Lifestyle
Solar eclipse myths and rumors bubble up, from radiation to food poisoning
People visit a NASA information booth to grab solar eclipse glasses in Russellville, Arkansas. The space agency has debunked a number of myths about the total solar eclipse — including ideas about food going bad, or unborn babies being harmed.
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People visit a NASA information booth to grab solar eclipse glasses in Russellville, Arkansas. The space agency has debunked a number of myths about the total solar eclipse — including ideas about food going bad, or unborn babies being harmed.
Mario Tama/Getty Images
Will a solar eclipse harm a pregnant woman’s baby if she looks at it? Does an eclipse emit special radiation that can instantly blind you?
Those are some of the ideas people have been asking about — and that experts have been pooh-poohing — as people in North America anticipated seeing a total eclipse, from Mazatlán to Montreal.
Monday’s total solar eclipse begins over Mexico’s Pacific Coast at around 11:07 a.m. PT, moving east through Texas and up to Maine, finally leaving the continent on Newfoundland’s Atlantic coast.
Solar eclipses have long triggered fanciful explanations and warnings, from religious mythology to modern-day superstition. In recent days, for instance, a message circulated online warning people to turn off their cellphones and other devices before midnight ahead of the eclipse, warning of powerful radiation and cosmic rays.
In reality, a solar eclipse brings a temporary sharp drop in solar radiation — an event that ham radio operators have been eagerly anticipating for months, with competitions and experiments looking to fill the Earth’s suddenly radiation-free ionosphere with radio signals.
Persistent but unfounded beliefs even prompted NASA to devote a special page to debunking misconceptions about a solar eclipse.
Total eclipses don’t produce rays that cause blindness, NASA says
During totality, electromagnetic radiation from the sun’s corona will not harm you. In fact, the only time it’s safe to look at the sun without eye protection, as the sun’s brightness is fully obscured by the moon and its corona is visible.
But outside of totality, your eyes can be harmed during an eclipse. If the sun is only partially obscured, looking at it will damage your retina. You can look if you have special solar glasses, but don’t count on those to protect you if you want to use a telescope or camera lens that doesn’t have a solar filter.
As NASA says, “the concentrated solar rays will burn through the filter and cause serious eye injury.”
Another thing to remember: Take breaks if you’re using a special filter to look at the sun before or after totality. As the space agency says, the sun’s infrared radiation can make you uncomfortable, “as it literally warms the eye.”
You should look away from the sun periodically, or use an indirect viewer like a pinhole projector to track the eclipse.
More things NASA says are NOT true about a total solar eclipse
MYTH: If you are pregnant you should not watch an eclipse because it can harm your baby.
Another notion that seems to be rooted in concern about radiation. To put people’s mind at ease, NASA employs a sort of “you’re already soaking in it” example, citing the neutrino particles produced by the sun’s nuclear fusion:
“Every second, your body is pelted by trillions of these neutrinos no matter if the sun is above or below the horizon. The only consequence is that every few minutes a few atoms in your body are transmuted into a different isotope by absorbing a neutrino. This is an entirely harmless effect and would not harm you, or if you are pregnant, the developing fetus.”
MYTH: Eclipses will poison any food that is prepared during the event.
NASA gives a hypothetical: What if some bad potato salad makes people sick during an eclipse? Food poisoning is very common — and it shouldn’t be blamed on a rare celestial event, the agency notes.
“The basic idea is that total solar eclipses are terrifying and their ghostly green coronae look frightening, so it is natural to want to make up fearful stories about them and look for coincidences among events around you.”
Other myths have to do with omens and major events
Here are four that NASA singles out for debunking:
MYTH: Eclipses are harbingers of something very bad about to happen.
MYTH: Solar Eclipses foretell major life changes and events about to happen.
MYTH: Solar eclipses are a sign of an exceptional celestial event taking place in time and space.
MYTH: Solar eclipses six months after your birthday, or on your birthday, are a sign of impending bad health.
NASA ascribes many of these ideas to astrological forecasts being propped up by confirmation bias.
As the agency says, “We tend to remember all the occasions when two things happened together, but forget all of the other times when they did not.”
Other myths — such as the idea that the moon turns black during an eclipse, or that the Earth’s two poles don’t see eclipses — are simply false, the agency says.
Eclipses have deep spiritual meanings
Ideas about an eclipse’s potentially powerful effects aren’t new. In fact, solar eclipses do also cause some unusual things to happen.
People in totality can expect to feel a sudden drop in temperature, for instance. Stars and planets become visible in the middle of the day, and humans can experience a range of odd visual effects — from the sharpness of shadows to the movement of “shadow bands” and a change in how we perceive color.
Then there’s the eerie effect of the eclipse moving from west to east, adding to the perception that time isn’t moving in its normal path.
Many cultures and religions link eclipses to energy, seeing them as events of renewal and promise — or in some cases, of vital energy being drained away.
For the Ojibwe and other Indigenous peoples in the Great Lakes region, a story about a solar eclipse centers on a boy and his sister who trap the sun after it burns him.
In many folktales, magical animals try to eat the sun or the moon. In Hindu mythology, a serpent god, Rahu Ketu, wanted to eat the sun — but then his head was cut off. That created two new entities, Rahu and Ketu, according to the Folklife Today blog from the Library of Congress.
