Sports
Bidding on Paul Skenes MLB Debut Patch card nears his 2025 salary

An 11-year-old boy from Los Angeles who pulled the Paul Skenes MLB Debut Patch card will likely sell it for more money than Skenes will make from his 2025 base salary with the Pittsburgh Pirates.
With 56 bids as of Wednesday night, the gem-mint PSA 10 graded autographed one-of-one rookie card bearing the patch Skenes wore on his jersey sleeve during his Major League debut has a high bid of $550,000 as of this writing. That would mean with the auction house’s buyer’s premium (to be donated to the Los Angeles Fire Department and Red Cross), the new owner of the card would have to pony up $660,000 for one of the most hyped cards in the hobby.
And there’s still ample time for more bids, as the auction for the card on Fanatics Collect ends March 20.
At some point, Skenes could make $44 million per season if he continues his current trajectory. For now, though, the Pittsburgh Pirates All-Star pitcher will make a base salary of $800,000 this season, via Spotrac.
The Skenes MLB Debut Patch card already carries a price tag more than four times higher than the most expensive sale of one of his other cards. The previously high mark was set by the pitcher’s one-of-a-kind 2023 Bowman Draft Chrome Prospect autographed Superfractor card (PSA 7 card grade, 10 auto grade), which sold for $123,200 through Goldin Auctions last September.
Since the beginning of 2024, there have been 29 sales of individual cards for at least $500,000 documented by Card Ladder’s database. Only six cards in that period have sold publicly for more than where the Skenes card stands as of Wednesday morning:
- $1.37 million: 1916 M101-4 Sporting News Babe Ruth blank back rookie PSA 7 grade (Heritage)
- $1.2 million: 2003-04 Upper Deck Exquisite Collection LeBron James rookie patch autograph numbered 18 of 23; Beckett 8.5 card grade, 10 auto grade (Goldin)
- $1.0 million: 1955 Topps Roberto Clemente PSA 9 (Heritage)
- $860,100: 2023-24 Panini Prizm Victor Wembanyama Nebula Choice Prizm, numbered 1 of 1, PSA 9 (Goldin)
- $701,500: 1997 Skybox E-X 2001 Allen Iverson Essential Credentials Now, numbered 2 of 3, PSA 5 (Heritage)
- $579,500: 1997-98 SkyBox E-X 2001 Kobe Bryant Essential Credentials Now, numbered 1 of 8, Beckett 9 (Goldin)
(Shohei Ohtani’s record card sale came in November, when his 2018 Bowman Chrome Rookie Autographs Orange Refractor numbered to 25 in a Pristine BGS 10 grade sold for $533,140.)
The Skenes MLB Debut Patch card will push the $500,000 card tally one tick higher when the auction ends next week. But how high will this card ultimately go? Here are some guesses from The Athletic’s staff:
Larry Holder
I’ve been on record saying this card could reach the $1 million price tag. Is that too low given we’re more than halfway there already? What makes me believe this could be the case is what Nick Bell, CEO of Fanatics Collect and Fanatics Live, told me just before the auction for the card opened:
“I can tell you obviously we get a lot of inbound from this, and the inbound that we’ve received for this card is not only from big collectors who typically kind of circle this sort of card, but also from a bunch of non-collectors who are really interested in this card for their first kind of major acquisition in the space.”
The interest from the non-traditional crowd could make this card more unique than the top dollar Honus Wagner or Mickey Mantle cards. Those cards may sell for more, but there’s only one Skenes Debut Patch card and the hype surrounding it may be unmatched for a modern card.
So I’m still bullish on a seven-figure sale. I’ll guess $1.1 million will be the final bid.
Caleb Mezzy
When the Skenes MLB Debut Patch landed in the hands of an 11-year-old kid who declined the offers from everyone from the Pirates and Livvy Dunne to Ken Goldin, I predicted a wholesome $2 million.
