Rep. Theresa Wood, D-Waterbury, chair of the House Human Services Committee, right, listens to testimony on the implementation of the child care expansions put in place by 2023’s Act 76, at the Statehouse in Montpelier on Tuesday, Feb. 25. Photo by Glenn Russell/VTDigger
House lawmakers spent much of this week mulling how the state should treat residents who are, as a matter of law, incapacitated.
Vermont statute describes incapacitated people as intoxicated or in withdrawal, and in need of medical care or posing a threat to themselves or others.
Under current statute, those individuals can be held up to 24 hours with the Department of Corrections, at a “lockup or community correctional facility,” even if they have been charged with no crime.
Six years ago, however, Vermont tucked language into the annual midyear budget update intended to keep those people out of prisons. That language, which would prohibit incapacitated Vermonters not charged with crimes from being housed in correctional facilities, is set to go into effect in July.
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But now, Gov. Phil Scott’s administration is seeking to repeal that provision — a move that would allow correctional facilities to continue to temporarily hold incapacitated Vermonters indefinitely.
“The problem is that there are no secure facilities outside of the Department of Corrections,” Vermont Department of Health Deputy Commissioner Kelly Dougherty told the House Human Services Committee earlier this month.
Some local mental health agencies, such as Washington County Mental Health and Northeast Kingdom Human Services, offer beds through the so-called public inebriation program, also known as PIP beds.Those beds are intended as temporary places where intoxicated people can stay and avoid correctional facilities.
But many of those PIP beds across the state have shut down in recent years, leaving only eight still in operation.
State health officials are planning to merge PIP beds and mental health crisis beds under one umbrella program to allow for more flexibility. Still, the shortage has left the state reliant on the Corrections Department to hold incapacitated Vermonters. Without the ability to bring them to prisons, Dougherty told lawmakers this month, the state could be forced to send people to hospitals.
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This week, health care workers and law enforcement officials came to the House Human Services Committee to ask its members to go ahead with repealing the provision.
“If the only option that you give police is to bring these individuals to the ED, you will be endangering our staff and other patients,” Alison Davis, the medical director of the emergency department at Rutland Regional Medical Center, told lawmakers Wednesday.
But lawmakers in the committee seemed undecided on whether to move ahead with the repeal. On Thursday, Rep. Theresa Wood, D-Waterbury, expressed uncertainty about the landscape of state services, given, on one hand, new state initiatives like the merger of PIP and mental health beds — and, on the other, potential federal funding cuts.
“I’m just wondering if it’s a tad early to be thinking about repealing the statute,” she said.
— Peter D’Auria
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In the know
Advocates for migrant workers in the state continue to push for H.169, a bill that seeks to expand access to housing for immigrants without legal status living in Vermont. But the debate is shadowed by the specter of federal immigration policy.
As the administration of President Donald Trump ramps up deportation and detention of immigrants, proponents of the bill argue the state should do more to protect immigrants living in Vermont and increase their housing options. But the legislation faces headwinds from landlords and lenders.
The Vermont Landlord Association has objected to the addition of immigration status to the statute. “To make a landlord have to take somebody – even if they’re not here legally – I think is a challenge and a big ask,” Angela Zaikowski, the association’s director, told legislators in late March.
The association echoed these concerns in a “call to action” email last week, imploring its members to reach out to legislators and adding that the proposed change “has the potential to create federal issues for housing providers.”
Asked by lawmakers whether there were past examples of landlords getting into legal trouble after renting to people without legal status, Zaikowski said no.
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“I think anything is possible at this point,” she added.
Will Lambek, from the group Migrant Justice, maintained that these fears of federal repercussions lacked legal basis. “Any fear of civil or criminal liability against landlords for renting to immigrant families is simply unfounded,” he said.
Read more about how federal immigration policy is looming over this debate here.
— Carly Berlin
A sudden reversal in federal funding for school districts has affected about 32 school districts and one mental health agency in Vermont, Jill Briggs Campbell, deputy secretary of the Vermont Agency of Education, told the Senate Education Committee on Wednesday.
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The decision came in a March 28 letter from U.S. Secretary of Education Linda McMahon. It notified state education leaders that the federal department had reversed course on extending the deadline on a Covid-19 pandemic-era grant – the Elementary and Secondary School Emergency Relief funds, or ESSER – that has paid for learning support and summer programming.
