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'The Familiar' is a romance, coming-of-age tale, and a story about fighting for more

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'The Familiar' is a romance, coming-of-age tale, and a story about fighting for more
Cover of The Familiar

Leigh Bardugo’s The Familiar is an entertaining slice of speculative fiction wrapped in historical fiction and delivered with heavy doses of magic and wit.

At once a love story, a coming-of-age tale full of secrets and tension, and a narrative about wanting more and doing anything to get it, The Familiar is a solid entry into Bardugo’s already impressive oeuvre.

Luzia Cotado is a scullion with callused hands who sleeps on a grimy floor and constantly dreams of a better life where she has more money, complete freedom, and love. Luiza works for a couple who are struggling to maintain their social status, so she doesn’t make much and owns almost nothing. To help her get through her days and take care of menial tasks, Luzia uses a bit of magic, which she keeps secret from everyone.

Luzia learned how to perform little miracles from her aunt, a strange woman and the lover of a very powerful man. When Luzia’s mistress discovers her servant can perform “milagritos,” she sees it as the perfect opportunity to improve her social status and forces Luzia to work her magic for their dinner guests. But what begins as entertainment soon turns into something much more serious when Antonio Pérez, the disgraced secretary to Spain’s king, enters the scene and sees Luzia’s magic as an opportunity for himself.

The king is desperate to improve his military prowess, and Pérez thinks Luzia’s powers might be the thing that puts him, once again, in the king’s good graces. There will be a competition, and if Luzia wins, everyone around her might gain something. But winning won’t be easy, and Luzia fears her newfound fame will get her and her Jewish blood in the Inquisition’s crosshairs. Surrounded by people with secret agendas, learning to use her magic, caught in a new romance with a mysterious undead man, and an unknown pawn in a plethora of self-serving machinations, Luzia will soon need more than a bit of magic to survive.

The Familiar drags readers into a world of servitude, magic, power struggles, and intrigue. There isn’t a single character in this story that doesn’t have a secret agenda or something to win—or lose!—that’s directly tied to Luzia. The desires of some clash with those of others, and those battles slowly make the narrative more complex while simultaneously increasing the tension and the sense of doom. Despite the many elements at play and the bafflingly large cast of characters she juggles here, Bardugo delivers every twist and turn with clarity, plenty of humor, and charming wittiness, the latter of which fills the novel with superb, snappy dialogue that shows Luzia lacks everything except a quick intelligence and a sharp tongue. Also, while many of the plot elements here like the magic battle, someone being trapped by a curse, and an impossible love are far from new, Bardugo mixes them well together and manages to make them feel fresh.

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Known mostly for her Shadow and Bone trilogy, the Six of Crows duology, and the King of Scars duology—all of which are part of her Grishaverse universe—Bardugo delivers an entertaining standalone here with a strong female protagonist that’s very easy to root for. Through Luzia, we get a critique of religion, a look into the lives of those who have no option but to serve to survive, and a romance that’s as full of passion and sensuality as well as lies and treachery. Lastly, the magic system Bardugo created, which is Jewish magic based on phrases sung or spoken in mixed languages, is interesting and allows the author to talk about otherness without straying from the core of her narrative.

While Bardugo accomplishes a lot in this novel, the crowning jewel of The Familiar is Luzia, a memorable character whose most personal aspirations possess an outstanding universality. We watch her suffer, emerge from her cocoon, fall in love, and then receive her ultimatum: “Your life, your aunt’s life, your lover’s future all hang in the balance. So do your best or I will be forced to do my worst.” Through every single one of those steps, we want her to triumph and to learn to hone her powers, and that connection keeps the pages turning.

At times the endless descriptions of clothing and the increasing number of characters and subplots—some with a satisfying arc and some that just fizzle out—seem a bit excessive and threaten the pacing of the story. But Bardugo is always in control and her masterful use of tension — and that, along with her talent for great dialogue, more than overpower the novel’s small shortcomings.

The Familiar is full of “milagritos” and pain, of betrayal and resentment, of fear and desire. However, the novel’s most powerful element is hope; Luzia is all about it, and her feelings are so powerful they’re contagious. That connections makes this a book that’s hard to put down.

Gabino Iglesias is an author, book reviewer and professor living in Austin, Texas. Find him on X, formerly Twitter, at @Gabino_Iglesias.

