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What if a 'Blood Test' predicted you'd commit murder?

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What if a 'Blood Test' predicted you'd commit murder?

It’s a challenging time for social satire: For one thing, the country sometimes seems as divided by what it finds funny as it is by politics. But Blood Test, a new novel by Charles Baxter, perhaps spans divisions because it draws upon a tried-and-true comic predicament: namely, the little guy who’s forced to punch above his weight with a larger entity.

That entity might be industry — as in Charlie Chaplin’s masterpiece Modern Times; or government and law-enforcement agencies — as in Jess Walter’s superb 2005 novel Citizen Vince, about an ex-con determined to exercise his right to vote for the first time. In Blood Test, the entity is the pharmaceutical industry.

The Everyman hero of this tale is a middle-age, divorced father of two named Brock Hobson, who sells insurance for a living in Ohio. One day, Brock makes an appointment at the local medical clinic to have a pain checked out. Here’s Brock’s description of the clinic and his fellow patients, a thumbnail description of a lot of places in America:

The [parking] spaces [outside the clinic] are usually filled. We have a lot of near-dead people in these parts. You can see them staggering in, breathing hard, young and old, propped up by their canes or walkers … It’s probably the postindustrial air we breathe here, or maybe the nitrate-scented water we drink out of the tap. Could be herbicides we spray on everything or the fact that a third of the town has a drinking problem, and another third is on meth and/or Oxy. You fall down here in Kingsboro, Ohio, you’re in good company. It’s a grand party of the infirm down there on the ground.

The doctor who briskly assesses Brock’s pain as stress-related also susses out that he has the money to purchase a product a medical start-up company is offering: It’s a blood test that can not only predict health problems down the road, but also behaviors, like say, romantic entanglements or promotions.

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Brock impulsively signs up for the test which also requires answering a questionnaire with queries such as: “WHAT IS YOUR PREFERRED METHOD FOR OPENING TIN CANS?” and “IF YOU FOUND OUT THAT GOD DOES NOT LIKE YOU HOW WOULD YOU FIX THE PROBLEM?” Eventually the results come back, predicting that mild-mannered Brock will “embark on a major crime wave”; indeed, it’s likely he’s going to commit a murder.

What ensues is a screwball adventure (and I do mean “screwball” — there’s even a banana peel joke here!) in which Brock tries to outrun his homicidal fate and assert his individual free will.

If he is predestined to murder somebody, however, the most likely candidate would be Burt Kindlov — his ex-wife’s boyfriend. Burt is a handsome bully, deeply immersed in a Dianetics-type lifestyle practice. He’s also shamed Brock’s depressed teenage son for being gay. Brock deftly encapsulates his nemesis’ personality this way:

Burt has an imperturbable ignorance about the world and what people are really like. If you were to ask him where Italy is located on the globe, he wouldn’t know but would despise you for asking.

Humor, as we know, often arises from pain. Going back as far as his 2000 novel The Feast of Love, which was nominated for a National Book Award, Baxter has wielded wit and satire to entertain and to illuminate harder truths about the world his characters inhabit. Brock’s smalltown Ohio is a place where the most flourishing business, besides the medical clinic, is Famous Discount store, where customers can browse discount DVDs with titles like His Holiness Pope Robot and buy off-brand diet cola that “tastes like fizzy sugared cat food.”

For sure, it can be a “zany” place where people find themselves drawn to certainty through sketchy blood tests and lifestyle practices; but, as Brock says, “[I]f you don’t like zany you probably shouldn’t live in America. You can always go to somewhere like Switzerland …” In Blood Test, Baxter invites us to laugh at this all-American zaniness and to acknowledge some of the pain that fuels it.

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‘How to Rule the World’ explores education and power at Stanford University

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‘How to Rule the World’ explores education and power at Stanford University

Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.

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Ben Margot/AP

When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.

Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.

Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.

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He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.

In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.

We reached out to Stanford University for comment and have not heard back.

Listen to the interview by clicking play on the blue box above.

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OTB Takes Full Control of Viktor & Rolf

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OTB Takes Full Control of Viktor & Rolf
The Italian fashion group behind Diesel and Maison Margiela is taking full ownership of the avant-garde haute couture house, acquiring the remaining 30 percent it didn’t already own. Founders Viktor Horsting and Rolf Snoeren remain creative directors.
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How having zero points in tennis — or ‘love’ — came to sound so sweet

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How having zero points in tennis — or ‘love’ — came to sound so sweet

The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.

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Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.

As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.

“Love” comes from the heart — or an egg?

It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

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But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.

“By and large, the original system has held up almost entirely,” Flink said.

The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.

Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.

The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.

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It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.

“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.

To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.

But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.

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“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.

“Love” probably isn’t going anywhere

Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.

“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”

There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.

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But “love” still prevails.

“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”

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