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Here Are the Charges Eric Adams Faces, Annotated

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Here Are the Charges Eric Adams Faces, Annotated

Federal prosecutors in Manhattan on Thursday unveiled a five-count indictment against Mayor Eric L. Adams of New York, charging him with bribery conspiracy, fraud and soliciting illegal foreign campaign donations.

The 5 Charges in the Indictment

  • 1 count

    Conspiracy to commit wire fraud, solicit foreign contributions and accept bribes

    Related to accusations that Adams illegally accepted travel and gifts through the Turkish government, solicited the illegal foreign contributions into his campaign from Turkish businessmen and improperly influenced the approval of the Turkish Consulate in New York City.

  • 1 count

    Wire fraud

    Related to accusations that Adams fraudulently accepted public matching funds for his campaign by improperly certifying contributions that were made via “straw donors,” concealing the true sources of the donations.

  • 2 counts

    Solicitation of a contribution by a foreign national

    Related to accusations that Adams solicited and received improper campaign contributions through foreign citizens.

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  • 1 count

    Bribery

    Related to accusations that Adams solicited free and heavily discounted foreign luxury travel in exchange for helping to obtain approval by Fire Department officials of a new Turkish Consulate.

Mr. Adams, who is up for re-election in 2025, insisted he was innocent in the case, which is led by U.S. Attorney Damian Williams of the Southern District of New York. At least three other federal investigations have reached people in the mayor’s orbit.

The New York Times annotated this indictment.

Download the original PDF.

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New York Times Analysis

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1

This is a historic and remarkable case title, naming Eric Adams as the first mayor in modern New York City history to be criminally charged while in office, only three years after he was elected to lead City Hall.

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2

The scope of the accusations are stunning. Prosecutors say that for almost a decade, Adams abused his power as Brooklyn borough president and later as mayor in order to receive illegal campaign donations and luxury travel benefits — including free flight upgrades, hotel stays and high-end meals.

3

Often, a criminal indictment is written like a story. Here, federal prosecutors describe the main character, in this case Adams, and start to set a scene before describing the specifics of a criminal conspiracy of which he was a member.

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4

Federal prosecutors accuse Adams and his campaign of illegally taking advantage of New York City’s generous public matching program by using so-called straw donors — people who make campaign donations with someone else’s money — to inflate the amount to which he was entitled. However, the number they use here — $10,000,000 — is the total amount of matching funds he received, rather than what he might have obtained illegally.

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5

The indictment accuses Adams of concealing at least $123,000 worth of flight upgrades and tickets that were gifts from a Turkish official and other Turkish nationals. He did not report any of these gifts on his annual disclosure forms.

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6

Adams’s love of travel is well known, and he has often spoken of all the international destinations he has visited — going back to his time as a state senator. Reporters have often questioned how these trips were paid for, and now prosecutors are saying some of them, along with free meals and hotel rooms, were given to him as bribes.

7

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For prosecutors, an important part of proving a defendant’s guilt is providing evidence that he knew what he was doing was wrong. That is why they have included this section accusing Adams of trying to cover up his crimes with phony paper trails, token payments and deleted messages.

8

This answers a big question raised by the investigation: How did Turkish officials and other Turkish nationals benefit from having a close relationship with the New York City mayor? This is one of many examples cited throughout the indictment.

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9

This introduction explains how the city’s public matching program for campaigns works. The indictment then describes how Adams is accused of abusing it.

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10

Adams went to Turkey twice in four months during his first year as Brooklyn borough president. The second trip was arranged by a Turkish entrepreneur, with ties to celebrities, according to the indictment. The New York Times has identified the person who arranged the trip as Arda Sayiner.

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11

“The Turkish official,” described throughout the indictment as a main player in this conspiracy, is Reyhan Özgür, who until recently was the Turkish consul general in New York. Before August 2020, he was the deputy consul general. In those roles, Özgür interacted with Adams in his capacities both as Brooklyn borough president and as mayor.

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12

This appears to be a reference to Enver Yücel, a wealthy Turkish businessman who founded Bahcesehir University in Istanbul and Bay Atlantic University in Washington, D.C. While he was borough president, Adams weighed in to support a charter school that Yücel tried to open in New York without success.

13

This matches the description of Rana Abbasova, who served as the mayor’s longtime liaison to the Turkish community. Her home was searched by federal agents, and she later cooperated with the Adams investigation.

