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Music
On a gorgeous summer evening following a gorgeous summer day, the New Kids On The Block proved that they’ve still got it — almost forty years after the release of their first self-titled album. The Boston darlings performed a two-hour set on Saturday, Aug. 10 at the Xfinity Center in Mansfield, complete with choreography, confetti, and plenty of falsetto.
The band — Jonathan and Jordan Knight, Joey McIntyre, Donnie Wahlberg, and Danny Wood — played to a packed house at the outdoor venue, full of women of all ages (and some men, too) decked out in ‘80s inspired neons like hot pinks, lime greens, and canary yellows. There were lots of mother-and-daughter duos, and almost as many high ponytails with scrunchies.
“It’s [expletive] different here!” Walberg yelled to the crowd when the band said hello after a few songs. He did most of the night’s crowd work. The band’s set was joyous and high-energy, full of silly choreography that proved they don’t take themselves too seriously, and that showed all their different personalities.
Formed in 1984, New Kids On The Block (NKOTB) are considered one of the first “boy bands” in the way we use the term today, paving the way for others like the Backstreet Boys and ‘NSync. Hailing from Dorchester, they shot to success in the late ‘80s and early ‘90s, performing the halftime show at Super Bowl XXV in 1991.
Donnie’s brother Mark Wahlberg was in the group for a few months in the ‘80s, but that was back when they were called Nynuk. Following a breakup from 1994 to 2007, they’ve continued to tour and release music, releasing their eighth studio album, “Still Kids,” on May 17, 2024. The kids don’t just sing, either — Jonathan Knight’s been starring in a popular HGTV show with North Shore-based interior designer Kristina Crestin for three seasons.
Singer and dancer Paula Abdul supported the band as the second opening act, just after DJ Jazzy Jeff’s set — and, as it turns out, NKOTB aren’t the only ones with still-impressive showmanship after decades on the stage. She opened with her hit “Straight Up,” accompanied by dancers and props like spinning tables, after which she made a show of stopping to grab a drink of water, and a few breaths from an oxygen machine.
“You think I’m kidding?” she asked a chuckling audience. “This is 62, folks!” But 62 looked great on her as she flew through a 30-minute theatrical, choreographed set of medleys, relying heavily on props and backup dancers. Each of her dancers got a solo, too.
The New Kids came out right on schedule, opening with “Magic,” the first track off their most recent record. The set design’s neons matched those in the audience as streamers flew and they shifted into “Summer Love,” the second track off said album, which showcases each of their vocals individually — and they really did all sound great.
“My Favorite Girl” was accompanied by more confetti (this time heart-shaped) and Jordan’s impressive falsetto. They took their neon-colored bombers off for “Cover Girl,” lining up at standing mics behind Wahlberg, Four Seasons-style, as he crooned — and shook his butt, and lifted his shirt. And that wasn’t nearly the only time we saw Donnie Wahlberg’s bare (and very much in shape) torso all night — Jordan’s and Danny’s made appearances, too.
On lead vocals for “Summertime,” McIntyre changed “Jones Beach” to “Nantasket Beach.” “But you fell for the boy from the city,” became “… from Boston,” and he sang about thinking of Boston in the summertime, rather than his ex-flame. And after “You Got It (Right Stuff),” the crowd’s gratuitous applause lasted for several minutes.
“It’s different here!” Wahlberg exclaimed when the band got around to some crowdwork. “It’s [expletive] different here,” he said, Boston accent on the “here.”
“It’s louder, it’s crazier,” he said. “Even the screams have a Boston accent — it’s sexier!”
“It’s different because we come from where you come from,” Wahlberg said. Then the band broke into a series of tracks even more high energy than the last.
A fan flew a bedazzled Dorchester flag as the band continued on — they played “Remix (I Like The),” in which they involved the crowd’s vocals, “Block Party,” during which they came down the aisles and stood on individual platforms between the front and mid sections, and “Tonight,” a cute, Billy Joel-esque number ending with a long dance break and some more shirtless-ness.
After a consume change, NKOTB continued on — McIntyre sang a piano solo (“Where Do I Go From Here”), and then came a few different medleys as Wahlberg revealed a bedazzled, green “Boston” tee-shirt under his vest.
Jordan Knight had a solo, too — “Baby I Believe In You” — during which he threw open his white button down, and Danny Wood shone during “Never Gonna Fall in Love.” The band brought two birthday girls on stage for “Happy Birthday,” with a beautiful vocal harmony at the end.
