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Now 91, Willie Nelson shows he’s as strong as ever at BMO Pavilion concert in Milwaukee

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Now 91, Willie Nelson shows he’s as strong as ever at BMO Pavilion concert in Milwaukee


Evidently, Willie Nelson really can’t wait to get on the road again.

Less than a year after bringing his Outlaw Music Festival to Alpine Valley — and less than a month after turning 91 — the country legend was back on a Milwaukee stage Saturday night at the BMO Pavilion. It was Milwaukee’s first big outdoor concert of the year.

It was clear he wasn’t playing out of habit or ego. Of the many Willie Nelson concerts I’ve seen in town over the past decade, Saturday’s was among his most engaging.

Sure, the set was short at just 62 minutes, as has been the case for a while now, and the setlist was heavy on familiar standards. Age perhaps has prompted him to sit for the entire show, and Nelson let the newest member of his Family band, Waylon Payne, take lead vocals for three songs: Merle Haggard’s “Workin’ Man Blues,” and Kris Kristofferson’s “Help Me Make It Through the Night” and “Me and Bobby McGee.”

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But even then, Nelson never coasted, singing most of the words to “Me and Bobby McGee.” He was especially animated for “Workin’ Man Blues,” peppering the performance with grooving guitar licks on his trusty and battered acoustic guitar Trigger and ending the jam with a kick of his right leg and a proud thumbs up from Payne.

It was through Trigger that Nelson’s passion shined most Saturday night.

There’s long been a roughness to his strumming that can be off-putting for the unprepared, but that’s part of the charm of a Willie Nelson show. And there remain plenty of diamonds in that rough.

He contradicted the sentiment of “Still Is Still Moving to Me” with swift and nimble Spanish guitar-style runs, and channeled Chuck Berry with ’50s rock swagger on Hank Williams’ “Move It on Over.” With tender, contemplative melodies he teed up his longest running tour mate Mickey Raphael, who offered a response via soulful harmonica solo for “Angel Flying Too Close to the Ground.” (The band was rounded out by Paul English on drums, and Kevin Smith on bass Saturday.)

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And with understated but undeniably smirking bravado, Nelson’s guitar dazzle for “I Never Cared for You” was the equivalent of dancing on a vanquished foe’s grave.

While his guitar runs would often soar, Nelson as a vocalist remains engagingly down to earth, the direct, conversational tone of his voice seasoned ever so slightly with a sprinkle of soul or a splash of sass.

That approach served Saturday’s punchlines much better than a heavy wink and nudge, drawing hollers with his cool evisceration of “Mr. Purified Country” by asking “is your head so far up that you can’t pull it out” on “Write Your Own Songs,” and drawing laughs singing about looking good in his jeans on Mac Davis’ “It’s Hard to Be Humble.”

Nelson’s gentle vocal delivery also enhanced his fleeting moments of rambunctiousness, like the growl of his voice in the repeated utterance of “Mamma” for a boisterous singalong of Ed and Patsy Bruce’s “Mammas Don’t Let Your Babies Grow Up to Be Cowboys.”

And it’s a safe bet that Nelson’s rendition of “Always on My Mind” Saturday will be burned into many Milwaukee fans’ memories: the humble confessions of his neglect, the lonesome guitar lines conveying the depth of his regrets.

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That song, and the 20 others Nelson touched on Saturday, were received with an immense level of gratitude fitting for a goodbye. But Nelson also made it clear, through intact talent and his own appreciation, that he’s not ready to bow out just yet. So long as he’s still able to tour, there’s no doubt Nelson would be happy to see Milwaukee again after he turns 92.

5 takeaways from Willie Nelson’s Milwaukee concert, including opener Ryan Larkins

  • It was a perfect night for the season’s first major outdoor concert in Milwaukee, with clear skies and a cool breeze coming off the lake.
  • When the show ended, in between blowing kisses, Nelson tossed a cowboy hat into the crowd like a frisbee and threw out a few red bandanas, including one he pulled off his head.
  • Two other fans also special recognition from Nelson during “Always on My Mind.” He noticed the women standing right in front of him near the song’s end, giving them a wave as he sang before he made them the subjects of his song, pointing to them and smiling as he sang. When the song ended, the women gave each other a huge hug.
  • The moment Willie Nelson launched into “Roll Me Up and Smoke Me When I Die,” the smell of marijuana wafted through my section of the pavilion. Nelson no doubt would be proud.
  • Opener Ryan Larkins confessed to being nervous on the BMO Pavilion stage Saturday playing for one of the largest crowds of his career opening for his favorite artist. But it was the only evidence of nerves across a 25-minute set marked by Larkins’ humility and smooth baritone (close your eyes when he talked and you could almost imagine Austin Butler was channeling Elvis). Larkins honored his predecessors in multiple ways, like with a bluster-free cover of “I Love This Bar” in honor of the late Toby Keith, and with original “King of Country Music” that name-drops loads of legends and honors country music craftsmanship. It’s Larkins’ first song to hit country radio, but don’t let that aw-shucks charm fool you — he’s already scored a hit as a songwriter, Cody Johnson’s “The Painter,” which he saved for last, not so much to boast of his bona fides but to honor the song’s inspiration, his wife of 15 years.

