Minnesota
‘Dreaming’ big: Minnesota exhibit explores connections and rich history of Indigenous painters
Historian Brenda J. Child stares at a buttery yellow sky framed by converging treelines reflected upon a lake. The scene is a painting by Duluth-based artist Jonathan Thunder and it’s called “On the Grave of the Giant.”
Below the sky’s glow is a couple harvesting wild rice from a canoe. On the lake bottom are the skeletal remains of Paul Bunyan and Babe the Blue Ox.
The painting is on public view for the first time as part of the new exhibition “Dreaming Our Futures: Ojibwe and Očhéthi Šakówiŋ Artists and Knowledge Keepers” at the Katherine E. Nash Gallery at the University of Minnesota.
Child, the Northrop Professor and Chair of the Department of American Studies and former Chair of American Indian Studies, co-curated the exhibition with gallery director Howard Oransky.
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Small canvases by late Minnesota Ojibwe painter George Morrison.
Alex V. Cipolle | MPR News
It features paintings by 29 mid-century and contemporary Ojibwe and Očhéthi Šakówiŋ (Dakota and Lakota) artists from, or connected to, the region.
It is the inaugural exhibition of the George Morrison Center for Indigenous Arts, an “interdepartmental study center to support the creation, presentation and interpretation of Indigenous art in all its forms.”
Child is the founder of the new center, which was sparked by the success of the 2016 Nash gallery exhibition that she curated, “Singing Our History: People and Places of the Red Lake Nation.”
Untitled 1959 artwork by George Morrison on loan from the collection of the Tweed Museum of Art at the University of Minnesota Duluth.
Courtesy of George Morrison Estate
The center is named in honor of the internationally renowned abstract expressionist, a member of the Grand Portage Ojibwe from Minnesota, who died in 2000. Morrison also taught art at the University of Minnesota in the 1970s and 1980s.
“We tend to think in Minnesota, ‘Oh, George Morrison. He’s like a local guy who’s done well in the art world,’” Child says. “But he’s a very important figure in American abstract expressionism.”
Back in the gallery, Child is focused on that yellow sky. “What I really like about this work, and I wouldn’t have known this unless Jonathan had told me,” Child begins.
She pauses and walks to the opposite gallery wall, which features a string of paintings by the famous mid-century painter Patrick DesJarlait. Like Child and Thunder, DesJarlait was from the Red Lake Nation in northern Minnesota. DesJarlait is one of their heroes, she says.
“Because I come from a family of fishermen and women -even my grandmother was a commercial fisherwoman- I’ve always loved his painting in the collection of the Minnesota Museum of Art called ‘Red Lake Fishermen,’” says curator Brenda J. Child. The 1946 watercolor painting is by Patrick DesJarlait of the Red Lake Band of Ojibwe.
Courtesy of Minnesota Museum of American Art
In addition to paintings like “Red Lake Fisherman” (also on view), DesJarlait is also famous for his 1950s redesign of the Land O’Lakes maiden, adding an Ojibwe floral pattern to her attire.
“So Jonathan’s nod to Patrick is the bright butter yellow that he used in this painting,” Child says.
Over the phone from his Duluth studio, Thunder says Land O’Lakes discontinued DesJarlait’s design, and the maiden, in 2020, soon before he began working on the painting in 2021.
“With the yellow sky in that painting and the two points of land that come together, that’s obviously a nod to the Land O’Lakes butter box,” Thunder says. “From what I understand, the two points of land that come together, they can be seen in Red Lake where the upper and lower Red Lake kind of join.”
“Different Star Woman,” 2023, by Los Angeles-based Spirit Lake Dakota and Diné artist Avis Charley. Another work by Charley on view in the exhibition, the 2022 “Smile Now, Cry Later” is the first artwork by a Dakota artist purchased by the Minnesota Museum of Art.
Courtesy of Avis Charley
That year, Thunder had gone to see the Red Lake vista.
“It was like seeing a cartoon come to life or something,” Thunder says. “It’s very much a tribally significant image with or without the butter maiden.”
Thunder says the painting was also inspired by the time when he and his wife decided to learn how to harvest wild rice around Walker, Minn. In the painting, a pipeline takes the shape of a tentacle reaching into the canoe above the watery grave of Bunyan and Babe.
“At the time, the Line Three protests were happening across Minnesota and I was starting to see some of the division it was creating in the communities there,” Thunder explains. ”You see statues of Paul Bunyan kind of littered throughout the landscape, which is significant of a time when they were coming through clearing forests. Paul Bunyan was the noble face of that cause. In the wake of all that, it’s nice to see that people can still go out and rice and practice those traditional ways.”
