Practitioners of walking meditation often move at a glacial pace, engaging each step the way a sitting meditator registers every breath. The exercise is usually performed in a quiet room, not the bustling D.C. sites depicted in “Abiding Nowhere,” the 10th installment in Tsai Ming-liang’s “Walker” series and the first shot in the Western Hemisphere. The film was commissioned by the National Museum of Asian Art to mark the 2023 centennial of its Freer Gallery of Art, where the 79-minute movie will screen on March 1.
Washington, D.C
Review | In the galleries: A filmmaker’s latest edition of souls on separate journeys
The red-robed man moving with exquisite deliberation through Georgetown, the Mall and Union Station is not an actual monk. He’s played by Lee Kang-sheng, Tsai’s longtime collaborator and on-screen alter ego. The Malaysian-Taiwanese director largely abandoned narrative filmmaking a decade ago, but has continued to make “Walkers,” inspired by Xuanzang, the 7th-century monk who journeyed to India to acquire Buddhist texts and bring them back to China.
Although “Abiding Nowhere” tells no story, it shares much with Tsai’s earlier fiction films. The director has always employed long takes and leisurely action, thus calling attention to the passing of time. The latest “Walker” alternates the monk’s steps with moments that feature a secondary character (Anong Houngheuangsy, a recent addition to Tsai’s repertory company); in one scene, the latter wears a T-shirt that reads “time to kill.”
In interviews, the director often compares himself to a painter and says that his style has been shaped by exhibiting his films in museums such as the National Museum of Asian Art (long a reliable supporter of his work). The Freer itself appears in “Abiding Nowhere,” but so do scruffier, lesser-known D.C. locations, many of them associated with the local art scene. In a sense, all these places are equal: backdrops for the detached motion of bodies and minutes. Tsai’s latest film is set in Washington, but also in a realm outside place and time.
Tsai Ming-liang: Abiding Nowhere At 7 p.m., March 1 at the Freer Gallery of Art, National Museum of Asian Art, 1050 Independence Ave. SW. asia.si.edu. 202-633-1000.
Many color-field abstractionists have rejected the notion that their pictures look like landscapes, but sometimes the resemblance is hard to deny. Most of the vivid canvases in Hemphill Artworks’ “Willem de Looper: Paintings 1972-1975” were made soon after the Dutch-born D.C. artist’s 1973 trip to the American Southwest. The large pictures sweep horizontally and are usually in the colors of stone, sand and clay. (There are also three heavily blue ones, at least one of which predates the excursion.) The paintings are not literal landscapes, but the inspiration is palpable.
De Looper (1932-2009) was among the second group of Washington colorists to achieve prominence, and he adopted some of the methods of his predecessors. Like Morris Louis and Kenneth Noland, he stained unprimed canvases with acrylic pigments, which had been developed at that time. But the long-unexhibited paintings in this group were not made by brushing or pouring. Instead, de Looper used rollers to sweep bands of color horizontally across the composition.
This technique yielded pictures that suggest a spectator’s movement through vast expanses of tans and browns, or layers of rock built up and worn down by millennia. The arrays of close-colored streaks can also suggest other things, such as unglazed pottery. Whatever the softly striped hues evoke, de Looper used watery washes of diluted paint to conjure something profoundly earthy. These paintings are gauzy and solid at the same time.
Willem de Looper: Paintings 1972-1975 Through March 2 at Hemphill Artworks, 434 K St. NW. hemphillfinearts.com. 202-234-5601.
One piece in “A Corcoran Homecoming: The Art of Carroll Sockwell” seems to encapsulate the life and the work of this acclaimed but conflicted artist. Made when Sockwell was 15, “Hands Off Me/Am I Bad?” is an oil-pastel drawing of a face that combines geometric and expressionist aspects and includes the picture’s title, roughly written in white.
The juxtaposition of spontaneous and calculated lines recurs in the art Sockwell made between the late 1950s and his 1992 suicide, at age 49. A native Washingtonian who grew up in Foggy Bottom — the neighborhood was then predominantly Black — Sockwell showed great artistic promise as a teenager, encouraged by an art therapist who worked with him while he was committed at St. Elizabeths Hospital.
