Connect with us

Lifestyle

The spies on TV this fall are juggling work and family – just like the rest of us

Published

on

The spies on TV this fall are juggling work and family – just like the rest of us

On the new Netflix series Black Doves, Keira Knightley plays the wife of a politician and a mom to cute kids. She’s also an undercover spy, secretly feeding a covert intelligence agency information about her husband’s job.

Robert Ludovic/Netflix


hide caption

toggle caption

Advertisement

Robert Ludovic/Netflix

In Netflix’s new spy series Black Doves, Keira Knightley’s character Helen Webb seems to be the perfect wife and partner for an up-and-coming official in the British government.

Beautiful and intelligent, she’s a warm mother to two cute kids, capable of hosting a holiday party for her husband’s staff in one moment and coercing the children to stop playing underneath a table in the next.

But Mrs. Webb is also a spy for a mysterious intelligence organization, feeding them information about her husband’s work all while managing the family’s affairs – and having an affair with another man. And when that affair is discovered by a “handler” from the organization – played with a matronly ruthlessness by Sarah Lancashire – she mostly has one question for Mrs. Webb:

Advertisement

Why was she sleeping with this man?

Mrs. Webb’s answer was a surprise, coming from an experienced spy. “I wasn’t working an angle,” she says through tears. “It was real. It wasn’t a job. It was…love.”

That’s right. After 10 years of marriage and two kids, Mrs. Webb fell in love with someone else while trying to decide if she still cares for her husband.

It’s a deliciously dramatic situation far different than the stories of detached, mostly loner spies like James Bond and Mission Impossible‘s Ethan Hunt.

Spies with families fill fall TV

Sure, there have been spy characters with families in films and TV before, from Harrison Ford’s turn as Jack Ryan in 1992’s Patriot Games to FX’s The Americans, which concluded in 2018.

Advertisement

But this fall has seen a veritable flood of stories about spies with spouses and children, trying to hold onto their families while balancing the demands of brutal, often dehumanizing jobs.

In The Agency, Michael Fassbender plays Martian, a spy who returns home after a lengthy assignment.

In The Agency, Michael Fassbender plays Martian, a spy who returns home after a lengthy assignment.

Luke Varley/Paramount+ and Showtime


hide caption

toggle caption

Advertisement

Luke Varley/Paramount+ and Showtime

There’s Michael Fassbender’s CIA case officer Martian — I know, that name seems a little odd — in Showtime’s new series The Agency. He’s trying to reconnect with a teen daughter named Poppy (India Fowler) who wants to know why he was gone so much during his last assignment.

She asks if he got information from people by making friends with them.

“Friends are people you like,” Martian replies, wryly. “[These are more like] acquaintances.”

Advertisement

Poppy’s reply: “So you left us for six years to make…acquaintances?”

Ouch. Even bad guys have these issues. Like Eddie Redmayne’s character, an expert assassin in Peacock’s new series The Day of The Jackal. He’s married to a woman named Nuria (Úrsula Corberó) who suspects he’s having an affair because he’s so secretive. She has no idea her charming husband, who she knows as Charles, is actually a world-famous hitman.

By the time she’s discovered the secret room he built in their home for his disguises, multiple passports and assorted weapons, you’re left wondering why she doesn’t just run for the hills.

In The Day of the Jackal, Nuria (Úrsula Corberó) suspects her husband, who she knows as Charles (Eddie Redmayne), is having an affair. He's actually a world-famous hitman. In this photo still, he tries to reassure her.

In The Day of the Jackal, Nuria (Úrsula Corberó) suspects her husband, who she knows as Charles (Eddie Redmayne), is having an affair. He’s actually a world-famous hitman.

Marcell Piti/Carnival Film & Television Limited


hide caption

Advertisement

toggle caption

Marcell Piti/Carnival Film & Television Limited

Spies with families are popping up in lots of series: Paramount+’s Lioness. Apple TV+’s Slow Horses. And the trend makes sense; for TV series looking to stretch compelling ideas across eight or ten episodes, the plotlines generated by family conflict can add a wealth of new storylines.

Advertisement

Each of these shows deftly uses spouses, children and loved ones to present a kind of spy thriller that feels different, with characters drawn so viewers can perhaps see a bit of themselves inside.

Everyday problems writ large

Their struggles can sometimes feel like ordinary challenges blown up into world-shaking espionage tales: spouses and children who don’t understand their demanding jobs, devotion to a vocation that damages them and their relationships, a growing sense of shame as their work keeps them from being present for the family.

These characters, even the villains, aren’t necessarily cold blooded killers. Nothing humanizes a character like seeing them care for someone they love. Indeed, that’s often the difference between anti-heroes and villains in such stories – the villains don’t really love anybody but themselves, while anti-heroes are driven by their connections to other people.

Even as you watch Redmayne’s The Jackal kill a gun maker to keep him from talking to the authorities, part of you is rooting for him to get back to Nuria and their son Carlito.

Particularly in the case of Black Doves, the romantic and family relationships add a significant layer to almost every major character’s arc – including Ben Whishaw, who plays a hitman acting as muscle for Knightley’s character Mrs. Webb. He also struggles with feelings about the family he could have shared with his own ex-boyfriend, who had a child.

Advertisement

Sure, there are times when these setups seem preposterous or overwrought. But spies with families are also passionate and oh-so-human. Which, in the end, makes for the very best kind of spy story.

Lifestyle

‘How to Rule the World’ explores education and power at Stanford University

Published

on

‘How to Rule the World’ explores education and power at Stanford University

Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.

Ben Margot/AP


hide caption

toggle caption

Advertisement

Ben Margot/AP

When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.

Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.

Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.

Advertisement

He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.

In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.

We reached out to Stanford University for comment and have not heard back.

Listen to the interview by clicking play on the blue box above.

Advertisement
Continue Reading

Lifestyle

OTB Takes Full Control of Viktor & Rolf

Published

on

OTB Takes Full Control of Viktor & Rolf
The Italian fashion group behind Diesel and Maison Margiela is taking full ownership of the avant-garde haute couture house, acquiring the remaining 30 percent it didn’t already own. Founders Viktor Horsting and Rolf Snoeren remain creative directors.
Continue Reading

Lifestyle

How having zero points in tennis — or ‘love’ — came to sound so sweet

Published

on

How having zero points in tennis — or ‘love’ — came to sound so sweet

The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.

Kirsty Wigglesworth/AP


hide caption

toggle caption

Advertisement

Kirsty Wigglesworth/AP

Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.

As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.

“Love” comes from the heart — or an egg?

It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

Advertisement

But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.

“By and large, the original system has held up almost entirely,” Flink said.

The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.

Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.

The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.

Advertisement

It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.

“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.

To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.

But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.

Advertisement

“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.

“Love” probably isn’t going anywhere

Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.

“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”

There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.

Advertisement

But “love” still prevails.

“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”

Continue Reading
Advertisement

Trending