Connect with us

News

Black Lives Matter Plaza Is Gone. Its Erasure Feels Symbolic.

Published

on

Black Lives Matter Plaza Is Gone. Its Erasure Feels Symbolic.

This week, government workers near the White House, on two blocks lined with luxury hotels and union headquarters, used a jackhammer and a pickax to tear up a mural that read “Black Lives Matter,” painted on the road during the long hot summer of 2020.

The symbolism was potent.

The erasure of the bold yellow letters of Black Lives Matter Plaza, installed on 16th Street after the murder of George Floyd by a Minneapolis police officer, was a concession from Washington’s mayor, Muriel Bowser, who faced threats from congressional Republicans to cut off federal funds to the capital city if the words were not removed. But to Black Americans grappling with a fierce resurgence of forces that they believe are beating back the causes of social justice and civil rights, it felt like much more.

That plaza was “spiritual,” said Selwyn Jones, an uncle of Mr. Floyd. “But them taking the time to destroy it, that’s making a statement, man. That’s making a statement, like we don’t care.”

Even those who did not put much faith in the mural to begin with were taken aback.

Advertisement

“Bowser caving immediately to the faintest hint of pressure on the name of the plaza is somehow even more cynical than the move to name it Black Lives Matter Plaza in the first place,” said Olúfẹ́mi O. Táíwò, a Black associate professor of philosophy at Georgetown.

“We saw the largest protest movement in our nation’s history, a unique and powerful moment where it seemed anything was possible, and you had the numbers to do anything,” lamented Samuel Sinyangwe, executive director of the nonprofit Mapping Police Violence, without exaggeration.

The millions of dollars that flowed to groups with “Black Lives Matter” in their titles have slowed to a trickle, forcing some to retrench, others to close shop. The Black Lives Matter Foundation Inc., for instance, raised a staggering $79.6 million in fiscal year 2021. The next year, that figure was down to almost $8.5 million. By 2023, it was about $4.7 million, with expenses of $10.8 million, according to records tracked by the nonprofit journalism organization ProPublica.

As it recedes, Mr. Trump has sought to bury it. In two short months, his administration has moved to end diversity, equity and inclusion as goals of the federal government and pressured private industry to do the same. It shut down the National Law Enforcement Accountability Database, which tracked the misconduct records of federal law enforcement officers.

Words with even a hint of racial, ethnic or gender sensitivities are being struck from federal websites and documents. Just this week, the Environmental Protection Agency moved to eliminate offices responsible for addressing the disproportionately high levels of pollution facing poor communities, often with predominantly minority residents.

Advertisement

The billionaire White House adviser Elon Musk has even said pardoning George Floyd’s killer was “something to think about.”

Beyond Washington, journalists and academics who vaulted to stardom a half decade ago on their reinterpretations of history, their views on racism and their valorizing of the African American experience find themselves sometimes marginalized, and often under attack.

“I feel we are going backwards,” Mr. Jones said.

Given the swift change of circumstances, some in the Black Lives Matter movement say they must answer an existential question: How do they pursue racial justice amid so fierce a backlash?

“Folks got sold a bag of goods under this idea of racism and xenophobia,” said Addys Castillo, a social justice organizer and law student in Connecticut.

Advertisement

But, she said, the administration’s policies will hurt all those who aren’t wealthy, “so if there was ever a time to have a multiracial, cross cultural movement, this would be the time.”

James Forman Jr., a former public defender, an author and a fierce critic of the criminal justice system and its effects on people of color, said persuading all Americans that a system that has harmed Black Americans has harmed them too is difficult — but crucial.

“It’s always been hard to be able to get people to see two things at the same time: the ways in which these institutions disproportionately harm Black people, and the way that these institutions harm all people,” he said.

Ms. Bowser, who is Black, told laid-off federal workers earlier this month that the mural was a significant part of the city’s history, but circumstances have changed. “Now our focus is on making sure our residents and our economy survive,” she said.

Observers say the racial justice movement that crescendoed after Mr. Floyd, an unarmed Black man, was murdered by a Minneapolis police officer in May 2020 had some successes, at least in raising public awareness about structural racism and police violence.

Advertisement

Protesters and Black activists pressed people to evolve from support for civil rights as “mere etiquette” to “an understanding that actual institutions, political institutions, criminal justice institutions had to be challenged to work differently,” Mr. Táíwò said.

But the movement must mature, said Representative Wesley Bell, a Missouri Democrat who rose to prominence after the police shooting of a Black teenager, Michael Brown, in the St. Louis suburb of Ferguson. Mr. Bell, who is Black, defeated one of the most demonstrative Black progressives in the House, Cori Bush, in a heated primary last year, promising voters to bring Greater St. Louis a more sober, effective leadership.

