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The Best Things to Do This Week, According to Our Editors: Oct. 27

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The Best Things to Do This Week, According to Our Editors: Oct. 27


1.

ARCHER PARQUETTE, MANAGING EDITOR

Sometimes I get these nasty headaches, and all I can really do to combat them is down a bunch of aspirin, close my eyes and pray. But one issue, you see, is that aspirin is bad for your stomach lining, so whenever the headache starts – assuming I haven’t just eaten – I gotta get some food in me ASAP. All this goes to say that a few days ago, I was at 3rd Street Market Hall for work when a headache got rockin’ and rollin’. Thankfully, as far as eating goes that was kind of the best possible place to be. As I stumbled through the crowd at the popular Downtown food hall, I had many, many options to fill my pre-aspirin stomach. I landed upon Creta Mediterranean Grill and the humble joy of a gyro. It was classic – tangy tzatziki, juicy lamb, etc. – and just the dose of deliciousness I needed before the aspirin brought some healing to my aching head.

2. Watch Invasion of the Body Snatchers (1956)

ANN CHRISTENSON, DINING EDITOR

I’ve never watched The Exorcist. I’ve seen only parts of Halloween and A Nightmare on Elm Street. The Shining affected my sleep, for weeks. But one of the worst forms of damage made to my young psyche by a horror movie is Invasion of the Body Snatchers – a truly terrifying 1978 film that had me convinced that hideous pods filled with alien replicas meant to replace us were growing in my family basement (I was really little, OK?). So lame, and yet. It took some time for me to recover from that. Flash forward to this past weekend. I turn on PBS and what do you suppose is on but Invasion of the Body Snatchers. But it’s not the 1978 version – it’s the 1956 original. (I never knew the ’78 movie was a remake.) This one, in black-and-white, is far less creepy than I remember its remade version to be. It reminds me of The Twilight Zone – weird, kind of campy, and unsettling but not scary. The actors (not anyone I recognize) seemed to take their roles seriously, too. Take this Halloween week recommendation from a confirmed scaredy-cat: Watch Invasion of the Body Snatchers, the original 1956 film. If it keeps you up at night, you’re even more of a wuss than I am! On Amazon Prime, The Roku Channel and other platforms.

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CHRIS DROSNER, EXECUTIVE EDITOR

Is black IPA the best IPA? I mean, I’m not sure I want this unholy marriage of IPA’s fruity hops and stout’s roasty, mocha-like malt all of the time, but it sure hits nicely this time of year. Brewers have been exploring the niche style since it came back from the dead a bit after the pandemic, and that body of work much more successfully threads the style’s needle than the first iteration of black IPAs in the early 2010s. My favorite of the style, Component Brewing’s Blackest Eyes, will be on tap on Friday at Busby’s second annual Fears & Beers, which includes a Component tap takeover (Oh My Gourd pumpkin spice coffee ale might also be of interest). Many more Halloween doings are in store as well: a tightly curated horror movie marathon with trivia, tarot card readings, a costume contest and eats from Not Bad food truck. 7 p.m.-midnight Friday, Busby’s, 3475 S. Kinnickinnic Ave.

The Blackest Eyes IPA
Component Brewing’s The Blackest Eyes IPA; Photo by Chris Drosner

EVAN MUSIL, ARTS & CULTURE EDITOR

We’ve lost many jazz greats in recent memory: Roy Ayers, Hermeto Pascoal, just to name a few this year. And now, at 83, Jack DeJohnette – a wide-ranging, masterful drummer who could pack quiet intensity into every rhythm, showing flashes and then magnificent bursts of complexity without ever overburdening a tune or losing time. You could point to DeJohnette’s time with Miles Davis during the trumpeter’s electric period, or his critical role in the Standards Trio with pianist Keith Jarrett and bassist Gary Peacock (just check out the soloing here!). But I first reached for Bill Evans at the Montreux Jazz Festival this morning. Evans makes for a perfect fall soundtrack, and DeJohnette lends such liveliness to this record, the only one he appeared on with Evans.

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Brewers finally announce cable, satellite TV channels for broadcasts

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Brewers finally announce cable, satellite TV channels for broadcasts


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Just before the pitch clock hits zero, the Milwaukee Brewers released a rundown of channels on cable and satellite for game broadcasts, mere hours before the 1:10 p.m. CT first pitch on Opening Day, Thursday, March 26.

The club said channels include 1263 on XFinity, 670 on DirecTV, 1743 on U-Verse, and 319 or 469 on Spectrum. The broadcasts are also listed as available on streaming service Fubo.

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The Brewers are pointing fans to a channel-finding tool on their web site at Brewers.com/watch, though in the moments after the announcement, the channel finder was not yet locating details for Spectrum customers for Milwaukee-area zip codes. A club spokesperson said Major League Baseball was aware of the error and the games would indeed air on Spectrum in Milwaukee.

