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Can filmmakers grow VT’s movie industry?; ‘Leather Clad’ ready to try

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Can filmmakers grow VT’s movie industry?; ‘Leather Clad’ ready to try


MONTPELIER — A local filmmaker’s latest movie is headed to Montpelier’s Savoy Theater next  week as part of a larger effort to bring more movie-making to the state.

Hosted by the Vermont Production Collective, the April 16 event will feature the latest version of  “Leather Clad,” written and directed by Thomas Benton. The movie itself was filmed in Vermont, after Benton and co-producer (and lead actor) Matt Munroe wanted to see what they’d be able to bring to the big screen.

Years later, the film has been shot and edited into this final version, now ready for its larger release.

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“There’s something special about bringing it to Montpelier and exposing the lawmakers to this ground level of debauchery,” Benton said. “There’s something exciting about that.”

Filming in Vermont

Benton is one of many people across Vermont interested in growing the movie industry in the Green Mountains. Because, Hollywood isn’t doing so great. Worldwide box office numbers continue to deteriorate post-pandemic and few movies — outside of James Cameron’s “Avatar” films and endless CGI movies for kids — have been able to bring in the revenue that was common just a decade ago.

Could Vermont fill the gap? Maybe.

Benton and his team have tried to answer that entertainment problem by going niche. Using a low budget and unique approach, the goal was to film something that felt a little more real.

“We’ve gotten to such a corporate, mass media perspective, where we’re at such a point where nothing looks like life as we know it,” he said. “You look at movies in the ‘70s and ‘80s, and it was like, you look at the actors and think, they remind me of someone, or maybe I could be that. You can find that there was a still tangible connection in reality. There’s none of that now.”

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Eventually, he was able to find the talent to do it. After a little searching, it turns out Vermont has an abundance of people with movie-making experience.

“We clearly have a really bizarre amount of film industry expats in the state who are just looking for work and going elsewhere,” Benton said.

In many ways, it’s how his own movie got off the ground. Benton ran into Munroe — who has performed in a handful of roles in movies and television — and found a shared vision about wanting to get a movie together. So they pushed ahead. 

The result is “Leather Clad.” Due to budgetary constraints, they stuck to simple locations and  cast Munroe to play the main character while bringing on multiple actors — some from New England — to fill out the ensemble.

Benton and his team then took care of much of the production crew work as well as post-production to edit the movie down into its current version. Benton already showed a first cut of the movie, rolling it out at the Welden Theatre at an event this past September, but he said that version has since been updated extensively for the showing at Montpelier’s Savoy.

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“The first cut is – I think it should be this. The second cut is – okay, it’s not that. Maybe it could be this? And then the third cut is – this is what it is. Here’s what we actually shot. Here’s how it works,” he said. 

VPC and movies

If “Leather Clad” entertains audiences and gains fans, then Benton is hoping that Vermont’s moviemaking industry might gain some momentum. The Vermont Production Collective is definitely trying to push the needle by featuring the local movie. It’s the second feature to be a part of the new series rolled out by the organization, called VPC Presents, to focus on grassroot perspectives.

Altogether, the group has identified 55 separate movies — some features and some shorts — which have had portions shot in Vermont. Some are well-known, like “Beetlejuice,” but most come from Vermont’s slate of independent filmmakers, many of them organized under the VPC name.

Enosburgh’s own Shayna Sherwood, for example, serves on the group’s advisory board. As an experienced casting director, she too would like to see movie-making take off in Vermont.

“I personally believe we are at a turning point in film, television and media. The way we create and consume content has changed dramatically and is changing daily,” she said in a written statement. “My hope for this (VPC Presents) event is we start to build a bridge between Vermont’s creative community, its policymakers and the out-of-state professionals who have a connection to this beautiful place. Because there is a real opportunity in front of us.”

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Benton agreed, although he sees three obstacles to that goal — funding, branding and bankability. Essentially, much of Vermont’s film industry consists of smaller productions, sometimes self-funded, and there needs to be more financial backers who are comfortable taking the chance to invest in something larger. 

Most states offer incentive programs to help, but Vermont has shied away from the approach after the legislature put together a report researching the idea.

There also needs to be a few more advocates for filmmakers, especially on the state level. While Vermont likes to brand itself as being a “remote worker” hub in order to grow its workforce, few lump film professionals into that list. That could be changed to help re-orient people’s ideas of what the state could be if there was a larger industry.

