Lifestyle
The best TV of early 2024: Here's what to watch in January
After two long strikes and the pandemic disruption, 2024 is the year everything comes back. Above, Alaqua Cox as Maya Lopez in Echo.
Chuck Zlotnick/Marvel Studios
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Chuck Zlotnick/Marvel Studios
After two long strikes and the pandemic disruption, 2024 is the year everything comes back. Above, Alaqua Cox as Maya Lopez in Echo.
Chuck Zlotnick/Marvel Studios
This is the year everything comes back.
That’s the sentiment you can practically feel bursting from show business, as we start a new year freed from the shackles of two Hollywood strikes, easing away from compensation conflicts that threatened to hobble most of the country’s film and TV industry permanently.
Given everything that’s happened so far, it feels like a miracle to note that there are still a fair number of interesting, powerful and compelling TV shows headed our way in 2024 — from the return of one of the most creatively ambitious crime dramas in recent memory, now set in Alaska, to a Marvel series mostly shorn of superheroes that may demonstrate exactly how the MCU should do TV from now on.
Here’s a list ticking off the best stuff coming to the small screen in the next few weeks. You can’t say you weren’t warned.
Echo, Disney+, Jan. 9
Vincent D’Onofrio as Wilson Fisk/Kingpin and Alaqua Cox as Maya Lopez in Marvel Studios’ Echo.
Chuck Zlotnick/Marvel Studios
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Chuck Zlotnick/Marvel Studios
Vincent D’Onofrio as Wilson Fisk/Kingpin and Alaqua Cox as Maya Lopez in Marvel Studios’ Echo.
Chuck Zlotnick/Marvel Studios
I know. I’m the one who was optimistic enough to say that dud of a Nick Fury series Secret Invasion might be the answer to Marvel’s problems with streaming. But it turns out, Echo‘s violent, back-to-basics story, starring Alaqua Cox is just what the TV critic ordered.
Here, Cox plays Maya Lopez, also known as Echo, a skilled fighter and gang leader who debuted in Disney+’s Hawkeye series. And this story — in which Lopez is forced to revisit her past after learning Vincent D’Onofrio’s Kingpin wanted her father killed – hearkens back to the heyday of Netflix’s Daredevil-connected Marvel series, which mostly ditched flying people with capes for a more realistic, gritty style of action. Lopez, like the actor who plays her, is Native American, was born deaf, and wears a prosthetic leg, breaking loads of barriers in representation through one, powerful performance. She has to overcome a lot of assumptions and bridge a lot of different cultures while trying to discover exactly how she is going to make her former mentor pay for orchestrating the death of the person she loved most in the world.
Criminal Record, Apple TV+, Jan. 10
Peter Capaldi and Cush Jumbo in Criminal Record.
Apple TV+
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Apple TV+
Peter Capaldi and Cush Jumbo in Criminal Record.
Apple TV+
Featuring two of my favorite actors – The Good Wife/Good Fight alum Cush Jumbo and former Doctor Who star Peter Capaldi – this series explores in agonizing detail the effort by a young British police detective (Jumbo’s June Lenker) to learn if a police task force once led by Detective Chief Inspector Daniel Hegarty (a world-weary Capaldi) may have unfairly imprisoned a Black man years ago for murder. Along the way, we see Lenker forced to question her sensitivities to racism and sexism, while Hegarty fights to protect his legacy and his task force from accusations of corruption and prejudice. Best of all, there are no easy answers in this story, which delivers a delicious cat-and-mouse game between Lenker and Hegarty, with a surprising end.
True Detective: Night Country, HBO and Max, Jan. 14
Kali Reis and Jodie Foster in True Detective: Night Country.
Michele K. Short/HBO
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Michele K. Short/HBO
Kali Reis and Jodie Foster in True Detective: Night Country.
Michele K. Short/HBO
Since its groundbreaking first season in 2014 with movie stars Matthew McConaughey, Woody Harrelson and Michelle Monaghan, this anthology cop drama has struggled to live up to its potential as a genre shattering, high-end TV show. Fortunately, the new season remedies that problem with a typically excellent Jodie Foster as an irascible chief of police Liz Danvers in remote Ennis, Alaska. She’s forced to partner with a state trooper she hates — Evangeline Navarro, an Indigenous woman played by Kali Reis — to solve a mysterious mass murder at a scientific research station.
