Dallas, TX
Alabama baseball loses its first game in Frisco Classic championship to Dallas Baptist
No. 15 Alabama baseball lost its first game of the season on Sunday, falling to No. 24 Dallas Baptist 7-5 in 12 innings at the Frisco College Baseball Classic.
DBU (10-1) got the scoring started by stealing home in the second inning, and Alabama (11-1) responded with a three-spot in the bottom of the frame. Evan Sleight hit a solo home run for his third of the year, and T.J. McCants followed with a 2-RBI single through the left side that scored Justin Lebron and Mac Guscette to give Alabama an early 3-1 lead.
DBU cut into the deficit with a solo home run by Alex Pendergast in the third inning. In the fourth, Lebron hit his third home run of the season to bring home himself and Guscette again for their second runs of the day. That score gave Alabama a 5-2 lead, but then things started to go awry for the Crimson Tide.
Another solo home run for the Patriots made the score 5-3. It seemed like Alabama was going to respond with the bases loaded and no outs in the bottom of the fifth, but a pop fly followed by a double play left all three stranded and gave DBU some momentum. After an error in left field by Ian Petrutz gave DBU a runner on second, another home run by the next batter allowed them to tie the game 5-5 in the sixth.
That score would hold for another five innings, as neither team was able to score until DBU catcher Grant Jay hit his second solo home run of the day in the 12th inning to give the Patriots a 6-5 lead. An RBI single added another run for the Patriots, and Alabama was unable to answer leading to the 7-5 final.
Missed opportunities haunted Alabama all game. The Crimson Tide left 13 runners on base, by far its most in a single game this season.
Up next, Alabama will return home for a pair of midweek games against Jacksonville State (Tuesday, March 5, 4 p.m. CT) and Troy (Wednesday, March 6, 4 p.m. CT).
Dallas, TX
Dallas Sumer of Safety initiative is back
The Dallas Mayor’s Summer of Safety initiative is back for a fifth year.
The program aims at keeping Dallas residents ages 13-17 safe and out of trouble during the summer months by offering free or low-cost access to programs and attractions that might otherwise be out of reach for them and their families.
Several city departments partner for Summer of Safety, including Dallas ISD, the Dallas Police Department, the Dallas Public Library and Dallas Park and Recreation.
John Jenkins, who leads the city’s park and recreation department, named off some of the more popular destinations featured in the popular ‘All Access Pass: “Arboretum, Trinity River Audubon Center, Holocaust Museum, Southern Skates Roller Rink, Perot Museum. New venues this year are Dave and Buster’s, Dallas Love Field and the State Fair of Texas.”
The website detailing each program is now up and running, but keep in mind the estimated all access passes distributed across the city’s rec centers will not be available for pick up until June 30, according to the website.
Dallas ISD is also taking on the responsibility of providing students a place to go during the day, according to Dr. Pamela Lear, Dallas ISD Deputy Superintendent.
“In June and July, Dallas ISD is offering fun and engaging summer opportunities, learning opportunities, offering everything from camps focused on cheer, mariachi and robotics,” she said during Monday’s photo opportunity.
Curbing summer crime is also top of mind as Dallas prepares for the FIFA World Cup.
The host city is set to welcome thousands of visitors from across the world to downtown Dallas and Fair Park.
Dallas Police Chief Daniel Comeaux was asked how DPD plans to increase visibility to keep youth and fans safe during the busy summer months.
“We’re really looking at some of the extras, like the mounting unit, we have more horses that’s going to be available this year,” said Comeaux. “We just purchased eight new horses. They’re in training right now, and hopefully you’ll see them walking the streets a little bit more. We added some additional motor units. So we’re going to have more officers on motorcycles out there”.
For more information about the Mayor’s Summer of Safety program, click here.
Dallas, TX
Whataburger revives iconic A-frame design at new Texas restaurants
Aiming for a modern-yet-retro look, Whataburger is reviving its iconic A-frame. Sort of.
The Texas burger chain is introducing two new prototype store designs, each of which is “grounded in the brand’s heritage but built for how [customers] experience Whataburger today,” the company says. The designs will be incorporated into newly built locations.
One of the prototypes, called The Legacy, reintroduces the classic A-frame shape, but with a modern twist, on the exterior of a 3,000-square-foot store and enlarges the dining room, the company says. The new A-frame treatment maintains “the unmistakable Whataburger look with bold architectural updates,” says the burger chain, but it takes up far less space than the original version.
The other prototype, called The Essential, leans into the iconic orange-and-white striped scheme on the exterior of a 2,000-square-foot restaurant.
The Essential design features the iconic orange-and-white striped scheme.Rendering courtesy of Whataburger
In 2020, Whataburger debuted its first refreshed store in South San Antonio, de-emphasizing the familiar A-frame, adding more glass around the front of the building, updating the décor, and retooling the kitchen. In the six years since, most of Whataburger’s original A-frame-adorned “flying W” stores have switched to new formats, and all newly built locations have incorporated modern designs.
Among other changes coming to new Whataburger restaurants are:
- Warmer spaces featuring natural wood tones, more glass, and modern materials to “create a more open, welcoming environment.”
- Updated layouts with flexible seating and dedicated areas for mobile orders and third-party order pickups.
“The result is a space that feels like Whataburger from the moment you pull in, with a few thoughtful updates to make every visit even better. It’s all about honoring the brand’s roots while making room for what’s next,” the company says.
