  (Benny Sieu/USA Today Sports)

Rookies have worn MLB debut patches on their jerseys since 2023. Topps acquired the patches and created the unique cards.

In November, Sports Collectors Digest projected the card could command a six-figure price tag.

Follow Fox News Digital’s sports coverage on X, and subscribe to the Fox News Sports Huddle newsletter.

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Angel City unveils new facility in effort 'to build a winning culture'

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Angel City unveils new facility in effort 'to build a winning culture'

When Willow Bay and her husband, Disney CEO Bob Iger, became controlling owners of Angel City last July, they inherited a women’s soccer team that had lost more games than it had won, had fewer playoff appearances than it had suspensions from the league and would end the year by parting ways with its second general manager and second head coach in three seasons.

So on Wednesday, when Bay cut the ribbon on the team’s massive new performance center at California Lutheran University in Thousand Oaks, it was with the hope that would mark the start of Angel City’s turnaround as well.

“This is the vision of this team that we’re helping support and execute,” said Bay, dean of the USC Annenberg School of Communication and Journalism, who joined her husband in investing $50 million in cash for the team to expand its budget and ease its losses. “It was very clear that we needed to invest in football operations here and support the leadership and support the players and making sure they had all the resources they needed to build a winning culture.”

The Angel City training center comes complete with a modern weight room.

(Al Seib / For The Times)

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The opening of the performance center comes six days after Angel City announced the hiring of Mark Parsons, one of the most successful coaches in NWSL history, as its sporting director. Parsons said the new training facility will be a big help in recruiting women to come play for his new team.

“If I can get them here and get them to walk around, then it’s going to be very hard for people not wanting to be in this environment,” he said. “When I think of Angel City and why I want to be here, what has started with an ownership group and investors to build a brand that is world-leading, how female athletes should be supported, knowing the ambition now and putting in a performance center that no other women’s sports team has in the world, you’ve kind of touched everything.”

The performance center is part of a 9-acre training base Angel City inherited from the Rams when the NFL team moved to Woodland Hills in August. It is the largest and most modern in the NWSL history, boasting a 5,400-square-foot gym, three locker rooms, a film room, a medical treatment and hydrotherapy area, and a children’s playroom, among other things. There is one full soccer pitch and an adjoining half field.

It’s a big step up from the last three seasons when Angel City worked out of a pair of temporary trailers in a far corner of the CLU campus and used a weight room that wasn’t actually a room, but a huge tent. Angel City would not say exactly how much it spent on refurbishing the facility but said it was a “multimillion-dollar custom rebuild.”

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The move into the new facility comes at a time when the league is adjusting to radical new rules that have altered the building of rosters. Last September the NWSL became the first major professional league in the U.S. to ditch the draft, which bound players to the team that selected them. The new collective-bargaining agreement between the league and the players’ association also allows for out-of-contract players to negotiate with every team in the league and gives players the right to block trades to teams they don’t want to play for.

As a result, signing players now means recruiting them first.

Angel City FC general manager Mark Parsons gestures with his left hand as he addresses reporters Tuesday.

Angel City FC general manager Mark Parsons speaks during the ribbon cutting ceremony to unveil the new Angel City training center in Thousand Oaks.

(Al Seib / For The Times)

“My job has just got much, much more easy with this facility,” Parsons said. “A few more clubs over the last few years have been investing. [But] this is unlike nowhere else. I’m excited to be a part of an organization that cares that much.

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“But I’m also excited that my skill set just got a bit easier, because everyone’s going to want to be here.”

Christen Press, a two-time World Cup champion and the first player the team signed, said the facility will help make Angel City a destination.

“For the last three years, when we go as a club and talk to top players in the world, we didn’t have this facility to offer,” she said. “It’s a huge part of our day-to-day experience as an athlete and it matters.”

Whether it will be enough to turn around a team that lost a franchise-record 13 games last season, finishing 12th in the 14-team NWSL, remains to be seen. In the last month Matt Wade, the assistant general manager, and technical director Mark Wilson agreed to a one-year contract extension with Press, added French forward Julie Dufour and Australian defender Alanna Kennedy, and signed Mississippi State midfielder Macey Hodge.

Still, the team will begin preseason training Wednesday without a permanent replacement for coach Becki Tweed and with Parsons just a week into his job replacing general manager Angela Mangano Hucles.

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A look at the locker room inside Angel City FC's training facility.

A look at the locker room inside Angel City FC’s training facility.

(Al Seib / For The Times)

Parsons said the team has signed Sam Laity, who formerly worked in Seattle and Houston, to manage the club on an interim basis as he searches for a permanent coach.

“Getting the right person is the priority,” Parsons said. “If the right person is available sooner rather than later, fine. If we have to wait for that right person and they’re not available until the summer, then we’re open to that as well.”

For the time being, Bay is promising to be patient and supportive. The results, however, must follow eventually.

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“Bob and I were very clear about investing the resources in this team and the people who lead and manage it. And most certainly the women who play for it,” she said.

But, she added, “we know how important it is to do our best to bring a championship to this city.”

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