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Time 100 Gala Attended by Blake Lively, Demi Moore, Gayle King and Others

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Time 100 Gala Attended by Blake Lively, Demi Moore, Gayle King and Others

Nine days earlier, Gayle King had been pilloried online as a Marie Antoinette like figure for asking critics of her 11-minute spaceflight “have you been?” and suggesting they can’t have a conversation about it until they have. But on Thursday evening, she walked the red carpet at the Time 100 Gala, her head held high and her green dress shimmering.

“I can’t complain,” Ms. King said at 7:30 p.m., standing on the 16th floor of the building that was previously known as the Time Warner Center, but is now called the Deutsche Bank Center. “My life is wonderful.”

To her left was one of the night’s honorees, David Muir, an ABC News anchor whose bosses recently paid President Trump $15 million to settle a defamation suit he filed against the company.

To her right was the designer Georgina Chapman, whose ex-husband Harvey Weinstein was back on trial this week over sexual assault allegations. Ms. Chapman was attending the gala with her current boyfriend, the actor Adrien Brody, who was being honored at the event.

Ms. King turned to another celebrity on the line and moved toward her. “Hi Scarlett,” she said, speaking to the actress Scarlett Johansson, who was also on the Time 100 list.

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For much of the 20th century, Time was published weekly by Time Inc. Now, the magazine is owned by the tech billionaire Marc Benioff and is published biweekly. In the company’s answer to events like the Met Gala, the Time 100 has become a petting zoo where contemporary artists get honored alongside champion athletes and take selfies together.

The artist Mickalene Thomas had never met the gymnast Simone Biles before Thursday night, but she wasn’t shy about pulling out her phone for a selfie. “She’s legendary. Why not?”

Just as attendees were being ushered toward the dining area, the actors Blake Lively and Ryan Reynolds, who are currently in the middle of a legal battle with the film director and actor Justin Baldoni, walked in.

Ms. Lively has accused Mr. Baldoni of misconduct on the set of the film “It Ends With Us.” Mr. Baldoni has denied the accusations and sued Ms. Lively, her publicist Leslie Sloane, and The New York Times, which published a story about their feud, for defamation.

Was there something in the air on Thursday? A scent being delivered to attract people connected in various ways to recent controversies?

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“Who knows,” said Ali Zelenko, the former chief spokeswoman for NBC News, who was attending with her new boss, Jonathan Greenblatt, the chief executive of the Anti-Defamation League. “But it makes for good copy.”

“This is a complicated moment,” said Sam Jacobs, the editor in chief of Time. “The Time 100 reflects that.”

The tiered dining room had a large stage on the lowest level. Behind it, glass windows showed off Central Park. Waiters served a kale and dandelion Caesar salad. Cameramen darted across the room, grabbing shots of the audience for a Time 100 special that will air on ABC in May.

Here was Demi Moore on the ground level at a table with her manager, Jason Weinberg, and Ms. Johannson. There at the next table over was Ms. Biles along with Serena Williams and the actor Adam Scott. Above them were Mr. Brody and Ms. Chapman.

The program began with a short speech by Jessica Sibley, Time’s chief executive, who briefly talked about the vital role independent journalism plays in a functioning Democracy and then moved onto the longer business of thanking the evening’s numerous corporate sponsors.

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Shortly after the British singer Myles Smith performed his hit song, “Stargazing,” Mr. Muir took control of the microphone to introduce another Time 100 recipient, Angeline Murimirwa, an activist from Zimbabwe who has spent decades creating educational opportunities for girls in Africa.

She was one of several speakers over the course of the evening, including Noa Argamani, an Israeli activist who was held captive by Hamas for 245 days.

To serve as comic relief, the magazine selected the rapper Snoop Dogg as the host of the program, though his appearances were somewhat sporadic.

“Man, I’m so proud of Simone Biles. Ain’t y’all?” he said at one point. “Me and Simone, we have a lot in common. She’s an expert at the balance beam vault and the uneven bars and I’m really good at high jumping. I’m also good at high sitting, high rapping, and as you’ll see for the next two hours, high hosting.” (He also suggested onstage that the only reason he was given a slot in this year’s Time 100 was because the magazine needed a famous emcee.)

Around 9:30 p.m., a grilled branzino was served as the evening’s main dish.

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Ms. Biles called over a waiter to order a pair of margaritas for herself and Ms. Williams.

After that came a speech from Ms. Lively.

“I have so much to say about the last two years of my life, but tonight is not the forum,” she said, seemingly in reference to her experience with Mr. Baldoni.

