Washington, D.C
Beyoncé’s Cowboy Carter Tour Crashes 4th of July in Washington, D.C.: 7 Best Moments
The music icon took the most political trek of her career to the nation’s capital.
Beyoncé wears a cowboy hat, a burgundy faux fur fluff coat on one shoulder and a blue denim shirt during the Louis Vuitton Menswear Spring/Summer 2026 show as part of Paris Fashion Week on June 24, 2025 in Paris, France.
Edward Berthelot/Getty Images
Between a surprise appearance from Jay-Z in Paris, Blue Ivy’s routinely show-stealing “Déjà Vu” dance breaks, and an impromptu mid-air “tippin’ on 44s” moment in Houston, Beyoncé‘s record-smashing Cowboy Carter Tour has been filled with viral moments. Nonetheless, Queen Bey pulled out all the stops for her July 4 show at Maryland’s Northwest Stadium, just outside of Washington, D.C., the U.S. capital.
In its Grammy-winning exploration and illumination of the oft-obfuscated Black roots of American country music (and early rock ‘n’ roll), Beyoncé’s Cowboy Carter LP found the music icon squaring her personal catharsis (the album was largely made in response to her negative experience at the 2016 CMA Awards) with a look at how the recording industry mirrors the exploitation and discardment of Black minds and lives in America at large.
On Independence Day, Beyoncé entered the stage with her rousing Cowboy Carter opener, “Ameriican Requiem”; introduced by backup dancers doused in blue, the 35-time Grammy-winner’s vocals reverberated across the stadium. The song, something of a funeral march for an antiquated version of America, set a resiliently optimistic tone for the rest of the night. Between performing the entire Cowboy Carter LP, weaving in classic hits from across her nearly 30-year-strong catalog and incorporating recent hits from Black Southern stars like GloRilla (“TGIF”) and BigXthaPlug (“The Biggest”), Beyoncé crafted a sacred space for Black Americans (and those belonging to the country’s most mistreated groups) to host their own emotionally complex acknowledgement of the nation’s birthday.
Here are the seven best moments of Beyoncé’s Cowboy Carter Tour on July 4 in Washington, D.C.
-
“My House” 25 Minutes Away From the White House
“My House,” the house-rap track Beyoncé dropped to commemorate Renaissance: A Film by Beyoncé hitting theaters, was always destined to be an explosive live performance. From its raucous horns to its frenetic chants, the track was an instant fan favorite for a reason. On July 4, however, there was a certain gravity felt across the stadium when Beyoncé chanted, “Get the f— up out my house!”
After all, Northwest Stadium is just a 25-minute drive from the White House, where the sitting president signed a devastating new bill mere hours earlier. In a country that’s getting increasingly explicit about who it feels belongs, “My House” offered the crowd a moment to flip the narrative and find an outlet for their rage.
-
Beyoncé Opens Show with New American Flag Coat
Fashion has long been a key component of Beyoncé’s stage show — especially after the Renaissance World Tour’s silver theme took over the globe in 2023 — and the Cowboy Carter Tour is no different. Throughout her latest stadium trek, she has debuted a plethora of Western-themed outfits, some of which also nod to the aesthetic of Renaissance, the first LP in her still-unfurling album trilogy.
To open her July 4 show in Washington, D.C., Beyoncé opted for an eye-popping fur coat printed with the design of the American flag over a figure-hugging gray and silver-blue leotard emblazoned with stars. If the coat was a nod to the Cowboy Carter aesthetic, then the leotard nodded to Renaissance — the vibrant Black foundation that America relentlessly attempts to stifle and erase.
-
Queen Bey Goes Full Hendrix
Ever since she kicked off the tour in Los Angeles (April 28), Beyoncé’s otherworldly transition from a vocal interpretation of Jimi Hendrix’s 1969 Woodstock rendition of “The Star-Spangled Banner” into her own “Freedom” (which soundtracked Kamala Harris’ 2024 presidential campaign) has been an interesting point of discussion. While some didn’t understand the choice and others felt it was in poor taste, Beyoncé’s intentions couldn’t have been clearer as she delivered a dirgeful version of America’s anthem on its birthday. Preceded by her own “Ameriican Requiem” and succeeded by her cries of “Freedom, freedom, where are you?”, the opening act of the Cowboy Carter Tour felt especially poignant on July 4.
-
Beyoncé Spots Her Cousin? Sorry, Her Husband
About 15 years ago, Anthony Cosby (hyphen Knowles!) became a BeyHive legend ever since he hilariously proclaimed to be both Beyoncé’s cousin and husband during her I Am.. World Tour. Cosby has popped up at Bey’s tour ever since, including the July 4 Cowboy Carter show, where Beyoncé shouted him out, saying, “C’mon Anthony! I see you, cousin… husband!”
