Lifestyle
She gave her drab L.A. apartment a stunning makeover for $2,500
As an art director with a background in theater, Mary Kenny has a flair for interior design that rivals her skills as an event planner in the entertainment industry.
For her, there is no such thing as “too busy” when decorating her 600-square-foot apartment. “I like to have a sense of humor,” says the self-described maximalist. “Your home shouldn’t be too serious. I want my space to feel balanced between funky and chill.”
Mary Kenny’s living room in her Los Angeles apartment before she moved in.
(Mary Kenny)
Kenny, a native of North Carolina, is accustomed to living small. Before moving into her apartment a little over a year ago, she lived in a 250-square-foot bachelor apartment without a kitchen.
“I traveled all the time,” she says, justifying life without a stove and refrigerator. Then the pandemic hit. “I spent a year there,” she says. “Thankfully, it was only $1,000 a month.”
When it came time to find a more appropriate apartment in Los Angeles, where more than half the population is renters, she had difficulty tracking down something she liked that she could afford. “The listings would say there’s laundry, and there wasn’t. Or there was parking, and there wasn’t.”
She says the apartment she eventually moved into isn’t perfect, but it’s rent-stabilized at $1,700 a month. “I always dreamed of owning a home,” she says. “It’s hard to accept that it’s not the American Dream anymore.”
A thrifted sofa, drop cloths, a Magic 8 Ball — Mary Kenny’s apartment in L.A. is a stylish retreat that didn’t break the bank.
At a time when thrifting is booming for its economic and environmental benefits, especially among Gen Z consumers, Kenny, herself a millennial at age 36, has shown that it’s possible to create a stylish, humorous and budget-friendly retreat with secondhand finds.
Spending roughly $2,500, she has transformed an unremarkable one-bedroom apartment with gray vinyl floors into a vibrant representation of who she is: colorful and fun.
“I’m not afraid of mixing patterns and textures,” she says.
With a resourceful eye, Kenny has furnished her apartment with Facebook Marketplace finds, thrift store treasures and free hand-me-downs from friends. Her resourcefulness is not just impressive; it’s inspiring. She proudly estimates that her apartment is about 80% thrifted. Her only new splurges? A standing desk for her work-from-home setup and colorful, one-of-a-kind hand block-printed bedding from Anthropologie.
Not a big cook, Kenny says the kitchen is her least inspired room. She left the all-white kitchen as is and added colorful accessories. (Mary Kenny)
“I don’t like to spend money,” says Kenny. She humorously refers to herself as a “cheapskate” who constantly looks for unique pieces on Facebook Marketplace and Craigslist. Like her, her home is a work in progress, continually being reinvented.
Among her many bargain finds is a plush velvet sofa she purchased for $80 on Facebook Marketplace. “If my cats scratch it up, I can sell it for 50 bucks when I leave,” she says. Her queen-size bed is a hand-me-down from a friend. To make custom curtains similar to those she spotted at Anthropologie, she dyed a 6-by-9-foot canvas drop cloth from Harbor Freight, which cost $6.99. She says, “I cut the drop cloth into two panels, dyed them with fabric dye and then sewed them together.” If you don’t sew, don’t worry, she says, “you can cut them with pinking shears or use no-sew iron-on tape.”
A signed makeup wipe from Kenny’s favorite drag queen and black-and-white-checkered peel-and-stick vinyl flooring make a statement in the bathroom.
Kenny’s bathroom before she moved in.
(Mary Kenny)
Kenny doesn’t think twice about stuffing furnishings from her treasure hunts into the back of her tiny Nissan Versa — she has been known to secure items with bungee cords — or repurposing everyday ephemera into something special.
“There was an episode of Marie Kondo’s ‘Tidying Up’ where she suggested displaying sentimental items rather than keeping them in boxes under the bed,” Kenny says of the family mementos, airline tickets and pet portraits she has on display in her gallery wall. Other items, such as a collection of greeting cards attached to a bulletin board filled with buttons, paper hearts and photo booth pictures, demonstrate the importance of her few family heirlooms. “I wish I had more,” she says. “I’ve moved around a lot and was never able to keep larger things.”
