Austin, TX
'The Fall Guy,' a love letter to stunt performers, premieres at SXSW
AUSTIN, Texas (AP) — Coming nearly straight from the Oscars with a truck full of Kenergy, Ryan Gosling and Emily Blunt rolled into the South By Southwest Film and TV Festival to premiere “The Fall Guy,” an affectionate, action-fueled ode to stunt work and the dedicated professionals that throw their bodies into filmmaking.
“The Fall Guy,” directed by stuntman-turned-filmmaker David Leitch, was perhaps the most anticipated world premiere to hit this year’s edition of SXSW. Given that Blunt and Gosling were both coming off Sunday’s Oscars where they were each nominated — and where Gosling’s “I’m Just Ken” brought the house down — the buzz was even stronger Tuesday night.
“Don’t worry, I’m not going to sing. I promise,” Gosling said before the film, prompting the crowd to boo.
But that was the only sound of disappointment that emanated from the raucous Austin, Texas, audience that lapped up every minute of “The Fall Guy,” an action movie loosely based on the 1980s TV series that Universal will open in theaters May 3.
In the film, Gosling stars as Colt Seavers, stunt double for a major movie star named Tom Ryder (Aaron Taylor-Johnson) who, after a back-breaking fall, is coaxed into returning to set to work on the sci-fi directorial debut of his lost love (Blunt). “The Fall Guy” has wall-to-wall action set pieces, both staged in the movie-within-the-movie and that occur in off-set adventures.
“We really wanted to celebrate crews and the magic behind the scenes,” said Leitch, who was Brad Pitt’s stunt double, among others, before making his first feature, 2014’s “John Wick.” His last film, “Bullet Train,” also starred Pitt.
But that clever bit of casting had nothing on the playful role reversals of “The Fall Guy.” It features a megawatt A-lister playing a stuntman whose face is treated like a liability for movie, acting alongside many of the stunt workers who actually worked on “The Fall Guy.” That includes Logan Holladay, who performed Gosling’s stunts, like a record-breaking car crash with 8 ½ rolls.
“There’s a moment in the film where he buckles me in for a stunt he’s about to do. And after it happens, I come out of the car and he pats me on the back for a stunt he just did,” Gosling said. “What I love about this movie is that in any other film you would not know that, but in this film, you do.”
The SXSW premiere of “The Fall Guy” came with some of its own stunts. A pair of motorcycles sped through the crowds milling outside the Paramount Theater before Blunt and Gosling arrived in the back of a pick-up.
Blunt and Gosling weren’t the only ones fresh from the Academy Awards. Leitch and his wife, Kelly McCormick, (a producer on “The Fall Guy”) produced a clip reel of stunts for the telecast. Though stunt performance isn’t an Oscar category (a sore point that comes up in “The Fall Guy”), Leitch thinks it will happen soon. The academy recently voted to add an Oscar for casting.
“I do feel it’s changing,” Leitch said. “I think the academy wants it and it’s going to happen.”
But, in the meantime, “The Fall Guy” seeks to give stunt performers – among other crew members – a moment in the spotlight.
“There are so many cynical movies about movie making. But the truth is in my experience, everyone cares so much,” Gosling said. “Even if it’s a prop, even if it’s a mug, the prop person will bring out 10 mugs and will have broken one of the handles and glued it back because they thought maybe it broke at one point but has sentimental value to you.”
Sentiment plays more of a role in “The Fall Guy” than you might think, too. Though Leitch said it was initially less prominent in the film, Gosling urged him to expand the love story component. “The Fall Guy” may exalt anonymous film workers, but it’s lifted by the charisma and chemistry of its two leading stars.
“Emily could create chemistry with a trash can,” Gosling said of Blunt, who was nominated for her supporting performance in the best-picture winner “Oppenheimer.”
Another “Fall Guy” co-star — an attack dog that responds only to commands in French — had particular poignance for Gosling.
“Eva (Mendes) and I used to have a dog named Hugo who was a Belgian malinois, who was an attack dog. And he only spoke French,” Gosling said. “He’s passed now and this is my homage to him. I miss that dude. He was a bon garcon.”
But in countless ways, the greatest romance in “The Fall Guy” is for the movies. Among those that get specifically name-checked are “Rocky” and “The Last of the Mohicans.” In those films and others, the bruising toil of stunt workers is designed to be invisible. “The Fall Guy” flips the script.
“I have to say,” Gosling said, “I’m Ryan Gosling and I did almost none of my own stunts in this movie.”
___
Follow AP Film Writer Jake Coyle at: http://twitter.com/jakecoyleAP

Austin, TX
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Austin, TX
Latchkey Legends Podcast Featuring Karen Browning

In Episode 2 of Latchkey Legends, Recreation Programs Specialist Santanu Rahman talks with Karen Browning, a Senior Training Coordinator at the University of Texas at Austin, about life as a Gen Xer.