“Ultime Grida Dalla Savana,” a 2011 painting by Ojibwe artist Andrea Carlson on loan from the collection of the Plains Art Museum.
Courtesy of Andrea Carlson
Thunder says he’s excited to be placed in the gallery next to DesJarlait, an artist “I’ve seen my whole life.” He adds that, when he was growing up in the Twin Cities, he used to play basketball at the Minneapolis American Indian Center. It was there he discovered the 94-foot-long wood mural “Turning the Feather Around” that Morrison created in 1974 (and which was recently restored and reinstalled).
“That’s a huge development for the campus,” Thunder says of the new center.
“Dreaming Our Futures” is a web of these overt and covert dialogues and relationships between artworks, artists and generations. Oscar Howe “is a mid century artist, and he was kind of awesome in that he was moving in his own direction,” says curator Brenda J. Child. Pictured here is Howe’s 1975 painting “Creation of Weotanica” on loan from the collection of the University of South Dakota.
Courtesy of Oscar Howe Family
On view, of course, are the abstracted rainbow-colored canvases of Morrison himself, as well as the paintings of other blue chip artists such as Dyani White Hawk, Frank Big Bear, Jim Denomie, Oscar Howe and Andrea Carlson.
“I felt very privileged to be considered part of something like ‘Dreaming Our Futures,’ that big and centered around our artists and our worldview,” says Bismarck-based artist Holly Young.
Courtesy photo
“This exhibit shows the history of American Indian art, fine art, in the United States and where it’s been in the last half-century, especially with Howe, Morrison and DesJarlait,” Child explains.
“Dreaming Our Futures” acts as an important marker in time, too: Fifty years ago, Morrison, DesJarlait and Howe participated in an exhibition of contemporary Indian painting in Washington, D.C. Child says that “Dreaming Our Futures” also shows how contemporary artists “have been very influenced by those foundational figures.”
A watercolor painting on view by ledger artist Holly Young.
Courtesy photo
These include artists like Thunder and Dakota artist Holly Young, of Bismarck, N.D. Young uses the mediums of beadwork, quillwork, and ledger art, an art form that originated in cave and hide painting that has evolved to also use parchment and actual historical “ledger” documents as a canvas.
Young also created the illustration for the cover of “The Seed Keeper,” the 2021 novel by Minnesota Native writer Diane Wilson, the wife of Denomie. Denomie died in 2022. Wilson wrote an essay, “Jim Denomie at Home,” for the exhibition catalog.
Four of Young’s ledger-style watercolor paintings are on view, featuring Native women dressed in a combination of historical regalia and contemporary attire. “A lot of what I draw is kind of based off of real life,” Young says. “I enjoy the look of the old things, but I’m also living in today’s world as a contemporary artist.”
The Minnesota Department of Human Services is reexamining over 5,000 Medicaid service providers across the state in an effort to combat fraud.
The federal government said it would pull $2 billion in annual Medicaid funding from Minnesota in January if the state didn’t make changes.
The Minnesota Department of Human Services set out to revalidate thousands of providers in programs deemed high risk for fraud by asking providers to submit verification paperwork and making unannounced site visits. The deadline passed on Sunday.
The latest data, published on May 27, shows 1,009 providers approved, 1,151 disenrolled and over 3,000 providers with pending applications.
Paige Berland and Camille Heyman run Minnesota Behavioral Specialists, providing autism care to children through two locations in the metro area. The women say that after submitting their paperwork, they received letters from DHS with determinations for both locations: the Bloomington center was terminated and the Eagan office was approved.
“It doesn’t make sense, everything is the same minus the location,” Berland said. “So why was one approved and one wasn’t approved?”
The termination letter said the Bloomington center was denied because they failed to disclose a managing employee during a site visit. Berland disputes that and said she already submitted an appeal.
“We were told to keep running, keep continuing as we are while we go through this process,” she said. “It just means that we don’t have the money coming in.”
Josh Berg with Accessible Space says they’re also in limbo. Berg said they offer integrated community supports, which means caretakers provide in-unit assistance for people with spinal cord injuries and disabilities.
“Most of the folks that we support are wheelchair-bound,” Berg said. “Helping with meals, helping with medications, helping them just live their lives.”