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Sunday Puzzle: BE-D with two words

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Sunday Puzzle: BE-D with two words

On-air challenge

Every answer today is a familiar two-word phrase or name in which the first word starts BE- and the second word start D- (as in “bed”). (Ex. Sauce often served with tortilla chips  –>  BEAN DIP)

1. Sinuous Mideast entertainer who may have a navel decoration

2. Oscar category won multiple times by Frank Capra and Steven Spielberg

3. While it’s still light at the end of the day

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4. Obstruction in a stream made by animals that gnaw

5. Actress who starred in “Now, Voyager” and “Whatever Happened to Baby Jane?”

6. Two-time Conservative prime minister of Great Britain in the 19th century

7. Italian for “beautiful woman”

8. Patron at an Oktoberfest, e.g.

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9. Dim sum dish made with ground meat and fillings wrapped in a wonton and steamed

10. [Fill in the blank:] Something that is past its prime has seen ___

11. Like the engine room and sleeping quarters on a ship

Last week’s challenge

Last week’s challenge came from Robert Flood, of Allen, Texas. Name a famous female singer of the past (five letters in the first name, seven letters in the last name). Remove the last letter of her first name and you can rearrange all the remaining letters to name the capital of a country (six letters) and a food product that its nation is famous for (five letters).

Challenge answer

Sarah Vaughan, Havana, Sugar.

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Winner

Josh McIntyre of Raleigh, N.C.

This week’s challenge (something different)

I was at a library. On the shelf was a volume whose spine said “OUT TO SEA.” When I opened the volume, I found the contents has nothing to do with sailing or the sea in any sense. It wasn’t a book of fiction either. What was in the volume?

If you know the answer to the challenge, submit it below by Wednesday, December 24 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.

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JoJo Siwa’s Boyfriend Chris Hughes Says He Plans to Propose When Least Expected

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JoJo Siwa’s Boyfriend Chris Hughes Says He Plans to Propose When Least Expected

JoJo Siwa
Boyfriend Chris Hughes Reveals Engagement Plans …
Gotta Take Her By Surprise!!!

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When a loved one dies, where do they go? A new kids’ book suggests ‘They Walk On’

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When a loved one dies, where do they go? A new kids’ book suggests ‘They Walk On’

Rafael López / Roaring Brook Press

A couple of years ago, after his mom died, Fry Bread author Kevin Maillard found himself wondering, “but where did she go?”

“I was really thinking about this a lot when I was cleaning her house out,” Maillard remembers. “She has all of her objects there and there’s like hair that’s still in the brush or there is an impression of her lipstick on a glass.” It was almost like she was there and gone at the same time.

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Maillard found it confusing, so he decided to write about it. His new children’s book is And They Walk On, about a little boy whose grandma has died. “When someone walks on, where do they go?” The little boy wonders. “Did they go to the market to thump green melons and sail shopping carts in the sea of aisles? Perhaps they’re in the garden watering a jungle of herbs or turning saplings into great sequoias.”

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Rafael López / Roaring Brook Press

Maillard grew up in Oklahoma. His mother was an enrolled member of the Seminole Nation. He says many people in native communities use the phrase “walked on” when someone dies. It’s a different way of thinking about death. “It’s still sad,” Maillard says, “but then you can also see their continuing influence on everything you do, even when they’re not around.”

And They Walk On.jpg

Rafael López / Roaring Brook Press

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And They Walk On was illustrated by Mexican artist Rafael López, who connected to the story on a cultural and personal level. “‘Walking on’ reminds me so much of the Day of the Dead,” says López, who lost his dad 35 years ago. “My mom continues to celebrate my dad. We talk about something funny that he said. We play his favorite music. So he walks with us every day, wherever we go.”

It was López who decided that the story would be about a little boy: a young Kevin Maillard. “I thought, we need to have Kevin because, you know, he’s pretty darn cute,” he explains. López began the illustrations with pencil sketches and worked digitally, but he created all of the textures by hand. “I use acrylics and I use watercolors and I use ink. And then I distressed the textures with rags and rollers and, you know, dried out brushes,” he says. “I look for the harshest brush that I neglected to clean, and I decide this is going to be the perfect tool to create this rock.”

The illustrations at the beginning of the story are very muted, with neutral colors. Then, as the little boy starts to remember his grandmother, the colors become brighter and more vivid, with lots of purples and lavender. “In Mexico we celebrate things very much with color,” López explains, “whether you’re eating very colorful food or you’re buying a very colorful dress or you go to the market, the color explodes in your face. So I think we use color a lot to express our emotions.”

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Rafael López / Roaring Brook Press

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On one page, the little boy and his parents are packing up the grandmother’s house. The scene is very earthy and green-toned except for grandma’s brightly-colored apron, hanging on a hook in the kitchen. “I want people to start noticing those things,” says López, “to really think about what color means and where he is finding this connection with grandma.”

Kevin Maillard says when he first got the book in the mail, he couldn’t open it for two months. “I couldn’t look at it,” he says, voice breaking. What surprised him, he said, was how much warmth Raphael López’s illustrations brought to the subject of death. “He’s very magical realist in his illustrations,” explains Maillard. And the illustrations, if not exactly joyful, are fanciful and almost playful. And they offer hope. “There’s this promise that these people, they don’t go away,” says Maillard. “They’re still with us… and we can see that their lives had meaning because they touched another person.”

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Rafael López / Roaring Brook Press

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