DJ Jazzy Jeff came back on stage for support with a few tracks, like “Get Down” and “Summertime,” which he originally recorded with the Fresh Prince. A 20-year-old fan came on stage for that one, and knew every single word.
“I got one more song I gotta play,” said DJ Jazzy Jeff. “Just for Boston?” asked Donnie. “Just for Boston,” said DJ Jazzy Jeff, as he started “Sweet Caroline,” for which the crowd went wild.
Next, they went into hits like “Kids” and “I’ll Be Loving You (Forever),” the latter of which showcased Jordan’s impressively strong vocals.
Ahead of “Step by Step,” the kids changed into bedazzled Celtics jerseys. They finished up the set strong with “Hangin’ Tough” and “Better Days,” another track off their recent album.
The night was chilly by the time the set ended at 10:55 p.m., the post-concert mood joyful and the ponytails only a little disheveled. I just hope no fans were taking shots every time one of the New Kids did a hip thrust.
Setlist for New Kids On The Block, Xfinity Center, Aug. 10:
Better Days
Magic
Summer Love
My Favorite Girl
Cover Girl
Dirty Dancing
Summertime
You Got It (The Right Stuff)
Remix (I Like The)
Block Party
Tonight
Where Do I Go From Here? / Treat Me Right
Call It What You Want
Popsicle / Games / This Is How We Do It / Stay With Me Baby
Baby I Believe In You / Never Gonna Fall In Love / Paradise City
Happy Birthday
Didn’t I (Blow Your Mind This Time) / Valentine Girl
Please Don’t Go Girl
Get Down
Dance With You / A Love Like This
In The Night / Long Time Coming
Summertime (by DJ Jazzy Jeff and the Fresh Prince)
Sweet Caroline
Kids
I’ll Be Loving You
Step By Step
Hangin’ Tough / We Will Rock You
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Books
Massachusetts General Hospital nurse-turned-author Karen Winn often writes in the Boston Athenaeum, watching tours pass by.
One day, in 2023, she joined one. And the seed for her next novel was planted.
“We passed by an oil portrait of Thomas Handasyd Perkins, a major benefactor to the Athenaeum in the 1800s. The docent alluded to this dark history as to how he’d amassed a large portion of his fortune in the opium trade,” she tells me.
“The tour group moved on — but I was stuck there thinking. I went home and fell down this rabbit-hole of research and learned, to my surprise, just how many of the Boston Brahman families made their fortune in the opium trade. It was fascinating.”
I went down a similar rabbit-hole. The Boston Brahmin opium fortunes are well-documented, including a past Harvard Art Museum exhibit, articles, books and website info including, speaking of Perkins, the Perkins School for the Blind.
Winn, who lives on Beacon Hill and was in a secret society (I asked) added bits and pieces from her own life into the novel-creating mixing bowl: What if there was a secret society built on old opium money in Beacon Hill, and a Mass General nurse was somehow involved?
“The Society” was born.
If you’re looking for a Boston-set page-turner — an “alternate universe Beacon Hill,” as Winn puts it — to kick off your summer reading, add this suspense to your beach bag.
Nutshell: The Knox, standing proudly on Mount Vernon Street in Beacon Hill, houses meetings of a secret society. Some in Boston believe it’s an elite social club — others believe it hides something sinister.
When Boston antique dealer Vivian Lawrence sees her family fortune vanish, she turns to a family legend that ties her to the Knox, seeking a way into the exclusive secret society.
Taylor Adams, a 20-something Mass General ER nurse who recently moved to Boston, becomes almost obsessed with old-moneyed Vivian, “a creature of wealth,” after Vivian lands in the ER one night. When Vivian disappears from Mass General without a trace, Taylor’s search for answers pulls her into the Knox and its dark history…
What interested me — before I knew anything of Winn’s backstory— was that it felt like it was written by someone who just moved to Boston and was in awe of the city.
Living here, we might think of Rachel Dratch and Jimmy Fallon and Denise and Sully in those old “Boston Teen” SNL sketches, or Casey Affleck as the “King of Dunkin” as summing us up, at least in terms of how outsiders see us.
But Taylor, the Mass General nurse, almost fetishizes Boston, and old-moneyed New Englanders she imagines walking down every street.