While the money from ESSER originally had to be spent by Sept. 30, 2024, President Biden’s administration had approved an extension to allow schools to use the money through the 2025-26 school year. (Public schools in Vermont operate on a July 1 through June 30 fiscal calendar; the federal government’s fiscal year ends on September 30.)
McMahon’s letter noted that the federal department had “reconsidered” requests from state leaders to continue the extension after finding it “was not justified” and terminated the program at 5 p.m. on March 28 — three minutes before the statement was sent.
Vermont school districts have at least $10 million pending in that grant funding, Briggs Campbell estimated. The department has received about $800,000 worth of invoices but cannot request funds until it goes through the new process outlined in McMahon’s letter, which states the federal department will consider extensions “on an individual project-specific basis.”
“All of these were approved for extension by the previous administration,” she said in the hearing.
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Read more about how the funding loss is affecting school districts here.
— Auditi Guha
On the move
After an extensive — and mysterious — delay, the Vermont House’s massive education bill, H.454, survived a voice vote on second reading Thursday. The bill is expected to face a vigorous challenge on the floor tomorrow.
—Ethan Weinstein
Visit our 2025 bill tracker for the latest updates on major legislation we are following.
SHELBURNE — Norman Rockwell lived for a time in suburban New York City and died and was buried in the Berkshires of Massachusetts. But for 14 years in between, the artist spent perhaps the most prolific period of his career in Vermont creating his best-known works.
That’s how Shelburne Museum curator Carolyn Bauer sees it — and how the museum’s latest exhibition treats the artist.
“Norman Rockwell: At Home in Vermont,” which opens June 20 and runs through Oct. 25, displays 40 of the 175 covers Rockwell famously created for The Saturday Evening Post magazine during his time in Vermont between 1939 and 1953.
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Also on display are prints of “The Four Freedoms,” maybe his most famed works of all, which represent American ideals spelled out by President Franklin D. Roosevelt in 1941. Paintings in the exhibition include “The Young Lady with the Shiner” and “The Tattoo Artist,” both whimsical, recognizable pieces used as covers for The Saturday Evening Post.
“It’s very accessible work and approachable,” Bauer said.
The display features the three paintings that inspired the exhibition, given to the Shelburne Museum by Rock of Ages, the Barre granite quarry and monument maker. Those Rockwell paintings filled a significant gap in the museum’s art collection, which includes works by Claude Monet, Edgar Degas, Grandma Moses and Andrew Wyeth but, until recently, none by Rockwell, perhaps the best-known artist to have lived here.
“It feels like a homecoming in many regards,” Bauer said.
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Moving to southern VT, finding ‘the every American’
The exhibition frames Rockwell’s time in Vermont around the tenor of the times in America. As the Great Depression was ending, World War II was looming and the nation was growing more urban and industrialized, much of the public was yearning for greater simplicity, Bauer said.
Rockwell was among them, leaving New Rochelle north of New York City for the quietude of Arlington in southern Vermont.
He was not alone. Contemporary artists including Mead Schaeffer, John Atherton and Gene Pelham would settle in Arlington too, creating what Bauer termed “the golden illustrator days” in Vermont.
Rockwell’s art, as the 152-page hardcover catalogue accompanying the exhibition notes, shows “how Vermont itself came to embody American ideals in the national imagination.”
Rockwell and his fellow Arlington artists used each other as models in their creations. “They really would work collaboratively,” Bauer said.
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Pelham’s daughter, Melinda, is shown in the exhibition in two works: “The Babysitter,” a painting of a girl holding a crying baby that’s on loan from The Fleming Museum at the University of Vermont and an admission submission Rockwell sent to Kellogg’s of a girl clutching a cereal-laden spoon to her mouth.
Doctors, mail deliverers and shopkeepers from Arlington populated his work. Bauer said Rockwell usually gave models $5 and a can of Coca-Cola.
“He was recycling and using just about everybody in town,” Bauer said. That included himself: Rockwell added his own visage to the multiple faces in “The Gossip,” which shows him lashing out at a woman who’s started the rumor-mongering.