The show includes Sockwell’s collage portrait of one of his patrons, Walter Hopps, who was the Corcoran Gallery’s director from 1967 to 1972. More typical, however, are purely abstract works. All the pieces are on board and paper, sometimes shaped, and feature tones that are mostly dark or muted. “Mirror Composition” is an expanse of black graphite and oil pastel, separated into blocks by silvery lines and framed under glass to reflect the viewer’s face. Gazing into this void is a suitably ambiguous experience. Sockwell assuredly conjured his own uncertainty.
A Corcoran Homecoming: The Art of Carroll Sockwell Through March 9 at Luther W. Brady Art Gallery, Corcoran Flagg Building, 500 17th St. NW. bradygallery.gwu.edu. 202-994-1525.
Brentwood Arts Exchange’s “Chosen Family,” curated by Lauren Davidson, presents work by seven African American artists who constitute three sets of friends: Omari Jesse, Bria Edwards and Olivia Bruce; Wesley Clark and Rodney “Buck!” Herring; Austin “Auz” Miles and Angelique Scott. The standout, as he usually is in group shows that include him, is Clark.
The artist’s two entries are part painting, part sculpture. Screws and nails intrude on planes of thickly applied, partly cracked pigment, set off by wooden shingles or a band of weathered steel. The works evoke making and unmaking simultaneously.
Where Clark’s abstractions have an industrial vibe, most of the other work is at least partly representational, often portraying domestic scenes or private moments. What many of the artists share with Clark is an interest in metamorphosis. In Bruce’s drippy triptych, a nude woman takes on aspects of the water around her. In Miles’s portrait of a woman, the face appears solid but the rest is fluid. In Edwards’s scene of a couple in a kitchen, metal objects rendered in silver leaf add a sculptural quality. The figures and their environments are ordinary, but endowed with an intriguing mutability.
Chosen Family Through March 9 at Brentwood Arts Exchange, 3901 Rhode Island Ave., Brentwood. pgparks.com. 301-277-2863.
The memorial service will be held at the National Law Enforcement Officers Memorial at 1 p.m.
WASHINGTON D.C. – A brave K-9 hero from the region will be honored at the Annual National Police K9 Memorial Service on Monday afternoon.
K-9 Knox died in the line of duty last year after he was accidentally hit by a police vehicle while pursuing a suspect involved in a stolen vehicle incident. He was a 3-year-old German shepherd and had served as a narcotics detection and patrol apprehension K-9 for the Roanoke Police Department since May 2023.
The memorial service will include a wreath-laying ceremony and will be held at the National Law Enforcement Officers Memorial in Washington, D.C., at 1 p.m. The event will open with a musical performance by Frank Ray, and the guest speaker will be Deputy Jared Hahn of the Miami-Dade Sheriff’s Office K-9 Unit.
The San Antonio Police Department Blue Line Choir will sing the national anthem, and the Emerald Society Pipes & Drums band will also perform.
Copyright 2026 by WSLS 10 – All rights reserved.
4 things to know about the weather:
- Shower chance Monday morning
- Cooler Monday
- Midweek rain chance
- Warmer end to the week
Showers continue to move west with a cold front tonight. There will be a break in the rain overnight, but showers return for the start of the day on Monday. Monday afternoon will be dry, but noticeably cooler.
Sunshine returns Tuesday, but the break in the rain will be short-lived with rain chances on Wednesday
Download the NBC Washington app on iOS and Android to check the weather radar on the go.
QuickCast
TONIGHT:
Showers early
Mostly cloudy
Wind: N 5-10 mph
LOW: Low 50s
MONDAY:
Morning shower chance
Wind: N 5-10 mph
HIGH: Upper 60s
TUESDAY:
Sunny
Wind: N 5-10 mph
HIGH: Near 70°
WEDNESDAY:
Shower chance
Wind: S 5-10 mph
Gusts at 20 mph
HIGH: Low 70s
SUNRISE: 5:59 a.m. SUNSET: 8:10 p.m.
AVERAGE HIGH: 75° AVERAGE LOW: 56°
Stay with Storm Team4 for the latest forecast. Download the NBC Washington app on iOS and Android to get severe weather alerts on your phone.
Washington, D.C
BXP Headquarters Shift Highlights Tenant Strategy And Washington DC Portfolio Choices
- BXP (NYSE:BXP) is relocating its regional headquarters to make room for major tenant the Washington Commanders in Foggy Bottom.