Example: when old-Boston-money Vivian lands in the ER: Taylor “swallows, a flurry of excitement building in her chest… she envisioned that the city would be teeming with these ladies… That she would get to move among their world, learn from them, drink in their fanciness… letting that old New England generational wealth rub off on her until she glimmered with something of its gold dust…It is Boston, after all: the city of cobblestones and beauty, of Harvard and MIT, of sophistication and history.”
Winn, who grew up in New Jersey, moved to Boston 20 years ago after meeting her Boston-native husband Gil at UPenn. They now live in the Beacon Hill area with their two kids and 100-pound (yup) Bernedoodle.
After two decades here, she’s still “in awe.”
“I grew up in a 5,000-person town in New Jersey. When I came to Boston, I was struck by this beautiful city. Beacon Hill is one of the most historic and charming neighborhoods,” she tells me. “Living here, one might almost be inured to it, but I have this awe. I’m always struck by the cobblestone streets and the gaslit lamps.”
Winn even started a TikTok account for @theknoxsociety, documenting life on Beacon Hill.
This is Winn’s second novel, after 2022’s “Our Little World.” But “I’m not an overnight success by any shape or form,” she says with a laugh.
“I was a nurse and a nurse practitioner, but always loved writing and wrote on the side,” says Winn, who left Mass General in 2010. “It’s a typical writer’s story: I had hundreds of rejections for short stories.”
One of those rejections — from JFK Jr.’s “George Magazine” in 2000 — actually landed her in Newsweek recently.
I called Winn to talk opium, strange graveyard tour, a terrifying house fire, TikTok, and more.
Taylor arrives in Boston with a burning curiosity about the city. “What is Boston? Who are these people?” questions swimming in her head.
“Absolutely. When I came to Boston, I was so struck by this beautiful city. In my head, I could very clearly see the Knox building: The front is on Mount Vernon Street, and the back, I imagined to look like Branch Street. Branch isn’t the back of Mount Vernon, so I gave it a fictional name.”
I love that level of detail, though. No one outside Boston — or maybe even Beacon Hill— would ever know: oh, Branch Street isn’t in back of Mount Vernon. You have other specific references, like dining at 1928.
“I almost wish I’d been a little craftier [with adding more]. For instance, at one point I had Taylor get her knives sharpened at Blackstone’s. And it was just too much detail, so I pared it down. But sometimes I’m like, ‘Oh, I wish I kept that!’ [laughs]”
[laughs] That’s how it goes.
I don’t think I realized the effect each reference would have. There are book clubs now that tour Beacon Hill and go to spots mentioned. A few toured the Boston Atheneum, or dined at 1928. I didn’t realize how much people would connect to the sense of place. It feels like it’s been embraced by people in Boston, which is so fun.
Now 1928 has a cocktail named for your book. What are more specific inspirations that went into the novel?
“For the Knox, I took inspiration from The Somerset Club and The ‘Quin — the beautiful room with fireplaces and ornate details.
“And I was in a secret society in college: Tabard Society at UPenn.”
Wow, what was that like?
“I can’t tell you. [laughs]”
[laughs] Fair enough.
“But I loved that experience. When I was rushing [or trying to get in] you’d find out if you were invited by getting handwritten notes slipped under your door. I tapped into that with The Knox sending notes.”
You said your husband went with you on midnight strolls through Boston?
“Yes! I dragged him to some graveyard tours. We did one that —it was funny, because I’m not sure how I found it, but it definitely, like, wasn’t very legit.”
[laughs] OK.
“It was just us and this guy — we weren’t allowed inside any of the cemeteries. We’d watch the tours go on the inside, and the three of us would be standing on the outside. [laughs]”
[laughs] Amazing.
“My husband’s like, ‘Where did you find this guy?’ I don’t know.”
[laughs] This feels like a “Curb Your Enthusiasm” episode.
“It was quite an experience [laughs] And then, of course, I had to go back. We had to go back and do an official tour.
“And I toured the Nichols House Museum in Beacon Hill, which was neat to see another historic building and learn about family that lived there. I toured the Forbes House Museum in Milton. Forbes family was one of the Brahman families, they made their fortune in the opium trade.
“Also we had lived, at one point in the South End, and actually had a house fire. We were home at the time. Luckily, we were fine. But our house was a total loss.”
Oh my god.
