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What's Making Us Happy: A guide to your weekend viewing and reading

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What's Making Us Happy: A guide to your weekend viewing and reading

Maya Erskine voices Mizu in Blue Eye Samurai.

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Maya Erskine voices Mizu in Blue Eye Samurai.

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This week, Tracy Chapman and Joni Mitchell made many of us cry happy tears; three of the biggest media companies joined forces to corner the sports streaming market; and the country music world bid farewell to Toby Keith.

Here’s what NPR’s Pop Culture Happy Hour crew was paying attention to — and what you should check out this weekend.

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Sniper: G.R.I.T. – Global Response & Intelligence Team, on Netflix

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The “Sniper” franchise, which started in 1993 on the back of Tom Berenger, is still alive and kicking some 30 years later. Sniper: G.R.I.T., which came out in 2023, is the most recent installment. This is a decades-long, “Chucky”-level stable mythology that’s now on the back of Ryan Robbins and Chad Michael Collins. This is like DTV action at its most tongue-in-cheek fun. You have a “Fast and the Furious”-style family ensemble — and they’re making jokes, cracking one-liners, doing cool fight choreography. They’ve got snipers accomplishing impossible feats of derring-do. This is Dad movie supreme. — Jordan Crucchiola

Get the Picture, by Bianca Bosker

Bianca Bosker previously wrote a book called Cork Dork, which is about exploring the wine world. For her new book, Get the Picture, she set out to better understand the art world. She’s trying to figure out things like: How do you know if something is art or not? If there’s an object that you sometimes find in someone’s house and sometimes find in an art gallery, why, in the context of the art gallery, is it art? If you look at an artwork and say, “I could do that,” does it mean that art is necessarily silly?

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The easiest thing to do would have been to talk about things in the art world that sound weird or pretentious and invite people to poke fun. But what I love about this book is that instead, she really goes in with a very, very open heart and tries to listen to what people are saying. I learned a lot about art, and I appreciated her approach. I find myself trying to apply it to things that I encounter in the world. — Linda Holmes

The Traitors: UK, on Peacock

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We’ve talked before about The Traitors and now, I’m going to endorse the UK version of the show. Same castle, same challenges, but a completely different vibe. Claudia Winkleman is a much more sympathetic host than Alan Cumming and the players are from all walks of life. There are no reality people — it’s just these young men and women who are so emotional. If you’re picturing what Brits would be like on this show — it’s not that — they’re just so open and sweet. So when they get their comeuppance — if they do — it’s a lot of very complicated feelings, but it’s a lot of fun. — Glen Weldon

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Blue Eye Samurai, on Netflix

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Blue Eye Samurai is an anime series about a mixed-race samurai named Mizu as she hunts for the four white evil men who might be her father for revenge. This takes place in Japan’s Edo period — so think Mamma Mia!, but make it a samurai serial. It does a fascinating job mixing and remixing Western and Eastern influences in art, animation and music. I was having a field day with how many different approaches they took to depicting all of the action and storytelling. The voice cast includes Maya Erskine, Masi Oka, Brenda Song and George Takei. There’s already a Season 2 in the works: I’m excited. — Monica Castillo

More recommendations from the Pop Culture Happy Hour newsletter

by Aisha Harris

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Last month, I had the opportunity to moderate a conversation with Steven Soderbergh and André Holland at the Sundance Film Festival. This prompted me to finally catch up with their first collaboration, The Knick, a historical drama about a New York City hospital operating at the turn of the 20th century; Holland plays a surgeon who must contend with racism while trying to innovate his field. I missed the series during its original run on Cinemax, but both seasons are streaming on Max now and it’s really, really good. It’s not for the faint of heart – definitely way more blood and guts than you’ll catch on a primetime hospital show – but worth checking out if you love a show like Deadwood and/or are a Clive Owen fan.

As someone who’s frequented Las Vegas several times in the last few years, most recently to see Beyoncé, I enjoyed reading our PCHH friend and NPR editor Bilal Qureshi’s examination of how Sin City has become a sort of career rehabilitation hub for artists like Adele and Usher.

Speaking of Ursher, baby – NPR Music’s Sheldon Pearce unpacked the unique stakes Usher faces as he prepares to take center stage at the Super Bowl Halftime Show this weekend. (Yes, PCHH will be burning the late-night oil to bring you a recap soon after.)

Beth Novey adapted the Pop Culture Happy Hour segment “What’s Making Us Happy” for the Web. If you like these suggestions, consider signing up for our newsletter to get recommendations every week. And listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.

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L.A. Affairs: Sick of swiping, I tried speed dating. The results surprised me

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L.A. Affairs: Sick of swiping, I tried speed dating. The results surprised me

“You kinda have this Wednesday Addams vibe going on.”