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14

Adams has talked publicly about his love of Turkish Airlines, calling the airline “my way of flying” in a 2017 interview. He praised the airline for accommodating his vegan dietary needs.

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15

Winnie Greco, whose name does not appear in the indictment, was Adams’s Asian affairs liaison. She is now a special adviser to the mayor and his director of Asian affairs. Greco’s home was raided by the F.B.I. in February in a case that is being investigated by a different jurisdiction, the Eastern District of New York in Brooklyn.

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16

The indictment describes how Adams went out of his way to use Turkish Airlines so he could travel for free.

17

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This appears to describe Demet Sabancı Çetindoğan, a businesswoman from a wealthy family and owner of the St. Regis hotel in Istanbul. Records from the Brooklyn borough president’s office show that before this 2017 trip, Adams had dinner with her at a restaurant called Spago during a trip to Turkey in December 2015.

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18

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The Turkish Airlines manager in New York was Cenk Öcal, whose home was searched by the F.B.I. late last year. Adams named Öcal to his 2021 mayoral transition committee.

19

Adams’s 2021 mayoral campaign didn’t disclose this June 22, 2018, fund-raising event to the city’s Campaign Finance Board. But that day, the campaign reported gathering $21,100 from 20 donors without connecting them to that event.

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20

This paragraph seems particularly problematic for Adams. It shows that prosecutors have text messages in which a promoter who arranged Adams’s trips (Sayiner) discussed illegally funneling foreign contributions to Adams in a conversation with his aide (Abbasova). Abbasova, who is now cooperating with prosecutors, has apparently told them that Adams approved this illegal scheme and that she would testify to that. His lawyers would certainly challenge her testimony if the case ever goes to trial.

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21

The assertions about Adams’s failure to report some of his free foreign travel on his annual disclosure forms raise questions about the efficacy of the Conflicts of Interest Board.

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22

It is remarkable, if true as prosecutors say, that Adams was discouraged by Özgür, the deputy Turkish consul general, from meeting with a Turkish businessman who was in legal trouble about possible donations, and Adams did it anyway.

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23

This echoes the mindset that we have seen with other foreign nationals who have tried to curry favor with American municipal officials. Their hope is to gain leverage over these lower-level officials who may eventually rise in national politics.

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24

Based on campaign records, this description matches Tolib Mansurov, an Uzbek businessman who runs a company called United Elite Group. The records show that Mansurov and four other company employees donated $2,000 to Adams’s campaign on Dec. 17, 2020.

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25

After arranging straw contributions, Mansurov sought help from Adams, including with problems he was having with the Department of Buildings, according to the indictment. Later, prosecutors say, Mansurov thanked Adams, who had promised to look into his issues, after they were partially resolved.

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26

A fund-raiser organized by Erden Arkan, the owner of KSK Construction, was held on May 7, 2021. The event brought in $69,720 for Adams’s mayoral campaign from 84 donors. The campaign then used those donations to seek an additional $63,760 in public matching funds, according to campaign documents obtained by The Times.

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27

Campaign finance records show that the Adams campaign received five $2,000 donations on Sept. 27, 2021, from people listed as employees of Bay Atlantic University, the small Turkish-owned institution based in Washington, D.C. Those gifts came from a fund-raiser held on Sept. 18, 2021, and were refunded the following month, according to information submitted to the Campaign Finance Board.

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28

The Adams campaign raised over $8.9 million for his 2021 mayoral election, and received over $10 million in public funds, more than any other citywide candidate received that year. In August, the Campaign Finance Board, in a 900-page preliminary audit of Adams’s 2021 mayoral campaign, chronicled numerous missing payments, sham donations and the potential misallocation of up to $2.3 million in taxpayer money.

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29

When Adams sought last-minute tickets to Istanbul in 2021, his aide called the Turkish Airlines manager, who said they would be very expensive — then discounted them to $50, the indictment says.

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The aide, however, rejected such a cheap price — “No, dear. $50? ” she said — to avoid suspicion, according to the indictment, and Adams ended up paying $2,200 for business-class tickets that would have cost $15,000 on the open market.

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30

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The Turkish government also paid for Adams’s chief fundraiser at the time, Brianna Suggs, to travel to Istanbul, and then gave her a fake bill for her hotel stay, the indictment says.

