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Why you should think twice before posting that cute photo of your kid online

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Why you should think twice before posting that cute photo of your kid online
Illustration of a mother leaning over the railing of her baby's crib taking photos on her phone. Heart icons emanate from her phone and a mobile featuring icons of popular social media sites like TikTok, Instagram and Facebook hangs above her head. The image is from the baby's perspective in the crib.

Many parents share photos and videos of children on social media: birth announcements, their kid making a mess at the dinner table, their milestones like a first step.

But there are potential dangers to constantly posting about your child online, says Leah Plunkett, a faculty member at Harvard Law School who specializes in children, family law and technology. In Plunkett’s 2019 book Sharenthood: Why We Should Think Before We Talk About Our Kids Online, she explains how adults can put children’s privacy and personal data at risk.

This phenomenon is called “sharenting,” says Plunkett. Legal scholars in her field use the term — a portmanteau of “sharing” and “parenting” — to describe “all the ways that parents, aunts, uncles, teachers, coaches and other trusted adults in a kiddo’s life transmit children’s private information digitally.” It can make kids vulnerable to identity theft and harassment. And as they grow older, it may undercut their ability to tell their own story.

Plunkett talks to Life Kit about the different harms of oversharing, how to post information about your kid safely and how to talk to loved ones about your limits. This interview has been edited for length and clarity.

Parents share a surprising amount of data about their kids online. A birthday photo, for example, can reveal a kid’s name, age and date of birth. What are some of the privacy concerns around that?

There is a thriving black market for personally identifiable information. Kids’ Social Security numbers, when combined with date of birth, name and address, are often good targets for identity theft. Most minors don’t have credit attached to their Social Security numbers, so [someone may be able to use them to] open fraudulent lines of credit.

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Creditors don’t verify the age of applicants, so a bad actor could potentially open a credit card without anyone noticing until the kid becomes an adult and wants a card of their own. What are some other security risks?

There are tragic cases of stalking, bullying and harassment. They are rare but they do happen.

So someone could use social media to figure out where your kid lives, goes to school and their patterns and routines. They could also learn about their likes and dislikes and use them in an insidious way.

Other people don’t need to have information about the ins and outs of your child’s emotional and personal life.

A young girl in a ballet outfit poses in front of a mirror that is also a larger-than-life smart phone, symbolizing the act of parents posting photos of their children's likeness and activities  on social media sites.

You write in your book that children’s data is a form of currency. And there’s the adage that if a product is free, you are the product. What should adults think about when giving a company their child’s data? Or when reading the fine print on a social media platform?

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Parents should be aware that they’re not going to know at the moment where a piece of information, photo or video, might go. When we click “I accept,” those agreements give companies and third parties a lot of latitude about what they can do with your data.

After my book came out, The New York Times ran a big investigative piece about the ways in which social media photos of toddlers and young children had been surreptitiously used to train facial recognition software. That’s one of many examples.

Also, at some point down the road, maybe somebody makes a decision about your child based on the stuff you’ve put out about them — how your child is doing at school, how they’re moving through the world. Maybe that is an individual human decision maker. Maybe that is an algorithmically driven data analysis product.

And when you mean decision makers, that could be a university recruiter or a hiring manager. And that may affect your child’s ability to tell their own story.

To themselves or to others in the future. If the world is figuring out significant things about who they are online and making projections about who they’re going to be, it can undercut their ability to figure that out for themselves.

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Reading your book, it’s clear you’re not like a Luddite. You have kids, but you haven’t sworn off social media. How do you avoid oversharing the digital realm?

Since I started researching this topic, I adjusted my own personal compass to be very minimalist. I pretty much never post my kids on social media. If I do, you don’t see their faces or anything that would identify them. I don’t use full names. I don’t celebrate their birthday on social media. I don’t show the kids standing in front of where they go to school.

I follow a “holiday card-or-less” rule of thumb when sharing on social media: updates you’d be comfortable with anyone, from your great aunt to your boss, seeing. Information that’s not going to embarrass anybody and isn’t particularly private.

Personally, my wife and I are pretty tight about the pictures we share of our kid. How do we prevent other people, like family and friends, from taking photos of them at, say, a baptism or a birthday party, and posting it online?

For something like a baptism or another rite of passage, it’s probably impossible to get everyone to not celebrate their joy and pride by taking out a phone. But it is OK to make a gentle request. You might say: Thank you so much for being in this moment with us. To really be in the moment, we would request that you refrain from pictures or videos.

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Some people will listen, some people won’t. Then make the call about whether or not it matters enough to you to follow up privately with the people who you see taking pictures and videos.

How do you model digital consent with your kids?

The conversation starts with very young kids. Explain what you’re doing, why you’re doing it and where the image or video is going. You might say something like, “Hey, we’re having a really great meal. We’re using a recipe your grandfather sent us. I’m going to take a picture for him. Everybody smile for grandpa.”

You could also ask your kid at a pretty young age, “are you OK with taking a photo? Anyone not feeling up for it?”

What questions should parents ask themselves before they hit post?

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Are you posting a picture of your child in any state of undress? If you are, please don’t post it.