Above her couch, she has hung her most prized family possessions: photos of her grandmother featured in the Evansville Press in Indiana in 1964 after she learned to skydive and joined a parachute club.
Mary Kenny created a mural on printable wallpaper by transferring a botanical print onto her wall using a projector, tracing it with a pencil, painting it with acrylic craft paint from Michaels and then outlining it with a Krink paint marker.
(Mary Kenny)
When asked for tips on arranging a gallery wall, Kenny recommends laying it out on the floor first. “I used to do brown paper templates and be really picky,” she says, “but now my strategy is just maintaining lines. I pick one item to be the center and move outward from there, trying to line up the bottom of the first item with the bottom of the second, then the third item lines up with the top of the second and so on.”
When it comes to hanging the frames on the wall, she swears by a blue tape method by @lemonleafhomeinteriors that she viewed on TikTok.
But Kenny’s apartment is not just about thrifting; it also showcases her versatile do-it-yourself skills. She created a vibrant botanical mural in the dining room by transferring the pattern onto Tempaper & Co. paintable removable peel-and-stick wallpaper using a projector, tracing it with a pencil and painting it with affordable acrylic craft paints from Michaels. Outlined with a Krink paint marker, the oversize gerbera daisy mural makes a statement from every room in the apartment. “The mural is a fun way to add color to walls without having to repaint when you move out,” she says.
In her bedroom, Kenny splurged on bedding from Anthropologie and hung kantha quilts from Etsy on the wall using a staple gun.
(Brittany Brooks / For The Times)
The bedroom featured gray vinyl flooring and blinds on the window before she moved in.
(Mary Kenny)
Kenny notes that the “rental-friendly” peel-and-stick mural and bathroom decor are removable and that she restores the walls and fills any holes upon move-out; however, it’s always best to check with your landlord before you embark on your own renovations.
To provide privacy from a nearby apartment building in her Larchmont neighborhood, Kenny put Prism privacy film on the windows of her kitchen and living room and installed NoNo no-drill curtain brackets, specifically designed to attach to mounted blinds. “It’s a rental-friendly way to hide” blinds, Kenny says.
Though she has a keen design sense, Kenny likes to use the free online tool Floorplanner, which creates 3-D floor plans. The tool helps her understand the scale of the items she’s buying and how they’ll all fit together in her space. “It’s immensely helpful,” she says. “You can experiment with different layouts and furniture arrangements before making any purchases.”
Of all the places to make a statement, however, Kenny says money goes a long way in the bathroom. “Bathrooms are the perfect place to be silly,” she says of her lipstick kiss-themed bathroom, inspired by a makeup wipe she purchased from her favorite drag queen, Tammie Brown, on Instagram and later framed. “I used peel-and-stick wallpaper, Tempaper & Co. paintable wallpaper and a faux flexible chair rail to transform this space. The floors are black-and-white checkered peel-and-stick vinyl. I wanted it to feel over the top.”
She succeeded.
Above her couch, she has hung her most prized family heirlooms: newspaper photos of her grandmother from 1964, after she learned to skydive and joined a parachute club. She also framed and hung her grandmother’s charm bracelet on the gallery wall.
Looking back to when she was growing up, Kenny recalls begging her mother to let her redo her bedroom. “I painted the walls and outfitted the two twin beds with leopard-print bedspreads,” she says. “I feel like I’m still in that stage.”
For her next project, Kenny hopes to move to a two-bedroom soon. “I’m working on becoming a foster parent,” she says.
The prospect of reimagining another blank slate and starting anew is enticing for the creative force. “I think I’d sell things that feel easy to come by, not especially unique or actually vintage,” says Kenny. “My favorite thing is selling something for the exact amount I bought it for. It’s like I rented it for free. My second favorite thing is not having to move it myself.”
Whimsical accessories and family heirlooms are a testament to Kenny’s creativity and resourcefulness.
Makeover budget
Here, Kenny — a “track every expense” kind of person — breaks down the budget for her rental apartment makeover.
