Lifestyle
Why you should think twice before posting that cute photo of your kid online
Many parents share photos and videos of children on social media: birth announcements, their kid making a mess at the dinner table, their milestones like a first step.
But there are potential dangers to constantly posting about your child online, says Leah Plunkett, a faculty member at Harvard Law School who specializes in children, family law and technology. In Plunkett’s 2019 book Sharenthood: Why We Should Think Before We Talk About Our Kids Online, she explains how adults can put children’s privacy and personal data at risk.
This phenomenon is called “sharenting,” says Plunkett. Legal scholars in her field use the term — a portmanteau of “sharing” and “parenting” — to describe “all the ways that parents, aunts, uncles, teachers, coaches and other trusted adults in a kiddo’s life transmit children’s private information digitally.” It can make kids vulnerable to identity theft and harassment. And as they grow older, it may undercut their ability to tell their own story.
Plunkett talks to Life Kit about the different harms of oversharing, how to post information about your kid safely and how to talk to loved ones about your limits. This interview has been edited for length and clarity.
Parents share a surprising amount of data about their kids online. A birthday photo, for example, can reveal a kid’s name, age and date of birth. What are some of the privacy concerns around that?
There is a thriving black market for personally identifiable information. Kids’ Social Security numbers, when combined with date of birth, name and address, are often good targets for identity theft. Most minors don’t have credit attached to their Social Security numbers, so [someone may be able to use them to] open fraudulent lines of credit.
Creditors don’t verify the age of applicants, so a bad actor could potentially open a credit card without anyone noticing until the kid becomes an adult and wants a card of their own. What are some other security risks?
There are tragic cases of stalking, bullying and harassment. They are rare but they do happen.
So someone could use social media to figure out where your kid lives, goes to school and their patterns and routines. They could also learn about their likes and dislikes and use them in an insidious way.
Other people don’t need to have information about the ins and outs of your child’s emotional and personal life.
You write in your book that children’s data is a form of currency. And there’s the adage that if a product is free, you are the product. What should adults think about when giving a company their child’s data? Or when reading the fine print on a social media platform?
Parents should be aware that they’re not going to know at the moment where a piece of information, photo or video, might go. When we click “I accept,” those agreements give companies and third parties a lot of latitude about what they can do with your data.
After my book came out, The New York Times ran a big investigative piece about the ways in which social media photos of toddlers and young children had been surreptitiously used to train facial recognition software. That’s one of many examples.
Also, at some point down the road, maybe somebody makes a decision about your child based on the stuff you’ve put out about them — how your child is doing at school, how they’re moving through the world. Maybe that is an individual human decision maker. Maybe that is an algorithmically driven data analysis product.
And when you mean decision makers, that could be a university recruiter or a hiring manager. And that may affect your child’s ability to tell their own story.
To themselves or to others in the future. If the world is figuring out significant things about who they are online and making projections about who they’re going to be, it can undercut their ability to figure that out for themselves.
Reading your book, it’s clear you’re not like a Luddite. You have kids, but you haven’t sworn off social media. How do you avoid oversharing the digital realm?
Since I started researching this topic, I adjusted my own personal compass to be very minimalist. I pretty much never post my kids on social media. If I do, you don’t see their faces or anything that would identify them. I don’t use full names. I don’t celebrate their birthday on social media. I don’t show the kids standing in front of where they go to school.
I follow a “holiday card-or-less” rule of thumb when sharing on social media: updates you’d be comfortable with anyone, from your great aunt to your boss, seeing. Information that’s not going to embarrass anybody and isn’t particularly private.
Personally, my wife and I are pretty tight about the pictures we share of our kid. How do we prevent other people, like family and friends, from taking photos of them at, say, a baptism or a birthday party, and posting it online?
For something like a baptism or another rite of passage, it’s probably impossible to get everyone to not celebrate their joy and pride by taking out a phone. But it is OK to make a gentle request. You might say: Thank you so much for being in this moment with us. To really be in the moment, we would request that you refrain from pictures or videos.
Some people will listen, some people won’t. Then make the call about whether or not it matters enough to you to follow up privately with the people who you see taking pictures and videos.
How do you model digital consent with your kids?
The conversation starts with very young kids. Explain what you’re doing, why you’re doing it and where the image or video is going. You might say something like, “Hey, we’re having a really great meal. We’re using a recipe your grandfather sent us. I’m going to take a picture for him. Everybody smile for grandpa.”