Series creator Nic Pizzolatto steps aside as showrunner for the first time, allowing Mexican producer and film director Issa Lopez to serve as showrunner, director, and lead writer — crafting a complex, enthralling story centered on women resisting abuse from men, indigenous culture, mental health, mysticism and the odd things which can happen in a town shrouded by darkness for six months.
After Midnight, CBS, Jan. 16
Comic Taylor Tomlinson will host After Midnight.
Ramona Rosales/CBS
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Comic Taylor Tomlinson will host After Midnight.
Ramona Rosales/CBS
Late night TV stands at a crossroads, with stars like James Corden fleeing the genre as young people increasingly lose interest. I’m not sure if hiring youthful comic Taylor Tomlinson to host a faux game show centered on Internet culture will help any of that. But this program – a reboot of a former Comedy Central series called @midnight that’s replacing Corden’s The Late Late Show — might at least offer an alternative. As I write this, critics haven’t yet seen the rebooted show, which originally featured a trio of comics joking around while answering a series of questions about Internet culture. With Stephen Colbert and Funny or Die among a lengthy list of executive producers, one thing is certain: they will have few excuses for not bringing the funny.
American Nightmare, Netflix, Jan. 17
Aaron Quinn and Denise Huskins in American Nightmare.
Netflix
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Netflix
Aaron Quinn and Denise Huskins in American Nightmare.
Netflix
This three-episode docuseries is focused on a jarring story: When physical therapist Aaron Quinn called police with a bizarrely outlandish tale, claiming that someone had bound and drugged him and kidnapped his girlfriend Denise Huskins for ransom, the cops assumed what many would – that Quinn was lying to cover up something he had done. But the truth was much darker.
This Netflix docuseries briskly traces the evolution of Quinn’s story – including the re-appearance of Huskins a while later, seemingly unharmed – revealing the shocking, terrible consequences when a police department has unacceptable procedures for handling crimes involving relationships and gender violence, choosing easy explanations over believing potential victims.
Masters of the Air, Apple TV+, Jan. 26
Callum Turner and Austin Butler in Masters of the Air.
Apple TV+
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Apple TV+
Callum Turner and Austin Butler in Masters of the Air.
Apple TV+
Between the two of them, Steven Spielberg and Tom Hanks have given us a long list of films and TV shows centered on the valor of American soldiers in World War II. So it makes a certain kind of sense they would return as executive producers on this limited series, which is a kind of Band of Brothers set in the Air Force, depicting the true stories of an American bomber group in the Great War.
It’s a well-produced, at times gorily explicit drama featuring Austin Butler, working a buttery accent only slightly downshifted from his Elvis patois, playing an airman trying to stay alive as U.S. forces face staggering losses while bombing Nazi Germany. At a time when audiences are trying to sort out complicated geopolitical conflicts in real life, Spielberg and Hanks once again offer simpler stories from a time when America was more likely to be considered the unambiguous hero.
Feud: Capote vs. the Swans, FX, Jan. 31
Tom Hollander as Truman Capote in Feud: Capote vs. the Swans.
Pari Dukovic/FX
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Pari Dukovic/FX
Tom Hollander as Truman Capote in Feud: Capote vs. the Swans.
Pari Dukovic/FX
It has taken Ryan Murphy nearly seven years to craft a successor to the first season of his Feud anthology series, which debuted in 2017 with a take on the legendary rivalry between Bette Davis and Joan Crawford. This time, Murphy’s taking on author Truman Capote’s estrangement from a coterie of wealthy New York City socialites who were his gossipy friends – until he published stories widely recognized to be thinly-veiled accounts of their turbulent personal lives.
The White Lotus alum Tom Hollander excellently reproduces the oddly-thin voice and cheeky mannerisms of mid-1960s-era Capote, who had already written Breakfast at Tiffany’s and In Cold Blood, but was desperate for a new literary triumph while drowning in addictions. With Naomi Watts, Diane Lane, Calista Flockhart and Chloë Sevigny on board, Murphy has packed his cast with big names who are sure to deliver big scenes.