I shrieked.

I was wearing my best armor: a black dress that accentuated my curves, a striped bolero to cover the arms I’ve resented for years and black platform sandals displaying ruby toes. My dark hair was in wild, voluminous curls and my sultry makeup was finished with an inviting Chanel rouge lip.

I would’ve preferred the gentleman at the speed dating event had likened my efforts to, at least, Morticia, a grown woman. But in this crowd of men and women ages ranging from roughly 21 to 40, I suppose my baby face gave me away.

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My mind flitted back to a conversation I had with my physical therapist about modern love: Dating in L.A. has become monotonous.

The apps were oversaturated and underwhelming. And it seemed more difficult than ever to naturally meet someone in person.

She told me about her recent endeavor in speed dating: events sponsoring timed one-on-one “dates” with multiple candidates. I applauded her bravery, but the conversation had mostly slipped my mind.

Two years later, I had reached my boiling point with Jesse, a guy I met online (naturally) a few months prior who was good on paper but bad in practice.

Knowing my best friend was in a similar situationship, I found myself suggesting a curious social alternative.

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Much of my knowledge of speed dating came from cinema. It usually involved a down-on-her-luck hopeless romantic or a mature workaholic attempting to be more spontaneous in her dating life, sitting across from a montage of caricatures: the socially-challenged geek stumbling through his special interests; the arrogant businessman diverting most of his attention to his Blackberry; the pseudo-suave ladies’ man whose every word comes across rehearsed and saccharine.

Nevertheless, I was desperate for a good distraction. So we purchased tickets to an event for straight singles happening a few hours later.

Walking into Oldfield’s Liquor Room, I noticed that it looked like a normal bar, all dark wood and dim lighting. Except its patrons flanked the perimeter of the space, speaking in hushed tones, sizing up the opposite sex.

Suddenly in need of some liquid courage, we rushed back to the car to indulge in the shooters we bought on our way to the venue — three for $6. I had already surrendered $30 for my ticket and I was not paying for Los Angeles-priced cocktails. Ten minutes later, we were ready to mingle.

The bar’s back patio was decked out with tea lights and potted palm plants. House-pop music put me in a groove as I perused the picnic tables covered with conversation starters like “What’s your favorite sexual position?” Half-amused and half-horrified, I decided to use my own material.

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We found our seats as the host began introductions. Each date would last two minutes — a chime would alert the men when it was time to move clockwise to the next seat. I exchanged hopeful glances with the women around me.

The bell rang, and I felt my buzz subside in spades as my first date sat down. This was really happening.

Soft brown eyes greeted me. He was polite and responsive, giving adequate answers to my questions but rarely returning the inquiry. I sensed he was looking through me and not at me, as if he had decided I wasn’t his type and was biding his time until the bell rang. I didn’t take it personally.

Bachelor No. 2 stood well over six feet with caramel-brown hair and emerald eyes. He oozed confidence and warmth when he spoke about how healing from an accident a few years prior inspired him to become a physical therapist.

I tried not to focus on how his story was nearly word-perfect to the one I heard him give the woman before me. He offered to show me a large surgery scar, rolling up his right sleeve to reveal the pale pink flesh — and a well-trained bicep. Despite his obvious good looks and small-town charm, something suspicious gnawed at me. I would later learn he had left the same effect on most of the women.

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My nose received Bachelor No. 3 before my eyes. His spiced cologne quickly engulfing my senses. He had a larger-than-life presence, seeming to be a character himself, so I asked for his favorite current watch.

“I love ‘The Summer I Turned Pretty,’” he actually said.

“Really?”

“Oh yeah, it’s my favorite. Oh, and ‘Wednesday.’ You kinda have this Wednesday Addams vibe going on.”

I was completely thrown to hear this 40-something man’s favorite programs centered around teenage girls, and by his standards, I resembled one of them. Where was the host with the damn bell?

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Although a few conversations clearly left impressions, most of the dates morphed into remnants of information like fintech, middle sibling, allergic to cats, etc. Perhaps two minutes was too short to spark genuine chemistry.

After a quick lap around the post-date mingling, we practically raced to the car. A millisecond after the doors closed, my friend said, “I think I’m going to call him.” I knew she wasn’t referring to any of the men we met tonight. The last few hours were all in vain. “And you should call Jesse.”

I scoffed at her audacity.

When I arrived home and called him, it only rang once.

The following three hours of witty banter and cheeky innuendos were bliss until the call ended on a low note, and I remembered why I tried speed dating in the first place.

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Jesse and I had great chemistry but were ultimately incompatible. He preferred living life within his comfort zone while I craved adventure and variety. He couldn’t see past right now, and I was too busy planning the future to live in the moment.