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31

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The Turkish House was erected at the cost of nearly $300 million, a sum that drew criticism in Turkey in 2021, when students protested the high cost of housing.

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32

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Here begins the narrative of how prosecutors say Adams influenced the Fire Department to allow the Turkish Consulate to open in time for a visit by President Recep Tayyip Erdogan despite safety concerns. In exchange, prosecutors say, Adams received travel perks and other gifts.

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33

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At this point, Adams had won the Democratic primary for mayor and was likely to be the next occupant of City Hall, so his outreach to the fire commissioner carried weight.

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34

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In this email message included in the indictment, a Fire Department official made clear the Turkish consulate project had too many safety issues to approve. But after Adams exerted pressure, officials later signed off on it anyway, the indictment says.

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35

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Adams reported back to the Turkish consul general, Reyhan Ozgur,, that the building would be approved. Ozgur wrote back: “You are a true friend of Turkey.” Adams replied: “Yes even more a true friend of yours. You are my brother. I am hear (sic) to help.”

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36

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After he was elected mayor, Adams and his partner took a highly publicized trip to Ghana. At the time, Adams’s campaign spokesman told reporters that Adams had paid for the trip himself. But, according to the indictment, Adams purchased two tickets to Pakistan on Turkish Airlines for a total of $1,436, then had the airline manager upgrade the tickets to business class and change the destination to Ghana — tickets that would have cost $14,000 — meaning that Adams is accused of receiving $12,000 in airline tickets for free.

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37

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Before he went to Ghana, the indictment says, Adams had a nine-hour layover in Istanbul during which he was treated by the Turkish government to a luxury car, a driver and a high-end dinner. An important side note here: The Turkish consul general, Ozgur, messaged Adams’s aide to make sure Adams understood where the gifts were coming from. “We are the state,” prosecutors quote Ozgur as saying.

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Adams named Cenk Ocal, the Turkish Airlines manager who arranged for his free and discounted travel, to his mayoral transition committee.

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39

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A catalog of travel benefits Adams is accused of receiving begins here.

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In the month Adams took office, he met in a private restaurant space with Arda Sayiner, the entrepreneur who had earlier offered to secure illegal contributions, the indictment says, adding that when Sayiner offered more help, Adams accepted.

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41

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The indictment now moves into the heart of Adams’s first term as mayor, accusing him of continuing to do favors for his Turkish benefactors and continuing to solicit illegal funds, now for his re-election campaign.

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42

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In September 2023, Abbasova, Sayiner and Suggs arranged a fundraiser for foreign donors — and disguised it as a meeting to discuss sustainability issues with a PowerPoint presentation and a cost of $5,000 to attend, according to the indictment.

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On Oct. 9th 2023, the Adams campaign raised $16,700 from the Turkish-American community, according to campaign records. The indictment mentions one of the organizers as as a publisher of a magazine aimed at Turkish Americans, which appears to describe Cemil Ozyurt, owner of the Turk of America magazine. Ozyurt donated $1,000 that day to the campaign, records show.

44

“Are they going to make the limit?”

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There are repeated references in the indictment to Adams’s refusal to show up at fundraisers unless his campaign received at least $25,000.

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When the investigation that led to this indictment became public in November 2023, prosecutors said, Adams scheduled yet another dinner with a businessman who was going to illegally contribute to his campaign through straw donors. But when news of the inquiry emerged, that dinner was canceled, the indictment said.

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According to the indictment, Adams’s chief fundraiser, Brianna Suggs, called Adams five times before allowing F.B.I. agents who showed up at her door in Brooklyn last year to enter. She then refused to say who had paid for her trip to Turkey, prosecutors say.

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Prosecutors say that Adams’s aide, Rana Abbasova, tried to delete incriminating messages in a bathroom when the F.B.I. showed up at her house, which later led to her suspension from City Hall.

48

This is just a jaw-dropping section of the indictment.

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(There appears to be a typo when prosecutors refer to Adams’s claims that he changed his password on Nov. 5, 2024. F.B.I. agents took his phone in 2023, and presumably said he had changed his password then. )

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The formal counts against Adams are described here, along with the “overt acts” — specific incidents — that prosecutors say support the charges. These are typically laid out near the end of an indictment.