- The company is moving into a newly renovated downtown Washington, DC office building as part of this shift.
- The relocation aligns with recent leasing activity and capital deployment in the DC market.
For investors watching NYSE:BXP, this move ties directly to how the company is using its portfolio to support active leasing and tenant relationships. The stock last closed at $59.46, with a 15.0% return over the past 30 days and a 1.7% return over the past week, while the return over the past 5 years is a 27.4% decline. These mixed signals highlight why operational updates like this relocation can matter alongside price performance.
The decision to prioritize space for an NFL franchise tenant and occupy a freshly renovated downtown asset provides additional context on how BXP is positioning its DC footprint. As more details emerge on leasing terms, occupancy, and future capital plans around these properties, investors can use this event as another data point when assessing how the company is managing growth and risk in a key office market.
Stay updated on the most important news stories for BXP by adding it to your watchlist or portfolio. Alternatively, explore our Community to discover new perspectives on BXP.
3 things going right for BXP that this headline doesn’t cover.
This headquarters move sits at the intersection of BXP’s tenant strategy and its capital deployment in Washington, DC. By giving the Washington Commanders a larger footprint in Foggy Bottom and shifting its own team into a recently refurbished, US$25 million downtown building, BXP is effectively using its portfolio as a tool to secure and retain high profile tenants. That matters for a company whose first quarter 2026 revenue of US$872.15 million and net income of US$101.58 million depend heavily on occupancy and long term leases. It also aligns with management’s comments about portfolio performance contributing to an increased full year 2026 EPS guidance range of US$2.15 to US$2.29 per diluted share, where gains on sales and operating trends both play a role.
How This Fits Into The BXP Narrative
- The relocation supports the narrative catalyst around a flight to quality, as BXP is concentrating activity in well located, premier DC assets that can appeal to blue chip tenants such as the Commanders.
- At the same time, shifting internal space and accommodating a large tenant concentrates exposure in a single market and property cluster, which could challenge assumptions about diversification and leasing flexibility if demand softens.
- This news adds detail on how BXP is using headquarters space as part of broader leasing negotiations, a nuance that may not be fully reflected in narrative discussions focused on development projects and capital recycling.
Knowing what a company is worth starts with understanding its story.
Check out one of the top narratives in the Simply Wall St Community for BXP to help decide what it’s worth to you.
The Risks and Rewards Investors Should Consider
- ⚠️ Higher tenant concentration in a single NFL franchise could increase earnings sensitivity to one lease, especially if sector headwinds or usage changes affect long term space needs.
- ⚠️ The move comes against a backdrop where analysts have flagged occupancy pressure and interest coverage as key risks, so additional capital tied to renovations and relocations may constrain flexibility if conditions tighten.
- 🎁 Hosting the Commanders in Foggy Bottom may support occupancy and brand appeal across nearby properties, which can help leasing in a competitive office market.
- 🎁 Moving into a newly renovated downtown office can signal confidence in DC as a core market and help BXP’s own staff operate closer to tenants and development activity.
What To Watch Going Forward
From here, keep an eye on leasing metrics and disclosed terms around the Commanders’ space, including remaining lease length, rent levels, and any associated capital commitments. It is also worth watching how occupancy and cash flow from the renovated downtown building show up in future quarterly results, alongside the company’s EPS guidance for 2026 of US$2.15 to US$2.29 per diluted share. Any commentary on additional relocations, asset sales, or redevelopment plans in DC will help you judge whether this move is part of a broader repositioning of the portfolio or a one off response to a single tenant opportunity.
To ensure you’re always in the loop on how the latest news impacts the investment narrative for BXP, head to the
community page for BXP to never miss an update on the top community narratives.
This article by Simply Wall St is general in nature. We provide commentary based on historical data
and analyst forecasts only using an unbiased methodology and our articles are not intended to be financial advice. It does not constitute a recommendation to buy or sell any stock, and does not take account of your objectives, or your
financial situation. We aim to bring you long-term focused analysis driven by fundamental data.
Note that our analysis may not factor in the latest price-sensitive company announcements or qualitative material.
Simply Wall St has no position in any stocks mentioned.
Valuation is complex, but we’re here to simplify it.
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