Here’s why: First, there has been a chase spurred by the Pirates’ bounty offer that Willy Wonka would applaud. Then there’s Skenes himself, who is arguably the most generational pitching talent since Stephen Strasburg, when the sports card industry was much smaller. His talent and timing are the next ingredient.
Skenes also had an interesting path coming from a college baseball powerhouse in LSU, where he transferred in as a catcher with the Air Force. His story, 100-plus MPH fastball, NL Rookie of the Year season, and All-Star game start, are another element. Then there’s the story of the 11-year old kid who pulled the card and was kept anonymous by Topps to protect his privacy.
But possibly the biggest element in this is Paul Skenes’ famous girlfriend. If he’s the face of Debut Patches, she’s the face of NIL for the NCAA. Her celebrity status has brought attention to their relationship and this card, helping to draw in eyeballs and likely bids.
Dan Uthman
Skenes has the look of a generational pitcher, and he could get even better than he’s shown in his professional career. But we’re talking about a lot of money at a time when some financial portfolios have taken a hit. I see the ceiling as $1.5 million.
Craig Custance
There’s just so much buzz about this card that I think it blows well past $1 million and ends at $1.7 million. But we’re still talking about a pitcher, which generally isn’t a premium position in collecting so I’m not ready to push it over $2 million.
Brooks Peck
I have to admit that I didn’t think that bidding on the card would be this high already, but it’s become clear that the interest in this card has transcended the usual collector circles thanks to all those factors Caleb laid out above. But how high can those elements push the bidding? Narrative aside, it’s hard to justify a seven-figure value on the card. Pitchers generally aren’t as valued as hitters in the hobby and they also carry a significant risk for long-term injury. While the MLB Debut Patch cards are incredibly unique items that are just starting to find their footing in the space, no other Debut Patch card has sold anywhere close to where the Skenes card is already at. But with all that said, you can no longer divorce the narrative from the card. It has probably become the most widely recognized and pop-culture relevant baseball card of the last 25-30 years. For that reason, I now think it’ll go over $1 million, but $2 million still seems like a bridge too far. So I’ll say it lands around $1.4 million.
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(Top photo: Joe Sargent/MLB Photos via Getty Images)

Sports
Remembering Greg Gumbel: Viewers relied on him from Selection Sunday to ‘One Shining Moment’

The Athletic has live coverage of the 2025 Men’s March Madness Selection Show
Ever the gentleman, Greg Gumbel reached out to offer a welcoming handshake. Ernie Johnson responded with … a fist bump?
The awkward exchange — one Johnson still describes, a decade later, as “so embarrassing” — lasted maybe two seconds. To Johnson, a TV veteran, it felt like an eternity. And yet if it had to happen, for two seconds or 20, it’s agreed that no one other than Gumbel could have handled it so smoothly.
For more than a quarter of a century, Gumbel provided calm in the most chaotic stretch of the sports calendar, gently and seamlessly guiding NCAA Tournament viewers from one thrilling upset to another marquee matchup. He kicked off March Madness each year with the Sunday selection show and ended it by tossing to “One Shining Moment.”
“With certain shows, it’s all about, ‘let’s add a bunch of bells and whistles,’” Johnson told The Athletic. “But on Selection Sunday, all you needed was Greg Gumbel and a bracket. So much goes into running that show but honestly, you could have made it a single camera shoot: Here’s Greg, here’s the bracket, go.”
The tournament is here again, the first since the legendary sportscaster died on Dec. 28 at the age of 78 of cancer. Though he missed last March for the first time since he started in 1998 for undisclosed reasons — which people now know were related to his illness — many hoped he’d be back in studio this spring.
The descriptions of Gumbel from those who knew him best and worked with him longest are flattering and varied: Kind, classy, soothing, charismatic, surprisingly funny. Above all else, unflappable.
Unless, of course, Charles Barkley was in the studio.
“When you can get Greg Gumbel to laugh,” Barkley told The Athletic, “that’s when you know you’re having a good day.”