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If Mr. Adams is convicted of all five counts in the indictment, the maximum penalty under law would be 45 years in prison. But under the federal sentencing guidelines, he would most likely receive a much shorter prison term.

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The indictment is signed by the foreperson of the grand jury that voted to approve it, whose name is redacted, and by U.S. Attorney Damian Williams, whose name is not.

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How a Museum Security Guard and Artist Lives on $51,000 in Parkchester

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How a Museum Security Guard and Artist Lives on ,000 in Parkchester

How can people possibly afford to live in one of the most expensive cities on the planet? It’s a question New Yorkers hear a lot, often delivered with a mix of awe, pity and confusion.

We surveyed hundreds of New Yorkers about how they spend, splurge and save. We found that many people — rich, poor or somewhere in between — live life as a series of small calculations that add up to one big question: What makes living in New York worth it?

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Ryan Compton knows a thing or two about gigs. To make it in New York, he has worked as a retail associate inside the Museum of Modern Art’s gift store, a cashier for a downtown taqueria and a paint mixer for Takashi Murakami. He has experienced the paradox of a city both known for its artists and for pricing artists out.

Financial constraints forced Mr. Compton, who is from South Jersey, to move away from New York twice over the course of two decades. He has lived in Baltimore, Chicago and Philadelphia, but remains convinced the resources and people inside New York are unparalleled.

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“You never know who you’re going to run into,” he said. “Everyone’s curious about each other.”

Since moving back in 2022, he has whittled down his source of income to a single gig as a security guard at the Metropolitan Museum of Art, where he made $51,000 before taxes last year. It’s his second time at the museum. He first worked there part-time in 2011 before leaving in 2015 to earn his master’s degree in sculpture from the School of the Art Institute of Chicago.

“I know I couldn’t afford graduate school and the cost of living in New York at the same time,” he said.

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A third try at New York life has forced Mr. Compton, now 46, to confront the sustainability behind a career as both an interdisciplinary artist and a security guard — even inside one of the most famous museums in the world.

Love at First Sight (With New York)

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As an undergraduate student at the Maryland Institute College of Art, Mr. Compton looked forward to spending weekends at his friend’s apartment gallery in the East Village in Manhattan.

A combination of showing face and knowing the right person led to his side project at the time — fashioning 3-d printed stuffed animals with skull faces — which were featured in an issue of Vogue Japan. He even sold a few inside a handmade craft store in Tokyo’s Ginza district for about $1,000.

“I was interested in the contrast between fuzzy-shaped animals and skulls,” he said, later adding, “You know, stuff when you’re a 20-something-year-old being kind of edgy.”

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The early moment of success propelled Mr. Compton to chase after opportunities to showcase his work. While supporting himself financially through retail and service jobs, he helped write the artist Roman Ondak’s interactive performance piece at MoMA, “Measuring the Universe;” and worked as a collaborator for “No Souls for Sale,” an experimental project temporarily at Dia Chelsea and later, the Tate Modern in London. Both went unpaid.

“The chance to work in modern art before I was 30 is unheard of,” Mr. Compton said. “It only happens in New York.”

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A Slower Pace

Tens of thousands of people flock to the Metropolitan on weekends, and it’s Mr. Compton’s job — one he has found increasingly difficult — to make sure the art is untouched. He believes social media has altered the way visitors engage with the museum. Think more selfies and poses leaned against Hellenistic marble.

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The one hour work commute from Parkchester in the East Bronx gives him time to prepare for a long day ahead. He splits a two-bedroom with a co-worker for $1,000 a month and pays $50 in utilities. Heat and water are included in his rent, and his roommate covers the cost of Wi-Fi. He pays $90 each month for his phone bill.

The slower pace of the residential neighborhood matches the stage of life he’s in now. In the last few years, Mr. Compton has slowed down as he has come to terms with the expenses behind his art.

He no longer has free access to fabrication laboratories pegged to his university, and he has opted for the more cost-friendly hobbies of zine-making and book binding. He is, however, eyeing a $1,000 3-d printer. For now, he has settled on $20 a month Photoshop subscription.

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The largest constraint tempering Mr. Compton’s spending is his $100,000 student loan debt from graduate school. The window for his deferment period closed, and even with some money he inherited after his mother passed, he says he needs a miracle to finish paying off his loans. “I’m not sure what to do anymore,” he said.