Still catching up on last year? Here’s a collection of the best movies and TV of 2023, picked for you by NPR critics.
Paramount Pictures; MUBI; Sony Pictures; Jour2Fête; Hulu; Apple TV+
Lifestyle
Nearly half of Americans surveyed don’t know what America 250 commemorates
People visit the Liberty Bell on the eve of Independence Day in Philadelphia on July 3, 2025. The crack in this symbol of U.S. freedom echoes the paradox between national pride and civic ignorance revealed in a new national poll.
Juan Mabromata/AFP/Getty Images
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Juan Mabromata/AFP/Getty Images
A new national poll reveals a striking paradox in public sentiment ahead of America’s 250th anniversary: a disconnect between Americans’ strong patriotic pride and their lack of civic knowledge.
According to a survey from the libertarian Cato Institute think tank of more than 2,000 U.S. adults conducted in late June, 86% of respondents said they are grateful to be American and 70% believe the nation’s founding principles remain relevant.
However, nearly half of Americans (46%) don’t know that America’s 250th anniversary commemorates the adoption of the Declaration of Independence.
This civic ignorance extends to basic governance: Nearly 60% do not know the main purpose of the U.S. Constitution is to limit government power, and do not know why the colonies declared independence from Great Britain.
Furthermore, the report highlights deep anxieties about the future of American liberty.
The majority of those surveyed believe the country has strayed from its founding principles, and more than half fear the U.S. could cease to be a free country within the next 50 years, citing corruption and the abuse of power as primary threats. The majority of both Republicans and Democrats share these fears.
The concerns are especially pronounced among Gen Z respondents, who exhibited both the lowest levels of civic knowledge and the least favorable views of the nation’s founders. The majority of Gen Z failed to cite the adoption of the Declaration of Independence as the source of the 250th anniversary.
“The lack of civic knowledge is a great disaster,” said Coe Professor of History and American Studies and Professor of Political Science Emeritus at Stanford University Jack Rakove. “Any democratic system of government to succeed requires having an informed electorate.”
The Pulitzer Prize-winning authority on the drafting of the Constitution and the Declaration of Independence blamed the problem on the fragmented media landscape and schools prioritizing STEM subjects over civics and history.
“Our educational system is highly decentralized. So the idea that you could have one clean, neat, sweeping educational reform that will cope with the problem is hard,” Rakove said. “And of course, and we do live in this disaggregated information environment where people pick the sources they like. If you assume that a Democratic society depends upon well-rounded deliberation of being exposed to the views of other people, the information environment itself is not conducive to the underlying foundation of Democratic debate.”
Lifestyle
L.A. Affairs: He wanted L.A. I wanted New York. A panic attack changed everything
Unpacking my third suitcase in our new West Hollywood home, a sharp pain shot through my chest. I felt dizzy and short of breath before sprawling out on our mattress, which was still covered in plastic.
“What’s wrong?” David asked.
An hour later, on a gurney in the emergency room at Cedars-Sinai, I waited to be admitted overnight. What a great start to our new life — back in L.A. after seven years in New York City — David sleeping alone at our apartment while I was to keep close to the paddles and operating room in case what had just happened was a heart attack.
I was 33, practicing yoga and exercising almost daily. A few months earlier, my New York doctor noticed I had high blood pressure, and I was feeling terrible, so something clearly was going on. Was an artery blocked? Nope, the tests revealed; physically, I was fine. What had happened was a panic attack.
“Your health will be better in L.A.,” David had promised before returning to L.A.
Now I took no pleasure in his being wrong.
After growing up in Temple City (hardly L.A.), I went on a high school trip to the Big Apple and knew it was where I needed to be.
Exactly five years later, the time to escape California arrived after a miserable breakup from a three-year relationship with a guy that I hid entirely from my family. I was desperate and depressed, down 15 pounds from not eating much, my diet consisting largely of cigarettes and red wine. At the Archstone, my Studio City apartment, I did ecstasy alone on a Wednesday. One has to take a good look at himself when he’s in his bedroom, by himself, rolling, and so I decided it was time to start over in New York.
