Lifestyle
Will unseasonably hot weather dash Southern California’s hopes for a 2026 superbloom?
Wildflower expert Naomi Fraga was excited about the prospect of an extraordinary bloom this spring, after a winter of near-record rainfall, but this week’s unseasonably hot, dry weather has dimmed her hopes for a superbloom year.
“Superblooms are not guaranteed every year, even after lots of rain,” said Fraga, director of conservation programs at California Botanic Garden in Claremont. “When it happens, it’s extraordinary, but you need all the stars to align, with rain, temperature and timing. We’ve had some of those ingredients, but it remains to be seen if the weather will cooperate to give us a spectacular bloom year.”
California certainly has had the rainfall — it’s been the second-wettest season through January that L.A. has seen in 21 years, according to the Los Angeles Almanac. And the rainy weather came at the right time to give SoCal lots of colorful blooms this spring, traditionally around mid-March through April in Southern California, Fraga said.
But wildflowers also need at least six weeks of coolish weather to grow after they germinate. Despite the rain, Southern California had record warm temperatures in November and December, Fraga said, “and we’re seemingly headed that way in January.”
Fields of wildflowers paint the hills yellow, orange and purple along Highway 58 and Seven Mile Road near the Carrizo Plain National Monument on April 1, 2023.
(Laura Dickinson / San Luis Obsipo Tribune)
A surge of hot weather, like what SoCal is experiencing this week, can damage young plants, either forcing them into a lackluster early bloom “that fizzles fast or desiccating emerging buds that won’t make it into production,” Fraga said.
The average high temperature in January for downtown L.A. is 68 degrees, but Wednesday’s high was 83 degrees, said Rose Schoenfeld, a meteorologist with the National Weather Service in Oxnard.
The Greater Los Angeles area isn’t expected to reach record highs this week, but it will get close. The high on Wednesday was just a few degrees shy of downtown L.A.’s record high of 88 degrees for Jan. 14, which occurred in 1975, Schoenfeld said.
The best hope for a potential superbloom is if SoCal gets some cool, wet weather next week, Fraga said, but the chances of that are iffy. Temperatures are expected to cool some, National Weather Service Meteorologist Mike Wofford said, “but they’ll still be about 5 degrees above normal next week.”
Right now, it’s possible SoCal will see a small amount of rain between Jan. 22 and Jan. 24, Wofford said, but it won’t be a large amount, “maybe a quarter inch.”
Nonetheless, Fraga said she’s still excited to see what kind of bloom SoCal has this spring, especially after last year’s massive fires in the area.
A Plummer’s mariposa lily blooming in Los Angeles.
(Christina House / Los Angeles Times)
Southern California may not get a superbloom this year, she said, but we do have a good chance of seeing spectacular “fire followers,” native flowers that typically emerge after a wildfire such as native snap dragons, dense stands of lupine, whispering bells and one of the most eagerly anticipated, the deep pink, lavender, white and yellow Plummer’s mariposa lily, a species that is endemic to the SoCal. (On Instagram, San Francisco Bay Area-based naturalist Damon Tighe posted some breathtaking photos of the flowers he took in 2022.)
The region has already seen some early wildflower displays in the Anza-Borrego Desert State Park, probably triggered by rain last fall.
Fraga said she hasn’t given up hope of spectacular displays around L.A. this spring.
She has vivid memories of what she considers to be the region’s biggest bloom years over the last 20 years: in 2005, her first as a young botanist, 2016 and 2023, when our hills and fields were blanketed in colorful displays of California poppies, lupine, phacelia, blazing star and other native annuals.
“Obviously the visual displays are incredible,” she said, “but some of the memories that stick with me the most are the smells — the smells you don’t get in a more average year. One year I came cross a population of lacy phacelia in Red Rock Canyon State Park. You see these flowers growing in patches here and there, but this time, I found this huge mass. And this smell was permeating the air. I couldn’t help wondering what it was until I realized it was the plants emanating this perfume, and there were so many pollinators attracted by its scent.”
Sometimes, she said, the scents from these mass groupings have been overwhelming, like the time she and her plant-enthusiast husband came across a huge patch of a rather humble white annual known as linanthus jonesii, which closes its flowers during the day and opens them at dusk to attract moths.