Splurging on Plants and Experimental Harsh Noise Records

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Mr. Compton may not have any children, but he is a proud “plant dad.”

His apartment houses $1,000 worth of plants sourced through Facebook groups, pop-ups and by following Brooklyn Horticulture online. He typically pays $30-$50 for medium to large sized plants, but he is constantly on the lookout for deals.

When he isn’t at home with his plants, Mr. Compton treks into Manhattan to do his weekly grocery shopping at Trader Joe’s. He prefers the prices there to local spots in the Bronx and estimates he spends $70 each week.

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A cash guzzler of Mr. Compton’s food budget is the $20 a day — an additional $80 a week — he spends at the Metropolitan’s staff cafeteria for breakfast and lunch. When working 12 hour shifts, “I’m not gonna go home and make something to bring the next day,” he said.

On his days off, he seeks out affordable food deals. He frequents Vanessa’s Dumplings in Chinatown for their $8 dumpling special.

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When in the mood to treat himself, Mr. Compton rides the train a few more stops out to Ridgewood, Queens and Bushwick, Brooklyn, to visit his favorite record stores like Fringe Records and Nexus Records. An experimental harsh noise aficionado, he spends no less than $100 each visit.

His biggest and most recent splurge was a 10-day trip to Tokyo, Kyoto and Osaka in Japan in February. He was able to cut his $900 round trip ticket to $700 with credit card points. Add in the cost of hotels, meals and souvenirs, he spent close to $5,000 total.

“I wanted to go because my artwork had been to Japan, but I haven’t been to Japan,” he said.

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Looking Ahead

Mr. Compton wants to strike a balance between saving and enjoying the life he dreamed of in New York. To help pay off his loans, he considered applying to be an art handler for the Metropolitan, a job with a slight pay bump. But without his present benefit of overtime pay, he’s afraid he would be making less than he does currently.

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Over the years, Mr. Compton has found community among other security guards at the Metropolitan, who, like him, are artists. He has also built inroads with notable names at the museum, one being Sheena Wagstaff, the former chairman of modern and contemporary art, who he said took the time to know Mr. Compton not only as a co-worker, but also as an individual, too.

Because of his connections, he feels like he has nowhere else to go. He considered a quieter lifestyle upstate in Westchester or the Catskills, but believes he will make less money outside of the city. And, of course, he would have to leave the place he’s called home for the majority of his adult years.

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“I did four other cities, and they weren’t as good or great as I like New York,” he said. “I always end up here.”

We are talking to New Yorkers about how they spend, splurge and save.

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10-Minute Challenge: The Ceiling at Grand Central

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10-Minute Challenge: The Ceiling at Grand Central

You made it time. If you want to look a little longer, just scroll back up and press “Continue.”

Look up.

Before you commute home to suburbs like Tarrytown and Larchmont, or race toward the next stop on your tourist map, take a minute.

Look up to see the stars.

One hundred and twenty-five feet above you are 2,500 stars and six signs of the zodiac along the ecliptic, a line that represents the path of the sun across the sky:

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The signs are joined by a few others: Orion, Pegasus, Triangulum and, in the center of it all, Musca Borealis (the Northern fly, or sometimes called Apis, the bee). The Milky Way streaks across the ceiling in the opposite direction. The whole thing is ringed by intricate plaster moldings along the clerestory windows. Fifty-nine of the stars twinkle.

Who says there isn’t magic in Midtown?

The original early 1900s plan for the ceiling was to build a massive skylight so commuters could look up at the actual stars:


But time and money were short, so the architects asked the artist Paul Helleu to design a version of the sky on the ceiling instead. Helleu took inspiration from star atlases from the 1600s. His main resource was the Uranometria from 1603, a lushly illustrated volume that was the first detailed cataloging of individual stars, their positions and brightness. See how similar the figures are. This is Aries:


Here’s Taurus, the bull:

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A heart balloon — one of several — had floated up the day we took this photograph, nestling between Orion’s club and Taurus’s horn (maybe an earthly sign that this heavenly hunt might finally resolve).


Converting the flat drawings of a spherical sky re-projected onto a semi-cylindrical vaulted ceiling would have been no easy task. The design work was done by a famous scenic designer and muralist, James Monroe Hewlett, and was overseen by the Columbia astronomy professor Harold Jacoby, who in 1910 assured a panicked public that Halley’s comet would not hit Earth.