“Some folks think it’s just about getting out and protesting,” said Mr. Bell, who advocates moving the social justice cause from the streets to the corridors of power. “The best protesters do not make the best politicians, and the best politicians don’t make the best protesters.”

Black Lives Matter began as an online hashtag after the 2013 acquittal of George Zimmerman in the shooting death of Trayvon Martin, an unarmed Black teenager. But the phrase coalesced into a movement after the killing of Michael Brown the following year.

From the beginning the phrase drew attacks.

Advertisement

“When you say ‘Black lives matter,’ that’s inherently racist,” the former New York City mayor Rudolph W. Giuliani said in 2016. “Black lives matter. White lives matter. Asian lives matter. Hispanic lives matter.”

Four years later, as he campaigned unsuccessfully for re-election, Mr. Trump accused supporters of Black Lives Matter of “spreading violence in our cities” and “hurting the Black community.”

But in the summer of 2020, millions of Americans took to the streets from all walks of life. Conservative voices, like the president of the Heritage Foundation and Mr. Trump’s former ambassador to the United Nations, Nikki Haley, lamented Mr. Floyd’s murder.

Some of the protests turned violent. A Minneapolis police station was burned to the ground. The calls for incremental police reform became drowned by the rallying cry, “defund the police.”

And that gave Mr. Trump his most potent line of attack against the movement. He reframed a cause that hoped to protect Black lives as a lawless assault on police officers. In his telling, the leaders of the movement were avatars for every left-wing cause in his sights.

Advertisement

Because of the Black Lives Matter movement’s decentralized structure, many groups were lumped together and faced intense scrutiny, often with negative consequences for the movement as a whole.

“Any strategic or tactical misstep for the movement is going to produce more severe and swift negative consequences,” Mr. Forman said.

The Black Lives Matter Global Network Foundation, for instance, faced criticism that it misused funds, including the purchase of a $6 million California home.

“I’m not particularly happy with the organization Black Lives Matter, because of their shenanigans,” said Mr. Jones.

“Black Lives Matter, they are not a perfect organization,” said Angela Harrison, an aunt of Mr. Floyd. “They probably made mistakes. Everyone makes mistakes. But their intention was for the good.”

Advertisement

But mistakes added up. The movement to examine historical ways racism has shaped current disparities in areas such as housing and wealth creation gave way to the opposite. Conservative activists successfully pushed state governments to ban teachings that they said made people feel inherently responsible for actions committed in the past.

Corporations that once made a show of racial, ethnic and gender sensitivities have begun rolling back their diversity initiatives, seemingly more afraid of the conservative activists fighting them than the social justice activists who had supported them, said Damon Hewitt, president and executive director of the Lawyers’ Committee for Civil Rights Under Law.

That, he said, “could certainly suggest that maybe the belief isn’t strongly held, but also more of a sense of resignation.”

Mr. Sinyangwe is taking a long view and sees parallels and patterns with many historical movements for social justice.

“This movement has followed the trajectory that freedom struggles in the United States have always tended to follow,” he said.

Advertisement

A marginalized community pushes back against injustice. Some of its demands are met, but others don’t materialize. So they push for more transformative changes only to be met with backlash. “And that’s sort of how America does business,” he said. “That’s not the fault of anyone’s slogan.”

In June 2020, after Mr. Trump marshaled federal law enforcement and the military to violently confront protesters outside the White House, Ms. Bowser announced that she was renaming a street just off the protest site “Black Lives Matter Plaza,” complete with 48-foot letters on the pavement.

The mayor’s decision to remove the letters with Mr. Trump’s return to power has been met with ambivalence. Some agree that Ms. Bowser has more pressing concerns, such as budget cuts and the slashing of the federal work force in her city.

“The painting ain’t saving any of us,” said Ms. Castillo.

Others are gearing up for a fight that will outlive any one presidency.

Advertisement

“I don’t believe we’ll ever be in a place where there won’t be a fight,” Mr. Bell said. “But I will say this — I don’t think that President Trump can stop progress either.”

News

San Francisco Film Patrons Are Found Dead on Side of Highway

Published

on

San Francisco Film Patrons Are Found Dead on Side of Highway

Three San Francisco couples set out Monday for their annual road trip to Ashland, Ore., for the town’s famous Shakespeare festival. They drove separately and planned to meet at 6:30 p.m. on the terrace of their favorite Japanese restaurant there.

They had booked a table for six, but only four showed up for dinner.

Judith and Wylie Sheldon were found dead in their running car on the side of the road to Oregon, shocking their friends and family and leaving a hole in San Francisco’s arts and film world.

Ms. Sheldon, 84, was the daughter of William Wyler — who won three Oscars for best director — and chaired the board of the San Francisco Silent Film Festival. Mr. Sheldon, 86, was a prominent lawyer.