They had been out all day, and were preparing to leave, “when this smell came into the air. I told my husband, ‘I smell Cup Noodles soup,’ and then I looked at the ground and saw all these flowers were opening. The smell had a very umami [vibe], like ramen, but then it got to be too much. And we started running to our car, because the smell was just nauseating.”
The Theodore Payne Foundation’s Wild Flower Hotline is a good way to keep track of where flowers are blooming, but it won’t start up until March 1. So in the meantime, wildflower lovers should keep their fingers crossed for cooler weather.
Fraga said she’s still hopeful for what will be coming this spring. “More moisture and cooling would help a lot,” she said, “but you never know when these superblooms will happen. It could still happen this year because we had lots of rain. So no matter what, I’m excited for the spring, because it’s a great time to enjoy the outdoors and see an incredible display by nature.”
Lifestyle
Why Gen Z is movie-maxxing : Pop Culture Happy Hour
Inde Navarrette and Michael Johnston in Obsession.
Focus Features
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Focus Features
Two big horror films, Obsession and Backrooms, just smashed all box office expectations. So much of their success has been driven by Gen Z, which is now the biggest moviegoing demographic. But what makes a movie a Gen Z movie? Today we’re bringing you an episode of NPR’s It’s Been a Minute. Host Brittany Luse talks about this trend with Sam Adams and Reanna Cruz.
If you want to hear more about these movies, check out these episodes:
In ‘Obsession,’ love hurts. It really, really, really hurts.
‘Backrooms’ brings YouTube horror to the big screen
Zendaya brings ‘The Drama,’ we bring the spoilers
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Lifestyle
10 new books you won’t want to miss in July
I regret to inform you I’ll need to keep this introduction brief. Not because there’s any lack of things to say about July’s crop of notable new releases; it features award-winning journalists and several different flavors of anxiety about our bleak ecological future and data-dominated present, as well as the welcome returns of several beloved novelists.
No, these books certainly deserve some love, dear readers. It’s just that I’m finding it a bit tough to type while bearhugging a box fan. And since it seems that may be my last best chance to get through this latest U.S. heat wave here on the east coast without sweating through my shirt, I feel some urgency to get back at it.
So enough with the ado. With any luck, you’ll soon be cracking open one of these great reads on the beach — or in front of a decent air-conditioning unit, at any rate.
You Won’t Get Free of It: Stories of Mothers and Daughters, by Rachel Aviv (July 7)
Aviv, New Yorker staff writer and finalist for this year’s Pulitzer Prize, has a fairly extensive purview in her role as reporter at large. Still, when reviewing her latest work, Aviv noticed a crucial throughline: “I realized that, to some degree, I’d been writing about mother-daughter pairs for the last decade,” she explained to the Paris Review. Seeing this, she decided to collect and revise half a dozen of those stories, which cover ground from a daughter’s troubling fugue states to the immigrant nannies who must leave their own children behind, to Alice Munro’s daughter, whose claims of sexual abuse went unheeded yet regularly resurfaced in her mother’s fiction.
Country People, by Daniel Mason (July 7)
In Mason’s first novel since North Woods, 2023’s critical darling and book club stalwart, readers are plopped right back in the New England woods but the time scale has shrunk considerably. Whereas North Woods spanned centuries, his new novel confines itself to a single year, during which Miles, loving family man and lackadaisical Ph.D. candidate, plans to finally buckle down on that derelict degree of his and reassert his worth to one and all! At least, that’s the idea. But plans don’t stand much of a chance when there are eccentric neighbors to befriend and mysterious local legends to investigate.
Catch the Devil: A True Story of Murder, Deception, and Injustice on the Gulf Coast, by Pamela Colloff (July 14)
This is the first book from Colloff, a veteran investigative journalist for ProPublica and The New York Times Magazine. She has won multiple National Magazine Awards for stories focused on miscarriages of justice – such as her 2019 piece about Paul Skalnik, a grifter, fabulist, sexual predator and snitch, whose fabrications can be linked to dozens of wrongful convictions in Florida, including some sending the innocent to death row. Here Colloff expands upon that investigation, which gets a lot more room to breathe in the transition from magazine article to full-length book. What emerges in this disturbing account is a portrait of one man’s callous cruelty, and the law enforcers who had no problem tolerating a deal with the devil, provided it kept juicing the conviction rate.