Berg said that of the seven locations where people are housed, the Department of Human Services terminated five and approved two. He believes the timeline to conduct this revalidation process was too aggressive. He said Accessible Space has also submitted an appeal.
“We’re not able to bill for services, we’re not able to start new services for anybody or change any of the supports that they receive,” he said.
Both Berg and Berland say they agree fraud needs to be dealt with, but they hope Minnesotans who truly need services aren’t left without the services they need.
“Not just the clients rely on services, but the families do too, so we can’t stop services; that’s not an option on our plate,” Berland said. “We want to continue to provide these services; they are medically necessary.”
The Minnesota Department of Human Services said a disenrollment letter could be sent for a few reasons, including failure to submit revalidation application after two notification attempts, failure to provide all requested documents within the required timeframe and failure to meet the criteria required during an on-site visit.
A spokesperson for the Department of Human Services said it’s currently in the process of compiling data from the thousands of applications, but didn’t say when the department would share those final numbers.
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The Minnesota Republican Party is distancing itself from a moment of silence held for Derek Chauvin during its state convention, saying the gesture was not part of leadership planning, not included in the official program, and should not be interpreted as a party position.
GOP officials said in a Monday, June 1 Facebook post that the recognition of the former Minneapolis police officer, who was convicted in the killing of George Floyd in 2020, emerged from a spontaneous delegate motion on the convention floor and was not initiated or endorsed by leadership.
The controversy quickly escalated after state leaders, civil rights attorneys and Democratic lawmakers condemned the action, describing it as deeply harmful to Floyd’s family and inconsistent with accountability under the law.
The moment of silence took place during the party’s annual gathering in Duluth on May 30 and comes just days after the sixth anniversary of Floyd’s murder in Minneapolis, an event that reshaped national debates over policing and racial justice.
Republican Party of Minnesota says gesture was not leadership action
In a statement, the Republican Party of Minnesota said the recognition of Derek Chauvin originated as a delegate request during floor proceedings at the convention in Duluth and was handled under standard rules of order.
Party officials emphasized that convention leadership, including chair Danny Nadeau, did not propose the motion. The statement said leadership’s role was procedural only, and that presiding over the motion did not reflect agreement with or endorsement of its subject matter.
Officials reiterated that the convention agenda itself did not include any planned recognition of Chauvin and said the episode should not be interpreted as a leadership-driven decision or policy stance.
Minnesota attorney general calls action ‘profound cruelty’
Minnesota Attorney General Keith Ellison, who led the prosecution of Chauvin, sharply criticized the gesture, calling it an “act of profound cruelty” toward the Floyd family.
Ellison said the timing, so close to the anniversary of Floyd’s death, compounded the harm.
He said honoring Chauvin “dishonors the memory of George Floyd and wounds his loved ones all over again,” and called it “disturbing” to recognize someone convicted of violating his oath as a police officer.
Ellison also said the action was “disrespectful” to law enforcement officers who serve honorably, and reaffirmed that courts had already upheld Chauvin’s conviction through multiple appeals.
Broader backlash and political fallout
Democratic state Rep. Jamie Long called the moment of silence “disgusting,” arguing that Republicans chose to honor a convicted murderer rather than victims of violence or service members.
The gesture also drew criticism from civil rights attorneys Ben Crump and Antonio Romanucci, who represented George Floyd’s family in its civil case after his death. The attorneys called the moment of silence immoral and demanded a retraction and apology, saying it disrespected both the Floyd family and the broader public record of Chauvin’s conviction.
Floyd was killed on May 25, 2020, when Chauvin, a white former Minneapolis police officer, knelt on his neck for more than nine minutes. Chauvin was later convicted of second-degree murder, third-degree murder and second-degree manslaughter, and sentenced to 22½ years in state prison.
The killing sparked global protests and became a defining moment in the Black Lives Matter movement and debates over policing in the United States.
Chauvin’s conviction has been upheld through multiple appeals, including a denial by the U.S. Supreme Court in 2023, and he is serving his sentence in federal custody.
Party officials say despite the controversy, their focus remains on candidate endorsements and upcoming elections, not the floor action that triggered the backlash.
Reporter Anthony Thompson can be reached at ajthompson@usatodayco.com, or on X @athompsonUSAT.
Minnesota
Where to watch Chicago White Sox vs Minnesota Twins: TV channel, start time, streaming for Jun. 02
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The MLB action continues on Tuesday as the Chicago White Sox visit the Minnesota Twins.
Here’s everything you need to know to tune in for the first pitch.
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