Lifestyle
With Underdog Brand, Jason Kelce Takes ‘Made in the U.S.’ Seriously
Jason Kelce, a mellow mountain of a man, has spent most of his life fretting over offensive snaps.
Now, a year into his retirement after 13 seasons as a center for the Philadelphia Eagles, Mr. Kelce has space to puzzle over other matters. Lately, he’s been thinking about sweatshirts and T-shirts. And he has thoughts. Lots of thoughts.
“On the inside of a sweatshirt, I don’t like when it feels fuzzy,” said Mr. Kelce, speaking on a video call from his Philadelphia home in April, just a few days after the birth of his fourth daughter. He wants a “heavier-duty” sweatshirt, with a smidge of stretch. Something durable, “that you can wear working or lounging around on the couch.”
Oh, and it needs to be made entirely in the United States.
To achieve all this, Mr. Kelce, 37, has taken matters into his own hands. Today, his Underdog apparel brand is debuting a tidy collection of crew neck sweatshirts and T-shirts, all produced — from the cotton to the completed garment — in the United States. These items are produced in collaboration with American Giant, a San Francisco-based company formed in 2012 that manufactures entirely in the United States.
The American Giant-produced Underdog pocket T-shirts and French terry sweatshirts will sell for $45 and $79, respectively, and will be sold on the Underdog website. They are, to Mr. Kelce’s specifications, on the burlier side. During the interview, he wore the pocket T-shirt in green, his abundant biceps mildly squeezed by the sleeves.
“I don’t want to offend anybody, I never understood the reason that somebody would want to wear Gucci, or some of these high-end brands,” said Mr. Kelce, leaving unsaid that his brother, Travis, has been known to wear a Gucci hat or two. “It’s never appealed to me.”
“I would much rather wear something that symbolized a blue-collar worker as opposed to a suit,” he added, even if he does have to wriggle into a suit when he appears as an analyst for “Monday Night Countdown” on ESPN.
That Underdog’s clothes are entirely made in the United States is the most gratifying part to Mr. Kelce.
“I grew up going into steel mills with my father,” he said of his childhood in Cleveland Heights, Ohio. “So, the concept of American workers making things was something that was ingrained early. And I just always gravitated toward it.”
Mr. Kelce has long been plotting for life after his last snap. In 2022, he started the “New Heights” podcast with his brother. It remains in the top 200 of Apple’s top podcasts, though it now runs behind his wife Kylie’s show, “Not Gonna Lie.”
While many retired athletes pour money into car dealerships or restaurant ventures, Mr. Kelce became curious about clothes.
“I was trying to come up with what’s a way that we can celebrate Philadelphia,” said Mr. Kelce, who is nothing if not an unofficial ambassador for his adopted city. “And I love wearing shirts that represent me and everything that I believe in.”
He started Underdog in 2022 as an apparel brand with vigorous nods to Philadelphia. Past graphics featured his Eagles teammates, and the name alludes to the Eagles having labeled themselves as underdogs on their way to winning the Super Bowl in 2018. It is a unique proposition from a former athlete, and one that has, to many outside the Eagles fandom, perhaps flown under the radar. Underdog does not have the techy edge of say, Tom Brady’s slick, fitness-centric Brady brand. It leans more on Mr. Kelce’s jolly, jumbo-size profile than on his on-field prowess.
The label has made prior attempts at producing in the United States, though Mr. Kelce soon learned that even if the tag said an item had been made here, “a good portion of that might be made overseas.” Garments that read “Made in the United States” can be produced from cotton or other components that derive from elsewhere.
In American Giant, Underdog found a partner that was capable of producing the whole garment, including the fabric, here in the United States. The cotton was harvested and finished in the Southeast, including in North Carolina. The garments themselves were produced in Los Angeles.
“These fabrics were custom-designed for Jason,” said Bayard Winthrop, the chief executive of American Giant who underscored that the ex-Pro-Bowler “had lots of small opinions” about how the shirts and sweats should fit and feel.
“The shirts have a really gutsy, sturdy quality to them,” said Mr. Winthrop. “They drape a certain way. They’re not clingy to the body. They’re not overly delicate.”
Last year, Mr. Kelce traveled with Mr. Winthrop to North and South Carolina see the production process firsthand, giving him a look at how clothes are made that few people ever see, or even consider. With most apparel manufacturing having been exported overseas, only 2 percent of the clothing Americans buy is manufactured domestically.
“The eye-opening part for me was how truly decentralized this is, how many people touch just one T-shirt and how many steps there are in that process,” said Mr. Kelce. “I had never really thought much about that.”
Though this project has been in the works for around two years, it debuts at an auspicious moment, as Americans are contemplating what they’re willing to sacrifice — macro- and micro-economically — to bring back American manufacturing. Hours before the interview, President Trump pulled back on steep tariffs that had unsettled the global economic landscape, though a tit-for-tat trade war with China has continued.
“I have no issues with global trade whatsoever,” said Mr. Kelce, who was evenhanded about the impact of his small stab at making his goods solely in the United States. He was, he said, not going to stop buying shirts and clothes that were not totally made here.
“I don’t think there’s any type of statement trying to be made other than, ‘Listen, there’s some really awesome reasons to support homegrown American businesses and local businesses,’” he said.
Considering Mr. Kelce’s longstanding love affair with Philadelphia, it may strike some shoppers as odd that the Underdog line is not produced there. It was discussed, but the reality, said Mr. Winthrop, was that Philadelphia, like many cities that were once manufacturing hubs, was “gutted out” when it came to apparel production.
“There is no at-scale dyeing or finishing or knitting capability in Philly,” he said. Mr. Kelce said that in the future, the company would find ways to incorporate the city into its brand. His partner, Stephen Porter, noted that anything Underdog screen printed or embroidered was done locally.
The line might not be made in Philadelphia, but his green shirt proved that Mr. Kelce knew he had to keep his fans happy.
“Philadelphia bleeds green,” he said. “If we didn’t have a green shirt, it would have felt like malpractice.”
Lifestyle
Bill Maher is getting the Mark Twain Prize after all
Satirist Bill Maher is this year’s recipient of the Mark Twain Prize for American Humor. Maher will receive the award at the Kennedy Center on June 28th. The show will stream on Netflix at a later date.
Evan Agostini/Invision/AP
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Evan Agostini/Invision/AP
Bill Maher will be receiving the Mark Twain Prize for American Humor after all.
There’s been some confusion about whether the comedian and longtime host of HBO’s Real Time with Bill Maher would, indeed, be getting the top humor award. After The Atlantic cited anonymous sources saying he was, White House press secretary Karoline Leavitt called it “fake news.” But today the Kennedy Center made it official.
“For nearly three decades, the Mark Twain Prize has celebrated some of the greatest minds in comedy,” said Roma Daravi, the Kennedy Center’s vice president of public relations in a statement. “For even longer, Bill has been influencing American discourse – one politically incorrect joke at a time.”
Is President Trump, chair of the Kennedy Center’s board, in on the joke?
Maher once visited Trump at the White House and he tends to be more conservative than many of his comedian peers but after their dinner Trump soured on Maher, calling him a “highly overrated LIGHTWEIGHT” on social media.
Maher’s acerbic wit has targeted both political parties and he’s been particularly hard on Trump recently, criticizing his decisions to wage a war with Iran and his personnel choices.
“Trump said, ‘when oil prices go up, we make a lot of money.’ Um, who’s ‘we?,’” Maher said in a recent monologue.
Past recipients of the Mark Twain Prize include Conan O’Brien, Dave Chappelle, Jon Stewart, Julia Louis-Dreyfus, Tina Fey, Eddie Murphy and Carol Burnett.
In a statement released through the Kennedy Center, Maher said, “It is indeed humbling to get anything named for a man who’s been thrown out of as many school libraries as Mark Twain.”
Maher will receive the Mark Twain Prize at the Kennedy Center on June 28. The show will stream on Netflix at a later date.
Lifestyle
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Lifestyle
Suit asks court to force Trump administration to use ‘The Kennedy Center’ name
Workers react to the media after updating signage outside the Kennedy Center on Dec. 19, 2025, in Washington, D.C.
Jim Watson/AFP via Getty Images
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Jim Watson/AFP via Getty Images
Rep. Joyce Beatty of Ohio is asking a federal court in Washington, D.C., to force President Trump and the board and staff of the Kennedy Center to revert to calling the arts complex The John F. Kennedy Center for the Performing Arts.
The motion, which Beatty filed on Wednesday, asks a federal circuit court judge to reverse the Trump administration and the center’s current board and staff’s decision to call the complex “The Trump-Kennedy Center.”
In the filing, Beatty’s attorneys wrote: “Can the Board of the Kennedy Center — in direct contradiction of the governing statutes — rename this sacred memorial to John F. Kennedy after President Donald J. Trump? The answer is, unequivocally, ‘no.’ By renaming the Center — in violation of the law — Defendants have breached the terms of the trust and their most basic fiduciary obligations as trustees. Shortly after President John F. Kennedy’s assassination, Congress designated the Kennedy Center as the ‘sole national memorial to the late’ President in the nation’s capital.”

