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Trump and ‘The Residence’ Share a Fixation on Water Pressure

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Trump and ‘The Residence’ Share a Fixation on Water Pressure

This week, as the global economy struggled to adjust to whipsawing tariff policies, President Trump signed an executive order to address another national crisis: weak shower head pressure.

The order, aimed at reducing bureaucracy and regulation, reverses limits on how much water can pour out of a nozzle per minute, which were implemented by the Obama and Biden administrations in an attempt to conserve water.

Mr. Trump, while signing the order, noted that, in particular, he doesn’t appreciate that weak pressure hinders him from getting a good hair wash.

“In my case I like to take a nice shower, to take care of my beautiful hair,” he told reporters in the Oval Office on Wednesday. “I have to stand under the shower for 15 minutes until it gets wet. It comes out drip, drip, drip. It’s ridiculous.”

Weak shower pressure has been one of Mr. Trump’s longstanding pet peeves. But the whole thing may have sounded familiar — a little too familiar — for anyone who has been watching Netflix’s recent screwball mystery series, “The Residence,” in which President Perry Morgan, played by Paul Fitzgerald, has a similar pet peeve, with a White House usher explaining that he demands “pressure like a fire hose.”

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As the White House staff tries to get the pressure right, President Morgan is vocally disappointed. “A rumor of a mist,” he declares after one attempt. At one point, NASA gets involved.

The Shondaland show, which features stars like Uzo Aduba, Giancarlo Esposito and Randall Park, revolves around a murder at the White House during a state dinner, unleashing a sprawling whodunit in the mansion, with details about the building and its history that are drawn heavily from Kate Andersen Brower’s nonfiction book, “The Residence: Inside the Private World of the White House.” It premiered last month and rocketed into Netflix’s top-10 most-watched shows.

The water pressure incident was a quirky scene that proved almost too prescient, and Paul William Davies, the writer and producer of the show, took some time on Friday to discuss how he finds the whole thing “thoroughly amusing.”

This show leverages the White House’s many rooms, secret passageways and quirky staffing details. How much of it is fact and fiction?

Obviously, the big picture part of it — the dead body in the White House — is 100 percent fiction. But, as much as I possibly could, I tried to draw on, or at least be inspired by, things that did actually happen that I thought were kind of fascinating. So I used quite a bit of stuff that Kate Brower had in her book — anecdotes, specific things about relationships or just incidents and so forth. And other things that I had found doing research outside of the book as well. So, there are a fair number of things in the show that I think people would be surprised to realize that they were actually rooted in some real White House history.

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So is the shower scene based on fact?

It is. It’s based on a thing that happened with President Johnson, who was obsessed with his shower — both the water pressure and the water temperature. And when he moved into the White House, immediately after the Kennedy assassination, obviously, he became very fixated on the low water pressure. To the extent that, as Kate reports it, he threatened to leave, to move out of the White House and to move back to where he lived in Washington. And it was like a multiyear effort to kind of tackle the plumbing in the White House to achieve what he wanted, which was apparently unreal, like he wanted a fire hose.

There was one plumber who worked in the White House who did, at one point, bring in folks from outside, the Park Service and other federal entities, to see if they could work on the water pressure, and also had people leave the White House to go look at other buildings that he had been in to see if they could kind of replicate the systems.

Have you tested the water pressure at the White House?

I have not.

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There’s just something about shower water pressure that feels so personal and relatable. It’s one of those things that reminds you, ‘Oh, presidents, they’re just like us.’

Yeah. I mean, it really does go to the fact that this is the home of the president. You know, it’s an old building — there’s lots of quirks to it, and the water pressure is certainly one of them. And to your point, it is very relatable because at the end of the day, that’s where somebody is living and waking up and going to bed and doing all the things that we all do in our places.

So what were your thoughts when you saw life imitating art in this way?

It made me laugh because I hadn’t really thought about the water pressure thing as being something that would come back up again. There are a couple of other things in the show: I have a scene between two senators where they talk about buying Greenland and also abolishing the Department of Education. Both of which have obviously come up as concepts in the last couple of months. And I’ve gotten a lot of people come to me saying, “Wait, when did you write this?”

But the shower thing kind of surprised me because it seemed like such a particular obsession of President Johnson’s that I didn’t expect to hear about it.

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When did you write those references to Greenland and Department of Education?

A couple of years ago.

Wait — are you a clairvoyant?

Well, there’s a third thing in that speech about fracking under San Francisco — that’s the only one left. I haven’t heard anything about that.

OK, I want to get a little bit personal — what is the water pressure like in your house?

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It’s terrible. It’s actually bad and I do appreciate a strong shower. I don’t think I would survive something like President Johnson’s, but somewhere between what I have in my house and President Johnson’s would probably be good.

This interview was edited and condensed for clarity.

Lifestyle

What worked — and what didn’t — in the ‘Stranger Things’ finale

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What worked — and what didn’t — in the ‘Stranger Things’ finale

Sadie Sink as Max Mayfield.

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Yes, there are spoilers ahead for the final episode of Stranger Things

On New Year’s Eve, the very popular Netflix show Stranger Things came to an end after five seasons and almost 10 years. With actors who started as tweens now in their 20s, it was probably inevitable that the tale of a bunch of kids who fought monsters would wind down. In the two-plus-hour finale, there was a lot of preparation, then there was a final battle, and then there was a roughly 40-minute epilogue catching up with our heroes 18 months later. And how well did it all work? Let’s talk about it.

