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Inside the Protests at Delaney Hall, the New Front in Trump’s Immigration War

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Inside the Protests at Delaney Hall, the New Front in Trump’s Immigration War


For hours, the masked protesters and masked ICE agents have stood staring at each other, separated by a thin strip of asphalt. At the edges of the crowd, New Jersey state troopers stand around, arms crossed, looking bored. Daylight hours at Newark’s Delaney Hall immigration detention center are quieter, the crowds thinner, the officers behind the gates more relaxed. It’s when, until recently, families could still go in and out, visiting their relatives inside. But when night falls, things change. 

“When sunset happens, they’re going to push us into that cage and mace the fuck out of us,” says a street medic we’ll call Egg. “When they come, they’ll come hard and fast.” 

The cage Egg is referring to is a small square of orange fencing set up on the street outside of Delaney Hall. It’s there because New Jersey’s new Democratic governor, Mikie Sherrill, has for days tried to quell the protests outside of the detention center, and has determined that what demonstrators need is a designated “protected speech zone.” Temporary fencing isn’t going to cut it, though — not for the protesters and certainly not for the detainees suffering inside of Delaney Hall. 

On May 22, a group of detainees in DHS custody began a hunger and labor strike over what they claimed were inhumane conditions inside the facility. In a series of letters, detainees described a horrific list of ailments and injustices, including the persistent spread of disease, long response times by guards in the case of accident and injury, worm-riddled food, insufficient medical care, and dilapidated bathrooms that were in “inhumane condition.”

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“We’d like to apologize for the way we entered the United States,” the detainees wrote. “Our American dream is safety and protection — with our families. Although this is a difficult situation, we trust in God and believe in American justice.”

Thus far, the detainees wrote, American justice has been hard to find. They claim that after surrendering themselves to U.S. authorities, they have been held for months, even when they sought to voluntarily return to their country of origin. One of the letters contained hundreds of signatures of detainees who were desperate to get out of Delaney Hall, offering to leave the country by any means just to escape the conditions inside. As news trickled out of the center, families of the detainees set up aid tents and resource centers outside, helping visitors meet with their loved ones during visiting hours. But as the DHS continued to ignore the detainees’ demands for more humane treatment, protests picked up steam, and pressure mounted to allow a full inspection of the facility.

On Monday, Sherrill and other New Jersey politicians attempted to visit the facility. They were allowed inside, but denied full access. “My request for access to Delaney Hall was formally denied this morning, raising serious questions about what they are trying to hide from public view,” Sherrill wrote in a statement afterwards. “I will continue to hold ICE accountable. … In New Jersey, we believe in the rule of law and that everyone deserves to be treated with basic dignity.”

Protests outside the facility, meanwhile, spiraled into violence. ICE agents flooded waves of protesters — including New Jersey Senator Andy Kim — with pepper spray, smashing their bodies into the ground and, in one case, into oncoming traffic on the road outside. They shot pepper balls and fired tear gas. The crowds outside mounted. Delaney Hall canceled visiting hours. 

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On Friday night, Sherrill sent in the state police — not to open or inspect the facility, but to clear the streets of protesters. 

I ARRIVED at Delaney Hall at around 6:30 on Friday evening. Jersey state troopers had closed the road more than half a mile from the facility in either direction, stemming the near-constant flow of semi-truck traffic. Delaney Hall is in a desolate, industrial area of Newark, on a straight strip of road that passes the county jail, shipping companies, an asphalt plant and several fuel depots. When the wind picked up from the south, I could smell the sewage treatment plant nearby. As I approached the facility, I passed an organized row of tents and port-a-potties set up by activists to support families of detainees, along with stacks of boxes overflowing with protective equipment: respirators, goggles, masks, even knee and elbow pads. In front of Delaney Hall, a loose crowd of protesters was set up in the street. Militant, masked anti-fascists stared down a line of ICE agents in full combat gear — body armor, helmets, guns — standing at the gates of the facility.

It was still daylight, and the mood was largely calm. Some elderly protesters chanted and sang on a megaphone, priests and clergy drifted around, activists pushed carts of water and snacks. No one paid much attention to Sherrill’s “protected speech zone,” except to use the empty blacktop as a canvas for chalk art. But there were signs that everyone expected the night to get much more tense. 