In a statement emailed to NPR Thursday, Roma Daravi, the vice president of public relations for the Kennedy Center, wrote: “We’re confident the court will uphold the board’s decision on the name change and the desperately needed renovations which will continue as scheduled.” NPR also reached out to the White House for comment, but did not receive a reply.
In December, White House press secretary Karoline Leavitt announced that the complex would heretofore be called “The Trump-Kennedy Center.” Although the new moniker was never approved by Congress, the Center’s website and publicity materials were immediately updated to reflect the administration’s chosen name, and the same day as Leavitt’s announcement, Trump’s name went up on the signage of the complex’s exterior, over that of the slain President Kennedy.
Later that month, Rep. Beatty who serves as an ex-officio member of the Kennedy Center’s board of trustees, sued Trump, members of the Kennedy Center board appointed by Trump, and some ex-officio members, arguing that the complex’s name had been legislated by Congress in 1964. Wednesday’s motion is part of that lawsuit.

In a press release sent to NPR on Wednesday, Rep. Beatty said: “Donald Trump’s attempt to rename the Kennedy Center after himself is not just an act of ego. It is an attempt to subvert our Constitution and the rule of law. Congress established the Kennedy Center by law, and only Congress can change its name.”
For many patrons, artists and benefactors of the Kennedy Center, the name change was the last straw in politicizing the performing arts hub. Following the White House announcement of the new name, many prominent artists withdrew planned performances there, including the composer Philip Glass (a Kennedy Center Honors award recipient, who received his prize during the first Trump administration), the famed Broadway composer and lyricist Stephen Schwartz and the 18-time Grammy-winning banjo master Béla Fleck.
The Washington National Opera (WNO), which had been in residence at the Kennedy Center since 1971, also severed its ties in January after ticket sales dropped precipitously. Earlier this month, WNO artistic director Francesca Zambello told NPR, “We did try as best as we could to encourage [the patrons] that we are a bipartisan organization, but people really voted with their feet and with their pocketbooks. And so we realized that there was really no choice for us.”

On Monday, a coalition of eight architecture and cultural groups also sued Trump and the Kennedy Center board in federal court over the complex’s scheduled closing in July for unspecified renovations. Their suit seeks to have the White House and board members comply with existing historic preservation laws, and to secure Congressional approval before moving ahead with the renovation plans.
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