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Truth, forgiveness: 'Swept Away' is a theatrical vessel for Avett Bros' music

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Truth, forgiveness: 'Swept Away' is a theatrical vessel for Avett Bros' music

With songs by The Avett Brothers, Swept Away is inspired by the true story of an 19th century shipwreck in which seamen resorted to cannibalism to survive.

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With songs by The Avett Brothers, Swept Away is inspired by the true story of an 19th century shipwreck in which seamen resorted to cannibalism to survive.

Julieta Cervantes/Arena Stage

The musical Swept Away, set to songs by The Avett Brothers, received rave reviews when it premiered at Berkeley Repertory Theatre in early 2022. Now showing at Arena Stage in D.C., it’s garnering the same kind of attention.

And with a cast and crew behind the production that have collectively won nine Tony Awards, there’s hope the musical will head to Broadway.

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Starring Tony Award winner John Gallagher, Jr., Adrian Blake Enscoe and Tony nominated actor Stark Sands, Swept Away premiered at the Berkeley Repertory Theatre.


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From a book to an album to the stage

In the early 2000s, Scott Avett’s dad recommended he read Neil Hanson’s The Custom of the Sea, a true story about a shipwreck off the coast of Africa in 1884. Avett, who grew up in Concord, N.C., says his dad “loves non-fiction survival stories and so this was one of those those books.”

Hanson recounts the horrific experiences of four men adrift in a dinghy for 19 days in the burning sun in the middle of the ocean on the verge of starvation. In life or death situations, the “custom of the sea” permitted sacrificing one to save the rest.

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Stark Sands (L) and Adrian Blake Enscoe play brothers in Swept Away, a new musical featuring songs by the Avett Brothers.

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Stark Sands (L) and Adrian Blake Enscoe play brothers in Swept Away, a new musical featuring songs by the Avett Brothers.

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As Hanson explains, Captain Tom Dudley made the decision to kill the weakest among them. When they were finally rescued, he told the truth and then stood trial for murder. Dudley’s “misfortune was that the British government were determined to outlaw the custom of the sea and his honesty gave them their chance, and they bent and even broke the law to do so,” says Hanson in an email.

Scott Avett says he was moved by the captain’s honesty, even though it meant confessing to a heinous act, “Because at the end…although the truth was the right thing, it was going to be a cause of suffering.”

More than a decade after The Avett Brothers’ 2004 album Mignonette was released, they got a call proposing to turn it into a musical. “It made perfect sense because I visualize these things as whole stories,” Avett says.

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There are some key differences between the story of the Mignonette and the musical. Among other things, the whaling ship sinks off the coast of New Bedford, Mass. The character who first proposes killing an ailing crew member is called simply the “Mate.”

Unlike Captain Dudley, the Mate doesn’t believe in God and admits he’s lead a life of sin. He sings The Avett Brothers’ song “Satan Pulls The Strings.” By contrast, the character Big Brother is deeply religious and sings the only song the Avetts wrote specifically for the show, “Lord Lay Your Hand On My Shoulder.”

‘Swept Away’ built from pieces of The Avett Brothers’ overall catalogue

In Swept Away, the Mate, played by Tony winning actor John Gallagher, Jr., is haunted by the sins of his past.

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In Swept Away, the Mate, played by Tony winning actor John Gallagher, Jr., is haunted by the sins of his past.

Julieta Cervantes/Arena Stage

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John Logan, whose credits include the movies Skyfall and Gladiator and winning a Tony Award for Red, was brought in to craft the story out of The Avett Brothers’ songs. He was thrilled to tackle big themes like redemption and forgiveness, and says: “I hope Swept Away says to the audience, ‘What would you do if you were one of these four men in this lifeboat after 21 days?’”

Logan knew some of The Avett Brothers’ music but says he now pored over their entire catalogue.

“I was just struck by the poetry of their lyrics, by the intensity of the music, and by the way they could explore different characters through songs and that’s what musicals do,” he recounts. “I went to them and I said, ‘Look, can you give me permission to use any of your songs? And if you don’t like how I’m using them, we’ll discuss it. And they said, ‘Great.’”