Worked: The final battle

The strongest part of the finale was the battle itself, set in the Abyss, in which the crew battled Vecna, who was inside the Mind Flayer, which is, roughly speaking, a giant spider. This meant that inside, Eleven could go one-on-one with Vecna (also known as Henry, or One, or Mr. Whatsit) while outside, her friends used their flamethrowers and guns and flares and slingshots and whatnot to take down the Mind Flayer. (You could tell that Nancy was going to be the badass of the fight as soon as you saw not only her big gun, but also her hair, which strongly evoked Ripley in the Alien movies.) And of course, Joyce took off Vecna’s head with an axe while everybody remembered all the people Vecna has killed who they cared about. Pretty good fight!

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Did not work: Too much talking before the fight

As the group prepared to fight Vecna, we watched one scene where the music swelled as Hopper poured out his feelings to Eleven about how she deserved to live and shouldn’t sacrifice herself. Roughly 15 minutes later, the music swelled for a very similarly blocked and shot scene in which Eleven poured out her feelings to Hopper about why she wanted to sacrifice herself. Generally, two monologues are less interesting than a conversation would be. Elsewhere, Jonathan and Steve had a talk that didn’t add much, and Will and Mike had a talk that didn’t add much (after Will’s coming-out scene in the previous episode), both while preparing to fight a giant monster. It’s not that there’s a right or wrong length for a finale like this, but telling us things we already know tends to slow down the action for no reason. Not every dynamic needed a button on it.

Worked: Dungeons & Dragons bringing the group together

It was perhaps inevitable that we would end with a game of D&D, just as we began. But now, these kids are feeling the distance between who they are now and who they were when they used to play together. The fact that they still enjoy each other’s company so much, even when there are no world-shattering stakes, is what makes them seem the most at peace, more than a celebratory graduation. And passing the game off to Holly and her friends, including the now-included Derek, was a very nice touch.

Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington holding up drinks to toast.

Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington.

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Did not work: Dr. Kay, played by Linda Hamilton

It seemed very exciting that Stranger Things was going to have Linda Hamilton, actual ’80s action icon, on hand this season playing Dr. Kay, the evil military scientist who wanted to capture and kill Eleven at any cost. But she got very little to do, and the resolution to her story was baffling. After the final battle, after the Upside Down is destroyed, she believes Eleven to be dead. But … then what happened? She let them all call taxis home, including Hopper, who killed a whole bunch of soldiers? Including all the kids who now know all about her and everything she did? All the kids who ventured into the Abyss are going to be left alone? Perfect logic is certainly not anybody’s expectation, but when you end a sequence with your entire group of heroes at the mercy of a band of violent goons, it would be nice to say something about how they ended up not at the mercy of said goons.

Worked: Needle drops

Listen, it’s not easy to get one Prince song for your show, let alone two: “Purple Rain” and “When Doves Cry.” When the Duffer Brothers say they needed something epic, and these songs feel epic, they are not wrong. There continues to be a heft to the Purple Rain album that helps to lend some heft to a story like this, particularly given the period setting. “Landslide” was a little cheesy as the lead-in to the epilogue, but … the epilogue was honestly pretty cheesy, so perhaps that’s appropriate.

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Did not work: The non-ending

As to whether Eleven really died or is really just backpacking in a foreign country where no one can find her, the Duffer Brothers, who created the show, have been very clear that the ending is left up to you. You can think she’s dead, or you can think she’s alive; they have intentionally not given the answer. It’s possible to write ambiguous endings that work really well, but this one felt like a cop-out, an attempt to have it both ways. There’s also a real danger in expanding characters’ supernatural powers to the point where they can make anything seem like anything, so maybe much of what you saw never happened. After all, if you don’t know that did happen, how much else might not have happened?

This piece also appears in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.

Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.

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The Best of BoF 2025: Conglomerates, Controversy and Consolidation

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The Best of BoF 2025: Conglomerates, Controversy and Consolidation
The beauty industry’s M&A machine roared back into action in 2025, with no shortage of blockbuster sales and surprise consolidation. It was also a year with no shortage of flashpoint moments or controversial characters, reflecting the wider fractious social media and political climate.
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Sunday Puzzle: P-A-R-T-Y words and names

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Sunday Puzzle: P-A-R-T-Y words and names

On-air challenge

Today I’ve brought a game of ‘Categories’ based on the word “party.” For each category I give, you tell me something in it starting with each of the letters, P-A-R-T-Y.  For example, if the category were “Four-Letter Boys’ Names” you might say Paul, Adam, Ross, Tony, and Yuri. Any answer that works is OK, and you can give answers in any order.

1. Colors

2. Major League Baseball Teams

3. Foreign Rivers

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4. Foods for a Thanksgiving Meal

Last week’s challenge

I was at a library. On the shelf was a volume whose spine said “OUT TO SEA.” When I opened the volume, I found the contents has nothing to do with sailing or the sea in any sense. It wasn’t a book of fiction either. What was in the volume?

Challenge answer

It was a volume of an encyclopedia with entries from OUT- to SEA-.

Winner

Mark Karp of Marlboro Township, N.J.

This week’s challenge

This week’s challenge comes from Joseph Young, of St. Cloud, Minn. Think of a two-syllable word in four letters. Add two letters in front and one letter behind to make a one-syllable word in seven letters. What words are these?

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If you know the answer to the challenge, submit it below by Wednesday, December 31 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.

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