“These are the deities of eclipses and comets. Rahu is fixated on eating the sun and the moon, and will try to catch them and gobble them up,” the blog notes. “Fortunately he only succeeds once in a while. Since his head was cut off, the sun or moon just falls out the hole where his neck used to be. This is an eclipse.”
As Folklife Today notes, in many cultures, humans take up the duty of ending an eclipse, often by making noise and beating on drums or gongs to dispel the spirit that’s attempting to take the sun.
Lifestyle
In Brooklyn’s Park Slope neighborhood, children’s entertainment comes with strings
The Tin Soldier, one of Nicolas Coppola’s marionette puppets, is the main character in The Steadfast Tin Soldier show at Coppola’s Puppetworks theater in Brooklyn’s Park Slope neighborhood.
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Every weekend, at 12:30 or 2:30 p.m., children gather on foam mats and colored blocks to watch wooden renditions of The Tortoise and the Hare, Pinocchio and Aladdin for exactly 45 minutes — the length of one side of a cassette tape. “This isn’t a screen! It’s for reals happenin’ back there!” Alyssa Parkhurst, a 24-year-old puppeteer, says before each show. For most of the theater’s patrons, this is their first experience with live entertainment.
Puppetworks has served Brooklyn’s Park Slope neighborhood for over 30 years. Many of its current regulars are the grandchildren of early patrons of the theater. Its founder and artistic director, 90-year-old Nicolas Coppola, has been a professional puppeteer since 1954.
The Puppetworks theater in Brooklyn’s Park Slope neighborhood.
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A workshop station behind the stage at Puppetworks, where puppets are stored and repaired.
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A picture of Nicolas Coppola, Puppetworks’ founder and artistic director, from 1970, in which he’s demonstrating an ice skater marionette puppet.
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For just $11 a seat ($12 for adults), puppets of all types — marionette, swing, hand and rod — take turns transporting patrons back to the ’80s, when most of Puppetworks’ puppets were made and the audio tracks were taped. Century-old stories are brought back to life. Some even with a modern twist.
Since Coppola started the theater, changes have been made to the theater’s repertoire of shows to better meet the cultural moment. The biggest change was the characterization of princesses in the ’60s and ’70s, Coppola says: “Now, we’re a little more enlightened.”
Right: Michael Jones, Puppetworks’ newest puppeteer, poses for a photo with Jack-a-Napes, one of the main characters in The Steadfast Tin Soldier. Left: A demonstration marionette puppet, used for showing children how movement and control works.
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Marionette puppets from previous Puppetworks shows hang on one of the theater’s walls.
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A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire that features the ballerina and tin soldier in The Steadfast Tin Soldier.
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Streaming has also influenced the theater’s selection of shows. Puppetworks recently brought back Rumpelstiltskin after the tale was repopularized following Dreamworks’ release of the Shrek film franchise.
Most of the parents in attendance find out about the theater through word of mouth or school visits, where Puppetworks’ team puts on shows throughout the week. Many say they take an interest in the establishment for its ability to peel their children away from screens.
Whitney Sprayberry was introduced to Puppetworks by her husband, who grew up in the neighborhood. “My husband and I are both artists, so we much prefer live entertainment. We allow screens, but are mindful of what we’re watching and how often.”
Left: Puppetworks’ current manager of stage operations, Jamie Moore, who joined the team in the early 2000s as a puppeteer, holds an otter hand puppet from their holiday show. Right: A Pinocchio mask hangs behind the ticket booth at Puppetworks’ entrance.
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A child attends Puppetworks’ 12:30 p.m. showing on Saturday, Dec. 6, dressed in holiday attire.
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Left: Two gingerbread people, characters in one of Puppetworks’ holiday skits. Right: Ronny Wasserstrom, a swing puppeteer and one of Puppetworks’ first puppeteers, holds a “talking head” puppet he made, wearing matching shirts.
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Other parents in the audience say they found the theater through one of Ronny Wasserstrom’s shows. Wasserstrom, one of Puppetworks’ first puppeteers, regularly performs for free at a nearby park.
Coppola says he isn’t a Luddite — he’s fascinated by animation’s endless possibilities, but cautions of how it could limit a child’s imagination. “The part of theater they’re not getting by being on the phone is the sense of community. In our small way, we’re keeping that going.”
Puppetworks’ 12:30 p.m. showing of The Steadfast Tin Soldier and The Nutcracker Sweets on Saturday, Dec. 6.
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Children get a chance to see one of the puppets in The Steadfast Tin Soldier up close after a show.
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Left: Alyssa Parkhurst, Puppetworks’ youngest puppeteer, holds a snowman marionette puppet, a character in the theater’s holiday show. Right: An ice skater, a dancing character in one of Puppetworks’ holiday skits.
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Community is what keeps Sabrina Chap, the mother of 4-year-old Vida, a regular at Puppetworks. Every couple of weeks, when Puppetworks puts on a new show, she rallies a large group to attend. “It’s a way I connect all the parents in the neighborhood whose kids go to different schools,” she said. “A lot of these kids live within a block of each other.”
Three candy canes — dancing characters in one of Puppetworks’ holiday skits — wait to be repaired after a show.
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Anh Nguyen is a photographer based in Brooklyn, N.Y. You can see more of her work online, at nguyenminhanh.com , or on Instagram, at @minhanhnguyenn. Tiffany Ng is a tech and culture writer. Find more of her work on her website, breakfastatmyhouse.com.
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