Bauer said Rockwell wanted to cultivate a sense of place by using Vermonters known for their austere self-reliance at the forefront of his work. He also found “the every American” ideal in town, Bauer said, though his art reflected a pronounced lack of diversity.
In later work, Rockwell would confront race and segregation as the Civil Rights Movement swept the U.S.
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“He was progressive,” Bauer said.
Inspired by paintings donated by Rock of Ages
“Norman Rockwell: At Home in Vermont” was inspired by the 2025 museum acquisition of a trio of Rockwell works that once hung in the Barre offices of Rock of Ages. The granite company contacted the museum asking if it could donate the paintings, Bauer said, prompting staffers to wonder momentarily, “Is this real?”
Rockwell created advertisements for Rock of Ages and gave the paintings upon which the ads were based to the company. “Kneeling Girl” from 1955, making its debut at the Shelburne Museum, takes place in front of a gravestone engraved with the name Newton.
Rock of Ages donated two versions of 1963 work “The Craftsman,” a muted draft and a more luminous final version that were first displayed at the museum last year. They depict Rock of Ages stonecutter George Seivwright working in the shadow of a memorial bearing the name “Norwell,” a portmanteau of Rockwell’s first and last names.
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Bauer called the paintings “incredible works of art that were circulated widely” in ads, brochures and pamphlets touting Rock of Ages and its world-famous Vermont granite. Though Rockwell had left Vermont for Massachusetts by the time he created those paintings, they do what Rockwell had done when he lived in Arlington — show the nation and the world what Vermont and Vermonters are capable of.
“We are just eager for our visitors to see these paintings,” Bauer said.
If you go
WHAT: “Norman Rockwell: At Home in Vermont”
WHEN: June 20 through Oct. 25
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WHERE: Pizzagalli Center for Art and Education, Shelburne Museum
INFORMATION: $8-$25 museum admission; free under age 5 and for active military and Shelburne Museum members. shelburnemuseum.org
Contact Brent Hallenbeck at bhallenbeck@burlingtonfreepress.com.
The National Weather Service is investigating whether a small tornado touched down in Woodstock in eastern Vermont on Thursday afternoon as intense storms swept through the area, uprooting and snapping trees, and causing structural damage.
A damage survey team is expected to assess the damage on Friday morning to confirm whether any tornadoes touched down during the severe thunderstorms, the Weather Service in Burlington, Vt., said.
The suspected tornado occurred some time between 2 p.m. and 3 p.m., according to the NWS. A tight vortex, a marker for rotation, was spotted on radar, although there was no debris signature detected on radar. No tornado warnings were issued at the time.
If a tornado is confirmed to have touched down, the survey team will also determine the size, path, and intensity of the twister.
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Some of the damage left behind by what is believed to have been a tornado that touched down Thursday.Chris Markos
The last tornado to touch down in Vermont was just a couple of months ago. On April 16, 2026, an EF1 touched down in Williamstown, Vt., according to the NWS. An EF1 tornado is the second-lowest rating for twisters, according to the Enhanced Fujita Scale, which ranks them based on intensity.
Several supercells had tracked across northern New York into southern and central Vermont, producing large hail and damaging winds, and eventually spawning the tornado, which the Weather Service said was about a half-mile long and 200 yards wide at its peak. The damage survey team also found ”extensive wind damage between Ainsworth State Park and Jackson Center with estimated winds between 70 and 80 mph,“ which was caused by an accompanying microburst, the NWS said.
Large trees are seen uprooted near Staples Pond in Williamstown, Vt., in April.NWS
More than an hour after the Vermont storm, two tornado warnings were issued for southern Worcester County after a pair of tight vortexes were spotted on radar, indicating a possible tornado.
No structural or other damages were found, but storm spotters have submitted reports of a funnel cloud near the Spencer-Leicester town line.
Ken Mahan can be reached at ken.mahan@globe.com. Follow him on Instagram @kenmahantheweatherman. Marianne Mizera can be reached at marianne.mizera@globe.com. Follow her @MareMizera.
It’s been nearly a year and a half since border agent David ‘Chris’ Maland was shot and killed during a traffic stop near the interstate in Coventry, Vermont. Now, a group of law enforcement officers are petitioning to dedicate a section of I-91 to him.