CBS and Turner merged in 2011, bringing TNT’s “Inside the NBA” crew into NCAA Tournament coverage, letting Barkley loose on college basketball fans, and Gumbel.
“I’ll never forget at the beginning, I’m not in studio anymore, I was back calling games, so I’m watching from the gym and I’m like, ‘Oh, my gosh what is happening?!’” basketball analyst Clark Kellogg, another mainstay in the CBS studio during the NCAA Tournament, recalled while laughing. “When it became a little bit of a circus, the look on Greg’s face, you could tell he was flummoxed — but only if you’d worked with him and knew him. He was so adaptable, he handled it so well.”
Led by Gumbel — and including Johnson and Clark after he moved back to the studio in 2014 — the new group quickly found a rhythm that worked, even if it continued to involve Barkley being Barkley. One particularly memorable on-air moment: Gumbel laughing uncontrollably in response to Barkley’s bizarre story about showering in his uniform.
According to Gumbel’s daughter, Michelle, her dad loved the chaotic pace of March Madness, and the fact that no script could ever keep up with the “non-stop action.” His widow, Marcy, pointed to her husband appreciating basketball’s unpredictability and that every spring, no matter what teams were ranked, if he called their names during Selection Sunday, they would have “a chance to chase their dream.”
But Gumbel was much more than one of college hoops’ most trusted and reassuring voices. Barkley considered him the king of dad jokes. He loved the Rolling Stones with an unmatched passion, attending more than 50 of their concerts. He despised golf. “It’s a stupid game,” he’d tell anyone who would listen. “You walk around and chase a ball — that’s not a sport!” He had a “huge, special laugh,” as CBS Sports president and CEO David Berson liked to describe it, as recognizable to viewers as much as his on-camera authenticity and warmth.
He was a trailblazer and a rare talent. He was also a husband, dad and grandpa.
Suzanne Smith, CBS Sports’ first female director who worked with Gumbel on football broadcasts starting in the early 1990s, put it this way: “Greg was always the coolest guy in the room — and he never knew it.”
Gumbel’s career accomplishments included being the first Black play-by-play announcer to call a major sporting event when he did so at Super Bowl XXXV in 2001. He won three Emmys, anchored three Olympic Games across two networks and led broadcast coverage of everything from the NFL to the NBA. Not that he ever wanted to brag about it.
“He is an iconic pioneer in the space, but he was so uninterested in talking about it that you’d tend to forget it,” Kellogg said. “It was a revelation even for me, especially as a fellow Black man. I had forgotten some of the trailblazing things he’d done. And believe me, he wasn’t going to tell you.”
At CBS, Harold Bryant became the first Black executive producer to oversee sports at any of the major broadcast networks. Bryant studied how Gumbel handled being “the first” himself.
“He didn’t want to be known as the groundbreaker,” Bryant said. “He wanted to let his presence speak for itself, and I took a lot from that.
“He would just say, ‘I want to be known as the best at my craft.’ By always being the best, he showed that anybody can do this job, it’s not limited to one particular type of person. He didn’t talk about wanting to break the mold.”
Barkley said Gumbel’s talent was always clear.
“For as long as he was in the business — and to go from sport to sport, which can’t be easy — you don’t have that type of career until you’re really, really good,” he said.
Despite sitting in the No. 1 chair, Gumbel never wanted the focus on him.
Years ago after calling a Colts game, Smith, Gumbel and the CBS crew wound up at St. Elmo, the Indianapolis steak house famous for its shrimp cocktail. After the group was told the wait was two, maybe three hours, a few people nudged Gumbel and suggested he drop his name. After all, his photo hung on the celebrity wall.
“He wanted no part of it,” Smith said. Afterward, when the crew insisted he take a photo standing by the photo wall, he was mostly mortified, asking his colleagues, “What are we doing? No one cares who I am!”
Throughout sports media there are “certain broadcasters who have that big-time voice,” Smith said. “Greg Gumbel was one of them. If he was calling it, you knew it was an important, special event.”
Despite that acknowledgment from nearly everyone in sports television, Gumbel constantly deferred to his teammates.