“You know what’s next, just go home!” a guy wearing a surgical mask in the crowd shouted abruptly. He wasn’t speaking to ICE, though; he was addressing the state troopers loitering around the edges of the protest. “You don’t have to be here! Go home to your wife and children!”

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I moved around the crowd, chatting with protesters. Most didn’t want to give their real names. As activism has been increasingly criminalized since Donald Trump retook office, the rank and file of America’s protest movements have become more and more private about who they are. Eventually, I met Egg, the street medic. “Mikie Sherrill sold us out — now they’re here to tell us to fuck off,” he said, motioning to the state police. Egg explained what he thought would happen next. Because of the clashes with ICE agents, who had been brutalizing protesters for days, Egg thought that Sherrill had sent in the state police to keep the protesters in line. He wasn’t impressed with the “cage” — the “protected speech area” — but figured it would be an excuse for the staties to clear the streets later on. He assumed that when it got dark, we’d get a dispersal order, and anyone who didn’t comply would get fucked up. “We’re still here because it’s the right thing to do,” Egg said. 

A few minutes later, I sidled up to one of the staties nearby. I asked if they had a timeline in mind, a curfew or a dispersal order at the ready. “Not that I know of.” he shrugged, casually.

But the crowds outside had a clear goal in mind. 

“We’re not out here to be like ‘fuck ICE, fuck the state police,’” another protester, who called himself Roland, told me. “We’re here to support them,” he added, motioning to the detainees inside. Delaney Hall is not a huge complex: from the street, you can hear detainees yelling, and see their silhouettes in some of the barred windows.

As dusk fell, things stayed quiet. Protesters sat on the asphalt, taking a moment of rest. “Fuck you ICE!” one yelled, in between bites of a bodega sandwich. There was a brief interlude in which a group of protesters went over to yell at a right-wing livestreamer who showed up to “evangelize,” he said. A smattering of other conservative influencers and streamers also wandered around, largely ignored. Everyone, including me, had a persistent dry cough. One photographer told me he thought so much pepper spray had been deployed that week that its residue was infused into the dust and dirt on either side of the street.

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At 9 p.m., though, things started to change. Some of the state troopers, who were in their normal duty uniforms, pulled back off the streets. A few street medics made their way through the crowd with some intel: ICE was planning a shift change. Clashes often happen when vehicles are moving in and out of the facility; earlier in the week, ICE had relocated a detainee that was involved in the internal protests to another facility, prompting outrage from family members and protesters alike. As twilight gave way to darkness, the crowd split as a commotion broke out down the street. The state police were back. On a loudspeaker, a sergeant read out an order to disperse. The crowd yelled back. The sergeant’s SUV drove away. In the distance to the north, way down the street, a line of riot police appeared. 

This was it: what both cops and protesters had been waiting for. Everyone pulled on their masks. For the moment, the ICE agents were forgotten. The riot line marched down the street, getting right up in the faces of the protest’s front line. “GET BACK. GET BACK. GET BACK,” the cops chanted, voices muffled by their gas masks. They tossed a volley of flash-bang grenades, three concussions that ripped down the street. The protesters fell back, and the cops stomped forward. Behind the riot line, a squad of mounted police tried to form up, their massive bay horses dancing around as the grenades went off. The line had passed me by quickly as I stood on the sidewalk and expanded to fill the entire width of the street, trapping me in a strange liminal space to the side of the cops’ back line. I watched an officer with a grenade launcher raise and fire a canister of tear gas down the street, and heard it explode with a bang as gas billowed out and blew back towards him. The riot line split abruptly, and the mounted unit charged into the gap forcing the protesters back even more: medieval battle tactics adapted for use on modern streets. The riot line reached the protected speech area, ripping aside the orange fences, the metal clangs making the huge horses skitter at odd angles as they retreated. On the fringes, the troopers started to make arrests, slamming several protesters to the ground. I watched them lead an old man, eyes streaming, groaning and retching, down the street, his hands zip-tied behind his back. “Legal aid! Legal aid! What’s your name!” a volunteer yelled to him. He summoned up enough breath, standing straighter, enunciating every syllable. A few minutes later, the cops led another woman through the gap in the lines. She was moaning in pain, one of her legs unable to support her weight. I couldn’t hear her name. 

