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Fantastic Fest Unveils Its 2024 Lineup, Including The World Premiere of 'Terrifier 3'

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Fantastic Fest Unveils Its 2024 Lineup, Including The World Premiere of 'Terrifier 3'


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Step right up for the greatest show on Earth! That’s right, Fantastic Fest is back for its 19th edition, bringing 28 World Premieres, 23 International and North American Premieres, and 15 U.S. Premieres! Plus, there will be plenty of incredible events and special guests when the festival descends on the Alamo Drafthouse South Lamar in Austin, TX.

“The Fantastic Fest team is absolutely elated about this year’s festival. We can’t wait to share the very best new films from around the world and enjoy our sensational events together this September,” says Festival Director Lisa Dreyer. “We’re also honored to be joined by a number of notable guests, and welcome our Fantastic Fest family back to Austin to celebrate cinema, whether it’s your 1st time or 19th!”

Fantastic Fest 2024 opens with a bang, featuring the world premiere of The Rule Of Jenny Pen from director James Ashcroft, Alex Aja’s new horror psychological thriller Never Let Go, and the world premiere of Terrifier 3!

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The closing night film will be the world premiere of Hulu’s Mr. Crocket, director Brandon Espy’s feature debut based on his popular short.

The Events

Fantastic Fest has a variety of spectacular special events this year, including:

  • The world’s only McDonald’s themed Black Sabbath cover band, Mac Sabbath, will kick off the fest with an epic opening night performance. 
  • Day of The Devs will bring a selection of genre video games to play with our inaugural Fantastic Games event, including Fear the Spotlight from Cozy Game Pals and Blumhouse Games, Five Nights at Freddy’s: Secret of the Mimic from Steel Wool, and several other exciting titles.
  • SpectreVision Radio will host live podcast recordings, including Mike Flanagan’s Director’s Commentary with special guest Jennifer Kent, and Elijah Wood and Daniel Noah’s Visitations. 
  • Live events throughout the week include a Ghoulish Book Fair, a circus-themed drag show hosted by the legendary Louisianna Purchase, Fright or Wrong Trivia, a new show of video oddities from The Found Footage Festival, and more!
  • And finally, Fantastic Fest essentials like the Fantastic Feud, the Fantastic Debates, and an epic Closing Night Party featuring the 999 Eyes Freakshow rounding out the week.

Check Out The Full Feature Lineup For Fantastic Fest Below:

AJ GOES TO THE DOG PARK (Burnt Ends Selection) (dir. Toby Jones)

World Premiere, 79 min

A very mediocre man must complete a heroic Odyssey-like quest to restore order to his town and protect the comforts of his routine life.

ANIMALE (dir. Emma Benestan)

North American Premiere, 99 min

After leaving a party with her male co-workers, aspiring bullfighter Nejma begins to experience physical and sensory perception changes after she’s attacked in a field in the middle of the night.

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ANORA (dir. Sean Baker)

Austin Premiere, 138 min

Anora, a young sex worker from Brooklyn, gets her chance at a Cinderella story when she meets and impulsively marries the son of an oligarch. Once the news reaches Russia, her fairytale is threatened as the parents set out for New York to get the marriage annulled.

APARTMENT 7A (dir. Natalie Erika James)

World Premiere, 104 min

When a struggling, young dancer (Julia Garner) suffers a devastating injury, she finds herself drawn in by dark forces when a peculiar, well-connected, older couple promises her a shot at fame.

THE BABADOOK (dir. Jennifer Kent)

10th Anniversary Screening, 94 min

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Back for its 10-year anniversary, this psychological horror and possession film terrified us in 2014 with its harrowing take on grief. Now it’s back to remind us all of the dangers of reading to children!

BABY ASSASSINS NICE DAYS (dir. Yugo Sakamoto)

Texas Premiere, 112 min

The Baby Assassins are back at Fantastic Fest to spread joy, dessert, and sick kills in the delightful third entry to this Japanese action franchise.

BIG TOP PEE-WEE (dir. Randal Kleiser)

World Premiere of 4K Restoration, 86 min

When a tornado blows a circus onto his farm, agricultural chemist Pee-wee Herman is tempted away from a life of contentment with his fiancée and her mediocre sandwiches by an alluringly beautiful acrobat.