And finally, Benton said the local film industry could use a bigger hit — a movie that gets people talking on a wider regional level — in order to be able to expand and grow. Until that happens, any “grassroots” efforts will likely continue to be overshadowed by Hollywood’s glossy content factory.

“This isn’t a huge industry anyway, so how do you budge the needle? You’ve got to have, honestly, even just a big success splash or something, to get it going,” Benton said.

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“Leather Clad” could be it. The movie starts at Montpelier’s Savoy Theater (located at 26 Main St.) at 7 p.m. on April 16. A pre-film reception is also planned at 5:30 p.m. at Hugo’s Bar & Grill

Following the showing, Benton said there will also be a panel discussion featuring moviemakers and film advocates for those interested.

As for “Leather Clad,” VPC provided the following movie summary: “After a shooting sends them running for cover, a newly released ex-con and a game warden’s daughter realize they’re being hunted—and neither knows why.”  From Vermont filmmaker Thomas Benton, starring Vermonter Matt Munroe, Anne Clark, Paul Romero, Jeff Elam and Jamison Jones. Runtime: 82 minutes.





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Norman Rockwell finally gets his day in new Shelburne Museum exhibit

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Norman Rockwell finally gets his day in new Shelburne Museum exhibit


SHELBURNE — Norman Rockwell lived for a time in suburban New York City and died and was buried in the Berkshires of Massachusetts. But for 14 years in between, the artist spent perhaps the most prolific period of his career in Vermont creating his best-known works.

That’s how Shelburne Museum curator Carolyn Bauer sees it — and how the museum’s latest exhibition treats the artist.

“Norman Rockwell: At Home in Vermont,” which opens June 20 and runs through Oct. 25, displays 40 of the 175 covers Rockwell famously created for The Saturday Evening Post magazine during his time in Vermont between 1939 and 1953.

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Also on display are prints of “The Four Freedoms,” maybe his most famed works of all, which represent American ideals spelled out by President Franklin D. Roosevelt in 1941. Paintings in the exhibition include “The Young Lady with the Shiner” and “The Tattoo Artist,” both whimsical, recognizable pieces used as covers for The Saturday Evening Post.

“It’s very accessible work and approachable,” Bauer said.

The display features the three paintings that inspired the exhibition, given to the Shelburne Museum by Rock of Ages, the Barre granite quarry and monument maker. Those Rockwell paintings filled a significant gap in the museum’s art collection, which includes works by Claude Monet, Edgar Degas, Grandma Moses and Andrew Wyeth but, until recently, none by Rockwell, perhaps the best-known artist to have lived here.

“It feels like a homecoming in many regards,” Bauer said.

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Moving to southern VT, finding ‘the every American’

The exhibition frames Rockwell’s time in Vermont around the tenor of the times in America. As the Great Depression was ending, World War II was looming and the nation was growing more urban and industrialized, much of the public was yearning for greater simplicity, Bauer said.

Rockwell was among them, leaving New Rochelle north of New York City for the quietude of Arlington in southern Vermont.

He was not alone. Contemporary artists including Mead Schaeffer, John Atherton and Gene Pelham would settle in Arlington too, creating what Bauer termed “the golden illustrator days” in Vermont.

Rockwell’s art, as the 152-page hardcover catalogue accompanying the exhibition notes, shows “how Vermont itself came to embody American ideals in the national imagination.”

Rockwell and his fellow Arlington artists used each other as models in their creations. “They really would work collaboratively,” Bauer said.

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Pelham’s daughter, Melinda, is shown in the exhibition in two works: “The Babysitter,” a painting of a girl holding a crying baby that’s on loan from The Fleming Museum at the University of Vermont and an admission submission Rockwell sent to Kellogg’s of a girl clutching a cereal-laden spoon to her mouth.

Doctors, mail deliverers and shopkeepers from Arlington populated his work. Bauer said Rockwell usually gave models $5 and a can of Coca-Cola.

“He was recycling and using just about everybody in town,” Bauer said. That included himself: Rockwell added his own visage to the multiple faces in “The Gossip,” which shows him lashing out at a woman who’s started the rumor-mongering.

Bauer said Rockwell wanted to cultivate a sense of place by using Vermonters known for their austere self-reliance at the forefront of his work. He also found “the every American” ideal in town, Bauer said, though his art reflected a pronounced lack of diversity.