The new prototypes will debut in Texas and then be rolled out in Arizona, Florida, Georgia, North Carolina, and South Carolina. Construction is set to start later this year, and store openings are expected in early 2027.
Whataburger, founded in 1950 in Corpus Christi, operates more than 1,100 restaurants in 17 states, with the bulk of them in Texas.
Dallas, TX
The art of showing up: how two Dallas women paint a new vision for relief
Compassion does not wait for perfect conditions. It does not pause for bureaucratic gridlock, nor does it ask for permission to act. It simply looks at the human condition and decides to intervene. In Dallas, this relentless brand of empathy has a name, a pulse and a vibrant color palette, largely thanks to the Rio Valley Relief Project and the two dynamic women steering its course: Jackie Claudet Mitterer and Cassie Stewart.
Together, they operate at the delicate intersection of human suffering and creative resilience. Their work is a testament to the idea that helping others is not just a logistical challenge, but an art form. By bridging the gap between those who need shelter, food or a welcoming hand, and a city eager to give, Mitterer and Stewart are proving that unity is built one quiet act of kindness at a time.
A mission rooted in nimble compassion
The Rio Valley Relief Project began as a response to acute human crises, providing support to refugees, asylum seekers and other displaced families arriving in the area. Over time, it has evolved into a sustainable force for community care. The organization thrives on its ability to adapt. Whether they are stocking food pantries or setting up apartments for new arrivals, the goal remains fiercely simple.
“It’s helping people feel connected enough to care and then giving them a way to help,” Mitterer tells the Observer. “We’re good about looking at the human needs in front of us and shifting and pivoting where we need to.”
Stewart, whose background in the school system deeply informs her approach to the project, echoes this sentiment. The focus is always on the families and the tangible realities they face daily.
“A lot of it comes from staying close to the families that we serve,” Stewart says. “I can lean into that community and the partnerships and the creative thinkers around me, and that’s usually where the most resourceful solutions come from for me, for us.”
Weathering the political storm
Providing relief in Texas is rarely just about logistics. It’s inherently tied to the shifting sands of border policies and political climates. Both women acknowledge the hurdles that come with their chosen path, yet they refuse to let changing laws paralyze their mission.
“Some of the policies over the past several years have made the work harder,” Stewart admits. She notes that the shifting landscape “has increased suffering for families that we care about, but the need doesn’t go away.”
Even as migration patterns fluctuate, the requirement for human dignity remains constant.
“Policies change,” Stewart says. “And now we’re finding ourselves in a different situation where people are coming. It’s slowed dramatically.”
To combat this, the duo focuses on building long-term infrastructure rather than just applying temporary bandages.
“We’re beginning to be more intentional about creating consistent support systems, especially in schools and with families, so that what we’re doing isn’t just reactive but lasting,” Stewart shares. “We’ve both worked in the school system, so we feel a draw to that as well and have connections there.”
The canvas of service
For Mitterer, the drive to serve is woven into her DNA, inextricably linked to her own family history and her life as a creator. She views her artistic endeavors and her humanitarian work as two sides of the same coin.
“My way to connect is through service,” she says. “I am a daughter of immigrants. I am the granddaughter of immigrants to so many places. There is migration in my story forever.”
Service, she admits with a refreshing dose of honesty, is mutually beneficial.

Courtesy of the Rio Valley Relief Project
“In my case, it keeps me centered,” Mitterer says.”My head is a trip. My soul is happy. Art and service center me. My mother, she and I will say it is self-serving. Give the good, the good part of myself.”
This profound connection to the human experience spills over into their view of everyday interactions: You do not need a grand platform to make a difference. Mitterer believes deeply in the micro-moments of empathy.
“You don’t need to have an organization and do a 501(c)(3),” she says. “It doesn’t need to be a perfect setting to be a helper. You just do something, invite a cup of tea, make a phone call, ask about how their day is going.”
Dallas: A unifying backdrop
The Rio Valley Relief Project does not exist in a vacuum. It draws its lifeblood from the generous, creative spirit of Dallas. Both women see the city not just as a location, but as an active participant in their work.
“Dallas is aware and values the creativity in people,” Mitterer says. “Dallas is perfect for that. There is so much to do and there is interest and it is a unifier.”
The duo has found that when they call on the community, it always answers.
“When we were setting up apartments, it’s amazing what people will gather for us. We get to be in the space where we see people show up, and it’s really great,” Mitterer says. “You see the loop full of artists, mural artists… it is becoming a scene. We can just be whoever we want and the way we want and be genuine… Dallas is fantastic in that way.”
It’s a city where, as she puts it, they can be “the quiet person who keeps showing up and doing the work. We hug and we hold space… We hold space for everybody.”
Through the Rio Valley Relief Project, Stewart and Mitterer remind us that service is not a rigid obligation. It’s a fluid, evolving practice of human connection. Whether they are coordinating resources for a disadvantaged school, setting up a living room for a displaced family or pressing vibrant mosaic tiles onto a canvas, they are building a masterpiece of community care.
“Come learn what we do. Laugh with us,” Mitterer invites. “And if you want to be part of it, come learn and do your thing. But do something if you can, when you can, how you can, however big or small.”
To learn more about the impactful work of the Rio Valley Relief Project and discover ways to contribute, visit their website.
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