Are you sharing your child’s location, full name or date of birth? If you are, think about whether that level of detail is necessary for your post.

If your parents shared a similar post about you at this age, how would you have felt about it? If the answer is that it would have really bothered you, take another minute to think about what you need from this post.

What advice do you have for parents who often share photos and videos of their children and their lives on social media? Is it too late for them?

I had the same reaction when I started researching all of this, and I’m here to tell you, take a deep breath. Don’t panic. If you want to change, go back over your social media posts and take down what you’re not so sure about. Then make your settings private.

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Please don’t be hard on yourselves. Since the dawn of time, parents have been making the best choices they can at any given moment, and then later being like, maybe I’ll do that differently going forward.

The digital story was edited by Malaka Gharib. The visual editor is Beck Harlan. We’d love to hear from you. Leave us a voicemail at 202-216-9823, or email us at LifeKit@npr.org.

Listen to Life Kit on Apple Podcasts and Spotify, and sign up for our newsletter.

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Yes, romance & fantasy novels are political. : It’s Been a Minute

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Yes, romance & fantasy novels are political. : It’s Been a Minute
How do romantic tropes and fantasies impact how you understand politics?You might be a fan of Romantic Fantasy, or as the internet calls it: Romantasy. Even if you’re not, you would recognize the tradwives or fascism. Romantasies combine supernatural characters and plotlines with the rush of a whirlwind romance novel, and, in this episode, we’re exploring how the politics of some of these books have an effect on politics in the real world.Brittany is joined by Netta Baker,  Advanced Instructor of English at Virginia Tech, and Princess Weekes, video essayist and online pop culture critic. They get into how this genre demolishes misogyny while reinforcing conservative politics.Support Public Media. Join NPR Plus.Follow Brittany Luse on Instagram: @bmluseFor handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.
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Supermodel Carol Alt ‘Memba Her?!

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Supermodel Carol Alt ‘Memba Her?!

American model Carol Alt was only 22 years old — and 5′ 11″ — when she shot to stardom after she was featured on the cover of the 1982 Sports Illustrated Swimsuit issue.

Alt was featured in Vogue, Harper’s Bazaar, Elle and Cosmopolitan, as well as, scoring sought after ad campaigns like Cover Girl, Hanes, Givenchy and Diet Pepsi.

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‘Fireworks’ wins Caldecott, Newbery is awarded to ‘All the Blues in the Sky’

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‘Fireworks’ wins Caldecott, Newbery is awarded to ‘All the Blues in the Sky’

Fireworks, by Matthew Burgess and illustrated by Cátia Chien has won the Caldecott Medal for the most distinguished American picture book for children, and All the Blues in the Sky, written by Renée Watson has been awarded the Newbery Medal for the most outstanding contribution to children’s literature.

Clarion Books; Bloomsbury Children’s Books


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Clarion Books; Bloomsbury Children’s Books

The best books for children and young adults were awarded the country’s top honors by the American Library Association on Monday.

Illustrator Cátia Chien and author Matthew Burgess took home the Caldecott Medal for the book Fireworks. The Caldecott is given annually to the most distinguished American picture book for children. Fireworks follows two young siblings as they eagerly await the start of a July 4th fireworks show. Paired with Chien’s vibrant illustrations, Burgess’ poetic language enhances the sensory experience of fireworks.” When you write poems with kids, you see how immediately they get this,” Burgess told NPR in 2025 in a conversation about his book Words with Wings and Magic Things. “If you read a poem aloud to kids, they start to dance in their seats.”

The Newbery Medal, awarded for the most outstanding contribution to children’s literature, went to Renée Watson for All the Blues in the Sky. This middle-grade novel, also told in verse, follows 13-year-old Sage, who struggles with grief following the death of her best friend. Watson is also the author of Piecing Me Together, which won the 2018 Coretta Scott King Award and was also a Newbery Medal honor book. “I hope that my books provide space for young people to explore, and say, “Yeah, I feel seen,” Watson told NPR in 2018. “That’s what I want young people to do — to talk to each other and to the adults in their lives.”

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This year’s recipients of the Coretta Scott King Book Awards include Will’s Race for Home by Jewell Parker Rhodes (author award) and The Library in the Woods, by Calvin Alexander Ramsey and illustrated by R. Gregory Christie (illustrator award). Arriel Vinson’s Under the Neon Lights received the Coretta Scott King-John Steptoe Award for New Talent.

Los Angeles based artist Kadir Nelson was honored with the Coretta Scott King-Virginia Hamilton Award for Lifetime Achievement. His work has appeared in more than 30 children’s books.

This year’s Newbery Honor Books were The Nine Moons of Han Yu and Luli, by Karina Yan Glaser; A Sea of Lemon Trees: The Corrido of Roberto Alvarez by María Dolores Águila and The Teacher of Nomad Land: A World War II Story by Daniel Nayeri.

Caldecott Honors books were Every Monday Mabel by Jashar Awan, Our Lake by Angie Kang, Stalactite & Stalagmite: A Big Tale from a Little Cave by Drew Beckmeyer, and Sundust by Zeke Peña.

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Edited by Jennifer Vanasco and Beth Novey.

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