Minneapolis, MN
Hundreds of Minneapolis park workers poised to strike for a week beginning July 4
Hundreds of Minneapolis park employees are set to strike over the Fourth of July — one of the busiest days for the city’s green spaces.
The union, which represents more than 300 workers who help keep the parks clean and safe, announced strike plans Tuesday. They say the Minneapolis Park and Recreation Board’s latest contract proposal lacks sufficient wage raises and hazard protections — and includes new language that hampers transparency and bias safeguards.
“We’re not asking for special treatment, we’re just asking for fair treatment,” said LIUNA Local 363 business manager AJ Lange at a press conference Tuesday.
That announcement followed more than 15 hours of negotiating with the park board Monday and another seven months of failed negotiations prior. Lange said the union requested another bargaining date, but was met with a refusal. He said workers will strike for one week and are prepared to file another strike notice if the board doesn’t “come back to the table with a fair offer.”
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The MPRB argues negotiations have been reasonable and in good faith — and that the final offer is “competitive, fair and equitable.” They are prepared to adjust maintenance service around a smaller staff.
The board also says employees who strike will not be able to return to their job until an agreement is ratified.
“We asked — and still ask — that they bring our last, best and final offer to their members for a vote,” said Robin Smothers, a spokesperson for the board, over email.
The union says they are prepared to file an unfair labor practice charge with the state, after receiving at least one legal opinion from Minneapolis-based law firm Cummins and Cummins that barring striking employees from returning to work constitutes an “illegal threat of a discriminatory lockout.”
Smothers said in a statement that the MPRB legal counsel’s position is that their approach is not an unfair labor practice and they plan to go forward with that plan.
Safety during encampment cleanups an issue
A week before the latest negotiations, the union rallied outside of Lyndale Farmstead Park. That’s where Minneapolis’s Parks superintendents have historically resided, starting with Theodore Wirth in 1910.
The current resident is Al Bangoura. While his superintendent’s salary has climbed alongside inflation, the union argues their positions have not matched pace, falling behind while the park’s reputation consistently soars high on national rankings.
The park board has proposed a 10.25 percent wage increase over three years, including a 2.75 percent increase the first year and a $1.00 market adjustment for 13 positions over the following two years.
Union leadership say they asked for a $5.00 market adjustment and the board’s proposed wage still means some positions would lag behind other cities.
The increase would bring the maximum pay for a “parkkeeper” from $30.99 to $35.52 by 2026, which remains lower than parks maintenance employees at 19 competitive suburbs, according to a League of Minnesota Cities’ 2023 local government salary survey.
“MPRB leadership believes it is vitally important that employee wages and benefits are fair and competitive throughout the organization,” according to a statement, which pointed to a policy of 37 paid days off per year for employees with up to four years of service.
Parkkeeper Lanel Lane provides for a family of four, including a teenaged son and 6-year-old daughter who grew up playing soccer on the park’s greenery. Despite being a dual-income household, Lane says his family doesn’t have enough money to cover the bills or keep up on car repairs.
“I don’t have no money in savings right now,” said the 40-year old. “I’m not living paycheck-to-paycheck, I’m living a check behind paycheck-to-paycheck. If the wages go up, I think we can stay afloat. That’s all we’re asking.”
Lane says he’s been with Minneapolis parks for more than a decade, arriving at 5 a.m. daily in the early days of the COVID-19 pandemic, during 2020 riots that followed the murder of George Floyd and regularly, when tasked to clean up homeless encampments.
It can be a grueling job, he said. He’s frequently cleaning up broken glass, needles and feces, ensuring the public spaces are safe to enjoy. On one of his most difficult days, Lane said he watched a woman die from an overdose. But like any other day on the job, he pushed on.
“Just to see the poverty was disheartening,” he said. “It touched me, man. I cried a few times just thinking about how people are living out here.”
One major issue the union has with the proposed contract is insufficient hazard protections. The board offered eligible employees safety glasses and a hazard pay hike from $0.75 to $1.50 per hour for workers while performing “encampment clean-ups” with “visible biohazardous material and sharps.”
Members of LIUNA Local 363 rallied on June 25 ahead of final negotiations with the Minneapolis Park and Recreation Board over a new contract.
Cari Spencer | MPR News
The union claims the safety glasses provision was a previous “takeaway.” LIUNA Local 363 manager Lange said Tuesday he wanted retaliation protections for workers who raise safety concerns, as well as the ability for workers to request a risk assessment and halt work until that assessment has been completed.
The fear of risky situations is something parkkeeper Hunter Hoppe says he faces on the regular.
“There’s been homeless encampments we’ve had to take down that personally hurt my heart because you don’t know what they’re going through,” Hoppe said. “But even when you’re doing that you don’t know if someone living there is going to come up and potentially get mad at you guys even though we did give them a notice.”
‘Not a middle class job’
Arborist Scott Jaeger said he’s turning 40 soon and had hoped to buy a home by now. What was once feasible for the generation above him feels totally out of reach. He rents an apartment with his partner in Minneapolis where the average rent eats nearly 40 percent of his monthly income, he said.