Cloudthief, by Nathaniel Rich (July 14)
Though it’s his fiction we’re discussing here, it’s important to note Rich’s reporting has earned plaudits, too, as well as a few film adaptations. No matter the medium, climate change is usually on his mind, as well as the blunt, rather bleak, prognosis he offered on Fresh Air in 2019: “There’s a huge range of outcomes … ranging from the not very good to the apocalyptic.” Which is to say I’m surprised to find myself describing his newest response to global catastrophe as a rollicking good time – and not just because I’ve never said those words, in that order, in my life. This spry, funny caper features a freelance environmental reporter who inadvertently breaks bad, careening under the influence of lust and a light wallet toward the novel’s big centerpiece: the planned heist of a massive data center.
Data Empire: The Power of Information to Organize, Control, and Dominate, by Roopika Risam (July 14)
And now, for another book centered on data – albeit from a rather different angle. This illuminating history from Risam, a Dartmouth professor, traces the practice of collecting information – and the power conferred by possessing it – from the bones that were humans’ first archives, to the omnipresent systems that shape (or outright determine) life today. As Risam asks, “What has it meant – and what will it mean – when records that once served only to help us remember, come to rule?” A pressing question (see: those data centers), which you’re probably better served trying to answer with the help of Risam than, say, Alexa or Claude.
It Will Come Back to You: Stories, by Sigrid Nuñez (July 14)
For someone with nine novels to her name, Nuñez got a later start than you might expect, having published her first book when she was already in her mid-40s. More than three decades later, now a spry 75 years old, the National Book Award winner has gotten around to publishing her first collection of short stories. The 13 stories here have been culled from across her career, but each one resonates clearly with the warm timbre of her voice: simple, unadorned prose and mundane setups, from which she consistently manages to tease out glimpses of truth, elusive and profound.
They Stole a City: Wilmington’s White Supremacist Coup and the Families Who Live with Its Legacy, by Lauren Collins (July 14)
The only coup d’etat to succeed on U.S. soil is, at most, a distant historical afterthought these days. To be honest, I can’t recall reading a single textbook entry that even remarked on the 1898 race massacre in Wilmington, N.C., an action led by white supremacists that left many (historian estimates say up to 300) Black Wilmingtonians dead and permanently scarred a community newly aware of its simmering animus and vulnerability to violent overthrow. So I’m grateful for Collins’ new chronicle of the infamous event, which fills in some serious gaps in the American collective memory and explains how its perpetrators cultivated the disorienting silence that persists in the historical record today.
Yellow Pine, by Claire Vaye Watkins (July 21)
I don’t think I’ve ever actually laid eyes on the Mojave Desert but after reading Watkins’ latest novel, it feels like I can picture it more vividly than some streets I’ve actually lived on. No, it’s “not a beginner’s wilderness,” as Watkins concedes in Yellow Pine, but this landscape so redolent of death is also deceptively robust with life, if only you’re patient enough to find it. Too bad, then, that it’s also on fire. And choked by drought, irradiated by military test sites and soon to be sacrificed to a massive new solar array named, inexplicably, Yellow Pine. But those aren’t the only complications confronting the book’s main character, Rose, whose aspirations of becoming a kind of climate hermit warp a bit under the pressure of a rekindled love and the pendulum swing of rage and despair at the state of the world.
Cool Machine, by Colson Whitehead (July 21)
Ray Carney is back, for what regrettably appears to be the last time. The lifelong Harlemite, hard-luck furniture dealer and ambivalent crook starred previously in Harlem Shuffle and its sequel, Crook Manifesto. His perspective is our window on the changing eras of the historically Black neighborhood, from the mid-1950s on. In this, the final installment in Whitehead’s brisk, exceedingly entertaining Harlem Trilogy, readers catch up with Carney around the start of the 1980s, following him deeply into Reagan’s decade. The novel also represents the end of an era for Whitehead, whose attention has been exclusively occupied with these characters since he won Pulitzer Prizes for consecutive novels, The Underground Railroad and Nickel Boys.
Beginning Middle End, by Valeria Luiselli (July 28)
The gifted young Mexican writer returns this month with her fourth novel, the second she has written in English and her first since Lost Children Archive launched to widespread plaudits more than seven years ago. Her new book, like her previous one, also concerns the travels of a small family – only this time, the road leads not through the American Southwest but Sicily. And the history sought by its mother-daughter main characters is not a record of bureaucratic cruelty but something much more intimately personal: the links shaped and tested by generations of shared heritage and experience.


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