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Washington’s most exclusive new music venue: Noochie’s ‘Front Porch’

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Washington’s most exclusive new music venue: Noochie’s ‘Front Porch’


There is a house a little south of D.C. that is, most of the time, just a house. A tidy, brick-faced single-family home on a quiet street full of other similar, unassuming homes.

You might not even notice it, unless you happened to be passing by as an elegantly dressed R&B singer and his eight-piece band took over the front lawn to play a quick set, as happens every so often.

“We back again, y’all,” the homeowner, 28-year-old Antwon Vincent, a rapper who performs under the name Noochie, announced to a crowd of about 10 one frigid December night. “Rain, sleet or snow. Whether it’s hot or it’s cold.”

Then he introduced that evening’s featured performer to the stage — er, porch. Grammy-nominated singer-songwriter Eric Roberson walked through the front door, shook Noochie’s hand and started crooning a slow-jam love song into a mic as if he were appearing on a late-night talk show with a studio audience.

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Welcome to Noochie’s “Live From the Front Porch,” the D.C.-centric, residential equivalent of NPR’s “Tiny Desk” concert series. It has featured big-name acts like Raheem DeVaughn and Ruben Studdard and attracted hundreds of thousands of viewers on YouTube and Instagram.

“Live From the Front Porch” originated about five years ago, when Noochie, who had been signed to Atlantic Records, was in the process of leaving his contract. Since he was in limbo with his record label, he didn’t want to release any official music, not knowing where ownership rights would lie. Instead he grabbed his iPhone and a portable speaker and started recording himself freestyling over industry beats from his front porch. Then he shared the results on Instagram.

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“I was like, let me do something that has no attachment to anything and let me just rap it. I’m not going to monetize from this, but it’ll just show people that I’m skilled and give people a visual, too,” the “Sneaky Tape 2” artist says. “It was completely out of hunger.”

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Noochie kept up the performances through the pandemic, and in March 2023, his friend Tyler Benson offered to help him increase the series’s production value. Benson replaced the rapper’s iPhone with a professional camera, which gave the duo an opportunity to do multiple takes and edit as needed. Benson’s changes also meant Noochie could capture more of his front porch, so he had an idea: “Let me put a whole band on the porch.” He swapped his portable speaker for live instrumentals.

Expanding “Live From the Front Porch” to “Live From the Front Porch Presents” happened almost by accident.

“There was no goal to put other people on it,” Noochie says, chuckling. “This started because other people weren’t putting me on stuff. People weren’t calling me. … People that I wanted to work with weren’t working with me. So I was like, ‘You know what, let me just go to square one with my own people, at my house, with my skills that I know how to do.’ I mixed all the audio myself.”

Noochie had always dreamed of having go-go legends the Backyard Band perform for his birthday, so in July he made the invite, set up the porch and decided to record the session. “Instead of being selfish,” he remembers thinking, “I can give it to everybody.”

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In the nine months since, the Front Porch sessions have animated the D.C. music scene, as followers try to track down the exact location of the house and speculate on the timing of the next concert.

But Noochie wants the events to be in service of the musicians as much as the fans.

That’s what Don Choo, a longtime family friend who used to work with Noochie’s father, D.C. hip-hop trailblazer Oneway Boobe (real name Roger Vincent), says is the real appeal of “Live From the Front Porch.” It gives artists an opportunity to home in on what they love most — the music.

“Some of the best jam sessions have happened here because there’s no ‘Lights, camera, action’ with thousands of people. This is just the artist vibing out. You get better music that way because it’s a performance that comes from the heart, it’s not to wow an audience,” Choo said on the night of the Eric Roberson concert. “Like there’s nobody here, there’s no audience, it’s just us.”

That feeling means a lot to Noochie — it’s the essence of what he’s trying to preserve and promote. The tidy, brick-faced single-family home used to belong to his father. It was here that he watched his father push through his own challenges as a musician.

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“I grew up in the era of him pursuing hip-hop in a city that was really only accepting of go-go,” Noochie says. “It was kind of like I already got to experience seeing an uphill battle firsthand.”

The rapper inherited this house just a year before his father was incarcerated in 2018.

“My dad, he was the reason I started. He’s incarcerated right now, and this was his house. He tried to sell it, but I fought for it to make sure it didn’t go nowhere, and fast-forward, here we are, and it brought a whole other meaning to what this house has meant already,” Noochie says. “This used to be the studio; like Shy Glizzy got his start here, Fat Trel has been here, there’s a lot of history here.”

Noochie, who will perform this weekend at the National Cannabis Festival, sees “Live From the Front Porch” as a way of continuing his father’s legacy — and carving out his own.

“He was a nucleus to all these people, so I’m just keeping it going; that’s how I look at it,” he says. “It’s a different group of individuals, but the spirit of it is the same. Just making sure that we all chasing the dream and we all get closer to it together.”

