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What Black women's hair taught me about agency, reinvention and finding joy

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What Black women's hair taught me about agency, reinvention and finding joy

Throughout my childhood, my mother’s hair was a symbol of creativity, individualism, and self-care for me.

Treye Green


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Treye Green


Throughout my childhood, my mother’s hair was a symbol of creativity, individualism, and self-care for me.

Treye Green

The chorusing clack of curling irons and the deep hum of hooded hair dryers were familiar sounds throughout my childhood.

I’d regularly accompany my mother on her bi-weekly visit to the hair salon, each trip leaving me transfixed by the seemingly endless array of hairstyles that filled the salon posters on the walls and packed the issues of Black Hair magazine I flipped through while patiently sitting in the waiting area.

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Black women of all shapes, sizes, skin tones and hair textures transformed right in front of my eyes. Whether toting a magazine tear-out of a celebrity hairstyle or sharing a hairstyle of their own imagining, these women confidently trusted their stylist of choice to bring their hair visions to fruition.

I was in awe of the practice enacted by my mother and the women she joined creative forces with during each salon appointment.

Treye Green


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Treye Green


I was in awe of the practice enacted by my mother and the women she joined creative forces with during each salon appointment.

Treye Green

From blunt bobs to micro braids and curls as high as the prayers I heard her lift up every morning, I’d revel in the debut of what new hairstyle my mom had chosen for herself.

I witnessed the sense of pride that filled my mother’s beautiful face, her valley-deep dimples pressed into cheeks professing the delight of her stylist’s job well done.

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Those salon trips of my childhood had a great influence on me — becoming one of the spaces where I first discovered the allure of the art of creating. I was intrigued by the idea of transformation and the glamour I witnessed in action.

But as I aged into my teenage and adult years, I more fully understood what hair represented for my mother and the Black women of the diaspora.

My mother’s hair became a vessel through which I grasped the ideas of agency, evolution and being fearless in pursuit of what brings me joy.

The everyday icon I call mom expressed herself in a way that mimicked the pop culture sirens I also found so creatively inspiring. There were Janet Jackson’s burgundy coils on The Velvet Rope album cover and Toni Braxton’s transition from a classic pixie during her self-titled debut to back-length waves on her sophomore project, Secrets. And then there was Brandy’s revolving array of micro braid styles and the quartet of varying styles worn by LeToya Luckett, LaTavia Roberson, Kelly Rowland, and Beyoncé Knowles-Carter between Destiny’s Child’s debut and sophomore projects.

Black women’s hair is intentional, and limitless, and historical, and influential, and deeply political in a world often incapable of recognizing the depths of its wonder. The Black women I met in the salon as a child reflected that splendid truth back at me — the transformational power of their hair existing as just one movement in the expansive symphony of Black womanhood.

Decades after those childhood trips accompanying my mom to the salon, her hair remains a symbol of her agency and the choices she makes on how she wants to be seen in the world.

It is her lifelong promise to always make time for herself. It is her note to never fail to celebrate the infinite options of who she can be. It is her thoughtful act of self-care and self-preservation.

And she is my gloriously unwavering reminder that our personal identity is ours to pridefully shape, build, and display in whatever style we choose.

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This essay first appeared in the Up First newsletter. Subscribe here so you don’t miss the next one. You’ll get the news you need to start your day, plus a little fun every weekday and Sundays.

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How World Cup fans reflect America back at us : It’s Been a Minute

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How World Cup fans reflect America back at us : It’s Been a Minute

Inside the World Cup Cultural Exchange

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What does America look like to visitors?

We’re finding out in real time as fans and athletes from all over the world visit the United States for World Cup matches across the country. From Ranch dressing, to the wonders of all-you-can-eat buffets, tourists are getting a taste of all the USA has to offer, but how do we square the warm welcome for the World Cup with the United States’ recent stances on immigration? Brittany is joined by immigration reporter Jasmine Garsd, and NPR reporter Juliana Kim to find out.

Want more global perspectives on culture? Check out these episodes:
How often do you think about the American Empire?
Make life harder (and better): Learn another language.

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Follow Brittany on Instagram: @bmluse

For handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.

This episode was produced by Liam McBain and Corey Antonio Rose. It was edited by Neena Pathak. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.

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François-Henri Bennahmias to Launch New Luxury Swiss Watch Brand N3W5

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François-Henri Bennahmias to Launch New Luxury Swiss Watch Brand N3W5
Talks fell through to buy De Bethune, but the former Audemars Piguet chief has secured a 30 million Swiss franc investment and involvement of enamelist Anita Porchet in a new luxury brand selling mechanical watches starting at 20,000 Swiss francs.
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Greetings from London, where Banksy’s flag man is a warning cry

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Greetings from London, where Banksy’s flag man is a warning cry

In central London’s Waterloo Place, a life-size statue that emerged overnight in late April has been creating a stir. When I visited a few weeks after it was erected, local authorities had already set up protective barriers around it.

The installation — signed by the famed street artist Banksy — depicts a man in a suit hoisting a flag as he strides over a precipice. As he marches on, the flag blows backward to cover his face, leaving him unaware he’s only a step away from a perilous fall.

Set among grand monuments celebrating Britain’s past, the “flag man” takes on a particular visual irony at a time when the country — and much of the world — is debating its path forward.

Like many viewers there, I found myself wondering whether this statue is Banksy’s warning about the consequences of uncritical nationalism, or simply a reflection on human shortsightedness. Or, perhaps, it is just prompting us to ponder a broader question: What happens when devotion to a symbol prevents us from seeing what lies ahead?

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Whatever the message, the work feels remarkably attuned to the current moment.

For more Far-Flung Postcards, click here.

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