You could also ask your kid at a pretty young age, “are you OK with taking a photo? Anyone not feeling up for it?”
What questions should parents ask themselves before they hit post?
Are you posting a picture of your child in any state of undress? If you are, please don’t post it.
Are you sharing your child’s location, full name or date of birth? If you are, think about whether that level of detail is necessary for your post.
If your parents shared a similar post about you at this age, how would you have felt about it? If the answer is that it would have really bothered you, take another minute to think about what you need from this post.
What advice do you have for parents who often share photos and videos of their children and their lives on social media? Is it too late for them?
I had the same reaction when I started researching all of this, and I’m here to tell you, take a deep breath. Don’t panic. If you want to change, go back over your social media posts and take down what you’re not so sure about. Then make your settings private.
Please don’t be hard on yourselves. Since the dawn of time, parents have been making the best choices they can at any given moment, and then later being like, maybe I’ll do that differently going forward.
The digital story was edited by Malaka Gharib. The visual editor is Beck Harlan. We’d love to hear from you. Leave us a voicemail at 202-216-9823, or email us at LifeKit@npr.org.
Listen to Life Kit on Apple Podcasts and Spotify, and sign up for our newsletter.
Lifestyle
‘Hamnet’ star Jessie Buckley looks for the ‘shadowy bits’ of her characters
Jessie Buckley has been nominated for an Academy Award for best actress for her portrayal of William Shakespeare’s wife in Hamnet.
Kate Green/Getty Images
hide caption
toggle caption
Kate Green/Getty Images
Actor Jessie Buckley says she’s always been drawn to the “shadowy bits” of her characters — aspects that are disobedient, or “too much.” Perhaps that’s what led her to play Agnes, the wife of William Shakespeare, in Hamnet.
Buckley says the film, which is based on Maggie O’Farrell’s 2020 novel, offered a chance to counter a common narrative about the playwright’s wife: that she “had kept him back from his genius,” Buckley says.

But, she adds, “What Maggie O’Farrell so brilliantly did, not just with Agnes and Shakespeare’s wife, but also with Hamnet, their son, was to bring these people … and give them status beside this great man. … [And] give the full landscape of what it is to be a woman.”
The film is nominated for eight Academy Awards, including best actress for Buckley. In it, she plays a woman deeply connected to nature, who faces conflicts in her marriage, as well as the death of their son Hamnet.
Buckley found out she was pregnant a week after the film wrapped. She’s since given birth to her first child, a daughter.

“The thing that this story offered me, that brought me into this next chapter of my life as a mother was tenderness,” she says. “A mother’s tenderness is ferocious. To love, to birth is no joke. To be born is no joke. And the minute something’s born into the world, you’re always in the precipice of life and death. That’s our path. … I wanted to be a mother so much that that overrode the thought of being afraid of it.”
Jessie Buckley stars as Agnes and Joe Alwyn plays her brother Bartholomew in Hamnet.
Courtesy of Focus Features/Courtesy of Focus Features
hide caption
toggle caption
Courtesy of Focus Features/Courtesy of Focus Features
Interview highlights
On filming the scene where she howls in grief when her son dies
I didn’t know that that was going to happen or come out, it wasn’t in the script. I think really [director] Chloé [Zhao] asked all of us to dare to be as present as possible. Of course, leading up to it, you’re aware this scene is coming, but that scene doesn’t stand on its own. By the time I’d met that scene, I had developed such a deep bond with Jacobi Jupe, who plays Hamnet, and [co-stars] Paul [Mescal] and Emily Watson, and all the children and we really were a family. And Jacobi Jupe who plays Hamnet is such an incredible little actor and an incredible soul, and we really were a team. …

The death of a child is unfathomable. I don’t know where it begins and ends. Out of utter respect, I tried to touch an imaginary truth of it in our story as best I could, but there’s no way to define that kind of grief. I’m sure it’s different for so many people. And in that moment, all I had was my imagination but also this relationship that was right in front of me with this little boy and that’s what came out of that.
On what inspired her to pursue singing growing up
I grew up around a lot of music. My mom is a harpist and a singer and my dad has always been passionate about music, so it was always something in our house and always something that was encouraged. … Early on, I have very strong memories of seeing and hearing my mom sing in church and this quite intense mercurial conversation that would happen between her, the story and the people that would listen to her. And at the end of it, something had been cracked between them and these strangers would come up with tears in their eyes. And I guess I saw the power of storytelling through my mom’s singing at a very young age, and that was definitely something that made me think I want to do that.