The protesters’ yells and chants died out as they fought the gas and grenades. The gas drifted down the street, enveloping everyone. The staties pushed past Delaney Hall, where a gaggle of ICE officers watched. As space cleared, a group of the ICE agents struck out from their post, moving across the street to where protesters had stacked aid supplies and food, trashing everything in sight. Behind them, the facility gates opened, and a line of cars streamed out: ICE and DHS officers, headed home for the day.

After the ICE cars were clear, the line of state police fired one more volley of gas and flash bangs, then retreated quickly down the street, melting back into the darkness to the north. The protesters slowly regrouped, catching their breath. “This is all about a fucking shift change,” a volunteer in an orange vest next to me said, as we coughed off the last of the gas. “They did all that so they could fucking leave.”

With the street clear, the protesters turned back to the ICE agents at the gate, the replacements for the ones who had just left. Someone brought out a boombox. For the moment, no one seemed inclined to continue the fight, as groups of protesters peeled off their masks and laughed off the adrenaline dump. Others picked through the wrecked supply camp, collecting witness statements about the ICE agents’ actions. It was around 10:45, roughly 45 minutes since the first call to disperse. The protesters were already regrouping. 

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“Whose streets!” someone yelled. “Our streets!”

On Saturday, protests continued. During the day, Sherrill re-established special zones for protesters, containing a pro-ICE right-wing counter protest in one and deploying the state police to keep the two sides apart. A small group of Proud Boys showed up, trading insults with the protesters from within their own enclosure, before beating a hasty retreat. The crowds grew even bigger. Left-wing livestreamer Hasan Piker showed up, fending off trolls and an even larger contingent of right-wing influencers who tried to rope him into debates. And after dark, the state police moved in again.

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For some protesters, taking a beating night after night can be disheartening. Watching the politicians who say they’re on your side order cops to keep you in line feels like defeat. But the sustained protests have turned the Delaney Hall detainees into a national story. The politicians responsible can’t ignore it now, can’t let it slide as another one of the Trump administration’s many local predations in cities and communities across the country that we never see on the news. Unlike the protests in Los Angeles or Minneapolis, however, the Trump administration didn’t spark the Delaney Hall demonstrations with PR stunts and rhetoric. Those came later, of course — Markwayne Mullin posting constantly about rioters, former DHS commander Gregory Bovino trying to recapture some relevancy. The protests sprang up because of a small, dedicated community response to the mistreatment of a few hundred detainees. The protesters chose this ground, and if what I saw Friday was any indication, they’re determined to stick around.

Visiting hours at Delaney Hall, however, are still canceled. Many families don’t know that and show up anyway, Cat, an organizer with the immigrant rights group Cosecha, told me. What they find, instead of their loved ones, is a militarized compound closed up tight. No one, except the men with guns and armor, goes in, and few come out. Outside, the battle in the streets continues. On Friday, as I walked back to my car, I ran into two long-time activists, a husband and wife, watching the still-raging clashes down the street. “At least when we protested Obama it wasn’t this level of violence,” Giancarlo, the husband, told me, as we watched an officer spray a crowd of protesters at a barricade with pepper balls. “Now it’s just a whole different beast.”

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Parsippany Positioned for the Spotlight Through New Jersey’s Film Ready Program | Parsippany Focus

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Parsippany Positioned for the Spotlight Through New Jersey’s Film Ready Program | Parsippany Focus


PARSIPPANY — As New Jersey continues to experience a surge in film and television production, Parsippany-Troy Hills is emerging as a prime candidate to benefit from the state’s expanding entertainment industry through participation in the New Jersey Motion Picture and Television Commission’s Film Ready Program.

The Film Ready initiative is designed to prepare municipalities to effectively attract and support film and television productions. By becoming Film Ready certified, communities like Parsippany signal to producers that they are organized, welcoming, and capable of accommodating the unique needs of the industry.

The economic potential is substantial.

According to the New Jersey Motion Picture and Television Commission, Steven Spielberg’s latest film, Disclosure Day, generated an estimated $34 million in qualified production spending during just 23 days of filming in New Jersey while employing more than 1,800 crew members. The production filmed in 10 municipalities across six counties, including several locations in Morris County. Statewide, New Jersey recorded an estimated $834 million in film production spending in 2024, with 556 productions hiring more than 31,000 crew members.