Lifestyle
‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour
Millie Bobby Brown in the final season of Stranger Things.
Netflix
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Netflix
After five seasons and almost ten years, the saga of Netflix’s Stranger Things has reached its end. In a two-hour finale, we found out what happened to our heroes (including Millie Bobby Brown and Finn Wolfhard) when they set out to battle the forces of evil. The final season had new faces and new revelations, along with moments of friendship and conflict among the folks we’ve known and loved since the night Will Byers (Noah Schnapp) first disappeared. But did it stick the landing?
To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.
Lifestyle
JasonMartin Says Adin Ross Disrespecting Doechii Stops in 2026
JasonMartin
Adin Ross Disrespecting Doechii …
Will Not Be Tolerated!!!
Published
TMZ.com
JasonMartin is putting his foot down after hearing Adin Ross call Doechii a “bitch” one too many times … the culture’s not going for it in 2026!!!
TMZ Hip Hop caught up with JM in L.A. this week, and he says Adin being aggressively addressed is vital to preventing outsiders of Black culture from toeing the line in the future.
Adin Ross is lying about Doechii and one of the biggest Twitter Accounts is behind it… pic.twitter.com/VoAwGJefyV
— Mike Tee (@ItsMikeTee) January 5, 2026
@ItsMikeTee
Adin maintains Doechii targeted him on her new track, “Girl, Get Up,” when she blasted people labeling her “an industry plant” … and blamed Complex magazine for helping fuel the fire.
Joe Budden, Glasses Malone, Wack 100, and Top Dawg Entertainment execs have all chimed in on Adin’s comments, and Jason says it’s bigger than internet tough talk … and won’t allow Adin to hide behind religion or freedom of speech to drag Black women.
Adin went on to collaborate with Tekashi 6ix9ine and Cuff Em on an anti-Lil Tjay and Doechii song, but has since said he’ll stay out of the beef; his chat doesn’t matter to him, and it’s not that deep to him.
TMZ.com
War mongering isn’t Jason’s only goal this year. He released 5 albums — “A Hit Dog Gon Holla,“ “I Told You So,“ “Mafia Cafe,“ “O.T.,“ and “A Lonely Winter” — to close out the 4th quarter and just may be in the “Snowfall” reboot with his buddy, Buddy!!!
Lifestyle
‘Everything I knew burned down around me’: A journalist looks back on LA’s fires
A firefighter works as homes burn during the Eaton fire in the Altadena area of Los Angeles County, Calif., on Jan. 7, 2025.
Josh Edelson/AFP via Getty Images
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Josh Edelson/AFP via Getty Images
On New Year’s Eve 2024, journalist Jacob Soboroff was sitting around a campfire with a friend when he made an offhand comment that would come back to haunt him: The last thing he wanted to do in the new year, Soboroff said, was cover a story that would require donning a fire-safe yellow suit.
Just one week later, Soboroff was dressed in the yellow suit, reporting live from a street corner in Los Angeles as fire tore through the Pacific Palisades, the community where he was raised.
“This was a place that I could navigate with my eyes closed,” Soboroff says of the neighborhood. “Every hallmark of my childhood I was watching carbonize in front of me. … There were firefighters there and first responders and other journalists there, but it was an extremely lonely, isolating experience to be standing there as everything I knew burned down around me in real time.”

In his new book, Firestorm: The Great Los Angeles Fires and America’s New Age of Disaster, Soboroff offers a minute-by-minute account of the catastrophe, told through the voices of firefighters, evacuees, scientists and political leaders. He says covering the wildfires was the most important assignment he’s ever undertaken.
“The experience of doing this is something that I don’t wish on anybody, but in a way I wish everybody could experience,” he says. “It’s given me insane reverence for our colleagues in the local news community here, who, I think, definitionally were exercising a public service in the street-level journalism that they were doing and are still doing. … It was actually beautiful to watch because they are as much a first responder on a frontline as anybody else.”