The built-in Spectrum guide still showed Channel 308 as the “BREW” offering in Milwaukee, with Brewers Live Pregame scheduled to begin at noon CT and baseball at 1 p.m. March 26.

With the February announcement of a switchover from FanDuel Sports Wisconsin to Major League Baseball productions in 2026, MLB negotiations have gone down to the wire with the various providers around Wisconsin. Several teams covered by Main Street Sports, which operated the FanDuel brand, have been in a similar boat this offseason.

Brewers fans aren’t alone in experiencing the late-arriving channel information. Maury Brown of Forbes has been keeping track of all the late-arriving channel announcements for teams around baseball, specifically those that were covered by the Main Street Sports. As of 7 a.m. March 26, the Royals, Rays, Tigers and Braves also still hadn’t released channel listings.

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Streaming customers who used the FanDuel Sports Wisconsin app in previous years can use the new Brewers.TV option to once again watch games. The opener is also one of 10 games simulcast on over-the-air channels this season, including WITI-TV (Channel 6) in Milwaukee.



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Chase, crash into Milwaukee library construction site; man pleads guilty

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Chase, crash into Milwaukee library construction site; man pleads guilty


A Milwaukee man pleaded guilty on Wednesday to a pursuit that ended with a crash into a library construction site.

In court:

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Court records show Cameron Moore, 37, pleaded guilty to three felonies and the state dismissed two others as part of a plea deal. He’s scheduled to be sentenced in May.

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The backstory:

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Sheriff’s deputies were monitoring a home near 2nd and Lloyd. They were trying to locate a man, later identified as Moore, who was wanted for burglary and fleeing/eluding.

Moore left the home and got into an SUV that afternoon. Detectives tried to pull the SUV over and, while it did briefly stop, it almost immediately took off.

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Crash damages library at MLK and Locust, Milwaukee (Jan. 7, 2025)

About a mile into the chase, the SUV ran a red light and slammed into a car at the intersection of King Drive and Locust Street. It then careened into the library construction site. 

Nobody in the vehicles involved in the pursuit or crash was injured, according to authorities. A construction worker inside the building reported leg pain, and he was examined and cleared at the scene.

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“120 to 140 miles per hour on the freeway, on the public roadways passing people,” Court Commissioner Katharine Kucharski said after charges were filed. “We are all very lucky that nobody is…passed in this situation.”

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The Milwaukee Public Library’s new Martin Luther King Branch opened months later. At the official opening, Ald. Milele Coggs acknowledged the roadblocks along the way – including the crash.

The Source: Information in this report is from the Wisconsin Circuit Court and prior FOX6 News coverage.

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Musical ‘The Wiz’ eases on down to Milwaukee’s Water Street

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Musical ‘The Wiz’ eases on down to Milwaukee’s Water Street


“The Wiz” was a good idea in 1974, and it’s still a good idea today: Retell “The Wizard of Oz” as a musical with a Black cast, singing tunes with R&B, disco, soul and gospel arrangements.

The North American tour of this brightly colored song-and-dance spectacle, directed by Schele Williams, has eased on down the road to Milwaukee’s Marcus Performing Arts Center for performances through March 29.

It’s a clever blend of human creativity and technology. The tornado winds, poppies and even the yellow brick road are represented by costumed ensemble dancers (the yellow brick road people are drum majors). But during the March 24 opening performance, the Marcus audience also saw some groovy, psychedelic projections and a futuristic Oz.

Just like in L. Frank Baum’s original novel (1900) and the famous movie adaptation (1939), a cyclone deposits young Dorothy (Phoenix Assata LaFreniere) in Oz, where she meets and befriends Scarecrow (Elijah Ahmad Lewis), Tinman (D. Jerome) and Lion (Cal Mitchell). They’re off to see The Wiz (Alan Mingo Jr.), hoping he’ll give them a brain, a heart, some courage and a way home for Dorothy. But wicked witch Evillene (Kyla Jade) has designs on that silver footwear Dorothy’s wearing (yes, silver like the novel, rather than the movie’s ruby red).

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LaFreniere is a convincing Dorothy in her yearning ballads, character moments and dance moves. Lewis’ adorable Scarecrow has some early Eddie Murphy charm. There are some big voices here, too, include Jade, who could power most of Water Street with her roar in “Don’t Nobody Bring Me No Bad News.”

Jaquel Knight choreographed the nearly nonstop flow of dance, which ranges from balletic moves to the disco party in the Emerald City.

There’s no Toto in this version, which has led to a few changes in how the story unfolds. The way this version ends is even stronger than the 1939 movie in depicting the fabulous four as coming to understand they had what they were searching for all along.

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