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Film productions bring direct economic activity into a community. Crews require hotel accommodations, dining, transportation, equipment rentals, and a variety of local services. With Parsippany’s strong hospitality sector, major hotel corridors, corporate campuses, and convenient access to interstate highways, the township is ideally positioned to capture this spending. Local businesses—from restaurants and caterers to dry cleaners and transportation providers—stand to benefit when productions are in town.

Participation in the Film Ready Program also opens the door for local residents to access employment opportunities, both directly on productions and through supporting industries. From set construction and security to catering and logistics, film projects create a wide range of temporary and repeat job opportunities.

“Parsippany is uniquely positioned to take full advantage of New Jersey’s growing film industry,” said Mayor Pulkit Desai. “Our central location, diverse landscapes, and business-friendly environment make us an ideal destination for film and television production. By embracing the Film Ready Program, we are opening the door to new economic opportunities, increased visibility, and meaningful partnerships that will benefit our residents and local businesses.”

Parsippany offers a diverse landscape of corporate campuses, suburban neighborhoods, historic sites, parks, lakes, and roadways that can double for a variety of filming locations. When featured in film or television, these locations can elevate the township’s profile, attracting visitors and future investment. Municipalities across the state have seen increased tourism and recognition after appearing in major productions.

“Becoming Film Ready is about more than just attracting film crews. It’s about positioning Parsippany as a forward-thinking community that welcomes innovation and opportunity,” said Frank Cahill, Chairman of the Parsippany-Troy Hills Economic Development Committee. “The ripple effect on our local economy—from hotels and restaurants to small businesses—can be significant. We are currently in the application process to bring this program to Parsippany. This initiative will create growth, visibility, and new opportunities right here in our community.”

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New Jersey has made significant investments in becoming a national hub for film production, including major studio developments such as Netflix’s planned facility at Fort Monmouth and Lionsgate’s studio in Newark. As production activity continues to increase statewide, Film Ready communities are positioned to capture growing demand for filming locations and support services.

Film projects often generate excitement among residents, offering opportunities to see productions firsthand and even participate as extras. This fosters community pride while connecting residents to one of New Jersey’s fastest-growing industries.

Parsippany’s leadership, including its Economic Development Committee, has consistently focused on initiatives that drive business growth and visibility. Becoming Film Ready aligns with that mission, reinforcing the township’s reputation as a business-friendly, forward-thinking community.

As New Jersey’s film industry continues to expand, Parsippany is well-positioned to leverage its strategic location, infrastructure, and community support to become a destination for production companies seeking their next set.

With the right preparation and partnerships, the cameras may soon be rolling right here in Parsippany.

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For additional information contact Frank Cahill, Chairman of Parsippany-Troy Hills Economic Development, at (973) 559-6000.



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Vote: Who should be the New Jersey High School Softball Player of the Year for 2026?

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Vote: Who should be the New Jersey High School Softball Player of the Year for 2026?


The 2026 New Jersey high school softball season has come to an end. Now is the time to answer the question: Who should be the New Jersey Softball Player of the Year?

Here are High School on SI’s New Jersey Softball Players of the Year for 2026. Scroll down to read about the list and cast your vote below.

Voting ends Sunday, July 5th, at 11:59 p.m. PT.

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Madison McDougall, St. John Vianney

McDougall was named Gatorade New Jersey Softball Player of the Year after leading St. John Vianney to a perfect season and the Non-Public A state championship. The senior and Monmouth commit went 29-0 with a 0.30 ERA and 312 strikeouts in the circle, along with a .626 batting average and 17 home runs at the plate.

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Gabby Gonzalez, St. John Vianney

Gonzalez also helped the Lancers go undefeated in softball. The senior and FIU commit batted .500 with 51 hits, 43 RBIs, 12 home runs, 13 doubles, and 35 runs.

Brooke Douglas, Ocean City

Douglas led Douglas to the South Jersey Group 3 championship. The senior and Rhode Island commit batted .543 with 51 hits, 42 RBIs, 12 home runs, seven doubles, two triples, and 25 runs.