-
Déjà Blue
Already a Grammy winner and box office-topping voice actress in her own right, Blue Ivy Carter needs no introduction. Her Cowboy Carter Tour solos have quickly become the show’s most buzzed-about moments, and not much changed in Maryland on July 4. As Honey Balenciaga closed out her part of the rodeo-ballroom section, tens of thousands of phones rose en masse as Blue Ivy emerged from the stage lift, hitting a nasty slow motion turn into her catwalk and “Déjà Vu” dance break — all while donning a new custom costume, of course!
-
Beyoncé Lincoln Enters the Building
The “Attack of the 400 Foot Cowboy” interlude is one of the better breaks in Beyoncé’s three-hour Cowboy Carter set, thanks to both her globe-trotting, slapstick humor and BigXthaPlug’s wavy “The Biggest.” In the interlude, a 400-foot-tall version of Beyoncé struts around the world and treats various world landmarks — from the Statue of Liberty to the Eiffel Tower — as playthings. Of course, when the Lincoln Memorial winked at her in response to her hat tip, the crowd went absolutely nuts.
Notably, Beyoncé’s exclusive T-shirt for her D.C. stop features a picture of her posing in place of Lincoln on the memorial. Looks like we’re one step closer to that Beyoncé-Oh, Mary! crossover.
-
New ‘Alliigator Tears’ Outfit Deepens Song’s Message
One of the more overlooked songs on Cowboy Carter, “Alliigator Tears” remains one of the album’s strongest tracks over a year after its release. The song explores the toll it takes to transform yourself to fit demands you’ll never meet, set by people who’ll never truly see past their own insincerity and manipulation — and Beyoncé drove that message home with her new costume.
Donning a sparkly, red grown with a thigh-high slit laced with blue frings and white stars, Beyoncé, once again, looked to the American flag to inform her outfit. During this section (which also included gorgeous renditions of “Protector,” “Just for Fun” and “Flamenco”), the costume emphasized the way “Alliigator Tears” illustrates the larger dynamic between Black people and the American project. When she sings, “You say changе religion/ Now, I spend Sundays with you/ Somethin’ ’bout those tears of yours/ How does it feel to be adored,” she’s directly calling out the U.S. for its constantly-shifting goalposts. Whether it’s an effective line of questioning is another conversation, but it certainly packed an emotional punch.
Washington, D.C
Pop-up museum in DC features the scandal that changed American history – WTOP News
Among the liquor store, barber shop and dry cleaners at the Watergate Complex’s retail plaza, there is a new pop-up museum dedicated to the scene of the crime that toppled Richard Nixon’s presidency.
Among the liquor store, barber shop and dry cleaners at the Watergate Complex’s retail plaza, there is a new pop-up museum dedicated to the scene of the crime that toppled Richard Nixon’s presidency.
The temporary exhibit features the work of artist Laurie Munn — portraits of members of the Nixon administration and those connected to the Watergate break-in. The exhibit features members of Congress, the media and some who were on Nixon’s enemies list.
Keith Krom, chair of the Board of Directors of the Watergate Museum, told WTOP the exhibit was first featured in the gallery in 2012 for the 40th anniversary of the break-in at the Democratic National Committee.
“When she (Munn) learned about our museum effort, she offered to reassemble them as a way for us to expand awareness of the museum,” Krom said.
Krom, who lives in the Watergate, said his favorite portrait is of one of the special prosecutors, whose firing sparked the “Saturday Night Massacre” in 1973.
“I had the pleasure of being a student of Archibald Cox,” Krom said. “He served as my mentor for my third-year writing project.”
Krom said during this time, at the Boston University School of Law, he spent a great deal of time with him.
“I didn’t realize how much he must have gone through. Here he was, this one man, who was challenging the president of the United States over something pretty serious,” Krom said.
The pop-up opened in October and was recently extended to stay open until April 25. Krom said the hope is to find it a permanent location within the Watergate Complex, where they can “present the history of Watergate, but with two perspectives.”
The first would be on the building’s “architectural significance to D.C.,” he said.
“You may not like the design, you actually may hate it,” Krom said. “But you cannot deny that it changed D.C.’s skyline.”
The secondary focus would, of course, be on the mother of all presidential scandals that changed the course of American history.
“That’s where that suffix ‘-gate’ started and continues to be used for almost every scandal that comes out today,” Krom said.
The inspiration for the museum spawned from an interaction from a tourist outside the Watergate.
“He says, ‘This is the Watergate, right?’ And I was like, ‘Yeah, it’s one of the buildings,’” Krom recalled.
The tourist then asked Krom, “So where’s the museum?”
