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Takeaways: Paul Skenes Can’t Even Save Pirates

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Takeaways: Paul Skenes Can’t Even Save Pirates


PHILADELPHIA — The Pittsburgh Pirates concluded their road trip on the east coast and showed that they simply don’t have what it takes to contest with the best in baseball.

The Pirates faced both the New York Mets at Citi Field and the Philadelphia Phillies at Citizens Bank Park and both teams shared a similarity: big payrolls.

The Mets have the highest payroll in the MLB at $323,099,999, marked by their record signing of free agent outfielder Juan Soto for $765 million over 15 years. The Phillies aren’t far behind at $284,210,820, the fourth highest in the MLB.

Pittsburgh has a payroll of $87,645,246, the fifth least in the MLB, and it showed on the field.

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Both National League East Division Teams have star power and great depth throughout their rosters, which showed last season, as the Mets made the NLCS and the Phillies made the playoffs for the third straight season.

The Pirates haven’t made the playoffs since 2015 and have just one season above .500 since then. There is a lack of winning that extends from previous team and continues to now, due to poor free agent signings, no identity and poor execution during offseasons, drafts, etc.

Philadelphia and New York will both contend for a World Series this season and currently sit 28-18 and 29-17 overall, respectively. (Fill in). They both have done what is necessary to win and have the players and the team culture to achieve that goal.

The Pirates have just 15 wins from 47 games in 2025 and have the third worst record in baseball. They sit 13.0 games behind the Chicago Cubs at the top of the NL Central Division and the San Francisco Giants in the third NL Wild Card spot.

It’s only the middle of May, but the Pirates have lost this season and it’s going to get much worse before it gets better.

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The Pirates have fought harder and gone after games better under new manager Don Kelly than prior manager Derek Shelton, but hitting the ball successfully and for runs remains a massive obstacle every single game.

Pittsburgh batted .192, 38-for-197, plus 4-for-38 with runners in scoring position over the six games against the Mets and Phillies. They also struck out 53 times, averaging nearly nine strikeouts per game.

The Pirates had two close losses to the Mets, 4-3 on a walk-off on May 12 and 2-1 on May 13, where they were 1-for-9 and 2-for-13 with runners in scoring position, respectively.

They went 1-for-10 in the series against the Phillies with runners in scoring position, which included the 5-2 loss on May 17, where they had no runners in scoring position, with only a Bryan Reynolds two-run home run in the top of the ninth inning as the sole offense in the game.

None of this is much of a surprise for a team that has been terrible all season long from the plate, ranking towards the bottom of most statistics.

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The Pirates rank tied for the worst batting average in the MLB at .217, along with the Chicago White Sox and the Colorado Rockies, at .217 and OPS at .619, along with the White Six, and possess the worst slugging percentage at .322. Their .297 on-base percentage is also fifth worst.

Pittsburgh has also not scored more than four runs in a game since a 9-3 win over the Los Angeles Angels at Angels Stadium on April 23, a 23-game streak. That ties the 2022 Miami Marlins for the longest such streak in a season since at least 1980.

The Pirates offense doing so poorly runined some fantastic performances from the Pirates pitching staff.

Paul Skenes allowed just one run, plus six hits and three walks, while posting six strikeouts over six innings vs. the Mets on May 12 and then just one run, a walk and only three hits, while tying his season-high of nine strikeouts in eight innings against the Phillies on May 18, for his first complete game of his career.

Mitch Keller also excelled in his start vs. the Mets on May 13, where he allowed five hits, two walks and two earned runs and posted a season high eight strikeouts over seven innings.

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All three of those games the Pirates have lost and it’s a trend that the team has had this season, with lack of support for great outings from their starting pitching.

They’ve suffered defeat in seven of 10 games that Skenes has pitched in, despite only allowing 17 earned runs, and have lost seven of the nine games that Keller started. The Pirates have scored 24 runs for Keller and 32 runs for Skenes, averaging to 2.7 and 3.2 runs per start, respectively.

Pittsburgh has not supported their two best pitchers and for fans, it’s understandbly a massive source of frustation for a season they expected improvement and growth.

The Pirates got two important players back from injury in their series vs. the Phillies in first baseman Spencer Horwitz and center fielder Oneil Cruz

Horwitz missed all of Spring Training and the entire MLB season up until this past weekend with a right wrist injury. He did two rehab assignments at both Double-A Altoona and Triple-A Indianpolis prior to his return.

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Cruz missed almost a week with lower back pain after an awkward slide attempt against the Atlanta Braves on May 10. He was day-to-day, but is now back in the starting lineup.