Willie Nelson’s BMO Pavilion setlist

  1. “Whiskey River”
  2. “Stay a Little Longer”
  3. “Still Is Still Moving to Me”
  4. “Bloody Mary Morning”
  5. “I Never Cared for You”
  6. “Workin’ Man Blues”
  7. “Mammas Don’t Let Your Babies Grow Up to Be Cowboys”
  8. “Angel Flying Too Close to the Ground”
  9. “On the Road Again”
  10. “Always On My Mind”
  11. “Good Hearted Woman”
  12. “Help Me Make It Through the Night”
  13. “Move It On Over”
  14. “Georgia (On My Mind)”
  15. “I Been to Georgia on a Fast Train”
  16. “Me and Bobby McGee”
  17. “Roll Me Up and Smoke Me When I Die”
  18. “Write Your Own Songs”
  19. “Will the Circle Be Unbroken”/”I’ll Fly Away”
  20. “It’s Hard to Be Humble”

Contact Piet at (414) 223-5162 or plevy@journalsentinel.com. Follow him on X at @pietlevy or Facebook at facebook.com/PietLevyMJS.





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Milwaukee, WI

'Anything you do with your hands I can do with my feet': Navigating life without using your hands

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'Anything you do with your hands I can do with my feet': Navigating life without using your hands


MILWAUKEE — “I have people come up to me on the street and say, ‘Good for you for getting out in the world.’ Like that’s not normal. I’m just a person.”

Ebony Lewis is just a Milwaukee East Sider who loves art, theater, and her dog. She especially loves to paint. However, she can’t paint with her hands. She uses her feet.

“Feel what you’re feeling through your painting,” Lewis said.

She was born with arthrogryposis. It’s a muscle disorder. All of her limbs are clubbed. Her arm movement is minimal, so she uses her feet to text, heat up coffee, and write things down.

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James Groh

Ebony Lewis poses for a photo inside her East Side apartment.

“Honestly, anything you do with your hands, I can do with my feet.”

But that has also brought challenges both growing up and now as she navigates life as a 20-year-old seeking independence.

Since elementary school, she has been involved with school plays. At Tosa East High School, she was a stage manager for many of the productions. After graduating, she wanted to earn her bachelor’s degree at a film school. She tried attending a university in Chicago, but there weren’t many adaptive options. Then she looked at schools in Los Angeles, but there weren’t affordable caregivers, so she stayed in Milwaukee. However, that presented its own set of challenges.

Watch Ebony Lewis’ inspiring story…

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How a Milwaukee artist navigates life using just her feet

“I had my roommates move out on me because they said they couldn’t handle the level of care I needed, which wasn’t them taking care of me. It was caregivers coming in, but they didn’t like that,” Lewis said.

Now, she lives in a one-bedroom apartment on Milwaukee’s East Side. While she has a license, she is forced to rely on help getting around because she can’t find funding sources for a modified vehicle to drive.

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“It’s just kind of been one slap in the face after another of me just trying to live my life and society not allowing it,” Lewis said.

To handle all the stress, she took up painting as a way to express herself. She paints landscapes, her dog, and anything else that comes to mind.

In addition to her painting, she’s also advocating for herself and her community.

Ebony Lewis Paintings

James Groh

Paintings Ebony Lewis created.

“I want (life) to be more adaptable for us. I don’t want us to have to fight constantly to just live,” she said. “People view us as things that need to be helped and fixed and not as actual humans. And we’re all placed in the same bubble. It’s taken a lot to show people what I can do, and a lot of people have tried to stop me from just being a normal person. They want to keep you in this box, and you’ll try to change their mindset, but they’re so stuck on it, you know. It’s very hard.”

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She also wants people to recognize that not all disabilities are the same.

“Because I have abilities other people don’t. Other people can do things I can’t do,” she said.

Lewis’ goals are to eventually attend film school, get more disabled people involved in filmmaking, and live a normal life.