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BINARY (dir. David-Jan Bronsgeest)

International Premiere, 42 min

As Nisha prepares for gender confirmation surgery, violent and confusing images move from haunting her dreams to impacting her clients and friends, and Nisha must decide what she will do to live her authentic life.

THE BIRTHDAY (dir. Eugenio Mira)

20th Anniversary Screening of 4K Restoration, 117 min

Corey Feldman gives the performance of his career in this newly restored O.G. Fantastic Fest stunner.

THE BLACK HOLE (Burnt Ends Selection) (dir. Moonika Siimets)

Aliens land in Estonia to collect teeth and change the lives of bored, frustrated citizens in this triptych film of existential humor and strangely beautiful creature design.

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BODY ODYSSEY (dir. Grazia Tricarico)

North American Premiere, 104 min

A female bodybuilder trades in her obsession with crafting the perfect body for an all-consuming pursuit of a younger man.

BONE LAKE (dir. Mercedes Bryce Morgan)

World Premiere, 94 min

In an attempt to rekindle their stagnant love life, Diego and Sage rent a property on the aptly named Bone Lake. When a mysterious young couple shows up at their door, their romantic getaway devolves into a twisted psychosexual nightmare.

BOOKWORM (dir. Ant Timpson)

US Premiere, 103 min

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An 11-year-old girl sets out into the New Zealand backcountry with her estranged father to capture photographic evidence of the mythological Canterbury Panther, hoping to claim the reward and pay her mom’s medical bills.

BRING THEM DOWN (dir. Christopher Andrews)

US Premiere, 105 min

Christopher Abbott and Barry Keoghan lock horns as the sons of two warring Irish shepherding dynasties.

CARNIVAL OF BLOOD (Presented by AGFA) (dir. Leonard Kirtman)

Texas Premiere, 88 min

AGFA presents a dreamy proto-slasher from the gutters of NYC.

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CHAIN REACTIONS (dir. Alexandre O. Phillipe)

Texas Premiere, 103 min

In his latest documentary—and right on time for the film’s 50th anniversary—Alexandre O. Philippe explores the profound impact and lasting influence the TEXAS CHAIN SAW MASSACRE had on five international artists.

CHAINSAWS WERE SINGING (dir. Sander Maran)

US Premiere, 117 min

Tom and Maria’s courtship is cut short by a cannibalistic spree killer and his dysfunctional family. Equal parts Stephen Sondheim and Lloyd Kaufman, this Estonian slasher musical is a truly unique odyssey.

CHILDREN OF THE WICKER MAN (dir. Dr. Chris Nunn, Justin Hardy & Dominic Hardy)

International Premiere, 90 min

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Justin and Dominic Hardy reflect on their relationships with their father, Robin Hardy, and the cult classic he directed, THE WICKER MAN.

CLOUD (dir. Kiyoshih Kurosawa)

US Premiere, 123 min

Ryosuke makes his living as an online wholesaler, flipping goods from desperate sellers for a profit. As his business grows, so does his paranoia. Auteur Kiyoshi Kurosawa’s latest is another masterful examination of dread and contagion in modern Japan.

World Premiere, 97 min

After the death of his father, a young boy is terrorized by a gruesome creature that bears an uncanny resemblance to his dad.

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DANIELA FOREVER (dir. Nacho Vigalondo)

US Premiere, 113 min

Nicolas mourns his dead girlfriend in a unique way—by taking an experimental drug that allows him to relive his memories when he dreams.

DEAD TALENTS SOCIETY (dir. John Hsu)

US Premiere, 110 min

Dying is just the beginning of one young woman’s problems when she learns the hard way that the afterlife is a competitive world of celebrity scarers and desperate wannabes, and the cost of failure is a fate worse than death.

A DIFFERENT MAN (dir. Aaron Schimberg)

Texas Premiere, 112 min

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Aspiring actor Edward undergoes a radical medical procedure to drastically transform his appearance. But his new dream face quickly turns into a nightmare as he becomes obsessed with reclaiming what was lost.

DISEMBODIED (Presented by BLEEDING SKULL) (dir. William Kersten)

World Premiere of 4K Restoration, 77 min

Bleeding Skull presents a cinematic acid trip through a surreal, haunting world of mutations and murder.

DON’T MESS WITH GRANDMA (dir. Jason Krawczyk)

World Premiere, 81 min

Michael Jai White is just a grandson who loves his grandma. When a motley group of thieves attempt to break into her home, he gives them a punishing lesson in etiquette while keeping her comfortably in the dark.