“No Hard Feelings” is one of the songs included in the musical Swept Away.

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Actor and singer Adrian Blake Enscoe plays Little Brother in Swept Away. He’s also in the indie-folk-pop-americana group Bandits On The Run. He says The Avett Brothers’ catalogue is “incredible for this tale of morality and mortality, wrestling with darkness and light and faith and what is my meaning.”

When Scott Avett first saw the production on stage, “I thought, ‘These guys can sing way better than me,’” he laughs. “They have more control than I’ll ever have and I think it’s beautiful.”

‘Nothing that is human is alien to me’

In Swept Away, the Mate is haunted by his sins. Actor and singer Stark Sands, who plays Big Brother, believes the musical’s themes of reckoning with the truth and seeking forgiveness continue to plague humanity.

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Stark Sands (L) and Adrian Blake Enscoe perform “Murder In The City,” one of The Avett Brothers’ songs in the musical is “Murder In The City.”


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“I think that right now we’re living at a time when there are some people who don’t want to face the past,” Sands says. “They don’t want to acknowledge the sort of awful things that we have done as a race, as a nation… This man that we are following in the story, the Mate, he’s done some horrible things that he admits to over the course of the play and all we’re asking him to do is just say them out loud.”

For John Logan, Swept Away is about having empathy for all, including “those who have sinned.” Over his computer are the words: “Nothing that is human is alien to me,” a translation of a famous quote that is linked to the Roman playwright Terence but has been used by the philosopher Seneca and others subsequently.

“So when I look at the actions of the Mate in this story, I say he’s a human being just like I am, and I’m capable of the same exaltation, the same joy, the same degradation, and the same violence, because nothing that is human is alien to me,” he says.

This story was edited for broadcast and digital by Meghan Collins Sullivan and produced for radio by Isabella Gomez-Sarmiento.

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‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour

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‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour

Neve Campbell in Scream 7.

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The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.

Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture

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Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA

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Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA

Abriana Vicioso is the host of the Flower Hour, which takes place monthly.

(Jennifer McCord / For The Times)

Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”

The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.

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Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.

Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.

Rose petal joints, tea and flower arranging are all part of The Flower Hour event's offerings.
Herbal tea is part of the event's offerings.
Floral arranging is the main activity.

Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.

The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.

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The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”

Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”

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After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.

In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.

During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”

The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.

Conversation cards to generate discussion among participants (left). The workshop serves as a "third space" for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
LOS ANGELES, CA -- FEBRUARY 22, 2026: Participants smoke marijuana during The Flower Hour, a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)

Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.

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After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”

Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.

“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.

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The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements.

The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.

Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.

“This is a great way to connect with other people,” says Vazquez.

Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”

Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.

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Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)
LOS ANGELES, CA -- FEBRUARY 22, 2026: The Flower Hour is a floral design workshop + floral smoke sesh at The ArtClub in downtown. Photographed on Sunday, February 22, 2026. (Jennifer McCord / For The Times)

Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.

Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”

On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.

To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.

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“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.

A finished floral arrangement.

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‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!

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‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!

An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)

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This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.

Who’s Bill This Time

State of the Union is Hot; The Tribal Council Convenes Again; A Glow Up In the Doll Aisle

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Panel Questions

The Toot Tracker

Bluff The Listener

Our panelists tell three stories about a travel hack in the news, only one of which is true.

Not My Job: Olympic Swimmer Lilly King answers our questions about Lil’ Kings

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Olympic Swimmer Lilly King plays our game called, “Lilly King meet these Lil’ Kings” Three questions about short kings.

Panel Questions

Cleaning Out The Cabinet; Bedtime Stacking

Limericks

Bill Kurtis reads three news-related limericks: Getting Cozy With Cross Country Skiing; Pickleball’s New Competition; Bees Get Freaky

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Lightning Fill In The Blank

All the news we couldn’t fit anywhere else

Predictions

Our panelists predict, after American Girls, what’ll be the next toy to get an update.

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