Still, in a three-hour call, long before the topic of commitment soured things, we laughed at the mundanity of our day, traded wildest dreams for embarrassing anecdotes, and voiced amorous intentions that would make Aphrodite’s cheeks heat.

Why couldn’t I have had a conversation like that with someone at the event?

It’s possible I was hoping to find the perfect replica of my relationship with Jesse. But when I had the opportunity to meet someone new, I reserved my humor and my empathy.

Also, despite knowing Jesse and I weren’t a good match, I thought we had a “chance connection” that I needed to protect. In reality, if I had shown up to speed dating as my complete self, that would have been more than enough to stir sparks with a new flame.

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It would be several more weeks before I was ready to release my attachment to Jesse. But when I did, I had a better appreciation for myself and my capacity for love.

The author is a multidisciplinary writer and mother based in Encino.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

Editor’s note: On April 3, L.A. Affairs Live, our new storytelling competition show, will feature real dating stories from people living in the Greater Los Angeles area. Tickets for our first event will be on sale starting Tuesday.

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In reversal, Warner Bros. jilts Netflix for Paramount

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In reversal, Warner Bros. jilts Netflix for Paramount

Warner Bros. Discovery said Thursday that it prefers the latest offer from rival Hollywood studio Paramount over a bid it accepted from Netflix.

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The Warner Bros. Discovery board announced late Thursday afternoon that Paramount’s sweetened bid to buy the entire company is “superior” to an $83 billion deal it had struck with Netflix for the purchase of its streaming services, studios, and intellectual property.

Netflix says it is pulling out of the contest rather than try to top Paramount’s offer.

“We’ve always been disciplined, and at the price required to match Paramount Skydance’s latest offer, the deal is no longer financially attractive, so we are declining to match the Paramount Skydance bid,” the streaming giant said in a statement.

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Warner had rejected so many offers from Paramount that it seemed as though it would be a fruitless endeavor. Speaking on the red carpet for the BAFTA film awards last weekend, Netflix CEO Ted Sarandos dared Paramount to stop making its case publicly and start ponying up cash.

‘If you wanna try and outbid our deal … just make a better deal. Just put a better deal on the table,” Sarandos told the trade publication Deadline Hollywood.

Netflix promised that Warner Bros. would operate as an independent studio and keep showing its movies in theaters.

But the political realities, combined with Paramount’s owners’ relentless drive to expand their entertainment holdings, seem to have prevailed.

Paramount previously bid for all of Warner — including its cable channels such as CNN, TBS, and Discovery — in a deal valued at $108 billion. Earlier this week, Paramount unveiled a fresh proposal increasing its bid by a dollar a share.

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On Thursday, hours before the Warner announcement, Sarandos headed to the White House to meet Trump administration officials to make his case for the deal.

The meetings, leaked Wednesday to political and entertainment media outlets, were confirmed by a White House official who spoke on condition he not be named, as he was not authorized to speak about them publicly.

President Trump was not among those who met with Sarandos, the official said.

While Netflix’s courtship of Warner stirred antitrust concerns, the Paramount deal is likely to face a significant antitrust review from the U.S. Justice Department, given the combination of major entertainment assets. Paramount owns CBS and the streamer Paramount Plus, in addition to Comedy Central, Nickelodeon and other cable channels.

The offer from Paramount CEO David Ellison relies on the fortune of his father, Oracle co-founder Larry Ellison. And David Ellison has argued to shareholders that his company would have a smoother path to regulatory approval.

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Not unnoticed: the Ellisons’ warm ties to Trump world.

Larry Ellison is a financial backer of the president.

David Ellison was photographed offering a MAGA-friendly thumbs-up before the State of the Union address with one of the president’s key Congressional allies: U.S. Senator Lindsey Graham of South Carolina, a Republican.

Trump has praised changes to CBS News made under David Ellison’s pick for editor in chief, Bari Weiss.

The chair of the Federal Communications Commission, Brendan Carr, told Semafor Wednesday that he was pleased by the news division’s direction under Weiss. She has criticized much of the mainstream media as being too reflexively liberal and anti-Trump.

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“I think they’re doing a great job,” Carr said at a Semafor conference on trust and the media Wednesday. As Semafor noted, Carr previously lauded CBS by saying it “agreed to return to more fact-based, unbiased reporting.”

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‘The Wire’ Star Bobby Brown Dispatch Audio From Fatal Barn Fire

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‘The Wire’ Star Bobby Brown Dispatch Audio From Fatal Barn Fire

‘The Wire’ Star Bobby J. Brown
He’s Trapped Inside Barn Fire!!!
Listen To Dispatch Audio

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