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THE DRAFT! (dir. Yusron Fuadi)

International Premiere, 84 min

Five college friends go to a cabin in the woods for the weekend and start to experience strange, violent events in this meta-horror movie with bloody kills and zany comedy.

DRAGON DILATATION (dir. Bertrand Mandico)

North American Premiere, 114 min

Director Bertrand Mandico puts his own unmistakable spin on two famous works: Stravinsky’s PETROUCHKA and Dante’s THE DIVINE COMEDY, in this visually arresting experimental film.

EBONY AND IVORY (dir. Jim Hosking)

World Premiere, 88 min

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The untold story of Paul McCartney and Stevie Wonder’s pop classic, as only the maniac behind THE GREASY STRANGLER could tell it.

ELSE (dir. Thibault Emin)

US Premiere, 99 min

A new strange pandemic has hit the world, causing the infected to fuse with their surroundings. Two freshly acquainted lovers take refuge in a flat, trying to avoid the disease that spreads through eye contact.

ESCAPE FROM THE 21ST CENTURY (dir. Li Yang)

US Premiere, 98 min

A trio of teenage friends find themselves able to inhabit their future bodies in this coming-of-age/coming-of-middle-age martial arts comedy.

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THE FALL (dir. Tarsem Singh)

North American Premiere of 4K Restoration, 117 min

Los Angeles, circa 1920s, a little immigrant girl in a hospital recovering from a fall, strikes up a friendship with a bedridden man. He captivates her with a whimsical story that removes her far from the hospital doldrums into the exotic landscapes of her imagination.

FRANKIE FREAKO (dir. Steven Kostanski)

International Premiere, 82 min

The creator of PSYCHO GOREMAN introduces the raddest & baddest li’l goblin squad since the Ghoulies.

GAZER (Burnt Ends Selection) (dir. Ryan J. Sloan)

North American Premiere, 114 min

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Frankie tries to reclaim her life in this paranoia/neo-noir/body horror gem about the decline of America and the terrifying and awesome power of the feminine.

GET AWAY (dir. Steffen Haars)

World Premiere, 86 min

Ignoring the warnings from the Swedish mainlanders, the Smith family takes a vacation on the small, charming island of Svälta… which turns into a killer trip.

GHOST KILLER (dir. Kensuke Sonomura)

World Premiere, 105 min

Fumika Matsuoka is a young woman with a terrible job, a friend in a bad relationship, and the ghost of an assassin bound to her until she gets revenge on his behalf.

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GIRL INTERNET SHOW: A KATI KELLI MIXTAPE (Burnt Ends Selection) (dir. Kati Kelli)

Texas Premiere, 79 min

A compilation of early YouTube uploads by artist Kati Kelli posthumously showcases her deranged genius as an outsider artist and social commentator.

THE GUEST (dir. Adam Wingard)

Theatrical World Premiere of 4K Restoration, 100 min

A mysterious soldier befriends the family of a fallen comrade and quickly makes himself an indispensable part of their lives, but the secrets he’s hiding put them all in danger in THE GUEST, a nail-biting, retro-stylish thriller from director Adam Wingard and screenwriter Simon Barrett (YOU’RE NEXT, A HORRIBLE WAY TO DIE).

HEADS OR FAILS (Burnt Ends Selection) (dir. Lenny Guit & Harpo Guit)

World Premiere, 86 min

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Armande Pigeon steps in more shit than a latrine cleaner, living off a series of less and less endearing gambles and grifts. When luck rolls her way, she just has to walk away, but where’s the fun in that?

HEAVIER TRIP (dir. Juuso Laatio & Jukka Vidgren)

World Premiere, 96 min

Impaled Rektum, the world’s most brutal metal band, must escape a Norwegian prison and save a reindeer slaughterhouse from foreclosure before battling a Faustian promoter offering Rock God superstardom in exchange for selling out.

HOUSE OF SPOILS (dir. Bridget Savage Cole & Danielle Krudy)

World Premiere, 101 min

Follows an ambitious chef (Ariana DeBose) as she opens a restaurant on a remote estate where she battles kitchen chaos, crushing self doubts…and a haunting presence who threatens to sabotage her at every turn.