Dozens of painters got to work. The terminal opened at midnight on Feb. 2, 1913. The New York Central Railroad boasted “that many school children will go to the Grand Central Terminal to study this representation of the heavens.”


Two weeks later, a commuter from New Rochelle (and a hobby astronomer) looked up at the ceiling and realized that west was east and east was west and the sky was not, actually, in a proper arrangement. Only Orion was shown in the “correct” orientation. He wrote a “wrathful” letter to the station. As The New York Times reported in 1913, officials at Grand Central “did not deny the charge that things were a bit mixed, but held that it was a pretty good ceiling for all that.”

How this happened is still a matter of debate, given Professor Jacoby’s astronomical blessing.

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Michael Allison, a former NASA planetary scientist at the Goddard Institute for Space Studies (and a former adjunct in the Columbia astronomy and astrophysics department), met me last month at the great clock under the ceiling to explain his theory.

“I’ve stared at the ceiling I don’t know how many hours,” he said. “I keep hoping I can discover one more thing.”

The liberties taken, Mr. Allison said, like re-sizing the constellations to fit the space and flipping Orion (in relation to the rest), were carefully done. Ultimately, a good marriage of art and science. He thinks Jacoby was a victim of big project bureaucracy, that it was all a mixup.

Jacoby probably expected the design he approved to be projected overhead, where the result would match the plans if you held them above you. The painters put them on the floor instead. Hence, the flip.

But this “heavenly view” — the stars as if they could be seen from above, looking down — may not be a bad view at all.

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“There are just so many bad things happening in the world now that I think the sky offers a perspective that can lift us above that,” Mr. Allison said.

For Deirdre Newman, the great-granddaughter of the muralist Hewlett, who painted the ceiling, the imperfection “is what art is.”

Ms. Newman, it turns out, is also a painter of murals and ceilings. But these days, if she has to flip an image, she just hits a button on the projector.

“Anytime I make a mistake painting, I’m like, this proves that it’s art,” she said. “It is not perfection, and it shouldn’t be — it would be a sad thing if it was.”


The stories that we’ve given to the stars over millenniums, some of the most retold tales in history, are hardly orderly — stories of fate, violence, betrayal, revenge, sex and punishment. Cancer helps Hera in pinching a rival’s foot. Orion, son of Poseidon, is placed in the stars by Zeus, locked in an eternal hunt. The two fish of Pisces (Aphrodite and Eros) are linked together to escape the monster-of-all-monsters, Typhon.

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Or the stories are totally different if you were Babylonian or Egyptian, Greek or Roman. Today, the stars mean something else again to a devoted user of the horoscope app Co-Star, seeking reassurance after a breakup. And to a commuter standing in Grand Central, looking up while waiting for the train, the stars might just be a momentary diversion, a decorative way to pass the time. Or more.

Take what you want. Take what you need.

***

By the 1940s, the ceiling had fallen into disrepair, so they painted a whole new one on four-foot-by-eight-foot asbestos sheets over the old one. This is the version that exists today. Eventually that second ceiling, too, grew dark with grime and had to be cleaned from 1996 to 1998. The difference was stark. As you were zooming in, you may have noticed a little dark square by Cancer. They deliberately left one bit of the uncleaned ceiling here:


The best time to take all of it in — the ceiling, and the majesty of the station — might just be coming this weekend. The setting sun will line up with Manhattan’s street grid and should (pending clouds) bathe the terminal in a beautiful golden glow Saturday at 8:19 p.m. and Sunday at 8:20 p.m. I plan to be on the east balcony looking west on Sunday for that moment.

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See you there.


How we took the photograph

To generate a high-resolution panorama of the ceiling, The Times captured 232 close-up images. We then used software to stitch these photos into an equirectangular projection, to approximate the curve of the ceiling. We also developed custom computer vision software to ensure consistent color blending across varying lighting conditions. To optimize for display efficiency and clarity during navigation, the image was then re-projected into the shape of a cube. We think it’s still a pretty good picture for all that.


This is an installment in our series of experiments on art and attention. If you liked this one, you may like these past exercises: a finished, unfinished portrait; a sudden rain over a bridge; a unicorn tapestry; some buckets from Home Depot; and a Whistler painting.