“I was like, ‘Oh, we don’t have a museum.’ And he literally just looked at me and said, ‘That’s so sad.’ And he got on his bike and rode away,” Krom said.
While the self-proclaimed political history nerd said he “still gets goose bumps” when he drives by the Capitol at night, Krom hopes that when people leave the museum, “they’ll walk away with a new appreciation for how our government works, the guardrails that are in place.”
“Maybe an understanding that those guardrails themselves are kind of frail, and they probably need our collective help in making sure they last — that’s what we hope to accomplish,” Krom said.
Get breaking news and daily headlines delivered to your email inbox by signing up here.
© 2026 WTOP. All Rights Reserved. This website is not intended for users located within the European Economic Area.
Washington, D.C
Cherry Blossoms Hit Peak Bloom in Washington DC
According to the National Park Service at the National Mall, famous cherry blossoms around the nation’s capital have hit peak bloom conditions. The National Park Service X account for the National Mall proclaimed this morning, “PEAK BLOOM! PEAK BLOOM! PEAK BLOOM!”
It became apparent yesterday that the bloom would be at peak today. “Despite a sunny afternoon and patches of blue sky, the cherry blossoms remain at Stage 5: Puffy White,” the Park Service wrote on X yesterday. Stage 5, “Puffy White”, is the final stage blossoms go through before being in full bloom. They start at Stage 1 as a “Green Bud”, grow into Stage 2 with “Florets Visible”, and then florets become extended at Stage 3. In Stage 4, there is “Peduncle Elongation” which sets the stage for the puffy blossoms to appear in Stage 5. Puffy White and Peak Bloom are defined as when 70% of the blossoms on the trees reach that stage.
Peak bloom varies annually depending on weather conditions; the most likely time to reach peak bloom is between the last week of March and the first week of April. According to the Park Service, extraordinary warm or cool temperatures have resulted in peak bloom as early as March 15 in 1990 and as late as April 18 in 1958.
The planting of cherry trees in Washington DC originated in 1912 as a gift of friendship to the People of the United States from the People of Japan. In Japan, the flowering cherry tree, or “Sakura,” is an important flowering plant. The beauty of the cherry blossom is a symbol with rich meaning in Japanese culture.
Dr. David Fairchild, plant explorer and U.S. Department of Agriculture official, imported seventy-five flowering cherry trees and twenty-five single-flowered weeping types from the Yokohama Nursery Company in Japan. After experimenting with growing them on his own property in Maryland, he deemed that the cherry tree would be perfect to plant around the Washington DC area. This triggered an interest by a variety of individuals to plant the tree around Washington. In 1909 the Mayor of Tokyo, Yukio Ozaki, donated 2,000 trees to the United States on behalf of his city. When the trees arrived, they were riddled with disease and insects and to protect other agriculture, they were burned. The Tokyo Mayor made a second donation of trees in 1910, this time amounting to 3,020 trees. This started the forest of cherry trees that now line the Potomac basin around Washington DC. In a gesture of gratitude back to Japan, President Taft sent a gift in 1915 of flowering dogwood trees to the people of Japan. Thousands of trees have been added since, including another gift of 3,800 trees from Japan in 1965.
Washington, D.C
BREAKING | MPD officer struck by hit-and-run driver in Southwest DC
WASHINGTON (7NEWS) — Authorities are searching for an SUV after an officer with the Metropolitan Police Department (MPD) was struck by a hit-and-run driver in Southwest D.C. on Wednesday night.
The crash happened just before 10 p.m. at Martin Luther King Jr. Avenue and Forrester Street, SW.
Police confirmed the officer, an adult man, was conscious and breathing when he was rushed to a nearby hospital for treatment of his injuries. There is no word on his condition.
The driver involved fled the scene, and investigators are looking for a white Range Rover with a partial South Carolina tag of “403.”
Anyone with information is urged to call 202-727-9099 or text tips at 50411.
This is a developing story that will be updated as more information becomes available.
-
Detroit, MI1 week agoDrummer Brian Pastoria, longtime Detroit music advocate, dies at 68
-
Science1 week agoHow a Melting Glacier in Antarctica Could Affect Tens of Millions Around the Globe
-
Movie Reviews1 week ago‘Youth’ Twitter review: Ken Karunaas impresses audiences; Suraj Venjaramoodu adds charm; music wins praise | – The Times of India
-
Science1 week agoI had to man up and get a mammogram
-
Sports6 days agoIOC addresses execution of 19-year-old Iranian wrestler Saleh Mohammadi
-
New Mexico5 days agoClovis shooting leaves one dead, four injured
-
Business1 week agoDisney’s new CEO says his focus is on storytelling and creativity
-
Texas1 week agoHow to buy Houston vs. Texas A&M 2026 March Madness tickets