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I, THE EXECUTIONER (dir. RYOO Seung-wan)

US Premiere, 118 min

The veteran detective Seo Do-cheol (HWANG Jung-min) and his team at Major Crimes, relentless in their pursuit of criminals, join forces with rookie cop Park Sun-woo (JUNG Hae-in) to track down a serial killer who has plunged the nation into turmoil.

ICK (dir. Joseph Kahn)

US Premiere, 90 min

In Joseph Kahn’s breakneck sci-fi/horror satire, a high school science teacher (Brandon Routh) does battle with a parasitic alien entity, as well as the apathy of the small town it has been gradually absorbing.

THE INCREDIBLY STRANGE CREATURES WHO STOPPED LIVING AND BECAME MIXED UP ZOMBIES!!? (dir. Ray Dennis Steckler)

Texas Premiere of Severin Restoration, 82 min

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AGFA presents the first monster musical!

THE LEGEND OF VOX MACHINA (Season 3, Episodes 1 & 2) (dir. Eugene Lee (Ep. 1) & Young Heller (Ep. 2))

World Premiere, 52 min

In Season Three of The Legend of Vox Machina, everything is at stake – our lovable band of misfits must rise above inner (and outer) demons to try and save their loved ones, Tal’Dorei, and all of Exandria.

THE LIFE AND DEATHS OF CHRISTOPHER LEE (dir. Jon Spira)

North American Premiere, 103 min

Descended from royalty and the real-life inspiration for James Bond, this documentary shows Christopher Lee’s struggle to succeed as an actor before discovering the joys of playing monsters and villains—transforming him into an icon and a legend, seemingly overnight.

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LITTLE BITES (dir. Spider One)

World Premiere, 106 min

A mother, a monster, and a terrible secret.

MADS (dir. David Moreau)

North American Premiere, 88 min

Tweaked-out French club kids battle a rage virus during one crazy night, all in one single, unbroken shot.

MALDOROR (dir. Fabrice du Welz)

North American Premiere, 150 min

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When a dedicated but impulsive young officer is taken off a clandestine surveillance team tasked with catching a child predator, he becomes obsessed with uncovering the truth, despite the risks to his family and his sanity.

MEMOIR OF A SNAIL (dir. Adam Elliot)

Texas Premiere, 95 min

Placed in separate foster care homes after the death of their father, two siblings grow up in families with different values. Gilbert and Grace learn to live apart, but their hope of being reunited never fades.

THE MISSION (Presented by AGFA) (dir. Johnnie To)

25th Anniversary Screening, 84 min

Come celebrate the 25th Anniversary of Hong Kong auteur Johnnie To’s towering gangster film masterpiece, presented from AGFA’s rare 35mm archival print!

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MR. CROCKET (dir. Brandon Espy)

World Premiere, 88 min

A single mother thinks she’s found the key to calming her child down—a VHS copy of a strange children’s program named Mr. Crocket’s World. However, a darker, bloodier secret waits to invade their home from inside the tape.

NEVER LET GO (dir. Alexandre Aja)

Gala Screening, 101 min

From visionary director Alexandre Aja and the creative minds behind STRANGER THINGS and ARRIVAL comes NEVER LET GO. In this new psychological thriller/horror, as an evil takes over the world beyond their front doorstep, the only protection for a mother, played by Academy Award® winner Halle Berry (Actress in a Leading Role, 2001 – MONSTER’S BALL), and her twin sons is their house and their family’s protective bond. Needing to stay connected at all times – even tethering themselves with ropes – they cling to one another, urging each other to never let go. But when one of the boys questions if the evil is real, the ties that bind them together are severed, triggering a terrifying fight for survival. Lionsgate presents, in association with Media Capital Technologies, a 21 Laps / HalleHolly production.

NIGHT CALL (dir. Michiel Blanchart)

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North American Premiere, 91 min

A locksmith finds himself accused of a crime he didn’t commit, kicking off the longest night of his life.

NINE QUEENS (dir. Fabián Bielinsky)

US Premiere of 4K Restoration, 114 min

In this gorgeous 4K restoration, two con artists set up a plan to sell a sheet of counterfeit rare stamps known as the Nine Queens to a collector.

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PÁRVULOS (dir. Isaac Ezban)

US Premiere, 119 min

In the aftermath of a devastating global catastrophe, three brothers must fight against the dangers of a post-pandemic world and keep their family intact.