“I’m a certified arborist working for the best park system in the nation and I can’t afford a home. It’s sad,” he said. “It’s not a middle class job anymore.”
Jaeger wanted to be a civil servant, but the career doesn’t seem sustainable now.
“We love being civil servants,” Jaeger said. “That’s why all of us got into this job. It’s just, eventually your love for helping the community will stop once you can’t afford to pay the bills or live in the city that you serve. So eventually, that’s going to stop.”
Minneapolis, MN
Ellison, Minneapolis, St. Paul update lawsuit against Operation Metro Surge with new data
(ABC 6 News) – Minnesota Attorney General Keith Ellison and Minneapolis and Saint Paul updated their lawsuit over Operation Metro Surge with new survey data on economic harm.
Researchers at the University of California San Diego conducted two surveys tied to the amended lawsuit. The lawsuit says the federal operation violated the Constitution and caused lasting economic damage.
The first survey was done between February and March and included nearly 1,400 residents. It found workers lost more than $240 million in wages during the operation.
A separate newly released survey of about 900 businesses found more than $600 million in lost revenue. The updated lawsuit from Keith Ellison and the cities of Minneapolis and Saint Paul adds that new data to its claims.
Minneapolis, MN
Prince’s legacy still shines in downtown Minneapolis 10 years after his death
Minneapolis, MN
10 years later, our Prince superfan shares his Prince Pilgrimage
April 21, 2016.
Ten years later, that day still doesn’t seem real to me.
I was sitting in the newsroom of The Montclair Times in the early afternoon when word came that Prince had died.
I was incredulous. One of my musical heroes was gone. No way.
I was skeptical because I am a reporter. But also because it was Prince — a superstar so secretive and controlling of his music and public image that you could imagine he would have to give his permission to let the world know of his demise.
As the day passed, videos showed grieving fans standing outside his home and music studio complex, Paisley Park, not far from his beloved Minneapolis. That’s when the reality dawned on me.
Prince Rogers Nelson had gone 2 the afterworld at only 57 years old.
He was gone so young — he had so much more music in him to record, release and perform in public for an adoring audience. He died alone after collapsing in an elevator at his complex.
Those things made me sad.
But I was also annoyed at myself. For not being a better aficionado of his music — by never seeing him in person and not collecting every piece of music he ever recorded.
After a few days of listening to the radio and online to “Purple Rain” and “1999” being played ad nauseam, I also heard lesser-known cuts like the heartbreakingly melancholic and sadly appropriate “Sometimes It Snows In April.”
When I heard the depressing reports that he died due to an accidental fentanyl overdose, I resolved to pay proper tribute to The Purple One.
I would go to Minnesota on a Prince Pilgrimage.
‘Nothing Compares 2 U’
April to June 2016.
I said I would go to Minneapolis, to Prince’s home ground, to pay my respects to him. I didn’t think I would go through with booking a ticket on United Airlines from Newark for the weekend before his birthday.
I had used up most of my vacation days and had one to spare, but not another to stay through Prince’s actual born day. Just my luck.
At least I was fulfilling a commitment to an artist I adore.
I wouldn’t say I was a fanatic for his Royal Badness (one of the many nicknames he carried in his lifetime). But he’s one of the few musicians who really moved me.
I heard his music growing up in the 1980s in Jersey City as a matter of course when the radio dial was set on R&B or pop music stations like KISS-FM and Z-100.
When Prince’s sixth studio album, “Purple Rain,” was released in the summer of 1984, it was a revolution that pushed the rising star into the stratosphere.
I couldn’t go anywhere without hearing the screeching guitar and chanting of Prince that provided the intro to “When Doves Cry,” or the rhythmic strumming of the guitar and the clashing electric drums that start off the album’s title song.
However, it was watching “Purple Rain,” the movie, that put me on the Prince Express. It didn’t matter that he couldn’t act to the satisfaction of critics or that the plot seemed corny. I was just absolutely enthralled by him and his band, The Revolution, tearing through numbers that were a mélange of funk, rock and new wave, while in a musical rivalry with another badass, Morris Day, and his group.
My 13-year-old self also developed a crush on the leading lady, Apollonia Kotero, for her sultry voice and because she stripped nude to purify herself in the waters of Lake Minnetonka. It blew my mind then (and still blows my mind now).
Prince would remain in the background of my music listening as the years passed.
If it wasn’t his voice, it was the voice of others singing his songs, because he was as adept a songwriter as he was a performer. “I Feel for You” (Chaka Khan), “Manic Monday” (The Bangles) and “Nothing Compares 2 U” (Sinéad O’Connor) are some of the major hits that came from his pen.
The first vinyl album I ever got, in my teens was “Around the World in a Day,” his 1985 anti-commercial and purposely obscured follow-up to “Purple Rain.”