Mackenna Savage, Red Bank Catholic

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Savage put up impressive numbers for Red Bank Catholic in 2026. The sophomore notched 15 wins in the circle with a 1.43 ERA and 286 strikeouts in 176.2 innings pitched.

Jordyn Ambrosius, West Deptford

Ambrosius stepped up for West Deptford this past season. The junior went 15-7 with a 1.75 ERA and 247 strikeouts in 143.2 innings pitched.

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Audrey Amoruso, Indian Hills

Amoruso led Indian Hills to its second straight state sectional title. In the circle, the senior and Fordham commit went 20-5 with a 1.01 ERA, 248 strikeouts, and 32 walks in 159.2 innings pitched. At the plate, she batted .476 with 26 RBIs and four home runs.

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Gemma DeJoseph, Delran

DeJoseph was very impressive for Delran in 2026. The sophomore led the state with 62 hits, while batting .620 with 48 RBIs, three home runs, 14 doubles, and 37 runs.

Jillian Cianfrocca, Mount St. Dominic

Cianfrocca led Mount St. Dominic to the Non-Public A state finals. The senior and Villanova commit hit .534 with 47 hits, 54 RBIs, 16 home runs, 15 doubles, and 54 runs.

Ava Kelshaw, Mount St. Dominic

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Kelshaw also played a major role for a strong Lions team. The junior and Michigan commit notched an impressive 26 wins in the circle with a 0.63 ERA and 257 strikeouts. Additionally, she batted .388 with 33 RBIs.

Chloe Jacobson, Summit

Jacobson played a pivotal role on a strong Summit team in 2026. The sophomore hit .553 with 52 hits, 54 RBIs, 15 home runs, 10 doubles, and 39 runs.

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Gylian Hixenbaugh, Donovan Catholic

Hixenbaugh was very solid for Donovan Catholic this past season. The junior and Dartmouth commit went 17-3 with a 1.86 ERA, 161 strikeouts, and 21 walks in 128 innings pitched.

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Ella Redheffer, Clearview

Redheffer led Clearview to the South Jersey Group 3 finals. The sophomore stepped up by batting .583 with 56 hits, 40 RBIs, six home runs, 17 doubles, 48 runs, and 26 stolen bases.

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About Our Athlete of the Week Voting
High School on SI voting polls are meant to be a fun, lighthearted way for fans to show support for their favorite athletes and teams. Our goal is to celebrate all of the players featured, regardless of the vote totals. Sometimes one athlete will receive a very large number of votes — even thousands — and that’s okay! The polls are open to everyone and are simply a way to build excitement and community around high school sports. Unless we specifically announce otherwise, there are no prizes or official awards for winning. The real purpose is to highlight the great performances of every athlete included in the poll.

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Yellowcard Brings Ocean Avenue to New Jersey’s Own Ocean Avenue

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Yellowcard Brings Ocean Avenue to New Jersey’s Own Ocean Avenue


Yellowcard played the Stone Pony Summer Stage on Friday June 12th. It was an astounding set. The band performed nineteen tracks from every era and iteration of the band. It was a special night for anyone who is a fan. 

Openers Plain White T’s and New Found Glory also deserve special credit for fitting the bill flawlessly. It was the perfect way to set the stage for the show to come. Both bands have a strong stage presence and were able to captures the crowd’s full attention.

Yellowcard opened with a video of the Paramount stars. They continued their set by playing interlude snippets of other major movies such as “Back To The Future,” “Top Gun,” “The Goonies,” and the “Ghostbusters.” It really felt like we were watching a cinematic experience as well as a concert. The production was second to none. There was even pyro during certain moments of the show.

The band played six tracks off their new album Better Days. This was a huge highlight of the show. Better Days is not only the best Yellowcard album since Ocean Avenue, it’s one of the best pop-punk releases of the decade. The band worked tightly with Travis Barker, Avril Lavigne, and Alkaline Trio to enhance all aspects of the genre. The new tracks warranted even more of a reception than older tracks. We were truly watching a band in their prime. 

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Overall, Yellowcard are showing us the new heights bands can reach within the pop-punk genre. Their breakup and triumphant return displays to us that anything is possible. Please enjoy our gallery below from photographer Anthony Vito Cosentino.

Plain White T’s

New Found Glory

Yellowcard

All Photos by Anthony Vito Cosentino

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