“He did love paving the way for others,” said Berson, the CBS Sports president. “That’s a big part of why he was such a good studio host because he was always looking to tee up his colleagues and make them look good.”
Gumbel understood how to deftly transition from one topic and analyst to another, smoothly taking viewers through an entire rundown. Perhaps best of all for everyone working with him, he never appeared rattled; what viewers experienced in their living rooms is the same thing producers experienced in the production truck and on set.
This was the case no matter the situation — a highlight not working, a promo not being read correctly or Barkley needing to be corralled.
“When we go off the rails, Ernie’s used to it,” Barkley said. “We do it probably 20 times a year with him on TNT. But Greg would only see us once a year and he had to react in real time. There’s a talent to that. He never seemed flustered.”
Numerous people who worked with Gumbel spoke about his ability to crack tension on set, though it never came at someone else’s expense.
Kellogg called him “a closet comedian.” Barkley recalled Gumbel told “10 dad jokes a day, and they were just awful. You never knew if you were laughing because it was funny or because they were so nerdy.”
For as much as Gumbel’s work revolved around sports, the stories imprinted on the minds of colleagues, friends and family are about life and conversations beyond the court or field.
Greg Gumbel was a private man, but his love of the Rolling Stones and his granddaughter, Riley, were no secret. (Courtesy of the Gumbel family)
Michael Gluc worked as Gumbel’s spotter during NFL games for more than two decades. They traded family stories and holiday cards and checked in with each other throughout the offseason. Gluc still catches himself waiting for Gumbel’s regular Friday email sharing dinner plans for the next day in whatever NFL city they were headed to.
“He loved the Stones, everyone knew that, he saw them in concert multiple times. And for 24 years, I couldn’t tell him I liked the Beatles more,” Gluc confessed, laughing. “I didn’t want to disappoint him.”
At the 1992 Winter Olympics, Gumbel’s first as CBS host, he de-boarded the plane in Albertville, France, and noticed Smith struggling. On crutches after breaking her foot, she couldn’t juggle her luggage. Gumbel, who’d yet to meet Smith, rushed to help.
“There were probably 200 people getting off that plane, and this guy is a superstar at CBS, running over to help someone he doesn’t know,” Smith said.
At the 2011 Final Four in Houston, Berson shared a car with Gumbel to Reliant Stadium. Gumbel asked Berson about his interests outside of sports. They spent the entire ride trading book recommendations after discovering they preferred the same suspense authors like Vince Flynn, Harlan Coben and Sue Grafton (Gumbel also recommended John Sandford and Lee Child).
And yet there is no question that the true highlight of Gumbel’s life came in 2012 when his granddaughter Riley was born. Though Gumbel was an intensely private person — numerous people at CBS did not know he’d been diagnosed with cancer until shortly before his death — one topic he never shied from was Riley.
“The pictures and videos,” Kellogg said, “were unceasing.”
Riley’s favorite memories with her grandpa include dance-offs in the kitchen, telling knock-knock jokes and his insistence that she also get familiar with the Rolling Stones.
“He would always send me his favorite songs that he’d think I’d like, and I ended up loving each one,” Riley wrote in an email to The Athletic. “Whenever I hear one of those songs on the radio, such as ‘Brown Sugar,’ I always think of him and how he is communicating with me from above.”
A few years ago, when Riley was in the fifth grade, her school put together a morning show. When it was Riley’s turn to anchor, her parents recorded it and sent it to Grandpa for feedback.
Her next time in front of the camera, she shined.
“I remembered all the things he had taught me,” she said. “Talk slower, pronounce words with diction and always smile.”
As March Madness tips this week, Gumbel’s absence will be felt. Michelle attended her first and only Final Four with her dad in Houston in 2011, proudly “watching him do what he’s always done best.”
“I feel fortunate to have had the opportunity to grow up watching my dad all these years,” Michelle said via email. “I will greatly miss his send-offs after calling the game or hosting, saying goodnight with a heartfelt, ‘Goodbye and so long.’”