PLANET B (dir. Aude Léa Rapin)

International Premiere, 118 min

In a near future shaken by violent protests, activist Julia wakes up in an unknown world after being shot in the face with a non-lethal round. Welcome to PLANET B, a place where your worst nightmares are generated to torture you.

PLASTIC GUNS (dir. Jean-Christophe Meurisse)

North American Premiere, 96 min

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A world-renowned criminal profiler leads authorities to arrest an innocent man, mistaking him for a notorious killer. Meanwhile, two amateur detectives bumble through their own investigation, and the real killer sees an opportunity to start a new life.

QUEENS OF DRAMA (dir. Alexis Langlois)

North American Premiere, 115 min

A tabloid-headline, torrid affair between a pop princess and her secret pop-punk songstress stretches into the 2050s in this camp musical. 

RAZE  (dir. Josh C. Waller)

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Anniversary Screening, 92 min

Awakening after being abducted, Jamie finds herself in a concrete bunker, and she discovers that she is not alone. 

Texas Premiere, 103 min

Mats Steen, a Norwegian gamer, died of a degenerative muscular disease at the age of 25. His parents mourned what they thought had been a lonely and isolated life, when they started receiving messages from online friends around the world.

RESPATI (dir. Sidharta Tata)

Texas Premiere, 112 min

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Deep in the recesses of a spiritual hive mind connecting an orphaned teenager to the victims of a demon, the boy must also confront his own demons in the demented and deeply unsettling Indonesian horror RESPATI.

THE RULE OF JENNY PEN (dir. James Ashcroft)

World Premiere, 103 min

Admitted into a state care facility, Geoffrey Rush engages in a battle of wits with his deranged tormentor, John Lithgow.

SATAN WAR (Presented by AGFA) (dir. Bart La Rue)

World Premiere of Restoration, 62 min

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AGFA presents a new restoration of the Satanic panic mindwarp.

THE SEVERED SUN (dir. Dean Puckett)

World Premiere, 80 min

When a headstrong woman rebels against her religious father, she unleashes a powerful beast intent on picking off members of her isolated community.

SHE LOVED BLOSSOMS MORE (dir. Yannis Veslemes)

Texas Premiere, 88 min

Three brothers enter a world of cosmic horror as they try to bring their mother back from the beyond.

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SISTER MIDNIGHT (dir. Karan Kandhari)

North American Premiere, 110 min

Stuck on the outskirts of Mumbai following an arranged marriage, Uma turns to black magic to dislocate her domestic blues.

SPERMAGEDDON (dir. Rasmus A. Sivertsen & Tommy Wirkola)

North American Premiere, 79 min

A coming-of-age love story set in parallel universes: a teenage boy chasing his first experience of coitus, and two companion sperm swimming upstream in hot pursuit of their holy grail, the egg. It’s also an animated musical comedy that slays.

THE SPIRIT OF HALLOWEENTOWN (dir. Bradford Thomason & Brett Whitcomb)

World Premiere, 95 min

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Have you ever dreamed of living in a place where Halloween is celebrated year-round? Welcome to St. Helens, a charming town that revolves around the cult classic film HALLOWEENTOWN.

STEPPENWOLF (dir. Adilkhan Yerzhanov)

US Premiere, 101 min

Set against a ravaged dystopian wasteland, a ruthless killer joins forces with a traumatized young mother in the search for her missing son in this hard-hitting, genre-bending B-movie from Kazakh auteur Adilkhan Yerzhanov.

STRANGE HARVEST: OCCULT MURDER IN THE INLAND EMPIRE (dir. Stuart Ortiz)

USA, 2024

World Premiere, 94 min

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STRANGE HARVEST follows the investigation of one of the worst, yet least reported and discussed serial killers in the history of Southern California.

TEACUP (Season 1, Episodes 1 & 2)

World Premiere, 65 min

From James Wan’s Atomic Monster & UCP, TEACUP follows a disparate group of people in rural Georgia who must come together in the face of a mysterious threat in order to survive. Inspired by the New York Times bestselling novel STINGER by Robert McCammon.

TERRIFIER 3 (dir. Damien Leone)

World Premiere, 128 min

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Art the Clown is set to unleash chaos on the unsuspecting residents of Miles County as they peacefully drift off to sleep on Christmas Eve.

TOUCHED BY ETERNITY (dir. Mārcis Lācis)

World Premiere, 95 min

Although lacking any zest for life, middle-aged hermit Fatso is obsessed with immortality. When a friendly duo of vampires materializes with a proposition, he has second thoughts when he learns what’s at stake in this playful vampire satire.