Then, she spoke for several minutes about the pain women endure and the way they ultimately “break” the hearts of their daughters when they, “let them in the secret that we kept from them as they pranced around in princess dresses: that they are not and likely will never be safe. At work. At home. In a parking lot. In a medical office. Online. In any space they inhabit. Physically, emotionally, professionally.”

“But why does that torch have to be something we carry in private?” she asked. “How can we not all agree on that basic human right?”

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In the speech, Ms. Lively also thanked her mother, Elaine Lively, for helping her acquire her voice, as well as her “sweet husband,” Mr. Reynolds, whom she described as one of the men “who are kind and good when no one is watching.”

The event ended around 11 p.m. with a performance by the singer Ed Sheeran.

He also addressed Mr. Reynolds, albeit in less reverential terms.

Mr. Sheeran has a minority stake in Ipswich Town F.C., a soccer club located in Suffolk, England. Mr. Reynolds co-owns the Welsh soccer club Wrexham A.F.C.

Mr. Sheeran said his club would mess up Wrexham, using a more colorful term than that, before launching into a rendition of his signature hit, “Shape of You.”

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After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’

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After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’

Wyle, who spent 11 seasons on ER, returns to the hospital in The Pitt. Now in Season 2, the HBO series has earned praise for its depiction of the medical field. Originally broadcast April 21, 2025.

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Doctors says ‘The Pitt’ reflects the gritty realities of medicine today

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Doctors says ‘The Pitt’ reflects the gritty realities of medicine today

From left: Noah Wyle plays Dr. Michael “Robby” Robinavitch, the senior attending physician, and Fiona Dourif plays Dr. Cassie McKay, a third-year resident, in a fictional Pittsburgh emergency department in the HBO Max series The Pitt.

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The first five minutes of the new season of The Pitt instantly capture the state of medicine in the mid-2020s: a hectic emergency department waiting room; a sign warning that aggressive behavior will not be tolerated; a memorial plaque for victims of a mass shooting; and a patient with large Ziploc bags filled to the brink with various supplements and homeopathic remedies.

Scenes from the new installment feel almost too recognizable to many doctors.

The return of the critically acclaimed medical drama streaming on HBO Max offers viewers a surprisingly realistic view of how doctors practice medicine in an age of political division, institutional mistrust and the corporatization of health care.

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Each season covers one day in the kinetic, understaffed emergency department of a fictional Pittsburgh hospital, with each episode spanning a single hour of a 15-hour shift. That means there’s no time for romantic plots or far-fetched storylines that typically dominate medical dramas.

Instead, the fast-paced show takes viewers into the real world of the ER, complete with a firehose of medical jargon and the day-to-day struggles of those on the frontlines of the American health care system. It’s a microcosm of medicine — and of a fragmented United States.

Many doctors and health professionals praised season one of the series, and ER docs even invited the show’s star Noah Wyle to their annual conference in September.

So what do doctors think of the new season? As a medical student myself, I appreciated the dig at the “July effect” — the long-held belief that the quality of care decreases in July when newbie doctors start residency — rebranded “first week in July syndrome” by one of the characters.

That insider wink sets the tone for a season that Dr. Alok Patel, a pediatrician at Stanford Medicine Children’s Health, says is on point. Patel, who co-hosts the show’s companion podcast, watched the first nine episodes of the new installment and spoke to NPR about his first impressions.

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To me, as a medical student, the first few scenes of the new season are pretty striking, and they resemble what modern-day emergency medicine looks and sounds like. From your point of view, how accurate is it?

I’ll say off the bat, when it comes to capturing the full essence of practicing health care — the highs, the lows and the frustrations — The Pitt is by far the most medically accurate show that I think has ever been created. And I’m not the only one to share that opinion. I hear that a lot from my colleagues.

OK, but is every shift really that chaotic?

I mean, obviously, it’s television. And I know a lot of ER doctors who watch the show and are like, “Hey, it’s really good, but not every shift is that crazy.” I’m like, “Come on, relax. It’s TV. You’ve got to take a little bit of liberties.”

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As in its last season, The Pitt sheds light on the real — sometimes boring — bureaucratic burdens doctors deal with that often get in the way of good medicine. How does that resonate with real doctors?

There are so many topics that affect patient care that are not glorified. And so The Pitt did this really artful job of inserting these topics with the right characters and the right relatable scenarios. I don’t want to give anything away, but there’s a pretty relatable issue in season two with medical bills.