Horwitz went 1-for-6 with a strikeout, starting the past two games at first base, while Oneil Cruz went 0-for-9 and struckout eight times, including four in the shutout defeat to end the series.

The Pirates will need patience with both Horwitz and Cruz, who will look to regain form on the field and at the plate going forward.

Make sure to visit Pirates OnSI for the latest news, updates, interviews and insight on the Pittsburgh Pirates



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‘It began right here in the Hill District’: Bill from Rep. Lee seeks national honor for Freedom House

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‘It began right here in the Hill District’: Bill from Rep. Lee seeks national honor for Freedom House






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Behind the build: engineering Pittsburgh’s new airport terminal

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Behind the build: engineering Pittsburgh’s new airport terminal


Hear from the Buro Happold team on the engineering behind Pittsburgh International Airport’s new landside terminal.

When Pittsburgh International Airport opened its new landside terminal in November 2025, it wasn’t just a ribbon‑cutting – it was a reset. The project replaced a 30‑year‑old layout designed for a hub airline that no longer exists, transforming the airport into a streamlined, Pittsburgh‑first operation built around the people who actually use it.

Image: Ema Peter.

The Terminal Modernization Program (TMP) did more than link a new 800,000 ft² landside terminal directly to the existing concourses. It rethought a half‑mile disconnect between tickets and gates, retired the underground tram called the Automatic People Mover (APM), and re‑established clarity, comfort, and efficiency as the organizing principles of the passenger journey.

For Buro Happold, the challenge was both technical and cultural: engineer a right‑sized terminal that would feel effortless to travelers while quietly delivering resilience, efficiency, and long-term operability. In this Q&A, the team walks through the decisions behind the systems – from displacement ventilation to microgrid integration – and the choreography required to modernize an airport without ever shutting it down.

Meet the engineering team behind the new terminal

A building shaped by use, not nostalgia

The old Pittsburgh terminal felt stuck in the early 1990s: a mall‑like landside building, security, and then a tram ride to a distant airside concourse. It was a spatial diagram designed for connections, not for the 98% of travelers who now begin or end their journeys in Pittsburgh. The new plan positions the landside terminal directly against the airside concourses. “The split made a stressful trip more stressful,” said Joe Gaus, associate principal. “Now the sequence is straightforward: check in, central screening, and a short connector – no train, fewer unknowns.” The modernization project reversed the logic. Ticketing, screening, and arrivals were consolidated into a single hall linked directly to the gates, cutting time and uncertainty while opening up generous meet‑and‑greet spaces for a city that prefers to walk inside to welcome family and friends.

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The architecture – led by Gensler and HDR, in association with luis vidal + architects – doesn’t hide its regional references: an undulating roof suggestive of rolling hills; columns branching like trees; fiber‑optic “stars” that glance off glass at night. What it does hide, by design, is the machinery of comfort. “You see the nature,” Gaus says, “and only when you look closer do you realize the technology is doing the work in the background.”

Image: Ema Peter.

Integrating today with yesterday – while never closing

Modernizing a live airport is not a matter of swapping parts. The new terminal was built “separate ‑through‑construction,” as Yelena Nelson, senior mechanical engineer, describes it, to preserve operations until the moment of carefully sequenced tie‑in. That meant temporary routes, scaffolding, and wayfinding choreographies that changed as the building neared the old concourse. “The challenge wasn’t wiring old equipment to new,” Nelson says. “It was delivering next to a live airport without breaking its rhythm.”

Phasing became the delivery mechanism: one package for everything underground – utilities, stormwater, and the remnants of the train infrastructure – and another for everything above. The connector bridge formed a new passage aligning the security exit with the existing concourse. “LED walls, the bridge motif – it’s a reveal that feels like Pittsburgh,” says Mike Weleski, who led portions of the MEP and site integration. “All while the airport kept moving.”

Image: Ema Peter.

Behind the scenes, the team wrote a white paper for the airport authority on its building management system. Do they double down on the incumbent platform or open the market to competition? Matt Hochberger, the project lead, explains the calculus: keep the operator workflows and alarm philosophies that staff know, but design the new terminal’s BMS to interoperate – not lock in. The owner chose open bid, preserving flexibility without sacrificing a seamless handoff to facilities. It’s the kind of decision passengers never feel, but operators make every day.

Power that protects operations

Pittsburgh International Airport is powered by a 23‑megawatt microgrid – a blend of on‑site natural gas generation and solar – capable of operating independently from the regional grid. The new terminal had to integrate seamlessly into that system. “We tied in at medium voltage with new 3.5 kV switchboards, then stepped down to 480V for the building,” says Jeremy Hall, associate electrical engineer. That strategy allowed the team to shrink the diesel generator to life‑safety loads – emergency lighting, egress, fire/life safety – and to rely on the microgrid’s redundancy for optional standby, cutting emissions and fuel risk.