In college and afterward, whenever I had a few bucks in my pocket, I bought various albums on CD: “Diamonds and Pearls,” “The Black Album,” “The Gold Experience” and “Rave Un2 the Joy Fantastic,” and “Lovesexy” on cassette. I paid for a ticket to watch what may be Spike Lee’s worst movie, “Girl 6,” in part to hear Prince’s music.
But it wasn’t just Prince’s virtuoso musicianship that made me a believer. It was also his personality, confounding and infuriating at the same time, that intrigued me.
I chatted with NYU classmates about how he slept no more than two hours a day because he worked so hard in the studio, playing all the instruments and producing every track. Yet he looked like he hadn’t aged a minute.
You would hear stories of him boosting artists that he admired by having them play on his albums and in concert. Then you would hear stories of his unkindness and controlling nature toward his bandmates and others in his inner circle.
He was a man who attained a level of stardom that demanded he bask in the spotlight at all times. Then there was the man who operated in secrecy and would alternate between the public, large-scale appearances and his surprise late-night concerts at small venues.
He was a true Gemini.
In the late spring of 2016, I was taking in all of who Prince was, as he was no longer among us mere mortals, while preparing to pay homage to him.
‘MPLS’ and ‘Uptown’
June 3 to 5, 2016.
“Rock ‘n’ Roll Is Alive! (And It Lives in Minneapolis)”
Prince’s 1993 song popped into my head as the United Airlines plane landed at Minneapolis-Saint Paul International Airport around 10:30 p.m. on June 3.
In the morning, my Prince Pilgrimage was underway as I took a bus near my hotel toward downtown Minneapolis.
While on the bus, I could see out my window why he spent nearly his entire life in or near this city, and created songs like “MPLS” and “Uptown” that presented his hometown to the world.
The widest boulevards I have ever seen outside of Paris. The streets where you saw yards with no fences and many trees. The heat normally expected in late spring was tempered by the Minnesota coolness.
I had an itinerary of the stops I needed to make on a sunny Saturday.
First Avenue and 7th Street Entry was a Greyhound bus depot converted into two music venues starting in the early 1970s. On the wall outside, a giant painted gold star etched with the name PRINCE. Only fitting, as the “Purple Rain” movie was filmed inside First Avenue.
539 North Newton Ave. in the northern part of Minneapolis is where a teenage Mr. Nelson lived with his dad for a short time until he was thrown out.
When I stopped by to view the three-bedroom house, an African American couple was chatting up a man standing outside the house. After they were done, it was my turn to engage Maurice Phillips, Prince’s former bodyguard, who married his boss’ sister Tyka.
I went into reporter mode to get the inside scoop from him on my favorite recording artist.
What was Prince like? “He’s just a normal kind of guy like us. He put on his pants the same kind of way.”
Are there other thoughts about Prince you want to share? “No. But I know Prince is looking down. I got to get done with this yard work.”
Later, I made my way to the Parkway Theater in South Minneapolis for what I thought was the best way to mourn the man: “This Thing Called Life — The Prince Tribute.”
Julius Collins, on lead vocals, was backed by members of Prince’s 1990’s band, the New Power Generation, along with other singers and instrumentalists. They regaled attendees with renditions of Prince songs while photos and videos of him played on a screen behind them.
Collins’ voice boomed as he sang, “Good times were rolling/She started dancing in the streets,” (“Uptown”), “Do I believe in God?/Do I believe in me? — Controversy” (“Controversy”), and “Police ain’t got no gun/You don’t have to run” (“DMSR”).
It was the perfect end to day one of the pilgrimage. I got back to my hotel in the late evening to have a meal and prepare for day two.
I should have skipped the takeout from the nearby fast-casual joint, because the resulting heartburn had me down for the count — and nixed plans to visit the last stop on the pilgrimage: Paisley Park.
Yet I had a Plan B for the following day, so I wouldn’t let Prince down.
At 2000 Fourth Avenue South in Minneapolis is Electric Fetus, the iconic record store where Prince reportedly made his last public appearance and last music purchases five days before he died.
On my shopping list was his shopping list:
- Stevie Wonder, “Talking Book.”
- Chambers Brothers, “The Time Has Come.”
- Joni Mitchell, “Hejira.”
- The Swan Silvertones, “Inspirational Gospel Classics.”
- Missing Persons, “The Best Of Missing Persons.”
- Santana, “Santana IV.”
I got only three of those CDs, as the others were (unsurprisingly) sold out. I couldn’t have regrets, because, in a weird way, it was the closest to being there when he was there, the closest I would ever get to meeting him.
His famous opening line to “Let’s Go Crazy” also came to mind: “Dearly beloved. We are gathered here today to get through this thing called ‘life.’”
RIP Prince (June 7, 1958-April 21, 2016).
Ricardo Kaulessar covers race, immigration, and culture for NorthJersey.com. For unlimited access to the most important news from your local community, please subscribe or activate your digital account today.
Email: kaulessar@northjersey.com
Twitter/X: @ricardokaul
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