Right. Insurance seems to take center stage at times this season — almost as a character itself — which seems apt for this moment when many Americans are facing a sharp rise in costs. But these mundane — yet heartbreaking — moments don’t usually make their way into medical dramas, right?

I guarantee when people see this, they’re going to nod their head because they know someone who has been affected by a huge hospital bill.

If you’re going to tell a story about an emergency department that is being led by these compassionate health care workers doing everything they can for patients, you’ve got to make sure you insert all of health care into it.

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As the characters juggle multiple patients each hour, a familiar motif returns: medical providers grappling with some heavy burdens outside of work.

Yeah, the reality is that if you’re working a busy shift and you have things happening in your personal life, the line between personal life and professional life gets blurred and people have moments.

The Pitt highlights that and it shows that doctors are real people. Nurses are actual human beings. And sometimes things happen, and it spills out into the workplace. It’s time we take a step back and not only recognize it, but also appreciate what people are dealing with.

2025 was another tough year for doctors. Many had to continue to battle misinformation while simultaneously practicing medicine. How does medical misinformation fit into season two?

I wouldn’t say it’s just mistrust of medicine. I mean that theme definitely shows up in The Pitt, but people are also just confused. They don’t know where to get their information from. They don’t know who to trust. They don’t know what the right decision is.

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There’s one specific scene in season two that, again, no spoilers here, but involves somebody getting their information from social media. And that again is a very real theme.

In recent years, physical and verbal abuse of healthcare workers has risen, fueling mental health struggles among providers. The Pitt was praised for diving into this reality. Does it return this season?

The new season of The Pitt still has some of that tension between patients and health care professionals — and sometimes it’s completely projected or misdirected. People are frustrated, they get pissed off when they can’t see a doctor in time and they may act out.

The characters who get physically attacked in The Pitt just brush it off. That whole concept of having to suppress this aggression and then the frustration that there’s not enough protection for health care workers, that’s a very real issue.

A new attending physician, Dr. Baran Al-Hashimi, joins the cast this season. Sepideh Moafi plays her, and she works closely with the veteran attending physician, Dr. Michael “Robby” Robinavitch, played by Noah Wyle. What are your — and Robby’s — first impressions of her?

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Right off the bat in the first episode, people get to meet this brilliant firecracker. Dr. Al-Hashimi, versus Dr. Robby, almost represents two generations of attending physicians. They’re almost on two sides of this coin, and there’s a little bit of clashing.

Sepideh Moafi, fourth from left, as Dr. Baran Al-Hashimi, the new attending physician, huddles with her team around a patient in a fictional Pittsburgh teaching hospital in the HBO Max series The Pitt.

Sepideh Moafi, fourth from left, as Dr. Baran Al-Hashimi, the new attending physician, huddles with her team around a patient in a fictional Pittsburgh teaching hospital in the HBO Max series The Pitt.

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Part of that clash is her clear-eyed take on artificial intelligence and its role in medicine. And she thinks AI can help doctors document what’s happening with patients — also called charting — right?

Yep, Dr. Al-Hashimi is an advocate for AI tools in the ER because, I swear to God, they make health care workers’ lives more efficient. They make things such as charting faster, which is a theme that shows up in season two.

But then Dr. Robby gives a very interesting rebuttal to the widespread use of AI. The worry is that if we put AI tools everywhere, then all of a sudden, the financial arm of health care would say, “Cool, now you can double how many patients you see. We will not give you any more resources, but with these AI tools, you can generate more money for the system.”

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The new installment also continues to touch on the growing corporatization of medicine. In season one we saw how Dr. Robby and his staff were being pushed to see more patients.

Yes, it really helps the audience understand the kind of stressors that people are dealing with while they’re just trying to take care of patients.

In the first season, when Dr. Robby kind of had that back and forth with the hospital administrator, doctors were immediately won over because that is such a big point of frustration — such a massive barrier.

There are so many more themes explored this season. What else should viewers look forward to?

I’m really excited for viewers to dive into the character development. It’s so reflective of how it really goes in residency. So much happens between your first year and second year of residency — not only in terms of your medical skill, but also in terms of your development as a person.

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I think what’s also really fascinating is that The Pitt has life lessons buried in every episode. Sometimes you catch it immediately, sometimes it’s at the end, sometimes you catch it when you watch it again.

But it represents so much of humanity because humanity doesn’t get put on hold when you get sick — you just go to the hospital with your full self. And so every episode — every patient scenario — there is a lesson to learn.

Michal Ruprecht is a Stanford Global Health Media Fellow and a fourth-year medical student.

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