Sign up to be notified when new installments are published here. And let us know how this exercise made you feel in the comments.

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Metropolitan Diary Challenge Day 2: How to Write Your N.Y. Story

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Metropolitan Diary Challenge Day 2: How to Write Your N.Y. Story

Welcome to Day 2 of the Metropolitan Diary challenge, part of our celebration of the column’s 50th anniversary. On Day 1, we gave you tips for identifying your New York City story. Today, we’ll help you write it. (Missed Day 1? It’s not too late to start.)

What makes for a good Diary? It’s simply a good story that happens to be set in, and capture, the essential New York-ness of the city. While this isn’t a full writing course, we do have guidance on the kinds of elements that the submissions we publish include. They typically have: a beginning, middle and end; sharp details; catchy dialogue; a bit of surprise; some humor, warmth or emotion. But there is no formula, so flouting these loose rules can be worthwhile.

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Don’t worry if you don’t think of yourself as a “writer.” Focus on being a “storyteller.” Pretend you are telling your story to the person who’d most appreciate it, using whatever conversational language or pacing that would hold their attention. Do it out loud if you want, maybe give that person a call and tell them your story (or tell it to them again). Then write it down.

That’s the big picture. For more tips, read on.

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Here is an example of a published Diary that we (and readers) really liked, and a few thoughts on why that may help crystallize yours.

Unacceptable

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Dear Diary:

I went to a new bagel store in Brooklyn Heights1 with my son.

When it was my turn to order, I asked for a cinnamon raisin bagel with whitefish salad and a slice of red onion.2

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The man behind the counter looked up at me.

“I’m sorry,” he said. “I can’t do that.”3

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— Richie Powers

One of this item’s best qualities is that it is short and snappy. Only 53 words! Although we will use stories of up to 300 words, many don’t need to be that long and the column doesn’t work if we don’t have a mix of long, medium and short, so we are always looking for stuff like this. Here’s another one!

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A black and white illustration of a doorman holding the door for two people entering a building.

At Attention

Dear Diary:

It was December 1967. I had just finished basic training at Fort Dix in New Jersey and was traveling to Boston in uniform. For reasons I no longer recall, I stopped in New York City on the way.1

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Walking on the Upper East Side2 in a snowstorm, I spied another man in a uniform. He was older, and his cap bore the familiar gold band that identified him as an officer.

I rendered a snappy salute. It was not returned. 3The uniform was unfamiliar, so I guessed he was a foreign officer. Military courtesy still required me to salute.

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A little farther down the street, I encountered another officer and offered another salute that went unacknowledged.4 His uniform was strange to me as well.

The third time it happened, the man I saluted ignored me while holding the door for a couple 5on their way into a large apartment building.

I realized I had been saluting doormen.6

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— Stephen Salisbury

To get your storytelling muscles going, think through or jot down the answers to some of these questions.

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Let’s start with setting the scene.

  • When and where in the city did this happen? Is this place well-known?

  • Was there anything particular about that point in your life that’s relevant?

  • What did you see, hear, smell? Was there something notable about the weather?

Now, let’s move to the middle, the meat of the story.

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  • Did you have an exchange with someone?

  • What details are important to how events unfolded, especially in setting up the ending?

And now, the end.

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  • What’s the resolution? Is there a punchline?

  • Does the story end with a sense of shared humanity or some other warm feeling that lingers? You don’t need to name it. A good description will often allow readers to feel it too.

  • Why has this experience stayed with you?

  • Lines like “and that’s why I love New York” are almost always unnecessary.

That’s it. Keep your story simple and use the kind of plain language you use in conversation. You are sketching a moment in time. The details are important. Let them move the story along. Have fun and good luck.

Once you’re done, read through what you’ve got. What details are less important and can be left out? (Remember, there is a strict 300-word limit.)

Write your Metropolitan Diary however you like, on paper, on your phone or wherever! When you’re happy with what you’ve written, put your diary entry into the box below, fill out your information and submit it. You might just hear from me about including it in a future column.

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That’s it! Submit your Metropolitan Diary.

This is the official submission form, so make sure to double-check your work before hitting submit.

By transmitting your submission, you grant The New York Times Company a perpetual, royalty-free license to use the submission in any medium. They may be edited, and may be republished and adapted in all media. You may reprint your story elsewhere after it appears in The Times.

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