Aerial view of the newly modernized Pittsburgh Airport
Pittsburgh International Airport was once a hub for US Airways. Image: Gensler + HDR in association with luis vidal + architects.

Where the power system provides resilience, the controls framework ensures efficiency. The design incorporates daylight‑responsive dimming, occupancy and vacancy controls, and a full LED specification that cuts lighting power density to roughly 30 percent below ASHRAE code. The result is an automated, low‑waste operation that performs without demanding attention. It’s engineering that works in the background – constantly optimizing, rarely seen.

Comfort engineered into the background

If the project has a signature technical move, it’s displacement ventilation. In halls of this scale – soaring ceilings, long sightlines, and air volumes that would typically demand brute‑force conditioning – Buro Happold rethought the physics. Instead of pushing large quantities of air from high above, the team supplied conditioned air low and slow, allowing natural stratification to lift heat and contaminants clear of the occupied zone.

“The airflow isn’t felt – no drafts,” Hochberger says. “You’re calmer in the place people are usually most anxious: baggage claim.”

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Image: Ema Peter.

Those lofty ceilings, a defining architectural element of the new hall, were made possible precisely because the engineering retreated from them. By delivering air at the floor and letting the upper volume act as a quiet thermal buffer, the team avoided cluttering the roofline with the typical web of ducts, grilles, and mechanical hardware. The height could read as pure architecture – light, airy, unbroken.

Function followed form: diffusers are integrated into benches, walls, and carousel surrounds, preserving valuable floor‑to‑floor height and keeping the focus on the sweep of the roof instead of the machinery behind it. “We worked carefully with the design team to hide the big openings,” Nelson adds. The result is a space that feels open and intuitive, while the engineering works invisibly in the background to keep it comfortable at every scale.

Image: Ema Peter.

Modeling as risk management

The integration platform for all of this was BIM. “We modeled space by space with exact elevations,” says Rachel Weaver, an electrical engineer who helped with BIM coordination. The point wasn’t just clash detection; it was construction intent. Electrical conduits and feeders were pre‑cut from the model to minimize waste. On the plumbing side, the team used Revit to thread storm piping through the undulating structure – a challenge made more urgent when the plumbing group proposed a stormwater reuse system that hadn’t been in the initial brief. “You have a roof this large,” Weleski says. “Why not capture and treat a portion for the landscape terraces and reduce domestic water demand?” The owner agreed.

Image: Ema Peter.

A local project with global reach

The talent bench shifted as the program matured: early concept work drew on Buro Happold’s global aviation experience, then moved through New York and Pittsburgh for design and construction administration. What never shifted was proximity.

“We were on site weekly,” Gaus says. “Half the time it was faster to drive to the airport than to the office.” Problems that might have lingered on emails resolved in thirty‑minute hallway meetings or impromptu field walks with the contractor and architect.

Jeremy Snyder is direct about why that mattered: “It’s the airport’s building. They have to operate it. We moved efficiently and treated the owner as part of the team making decisions on design.”

Image: Ema Peter.

What people will notice – and what they won’t

Travelers will recognize the ‘Pittsburgh-ness’ of the new hall immediately: the lift of the roofline, the light from all sides, the constellations overhead. They’ll also notice what’s missing. The tram is gone; the walk is shorter; the signage reads clearly. Much of what makes that possible is deliberately invisible – air delivered where people are; power and data routed where they need to be; sensors adjusting light to the day – so the building can do more with less.

For the engineers who lived with it for years, the pride is more granular. “We had to keep a complex campus breathing while we changed a lung,” Hochberger says, smiling at the metaphor. Weleski calls it a legacy project. “You don’t build a new airport here every decade,” he says. “I came to work on this. I can’t wait to fly out of it.”

In the end, the terminal modernization reflects the spirit of the city it serves: a clarity of purpose, an economy of means, and an insistence on doing the hardest work out of view so the experience feels effortless. It is, as the team repeatedly noted, an airport for Pittsburgh, by Pittsburgh – engineered to carry the region forward.

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Image: Wendell Weithers

For us, the measure of success wasn’t just opening a new terminal – it was giving Pittsburgh an airport that feels effortless to use and resilient to operate. When engineering disappears into the experience, that’s when we know we’ve done our job.”

— Jeremy Snyder, US Aviation Director



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March concerts: Journey, Jason Isbell, Cody Johnson and much more

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March concerts: Journey, Jason Isbell, Cody Johnson and much more






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