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Army Corps: Reservoir expansion ‘doesn’t fix, but improves’ DC’s drinking water supply for future Potomac River emergency – WTOP News

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Army Corps: Reservoir expansion ‘doesn’t fix, but improves’ DC’s drinking water supply for future Potomac River emergency – WTOP News


Developing a regional solution to enable all local water companies to share drinking water in the event of a future Potomac River emergency remains a long-term challenge facing the U.S. Army Corps of Engineers.

Developing a regional solution to enable all local water companies to share drinking water in the event of a future Potomac River emergency remains a long-term challenge facing the U.S. Army Corps of Engineers. But the Corps is leaning-in to near term solutions, for now, because current issues “are quite, quite dire.”

In an interview with WTOP, Trevor Cyran, Chief of the Civil Works project management office of the Baltimore District Corps of Engineers, elaborated on the Corps’ ongoing three-year feasibility study funded by Congress and the Metropolitan Washington Council of Governments.

Last week, during a House Transportation and Infrastructure Committee hearing, lawmakers pressed the U.S. Army Corps of Engineers to explain what’s being done to secure solid backup options for the D.C. region’s drinking water.

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D.C. Del. Eleanor Holmes Norton challenged the Corps after learning that the study that Congress authorized to identify a secondary water source for the region was being narrowed to only expanding the current Dalecarlia Reservoir, adjacent to the Washington Aqueduct, which remains the only source of drinking water for D.C., Arlington, and parts of Fairfax County, Virginia.

“Expansion of the reservoir is not a secondary water source,” Norton said. “With only a one day of backup water supply, human-made or natural events that make the river unusable would put residents, the District government and the regional economy at risk.”

Cyran said the U.S. Army Corps of Engineers doesn’t disagree.

“We’re trying to find a quick win that addresses some of the near-term issues, because they are quite, quite dire,” Cyran said. “The Dalecarlia expansion would add approximately 12 hours of water storage into the system,” he said. “So, while we know that doesn’t fix the problem, it improves the situation.”

Recently, drinking water in D.C., Northern Virginia and Maryland has remained safe because the January collapse of a portion of the aging Potomac Interceptor regional sewer line happened downstream of the main Potomac River water intake serving the Washington Aqueduct.

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“We’ve moved forward with the Dalecarlia expansion, as our most probable recommendation,” said Cyran. “The Corps is laser focused on delivering something right here, right now that can actually help with the issue, while still exploring some of those long term solutions.”

Cyran said the dangers to public health and the economy are substantial, with the Potomac as the sole drinking water source. “It’s not a great situation — we’ve seen a very real risk come to fruition recently, with the spill.”

While drinking water has been unaffected by the spill, the advisory for the public to avoid contact with the Potomac River remains in effect in the District and Montgomery County, where the Potomac Interceptor spill happened, along the Clara Barton Parkway.

The advisory is expected to be lifted Monday, by the D.C. Department of Health, as E. coli levels have recently returned to the typical range for D.C.’s rivers.  The District’s Department of Energy and Environment is now doing daily testing of the Potomac and Anacostia Rivers.

How would increased storage at Dalecarlia Reservoir look?

According to the Army Corps, expanding the Reservoir over 54 available acres would provide approximately 70 million gallons per day, doubling the capacity at Dalecarlia. Since the land is already owned by the Washington Aqueduct, it would not require acquiring any land.

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Cyran said it’s not yet certain whether the expansion would provide an extra 12 hours of storage of raw water from the Potomac, or finished water, after it had gone through the Washington Aqueduct’s water purification process.

Regardless, either option would result in the Aqueduct having more water on hand, if drawing water from the Potomac was suddenly unsafe.

Another near-term option that wouldn’t require land acquisition would be advanced treatment, Cyran said.

“We could implement something that allows us to treat for a wider array of contaminants, if you had a spill,” said Cyran, although noting the recent spill from the Potomac Interceptor, which poured approximately 240 millions of raw sewage into the Potomac, “might not be a good example” of how the technology would work.

The Army Corps list of possible solutions includes reusing water. In November 2025, DC Water outlined its own plans to recycle water from the utility’s Blue Plains Advanced Wastewater Treatment Plant, the largest of its kind in the world.

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Quarry storage cannot happen quickly

During its ongoing study, the Army Corps has identified possible long term regional solutions, including the potential use of the Travilah Quarry in Montgomery County, Maryland, and two quarries in Loudoun County, Virginia, owned by Luck Stone.

10 years ago, in December 2016, WTOP first reported that the Travilah Quarry, located on Piney Meetinghouse Road in Rockville, was quietly being considered by DC Water, WSSC Water, and Fairfax Water, as an alternative source of water, if the Potomac River were unavailable.

“The three utilities, and the Interstate Commission on the Potomac River Basin, along with the Metropolitan Washington Council of Governments have been working over the last several years to look at alternatives to get better interdependencies, to have more resilience in our system,” said Tom Jacobus in 2016, while he was general manager of the Aqueduct.