In later work, Rockwell would confront race and segregation as the Civil Rights Movement swept the U.S.

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“He was progressive,” Bauer said.

Inspired by paintings donated by Rock of Ages

“Norman Rockwell: At Home in Vermont” was inspired by the 2025 museum acquisition of a trio of Rockwell works that once hung in the Barre offices of Rock of Ages. The granite company contacted the museum asking if it could donate the paintings, Bauer said, prompting staffers to wonder momentarily, “Is this real?”

Rockwell created advertisements for Rock of Ages and gave the paintings upon which the ads were based to the company. “Kneeling Girl” from 1955, making its debut at the Shelburne Museum, takes place in front of a gravestone engraved with the name Newton.

Rock of Ages donated two versions of 1963 work “The Craftsman,” a muted draft and a more luminous final version that were first displayed at the museum last year. They depict Rock of Ages stonecutter George Seivwright working in the shadow of a memorial bearing the name “Norwell,” a portmanteau of Rockwell’s first and last names.

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Bauer called the paintings “incredible works of art that were circulated widely” in ads, brochures and pamphlets touting Rock of Ages and its world-famous Vermont granite. Though Rockwell had left Vermont for Massachusetts by the time he created those paintings, they do what Rockwell had done when he lived in Arlington — show the nation and the world what Vermont and Vermonters are capable of.

“We are just eager for our visitors to see these paintings,” Bauer said.

If you go

WHAT: “Norman Rockwell: At Home in Vermont”

WHEN: June 20 through Oct. 25

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WHERE: Pizzagalli Center for Art and Education, Shelburne Museum

INFORMATION: $8-$25 museum admission; free under age 5 and for active military and Shelburne Museum members. shelburnemuseum.org

Contact Brent Hallenbeck at bhallenbeck@burlingtonfreepress.com.



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Possible tornado causes damage in small Vermont town during Thursday’s intense storms – The Boston Globe

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Possible tornado causes damage in small Vermont town during Thursday’s intense storms – The Boston Globe


The National Weather Service is investigating whether a small tornado touched down in Woodstock in eastern Vermont on Thursday afternoon as intense storms swept through the area, uprooting and snapping trees, and causing structural damage.

A damage survey team is expected to assess the damage on Friday morning to confirm whether any tornadoes touched down during the severe thunderstorms, the Weather Service in Burlington, Vt., said.

The suspected tornado occurred some time between 2 p.m. and 3 p.m., according to the NWS. A tight vortex, a marker for rotation, was spotted on radar, although there was no debris signature detected on radar. No tornado warnings were issued at the time.

If a tornado is confirmed to have touched down, the survey team will also determine the size, path, and intensity of the twister.

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Some of the damage left behind by what is believed to have been a tornado that touched down Thursday.Chris Markos

The last tornado to touch down in Vermont was just a couple of months ago. On April 16, 2026, an EF1 touched down in Williamstown, Vt., according to the NWS. An EF1 tornado is the second-lowest rating for twisters, according to the Enhanced Fujita Scale, which ranks them based on intensity.

Several supercells had tracked across northern New York into southern and central Vermont, producing large hail and damaging winds, and eventually spawning the tornado, which the Weather Service said was about a half-mile long and 200 yards wide at its peak. The damage survey team also found ”extensive wind damage between Ainsworth State Park and Jackson Center with estimated winds between 70 and 80 mph,“ which was caused by an accompanying microburst, the NWS said.

Large trees are seen uprooted near Staples Pond in Williamstown, Vt., in April.NWS

More than an hour after the Vermont storm, two tornado warnings were issued for southern Worcester County after a pair of tight vortexes were spotted on radar, indicating a possible tornado.

No structural or other damages were found, but storm spotters have submitted reports of a funnel cloud near the Spencer-Leicester town line.


Ken Mahan can be reached at ken.mahan@globe.com. Follow him on Instagram @kenmahantheweatherman. Marianne Mizera can be reached at marianne.mizera@globe.com. Follow her @MareMizera.





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Vermont law enforcement officers petition for highway dedication in honor of David Chris Maland

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Vermont law enforcement officers petition for highway dedication in honor of David Chris Maland


It’s been nearly a year and a half since border agent David ‘Chris’ Maland was shot and killed during a traffic stop near the interstate in Coventry, Vermont. Now, a group of law enforcement officers are petitioning to dedicate a section of I-91 to him.



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