“I’m very determined. I want to do what I want to do, and I don’t care if people tell me I can’t. I don’t care if I can’t. I’m going to try to figure this out. I’m very go-go-go. Nothing stops me.”

Given Ebony Lewis’ attitude, it won’t be surprising when she accomplishes all her goals.

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Milwaukee, WI

Milwaukee Police Department looking for critically missing woman and baby

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Milwaukee Police Department looking for critically missing woman and baby


The Milwaukee Police Department is looking for a critically missing woman and baby.

Ziqrebineka Ingram, 21, and Zy’onna Haney, 1, have not been seen since 1:00 a.m. Thursday morning.

MPD

21-year-old Ziqrebineka Ingram

Ingram is described as a Black woman, standing about 5’5″ tall and weighing around 145 pounds. She has black hair and brown eyes.

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Zy'onna Haney

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1-year-old Zy’onna Haney

She’s believed to be with Zy’onna, who is described as a Black baby, about 2′ tall and weighing around 20 pounds.

Both were last seen on Thursday morning around 1:00.

Anyone with any information is asked to call the Milwaukee Police Department District 3 at 414-935-7232.


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Milwaukee, WI

SDC board continues to shrink as three more commissioners resign | Milwaukee Neighborhood News Service

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SDC board continues to shrink as three more commissioners resign | Milwaukee Neighborhood News Service


Commissioner Donna Brown-Martin writes on a copy of the agenda of the Social Development Commission’s board meeting in September. She is one of three commissioners who have resigned in the past week. (Photo by Joe Timmerman / Wisconsin Watch)

The Social Development Commission has lost three more commissioners in the past week, leaving the agency with just four remaining commissioners. 

The latest board members to resign include: Marjorie Rucker, the appointed commissioner for the African American Chamber of Commerce of Wisconsin; Donna Brown-Martin, appointed by Milwaukee County Executive David Crowley’s office; and Patricia Nájera, who represented Milwaukee Area Technical College; according to William Sulton, SDC’s attorney.

“I think all the board members feel very overwhelmed,” Sulton said. 

Their resignations come on the heels of former board chair Barbara Toles’ departure after attending a virtual board meeting on Oct. 23. 

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Since the anti-poverty agency suspended operations and laid off employees six months ago, the SDC’s board has been meeting regularly to figure out a path forward. 

Reappointments remain uncertain

Brown-Martin’s term on the SDC board officially ended on Oct. 1, but she continued to attend meetings until she left the board on Oct. 31. 

“There was some discussion about whether the County Exec’s office could simply reappoint her because she had historical knowledge (rather) than having someone else come in,” Sulton said. 

After reviewing the SDC’s bylaws, county officials decided they could not reappoint Brown-Martin, Sulton said. 

Milwaukee County will defer replacing Brown-Martin’s seat on the board until it receives clearer information about the agency’s path forward, according to an email Brown-Martin sent to Sulton and SDC interim CEO Vincent Bobot. 

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However, Brown-Martin will continue to volunteer with SDC, according to Sulton.  

“I think we are fortunate to have former board members and community members who are stepping up,” Sulton said.

Resignations leave more vacancies

Rucker resigned Monday and did not give a reason, Sulton said. 

Nájera submitted a resignation letter on Friday. In her letter, she said she was grateful for the opportunity to work with an organization that had a long history of positively impacting Milwaukee residents. 

“Essentially, she does not feel like the commission is actively operating,” Sulton said. 

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NNS tried to contact Rucker, Brown-Martin, Nájera and Bobot for comment, but did not receive responses as of Wednesday night. 

The board now consists of Bobot, who is also an elected commissioner; Jorge Franco, of the Hispanic Chamber of Commerce of Wisconsin; Jackie Carter, of Port Milwaukee; and Matthew Boswell, who was appointed by Milwaukee Public Schools. 

Carter is the newest commissioner and was appointed to the board by Mayor Cavalier Johnson in June. 

Boswell’s term is set to expire on Nov. 18, Sulton said. 


Here’s more on the SDC

Smaller board puts SDC at risk of losing sizable funding

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What you need to know about SDC’s progress amid frozen bank accounts

SDC sends out second round of paychecks to former employees

SDC puts main office and warehouse up for sale

How the Social Development Commission failed its Milwaukee residents

Why did the Social Development Commission fail? Here are takeaways from our investigation

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Meredith Melland is the neighborhoods reporter for the Milwaukee Neighborhood News Service and a corps member of Report for America, a national service program that places journalists in local newsrooms to report on under-covered issues and communities. Report for America plays no role in editorial decisions in the NNS newsroom.





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