On her first big break performing as a teen on the BBC singing competition I’d Do Anything — and being criticized by judges about her physical appearance
I was raw. I hadn’t trained. I had a lot to learn and to grow in. I was only 17. I think there was part of their criticism which I think was destructive and unfair when it became about my awkwardness, or they would say I was masculine and send me to kind of a femininity school. … They sent me to [the musical production of] Chicago to put heels on and a leotard and learn how to walk in high heels, which was pretty humiliating, to be honest, and I’m sad about that because I think I was discovering myself as a young woman in the world and wasn’t fully formed. … I was different. I was wild, I had a lot of feeling inside me. I could hardly keep my hands beside myself and I think to kind of criticize a body of a young woman at that time and to make her feel conscious of that was lazy and, I think, boring.
On filming parts of the 2026 film The Bride! while pregnant
I really loved working when I was pregnant. I thought it was a pretty wild experience, especially because I was playing Mary Shelley and I was talking about [this] monstrosity, and here I was with two heartbeats inside me. Becoming a mom and being pregnant did something, I think, for me. My experience of it, it’s so real that it really focuses [me to be] allergic to fake or to disconnection.
Since my daughter has come and I know what that connection is and the real feeling of being in a relationship with somebody … as an actress, it’s very exciting to recognize that in yourself and really take ownership of yourself.
I’m excited to go back and work on this other side of becoming a mother in so many ways, because I’ve shed 10 layers of skin by loving more and experiencing life in such a new way with my daughter. I’m also scared to work again because it’s hard to be a mother and to work. That’s like a constant tug because I love what I do and I’m passionate and I want to continue to grow and learn and fill those spaces that are yet to be filled — and also be a mother. And I think every mother can recognize that tug.
On the possibility of bringing her daughter to travel with her as she works
I haven’t filmed for nearly a year and I cannot wait. I’m hungry to create again. And my daughter will come with me. She’s seven months, so at the moment she can travel with us and it’s a beautiful life. And she meets all these amazing people and I have a feeling that she loves life and that’s a great thing to see in a child. And I hope that’s something that I’ve imparted to her in the short time that she’s been on this earth is that life is beautiful and great and complex and alive and there’s no part of you that needs to be less in your life. You might have to work it out, but it’s worth it.
Lauren Krenzel and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
Lifestyle
‘Evil Dead’ Star Bruce Campbell Reveals He Has Cancer
Bruce Campbell
I’m Battling Cancer
Published
Bruce Campbell has revealed he has cancer, but says it’s a type that’s treatable, though not curable.
“The Evil Dead” actor shared the news Monday in a message to fans, writing, “Hi folks, these days, when someone is having a health issue, it’s referred to as an ‘opportunity,’ so let’s go with that — I’m having one of those.” He continued, “It’s also called a type of cancer that’s ‘treatable’ not ‘curable.’ I apologize if that’s a shock — it was to me too.”
Campbell said he wouldn’t go into further detail about his diagnosis, but explained his work schedule will be changing. “Appearances and cons and work in general need to take back seat to treatment,” he wrote, adding he plans to focus on getting “as well as I possibly can over the summer.”
As a result, Campbell says he has to cancel several convention appearances this summer, noting, “Treatment needs and professional obligations don’t always go hand-in-hand.”
He says his plan is to tour this fall in support of his new film, “Ernie & Emma,” which he stars in and directs.
Ending on a determined note, Campbell told fans, “I am a tough old son-of-a-bitch … and I expect to be around a while.”
Lifestyle
‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour
Neve Campbell in Scream 7.
Paramount Pictures
hide caption
toggle caption
Paramount Pictures
The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.
Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture
-
World5 days agoExclusive: DeepSeek withholds latest AI model from US chipmakers including Nvidia, sources say
-
Massachusetts6 days agoMother and daughter injured in Taunton house explosion
-
Denver, CO5 days ago10 acres charred, 5 injured in Thornton grass fire, evacuation orders lifted
-
Louisiana1 week agoWildfire near Gum Swamp Road in Livingston Parish now under control; more than 200 acres burned
-
Technology1 week agoYouTube TV billing scam emails are hitting inboxes
-
Politics1 week agoOpenAI didn’t contact police despite employees flagging mass shooter’s concerning chatbot interactions: REPORT
-
Technology1 week agoStellantis is in a crisis of its own making
-
Oregon4 days ago2026 OSAA Oregon Wrestling State Championship Results And Brackets – FloWrestling