TRIZOMBIE (dir. Bob Colaers)

International Premiere, 78 min

When a zombie plague hits Belgium, a group of unlikely heroes embarks on a perilous journey to save one of their missing friends.

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U ARE THE UNIVERSE (dir. Pavlo Ostrikov)

US Premiere, 101 min

After planet Earth explodes, space trucker Andriy is left alone, drifting through space with an AI computer as his sole companion. When a message from a French scientist reaches him, he risks everything to cross the universe and meet her.

UNIVERSAL LANGUAGE (dir. Matthew Rankin)

US Premiere, 89 min

A surreal, hilarious, and touching meditation on family and place.

V/H/S/BEYOND (World Premiere, 110 min)

Directors – Jordan Downey, Christian Long & Justin Long, Justin Martinez, Virat Pal, Kate Siegel, & Jay Cheel

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The seventh installment of the V/H/S franchise will feature six new bloodcurdling tapes, placing horror at the forefront of a sci-fi-inspired hellscape.

WAKE IN FRIGHT (dir. Ted Kotcheff)

International Premiere of 4K Restoration, 109 min

Come witness Ted Kotcheff’s 1971 thriller about a schoolteacher marooned in an Australian town full of drunken madmen. A magnificent 4K restoration supervised by Mark Hartley (NOT QUITE HOLLYWOOD), WAKE IN FRIGHT is an unmissable cult classic.

WHAT HAPPENED TO DOROTHY BELL? (dir. Danny Villanueva Jr.)

World Premiere, 80 min

Years after a terrifying attack by her grandmother, Ozzie returns to her hometown in an attempt to understand her own mental illness and the supernatural being haunting her family.

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THE WILD ROBOT (dir. Chris Sanders)

Texas Premiere, 101 min

After a shipwreck, an intelligent robot named Roz is stranded on an uninhabited island and must learn to adapt to the harsh environment, gradually bonding with the island’s animals and becoming the adoptive parent of an orphaned gosling.

WILL & HARPER (dir. Josh Greenbaum)

Texas Premiere, 115 min

When Will Ferrell finds out his close friend of 30 years is coming out as a trans woman, the two decide to embark on a cross-country road trip to process this new stage of their relationship in an intimate portrait of friendship, transition, and America.

WITTE WIEVEN (dir. Didier Konings)

International Premiere, 61 min

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Frieda is desperate to get pregnant. When she’s ostracized by her medieval Dutch community for surviving a trip to the nearby woods and supposedly conspiring with the Devil, she slowly lets the darkness in.

THE WORKOUT (Burnt Ends Selection) (dir. James Cullen Bressack)

World Premiere, 82 min

Following the shocking death of his wife and facing his own terminal injury, a former Army Ranger sets out on a path of revenge in this stunt-forward, found footage action movie.

ZÉNITHAL (dir. Jean-Baptiste Saurel)

International Premiere, 80 min

A man with a giant dick is killed by a jealous, evil man attempting to take over the world. Only women can save us now! You know how it goes…

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Badges are available now at FantasticFest.com.

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Austin, TX

Austin, TX venue Emo’s on the move again, AEG to take over the building

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Austin, TX venue Emo’s on the move again, AEG to take over the building


Emo’s in Austin is on the move again. 

After more than a decade at 2015 E. Riverside Drive (following the original Red River-era venue closing in 2011), Emo’s current Riverside space will be taken over by AEG Presents when the lease ends later this year. The Los Angeles, CA-based company will assume operations in January 2027 and plans to reopen the building under a new name in early 2027 following upgrades, renovations and a full rebrand.

AEG are also opening a new 4,000-cap venue nearby next spring as part of the River Park mixed-use development in southeast Austin.

C3 Presents, who reopened Emo’s at the Riverside location, say this isn’t the end of Emo’s — they’re working on a new home and plan to move the venue back to downtown Austin, with more updates to come.

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AEG Presents Vice President Robin Phillips shared the following:

There’s like no weirdness or any bad blood or anything. It just, you know, new lease and they’ll [Emo’s] go do something great. They have been important to the Austin music scene, so I have a lot of respect for them.

But I don’t think the Austin music scene or legacy is limited to one name. I know people will remember the original Emo’s and this Emo’s as, you know, both great venues… And I don’t think Austin’s music scene is just a name, it’s the artists, in my opinion.