“We each grabbed a kid and ran out at the door. It was pretty traumatic. Five minutes later, we would not have been able to go out that door. So, I tapped into that when I wrote the fire scene.”
Wow. That’s terrifying.
“As a writer, you store all these things up, and then go into your basket of experiences, and you get to use them.”
You also created a TikTok for the Knox. What sparked that, and how long will you keep that going?
“I’m having fun with it. I had no expectations when I started. I wasn’t big on TikTok. But having the account for the Knox itself allowed more creative freedom because I wasn’t putting myself out there — I was putting the Knox out there. So I’ve enjoyed creating these videos. Especially since the next novel is brewing in my head.”
What are you working on now?
“My next book focuses on a minor character mentioned in “The Society” — the bookstore owner, Nicholas. I was telling you earlier about those rejections — I actually wrote a short story about him years ago that was never published. It’s been living on my computer and in my head for all these years. I’m ready to tell the story. It will be another very Boston book.”
Catch Karen Winn on July 29 at Quincy’s Next Chapter Books & More.
Lauren Daley is a freelance culture writer. She can be reached at [email protected]. She tweets @laurendaley1, and Instagrams at @laurendaley1. Read more stories on Facebook here.
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O’Malley shot and killed a suspect in a carjacking in March. The swift decision to prosecute has prompted outrage by the police union and law enforcement officials.
O’Malley, 33, has pleaded not guilty to manslaughter for the death of Stephenson King, 39, who was shot March 11 while he allegedly tried to flee a traffic stop in a stolen car. Prosecutors determined that O’Malley had no justification for shooting at a moving vehicle.
“It is disappointing that the Suffolk County District Attorney’s Office is choosing to second-guess an officer whose only goal was to protect the public,” O’Malley’s lawyer, David Yannetti, said in an email to the Globe. “We will continue to vigorously defend this officer and this case.”
“The main issue in this case will be who the aggressor really was and whether Officer O’Malley acted in lawful defense,” Yannetti wrote in court filings.
On Wednesday, Yannetti filed several defense motions in the Roxbury division of Boston Municipal Court, in an effort to illustrate “King’s mayhem and reign of terror,” spanning nearly two decades and resulting in more than 17 criminal cases across Massachusetts, court records show.
Over the years, King has been charged with strangulation, assault and battery with a dangerous weapon, carjacking, breaking and entering, gun charges, and resisting arrest, according to court filings.
At the time of his death, King was free on bail for at least three separate felony cases, and had active warrants for his arrest, court records said.
O’Malley is seeking King’s mental health, criminal, and court records from all of his past cases, recordings from police body-worn and dash cameras, the medical examiner’s file on King, along with statements taken from O’Malley and witnesses at the scene of the shooting.
O’Malley told investigators that when he shot King he feared for his own life and for the life of another office on the scene, believing his colleague was about to be run over.
Police had pursued King after he allegedly committed a carjacking outside a pizza restaurant in Boston’s Mission Hill neighborhood. About 15 minutes later, officers stopped the stolen car less than a mile away, at Linwood Square in Roxbury.
The driver ignored “multiple verbal commands” as officers approached and tried to drive away, police said.
King opened the car window, but did not turn the vehicle off. O’Malley drew his Taser and shouted, “Bro, I’m going to [expletive] shoot you,” the police report said.
That’s when King backed into the cruiser behind him, then maneuvered the vehicle forward and back “in an attempt to escape the police,” according to the report.
As King started to drive forward again, O’Malley fired three shots through the driver’s window, striking King, the report said.
King’s family has contended that he was experiencing a mental health crisis in the hours leading up to the deadly encounter.
In court filings, O’Malley’s lawyer, Yannetti, said King gave “O’Malley no choice that night.”
“Any suggestion that this shooting was precipitated by simply a ‘mental health crisis’ completely misses the point,” Yannetti wrote. “When facing an extremely dangerous threat, there is no time for a police officer to hold a counseling session on the street or to sit down to discuss the feelings of a menace who is intent on using a motor vehicle as a deadly weapon.”
“If a man is going to assault and carjack an innocent woman then threaten the lives and safety of the public and a police officer, that man needs to be stopped — whether he is in his right mind or not,” according to O’Malley’s motion.
O”Malley’s next court date, a probable-cause hearing, is scheduled for May 21.
Tonya Alanez can be reached at tonya.alanez@globe.com. Follow her @talanez.
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