David Smith, who had befriended the couple more than 40 years ago, said in an interview that he and the others at the dinner table had grown nervous as time ticked on and their friends did not answer repeated calls to their cellphones. They learned they had not checked into their hotel either.

Advertisement

The friends eventually learned from one of the couple’s sons that the California Highway Patrol had found the couple at 5:46 p.m., both dead inside their running Jeep Compass. It was parked on the side of Interstate 5, north of Redding, Calif., more than 100 miles from their destination, the authorities said. Ms. Sheldon was driving, while Mr. Sheldon was in the passenger seat, according to the authorities.

The Redding area on Monday was under an extreme heat warning issued by the National Weather Service. Temperatures reached 109 degrees, according to the Weather Service.

Mr. Smith said he learned from the son that the couple had been found without any water or other liquids in the car. The fan was on high, but the air conditioning was not working, meaning they might have been blasted with hot air, Mr. Smith said. The windows were rolled down. The car had plenty of gas, and there were no signs of mechanical failure or foul play, Mr. Smith said the son told him.

“They didn’t crash. They stopped. They both just died there,” Mr. Smith said. “The entire thing is so bizarre. We’re still in a state of shock.”

The circumstances and cause of the couple’s death is under investigation but “appears to be medically related,” the Highway Patrol said in a statement.

Advertisement

Whether the heat contributed to the couple’s death “may be determined” by an autopsy, a spokesman for the Shasta County Sheriff’s Office said, adding that one had not been scheduled yet and could take several weeks to complete.

“We’ll just have to see,” the spokesman, Tim Mapes, said.

The Sheldons met at Stanford University and had two sons. They lived in a large home in San Francisco’s upscale Pacific Heights neighborhood that had views of the bay from the front and a garden out back.

They hosted many parties there on behalf of the San Francisco Silent Film Festival and sometimes let revelers pose for photos with Mr. Wyler’s Oscar statuettes. Ms. Sheldon fell in love with silent movies after first seeing those created by her father — before his better known blockbusters like “Ben-Hur” and “Roman Holiday” — only about 30 years ago, said Anita Monga, artistic director of the festival.

Stacey Wisnia, the festival’s executive director, said the couple was generous, delightful and unassuming.

Advertisement

Back in Ashland, Ore., Mr. Smith said the four remaining friends had distracted themselves from their grief by attending plays, including “A Midsummer Night’s Dream” and “Come From Away.” They were able to give away their friends’ tickets.

Ms. Monga had last seen Ms. Sheldon just last month at the film festival, which was held at the newly remade Castro Theater.

“This is such a shock,” Ms. Monga said of the deaths. “Also because it’s still a mystery.”

Continue Reading

News

Luigi Mangione’s lawyers withdraw plans for psychiatric defense

Published

on

Luigi Mangione’s lawyers withdraw plans for psychiatric defense

Luigi Mangione appears for a pretrial hearing at Manhattan Criminal Court in New York, June 17, 2026.

Angelina Katsanis/AP


hide caption

toggle caption

Advertisement

Angelina Katsanis/AP

New York — In a dramatic reversal, Luigi Mangione’s legal team on Thursday backed away from a plan to use a psychiatric defense when his case goes to trial in state court in September. Mangione has pleaded not guilty to murdering health insurance CEO Brian Thompson in 2024 on a Manhattan street.

At a hearing only a day earlier before state Judge Gregory Carro, Mangione’s attorneys confirmed that Mangione had been undergoing psychiatric evaluation. They signaled that his defense would be based at least in part on the argument that Mangione was experiencing “extreme emotional disturbance.”

But in a one-line letter sent to Carro on Thursday, Mangione’s team said that “at this time” they no longer intend to introduce psychiatric evidence during the trial. It’s unclear what sparked the shift. Mangione’s team didn’t respond to NPR’s request for comment.

Advertisement

Former Manhattan prosecutor and legal analyst Gary Galperin told NPR it was a “stunning reversal” for Mangione to withdraw from the psychiatric defense. “One can only speculate at this point as to the reasons,” he said.

“What remains, of course, at this point is the question of what defense they will pursue at trial,” he added.

This maneuver came after Carro ordered Mangione’s attorneys to quickly share psychiatric information with prosecutors.

“They need to know what the malady is that this defendant suffers and how that triggered extreme emotional distress,” he said, during Wednesday’s hearing. “I’m not going to let you surprise people on the eve of trial. Get it done.”

Assistant Manhattan District Attorney Joel Seidemann repeatedly complained that Mangione’s team was “stonewalling” the prosecution by withholding medical information about his psychiatric state. “We have gotten nothing,” Seidemann said.

Advertisement

Mangione’s lead attorney Karen Friedman Agnifilo denied her team was delaying the court process or improperly withholding information.