Interview highlights
On the experience of reporting from the fires
You’re choking with the smoke. And I almost feel guilty describing it from my vantage point because the firefighters would say things to me like: “My eyeballs were burning. We were laying flat on our stomach in the middle of the concrete street because it was so hot, it was the only way that we could open the hoses full bore and try to save anything that we could.” …
I could feel the heat on the back of my neck as we stood in front of these houses that I remember as the houses that cars and people would line up in front of for the annual Fourth of July parade or the road race that we would run through town. Trees were on fire behind us — we were at risk of structures falling at any given minute. It was pretty surreal because this is a place I had spent so much time as a child and going back to as an adult. … I had no choice but to just open my mouth and say what I saw to the millions of people that were watching us around the country.
On undocumented immigrants being central to rebuilding the city

These types of massive both humanitarian and natural disasters give us X-ray vision for a time into sort of the fissures that are underneath the surface in our society. And Los Angeles, in addition to being one of the most unequal cities between the rich and the poor, has more undocumented people than virtually any other city in the United States of America. Governor Newsom knew that with the policies of the incoming administration, some of the very people that would be responsible for the cleanup and the rebuilding of Los Angeles may end up in the crosshairs of national immigration policy. And I think that that was an understatement. …
Pablo Alvarado in the National Day Laborer Organizing Network said to me that often the first people into a disaster — the second responders after the first — are the day laborers. They went to Florida after Hurricane Andrew, to New Orleans after Katrina, and they’d be ready to go in Los Angeles. And I went out and I cleaned up Altadena and Pasadena with some of them in real time.
And only months later did this wide-scale immigration enforcement campaign begin … on the streets of LA as sort of the Petri dish, the guinea pig for expanding this across the country. And it’s not an exaggeration to say that the parking lots of Home Depots, where workers [were] looking to get involved in the rebuilding of Los Angeles, has been ground zero for that enforcement campaign.
On efforts to rebuild
The pace is slow and it’s sort of a hopscotch of development. And I think for people who do come back, for people who can afford to come back, it’s going to be a long road ahead. You’re going to have half the houses on your street under construction for years to come. And for people that do inhabit those homes, it’s going to an isolating experience. But there’s an effort underway to rebuild. …
There’s also a lot of for-sale signs. And that’s the sad reality of this, is that there are people who, whether it’s that they can’t afford to come back … or that they just can’t stomach it, I think, sadly, a lot people are not going to be returning to their homes.
On what the Palisades and Altadena look like today

They both look like very big construction sites in a way. There are still some facades, some ruins of the more historic buildings in the Palisades. … But mostly it’s just empty lots. And in Altadena, the same thing. If you drive by the hardware store, the outside is still there. But it’s a patchwork of empty lots. Homes now under construction. And lots and lots of workers. … There are still a handful of people who are living in both the Palisades and in Altadena, but for the most part, these are communities where you’ve got workers going in during the day and coming out at night. …
We have designed this community to be one that’s in the crosshairs of a fire just like the one we experienced and that we will certainly, certainly experience again, because nobody’s packing it up and leaving Los Angeles. People may not return to their communities after they’ve lost their homes, but the ship has sailed on living in the wildland urban interface in the second largest city in the country.
On seeing this story, personally, as his “most important assignment”
Jacob Soboroff is a correspondent for MS NOW, formerly MSNBC.
Jason Frank Rothenberg/HarperCollins
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Jason Frank Rothenberg/HarperCollins
I don’t think I realized at the time how badly I needed the connections that I made in the wake of the fire, both with the people who have lost homes and the firefighters, first responders who were out there, but also honestly with my own family, my immediate family, my wife and my kids, my mom and my dad and my siblings and myself. I think that this was a really hard year in LA, and I think in the wake of the fire, I was experiencing some level of despair as well. Then the ICE raids happened here and sort of turned our city upside down. And this book for me was just this amazing cathartic blessing of an opportunity to find community with people I don’t think I ever would have otherwise spent time with, and to reconnect with people who I hadn’t seen or heard from in forever.
Anna Bauman and Nico Wisler produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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