 

A C3 spokesperson added:

Emo’s has a long history in Austin and we’ve been working behind the scenes for some time on a new home for this venue. After we wrap up at this venue in December, we will focus our efforts on our new location.

 

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Emo’s gave the following statement to Austin local news KXAN:

We’re grateful for all of the fans and artists who’ve shaped Emo’s to what it is today: a community of like-minded people who love live music. We have a vision for our future and will be moving into a new building downtown that celebrates our punk rock roots with the new amenities that fans are looking for from a venue. We’ll continue to share updates on the next chapter for Emo’s on social media.





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Austin, TX

Highly pathogenic virus found in herd of Texas dairy cows

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Highly pathogenic virus found in herd of Texas dairy cows


State and federal agriculture officials said highly pathogenic avian flu has been found in a herd of dairy cows in Texas.

What we know:

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Officials said the H5N1 virus was confirmed with laboratory tests in late May after cows at an unspecified farm became sick and milk production dropped. The dairy has since been quarantined and an investigation is underway.

This is the first case of avian flu in a Texas dairy herd this year, officials said.

What they’re saying:

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“The U.S. Food and Drug Administration (FDA) is confident that pasteurization is effective at inactivating H5N1, and that the commercial, pasteurized milk supply is safe,” officials at the Texas Animal Health Commission said in a statement.

A dairy cow is seen at a farm on June 1, 2026.

A dairy cow is seen at a farm on June 1, 2026. (Tim Evans/Bloomberg / Getty Images)

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Dig deeper:

H5N1 has a high rate of severe disease and death in animals that become infected.

According to the Centers for Disease Control and Prevention, the risk to the general public from avian flu is low. Some sporadic human infections have been reported around the world since 1997. There have been no known cases of person-to-person spreading of avian flu.

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The Source: Information in this story came from the Texas Animal Health Commission, the USDA, the FDA and the CDC.

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New Texas law tightens rules for autonomous vehicle companies, including Waymo

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New Texas law tightens rules for autonomous vehicle companies, including Waymo


Self-driving cars have become a common sight on Austin streets, but a new Texas law is adding tougher requirements for the companies behind the wheelless vehicles.

Senate Bill 2807 imposes stricter rules on autonomous vehicle companies operating in the state, including state authorization, emergency response plans for law enforcement, and a public portal where residents can verify operators and file safety complaints.

The changes come as Austin continues to track incidents involving autonomous vehicles. The city’s autonomous vehicle dashboard shows 75 incidents in 2026, including a collision, eight near misses, and seven incidents of ignoring police direction.

Attorney Drew Gibbs, a partner at Slingshot Law, said one crash involved a Waymo vehicle.

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“There was a T-bone collision. A pretty serious T-bone collision where a Waymo just crashed into the side of my client’s vehicle,” Gibbs said.

ALSO| Waymo files voluntary software recall over flooded-lane risks on high-speed roads

KEYE

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One of the incidents of ignoring police direction happened during the mass shooting on West Sixth Street back in March, when three people died, and 15 others were injured.

Austin Police Association President Michael Bullock said autonomous vehicles can struggle in unusual situations.

“It didn’t impede on anything in the moment, but it’s not necessarily uncommon where these vehicles don’t quite know how to deal with these one-off scenarios,” Bullock said.

The new law requires autonomous vehicle companies to be authorized by the state, to provide an emergency response plan for law enforcement, and to participate in a public-facing portal that allows the public to verify operators and submit safety complaints.

Kara Kockelman, a professor of transportation and engineering at the University of Texas at Austin, welcomed the added oversight.

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“I’m glad that the state is taking this a bit more seriously now,” she said. “It’s important not to just let others slip in without kind of meeting those basic minimums.”

Bullock said the emergency planning requirement may not make a major difference in fast-moving situations. Asked how impactful it is to have a fully laid out emergency response plan, Bullock said, “These plans are great, but it takes time to work through all of those versus the immediacy of having someone behind the wheel.”

The four autonomous vehicle companies operating in Austin — Waymo, Zoox, AV-Ride, and Tesla — are all state-authorized.

The Texas DMV said an autonomous vehicle company can lose its authorization to operate in Texas if the agency deems the vehicles are operating in a way that endangers public safety.

Waymo was contacted for comment, but had not responded.

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