Now, a decade later, the logistical, real estate, and financial challenges of obtaining a quarry which could be interconnected between DC Water, WSSC Water, and Fairfax Water remain.

“We’re not saying they can never happen, we’re just saying they cannot, in any way, shape, or form, happen quickly,” said Cyran. “Travilah is still an active quarry, so that can’t even be considered for storage until they’re done mining, which might be 30 years from now.”

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The Dalecarlia Reservoir expansion would not be regional solution, Cyran said.

“That would only benefit folks who are tied directly to the Aqueduct at this time,” he said. “However, while we’re going to be looking at other alternatives that we could potentially spin off and continue to look at, that would address some of those more regional issues.”

‘We can’t hand half-baked ideas to Congress’

While an interconnected, resilient system, that could provide additional water sources and storage to DC Water, WSSC Water, and Fairfax Water would be optimal, Cyran said the Corps is limited by a Congressional paradigm that limits its feasibility study to four years and five million dollars.

“We can’t hand half-baked ideas to Congress,” Cyran said.

With the Corps’ current focus of implementing near-term improvements, quickly, the agency will continue to use its expertise to envision a more resilient, long term solution.

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“We are committed to looking at this issue and try to explore some regional solutions, within the paradigms of the legislation that we have to operate within,” said Cyran. “If Congress wants to consider something else to expand our authority, we could maybe look at a bigger solution, with more time and money.”

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New AAPI-led Jaemi Theatre Company launches in DC

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New AAPI-led Jaemi Theatre Company launches in DC


Jaemi Theatre Company, a new AAPI-led theater company based in Washington, DC, officially launches this spring with its inaugural project, BAAL, a staged reading at the 2026 Atlas INTERSECTIONS Festival on Friday, March 6, at 7:30 PM at the Atlas Performing Arts Center.

Jaemi Theatre Company co-founder and playwright Youri Kim

Founded by Artistic Director Youri Kim and Artistic Associate Juyoung Koh, Jaemi Theatre was born out of a recognition that DC, one of the largest theater markets in the United States, had no company dedicated to centering Asian stories or led by Asian artists. The name “Jaemi” comes from a Korean word meaning “fun,” and in its Sino-Korean form, 在美, means both “to live in America” and “to live in beauty.”

“I kept hearing from companies that it was hard to find Asian actors, and I heard it so often that I started to believe it myself,” said Youri Kim. “But through building community with other AAPI theater artists in the area, I realized the talent was always here. What was missing was the infrastructure to connect us. Jaemi is that infrastructure.”

BAAL, an original work written by Youri Kim (not to be confused with Bertolt Brecht’s 1918 play of the same name), is a body horror drama set in a dystopian city where the air is toxic and birth is outlawed. In the city of Baal, citizens are forced into an impossible choice: terminate or sacrifice a family member. The play uses the language of biological mutation and bodily control to examine how systems of power decide who gets to exist and on what terms, questions that resonate deeply within AAPI and immigrant communities navigating structures that seek to define, contain, and assimilate them. The staged reading features a cast of seven and an original sound design.

BAAL plays as a staged reading Friday, March 6, 2026, at 7:30 PM in Lab Theatre II at the Atlas Performing Arts Center (1333 H St NE, Washington, DC). Tickets ($29.75) are available online.

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Looking ahead, Jaemi Theatre plans to host a founding party and fundraiser this fall, and will launch an Asian Writer Play Submission program in the second half of 2026. The program will pair playwrights from selected Asian countries with Asian playwrights based in DC for a workshop development process, building a pipeline that connects diasporic voices across borders.

For more information, visit yourikimdirector.com or follow @jaemitheatre on Instagram.

About Jaemi Theatre Company
Jaemi Theatre is a newly formed AAPI-led performance initiative based in Washington, DC, co-founded by Artistic Director Youri Kim and Artistic Associate Juyoung Koh. “Jaemi” is Korean for “fun” and, in its Sino-Korean form, means “to live in America” and “to live in beauty.” The company creates interdisciplinary performance rooted in diasporic imagination and radical storytelling. Jaemi is a home for the unfinished and the unassimilated, where performance holds contradiction without needing to resolve it.





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San Francisco Ballet cancels upcoming performances at Kennedy Center

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San Francisco Ballet cancels upcoming performances at Kennedy Center


Sunday, March 1, 2026 6:36AM

SF Ballet cancels upcoming performances at Kennedy Center

SAN FRANCISCO (KGO) — The San Francisco Ballet board has voted to cancel its upcoming performances at the Kennedy Center.

The company is scheduled for a four-day run in Washington D.C. in May.

Petition urges SF Ballet to cancel Kennedy Center tour stop as company opens 2026 season

Last year, Pres. Donald Trump overhauled the Kennedy Center’s board, including naming himself the chairman.

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That led several artists to cancel scheduled performances.

A statement from SF Ballet says the group “looks forward to performing for Washington, D.C. audiences in the future.”

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