Latchkey Legends is a Varsity Generation Podcast project that features Generation X. Gen Xers were born betwen 1965-1980. Many Gen Xers have turned 50 or are in their 50’s, and as such, are qualified to be part of Varsity Generation programs! But Gen Xers have a unique take on the world that is a little different from the Baby Boomers. In this podcast project, hosted by Santanu Rahman, a Gen Xer Recreation Programs Specialist at Montopolis Recreation and Community Center, you get to hear about the interesting life experiences that Gen Xers have gone through!
Austin, TX
Interim UT-Austin president seeks to walk fine line between faculty and lawmakers’ concerns
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In his first meeting with faculty leadership since being named interim president of the University of Texas at Austin, Jim Davis said he’d share their concerns and good work with state lawmakers considering legislation to increase oversight on universities’ curricula and hiring — but stopped short of saying he’d challenge efforts to limit faculty’s influence on campuses.
“You will always hear me say on any topic that I do not want to cause harm to this university,” Davis said. “I always want to help it, protect it, preserve it and grow it. And so where that balance is, I need to figure that out.”
Davis was named interim president of the UT System’s flagship last month at a critical time for higher education in Texas and nationwide. At the state level, faculty senates have become the latest target.
These bodies are made up of professors from each college and make recommendations on academic policies, curriculum design and faculty hiring and evaluation. They can also be an outlet for faculty to express disapproval with university leadership.
Several bills have been filed this legislative session that would require half of a faculty senate’s members to be appointed by university administrators rather than elected by faculty. They would also prohibit faculty senates from conducting investigations or taking any action on personnel or curricula, shifting those responsibilities to the governing boards that oversee universities. Governing boards have always had the ultimate responsibility and authority over those matters but usually delegated them.
UT-Austin faculty on Monday asked Davis if he was comfortable publicly expressing his opinions on legislative proposals or if he had been encouraged to keep quiet.
“I’m not bothered about saying what I say in public,” Davis said. “People that know me in this room — and many of you do — know that I am not always the person that follows all the rules. At the same time, what I want to do is make sure I do my very dead-level best to put this university in the best position to succeed.”
He said maintaining UT’s excellent teaching, research and student experience is his first priority.
“And so I want to start by letting you know how grateful I am to the faculty, that the faculty is the essence of teaching excellence and research excellence,” he said. “We have not forgotten that.”
Davis also acknowledged that the university’s finances are uncertain.
UT-Austin, like other universities across the country, stands to lose millions of dollars if the federal government follows through with a plan to slash spending on research overhead. State lawmakers also continue to threaten to yank public universities’ funding over the perception that they are not complying with the state’s ban on diversity, equity and inclusion offices and programs and that they are too left-leaning.
Davis said UT-Austin has dealt with these kinds of threats at least twice in its history and that he thinks the university can overcome them by telling its story better.
“Every different viewpoint matters here. We need to be able to sustain those kinds of things for the protection of education and, frankly, the protection of democracy,” he said.
State lawmakers are also considering banning DEI in coursework and research and requiring universities to use the state’s broad definition of what constitutes antisemitism in student disciplinary proceedings, which critics say will stifle free speech.
A few hours before Davis met with faculty, his predecessor, Jay Hartzell, was more candid about some of those proposals during an interview with Evan Smith, a UT professor and founder of The Texas Tribune, at the LBJ School of Public Affairs.
When asked about Senate Bill 37, which would prohibit college courses from endorsing “specific public policies, ideologies or legislation,” Hartzell pointed out that UT-Austin has taught Marxism for a long time and “that’s a good thing.” Some lawmakers have expressed concern that classes with gender, race and identity in the title are being used to fulfill core curriculum requirements.
“Even if you are on the other side of that argument, say, capitalism, it’s good to know how the other side is seeing the world. And so I think I feel way differently about what is offered than I do what’s required,” Hartzell said.
Hartzell also said another provision of the bill, which would allow regents to have the final say on every university hire in a leadership position, sounded like an “administrative nightmare.”
Hartzell compared universities to law firms in which presidents are managing partners and “the faculty are partners in this effort and there’s a reason they have the say they have.” Hartzell faced strong faculty pushback firsthand last spring when he called in state police to help wrangle pro-Palestinian protesters.
Hartzell was a dean before he was named UT-Austin president in 2020 while Davis was chief operating officer.
As president, Hartzell said he had to think about the short- and long-term effects of taking a stand against the Legislature. The long-term effects of protesting the DEI ban last legislative session, he said, ultimately outweighed the short-term ones. He oversaw the layoff of dozens of employees and the closure of the school’s multicultural center.
“If we hadn’t laid anybody off and let these perceived inefficiencies continue forever, I thought we’d be pounded in the next session,” Hartzell said.
The Texas Tribune partners with Open Campus on higher education coverage.
Disclosure: University of Texas at Austin and University of Texas at Austin – LBJ School of Public Affairs have been financial supporters of The Texas Tribune, a nonprofit, nonpartisan news organization that is funded in part by donations from members, foundations and corporate sponsors. Financial supporters play no role in the Tribune’s journalism. Find a complete list of them here.
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