Continue Reading

News

Inside Trump’s Touring Exhibition of American Heroes

Published

on

Inside Trump’s Touring Exhibition of American Heroes

Video by Zack Wittman for The New York Times

Advertisement

The museums, designed by conservative nonprofits and Trump appointees, tell the story of early America, from colonization to revolution. The one exhibition looking beyond the early years is the “Wall of American Heroes.” It is a list of 51 people, chosen to illustrate 250 years of American history.

A White House spokesman said they were “individuals who shaped this nation’s history, culture and spirit across generations.”

The people pictured on this national honor roll — and the people left out — help illustrate what this administration sees as the highlights of American history.

Advertisement

Amid the administration’s efforts to reshape the nation’s relationship with its past, Trump appointees heavily weighted the list toward a single era of American history — and a few specific kinds of hero.

Advertisement

MOUNT RUSHMORE, 1927

1936-1937

1933-1934

Advertisement

1939

MOUNT RUSHMORE, 2025

Some of those featured are American icons who would be on just about anyone’s list of the country’s heroes. Many are already honored with monuments, holidays or their faces on coins.

Advertisement

Photo cards show Harriet Tubman, Martin Luther King Jr., the Wright Brothers, Susan B. Anthony, Clara Barton and Sacagawea.

But nine of the 51 people fit one surprising mold: They were all in show business in the 1960s.

Advertisement

Photo cards show John Wayne, Jimmy Stewart, Johnny Cash, Frank Sinatra, Aretha Franklin, Walt Disney, Irving Berlin, Elvis Presley and Louis Armstrong.

The list also focuses on just one of America’s wars. All four people shown in military uniform served in World War II.

Photo cards show George S. Patton, Louis Zamperini, Audie Murphy and Grace Hopper.

Advertisement

All four religious leaders on the wall are Christian.

The wall also features some of the wealthiest people of their time.

Advertisement

Cards show Steve Jobs, John D. Rockefeller, Andrew Carnegie and Henry Ford.

Tens of millions of people have immigrated to America in the past 250 years. But the “Wall of American Heroes” includes only four immigrants, all white men born in the 19th century.

Photo cards show Irving Berlin, Alexander Graham Bell, Andrew Carnegie and Albert Einstein.

Advertisement

The center of the display includes a long quotation by President Trump.

A wall featuring 51 photographs of people, with the space in the middle dedicated to a quotation from President Trump.

Advertisement

The other exhibitions in the Freedom Trucks were crafted by a pair of conservative nonprofits, PragerU and Hillsdale College. But the “Wall of American Heroes” was created by Freedom 250, a nonprofit effort whose leaders were chosen by President Trump and that was created to lead the planning of celebrations of the nation’s 250th birthday, overshadowing a bipartisan congressional commission.

A spokeswoman for Freedom 250 said Mr. Trump was not directly involved in the selection of those featured.

But the list clearly tracks Mr. Trump’s own lifetime and the heroes of the conservative political movement.

Advertisement

In May, a Freedom Truck stopped at the Villages Public Library in Wildwood, Fla. Zack Wittman for The New York Times

Advertisement

The wall’s tilt toward heroes of the baby boomer generation, for instance, extends beyond Hollywood stars and musicians. Of the four religious leaders on the list, two — Archbishop Fulton Sheen and the Rev. Billy Graham — also appeared on TV regularly in the 1950s and 1960s. The only painter on the list is Norman Rockwell, known for his idealized depictions of American life in that period.

By contrast, there is only a handful of figures from the first decades of American independence.

“That’s a disservice, if your intention is to present the last 250 years,” said Sarah Weicksel, the executive director of the American Historical Association. “Because all of the people on this list are building on the work and struggles and progress that was made by the people in the 150 years prior.”

Advertisement

The “Wall of American Heroes” was inspired by a similar display in a traveling museum created by the State of Virginia. But Virginia’s display celebrates little-known historical figures.

Advertisement

Virginia’s display of heroes highlights little-known figures. Jason Andrew for The New York Times

Mr. Trump’s, by and large, celebrates people who are already well-known — and, often, people who were famous in their own time. For example, it praises P.T. Barnum, a circus impresario who used hoaxes and freak shows to draw crowds. The wall calls him an “icon of American sensationalism.”

The spokeswoman for Freedom 250 said that many of the names on the wall were drawn from a list of 250 people that Mr. Trump wants to include in a “Garden of American Heroes” in Washington.

Advertisement

The spokeswoman declined to say what criteria were used to narrow down the list.

The only president whose name appears on the wall — not on the list of heroes, but alongside his quotation — is Mr. Trump himself.

Advertisement

Explore the Wall of Heroes

Navigate the display by dragging from side to side.

Advertisement

Zack Wittman for The New York Times

Advertisement
Continue Reading
Advertisement

Trending