(Illustration: Demetrius Robinson / The Athletic; Photos: Kyle Terada / USA Today Network via Imagn Images)
Sports
Dodgers' Mookie Betts will miss Tokyo Series vs. Cubs with lingering illness

Mookie Betts will miss the Los Angeles Dodgers’ Tokyo Series against the Chicago Cubs due to an illness. Dodgers manager Dave Roberts announced the decision on Sunday night.
Roberts said that Betts is starting to feel better but has lost nearly 15 pounds and is still trying to get rehydrated and gain strength. Roberts added that the eight-time All-Star might fly back to the United States before the team in an effort to rest and prepare for the domestic opener on March 27.
The Cubs and Dodgers open the Major League Baseball season on Tuesday at the Tokyo Dome. A second game is on Wednesday.
“He’s not going to play in these two games,” Roberts said. “When you’re dehydrated, that’s what opens a person up to soft tissue injuries. We’re very mindful of that.”
Roberts said Miguel Rojas will start at shortstop in Betts’ place for the two games at the Tokyo Dome.
Betts went through a light workout on Sunday, but became tired quickly. He started suffering from flu-like symptoms in Arizona, the day before the team left for Japan. He still made the long plane trip, but hasn’t recovered as quickly as hoped.
Betts is making the full-time transition to shortstop this season after playing most of his career in right field and second base. The 2018 AL MVP hit .289 with 19 homers and 75 RBIs last season, helping the Dodgers win the World Series.
Reporting by The Associated Press.
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Sports
Dodgers' Mookie Betts ruled out of Tokyo Series vs. Cubs because of stomach virus

TOKYO — Mookie Betts’ return to shortstop will have to wait until the Dodgers return home from Japan.
Betts will miss both of the Dodgers’ season-opening games at the Tokyo Dome this week against the Chicago Cubs, manager Dave Roberts said Monday, as he continues to recover from a stomach virus that has kept him out of action since last weekend.
Betts is expected to be ready for the Dodgers’ domestic home opener on March 27 against the Detroit Tigers. But in the meantime, Roberts said the Dodgers are “contemplating” sending him back home to Los Angeles early, before the team departs following Wednesday’s second game against the Cubs.
“He’s still trying to find his way [physically],” Roberts said. “I think the question is, what’s best to get him ready for opening day? We’re still talking. That’s on the table.”
Betts first started feeling sick before the team left for Japan last week. He made his final Cactus League appearance on March 9, continuing to transition back to a shortstop position he is slated to play full-time this year after a three-month stint there last year. But after reporting his symptoms to the club the next day, he was held out of the team’s final two games in Arizona.
Roberts said there wasn’t much initial consideration to having Betts miss the trip to Tokyo; nor concern that his illness, which Roberts said doctors didn’t believe was contagious, would spread to others on the team.
However, over the course of his sickness, Betts lost almost 15 pounds, according to Roberts, and looked noticeably slimmer when he arrived in Tokyo. Though he finally began feeling better in recent days, he was still battling lingering effects of dehydration and fatigue.
“The thing is when you lose a lot of weight, when you’re dehydrated, that’s what opens a person up to soft-tissue injuries,” Roberts said. “We’re very mindful of that. So to take the next week, call it, to build him back up, his strength, do some baseball activities to get ready for the home opener.”
Betts didn’t play in either of the Dodgers’ exhibition games against Japanese teams this weekend. During a pregame workout on Sunday, the 32-year-old former MVP looked visibly tired while taking ground balls, resting his hands on his knees several times between drills.
Betts was scheduled to participate in an off-day workout Monday, but ended up scrapping the session.
Roberts said the added toll of Betts’ move back to shortstop contributed to the team’s decision to hold him out of Tuesday and Wednesday’s season-opening games.
The manager also acknowledged that, if the Dodgers had known Betts wouldn’t be able to play in Tokyo, they likely would have had him stay back from the trip.
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