On the other side of the country, I thought it was normal to hook up with a new guy every third night. Which I suppose, for a gay man who’d spent the first 27 years of his life denying his sexuality to a family he feared wouldn’t understand, it was. My self-esteem was in the gutter, though you wouldn’t have known it from the outside.
After a three-digit number of hookups on Grindr, I met David, a guy who lived on the same Manhattan corner as I did. We did what people do on Grindr and hooked up a couple of times.
But one morning, we bumped into each other on 9th Avenue. I left our short chat feeling uplifted by how smiley and polite he was in daylight and while we were sober. That night, we went on our first date, and the rest is history. But I hid what I assumed wouldn’t be well-received.
“Let’s move back to L.A.,” he said after four years of life together in New York.
“I’m really not ready,” I said. I loved living in New York and never, ever expected to leave. He understood, but he wanted to return to “the coast.” I knew that in a healthy relationship, it couldn’t be just what I wanted. So eventually, we packed up and moved to an apartment on North Flores Street in West Hollywood.
And now, I was in the hospital.
After having to cancel the welcome home party our L.A. friends had planned for us, and being released from Cedars, my life fell apart. But being the one who kept everything together, I kept it together better than most would, at least in the presence of others.
I’m fine, I told myself, but I worried my heart was broken, and there was something medically wrong with it. To heal it, I’d need to accept truths that I didn’t want to.
Growing up was devastatingly hard for me. Being gay and misunderstood, with the unacknowledged pain of it kept inside, was quite literally eating me alive. Being back in L.A. meant being near my past. I told my mom I was gay before leaving for New York. She said she still loved and accepted me, but to this day, the struggle has never been discussed or acknowledged. I knew I was a disappointment to my family.
I went to Westwood what felt like 70 times, and after visiting a bunch of UCLA’s specialists, I found myself in the office of a neurosurgeon who took one look at me and said, “You don’t belong here. What you’re suffering from is plain old anxiety, and you’re going to have to work with your therapist on this.”
“I have been,” I said, “and it’s not helping.” But before I finished, he had walked out the door.
Before long, the panic attacks got so bad, I could hardly drive. David chauffeured me, under the palm trees and bright sun, around as much as his schedule allowed, and when he couldn’t, I made the best of it, lugging my laptop with me for the hour-long trek to yoga-teacher training at Equinox in the South Bay, using that extra time in the back of an Uber to write.
For almost my entire adult life, I’d been in therapy, but it was couples therapy with David where I felt supported enough to admit, first to myself, that I’d been terrified of being fully myself. I was afraid he’d leave me if he saw the real me. Secretly I had been keeping a lifetime of pain bottled up inside because of fear — I didn’t want to risk losing him by being too emotional or having too many feelings.
Three months after that therapy session, the pandemic arrived, and being together 100% of the time for the next year, I let him in fully. He didn’t run — instead, he proposed.
It’s been eight years since that neurologist, and six since I’ve been able to fully drive again. And here in L.A., in a city characterized by its distance, I have, with David, built a close chosen family that supports and fully understands me.
Now, I feel “at home” at our Spanish-style Hancock Park house, the one we bought because we wanted to start a family of our own, only after L.A. allowed me to heal and live peacefully, and now, anxiety free.
Had David not dragged me back, I wouldn’t have learned what I did about myself, my story of origin and living a life that’s so beautiful and that’s so true to me.
And certainly, we wouldn’t be bringing our baby daughter, Lucy, named after Lucille Ball (who’s more Hollywood?), home in mid-July by way of surrogacy.
The author is a writer and coach who helps established business owners build lives that feel as good as they look. He lives in Hancock Park. He’s on Instagram: @iammattgerlach.
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
To be or not to be a parent : It’s Been a Minute
Could you see your life just as easily with children as without?
What if you’re not cut out for parenthood? What if you grow lonely in your old age? Or what if you have a loving partner, but you disagree on this choice? Deciding between parenthood and a child-free life requires clarity about your fears and deepest desires — no easy task. This episode, psychotherapist and author of the book, The Baby Decision, Merle Bombardieri, helps us get clear. She discusses minimizing regret, normalizing feeling ‘stuck’ and why waiting to have a baby at 38 may be best.
Want more about the decision to have kids?
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Additional support for this episode came from Alexis Williams. It was edited by Neena Pathak. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.
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