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Remembrance done right: How TCM has perfected the 'in memoriam' montage

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Remembrance done right: How TCM has perfected the 'in memoriam' montage

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We’re entering awards season, and for those of us who watch these ceremonies every year either for work or for fun, the one reliable constant is that, sandwiched somewhere between corny presenter banter and the occasionally rousing winner’s speech, there will be an “In Memoriam” tribute. These segments are rarely satisfying; some pretty important figure is inevitably left off the list, while the whole affair’s usually rushed and sloppy. (Or edited in such a way that the honorees are overshadowed by the dignified performance of an obvious Sad Song by an industry-approved John Legend-type, or John Legend himself.)

During these pomp displays of mourning I appreciate even more TCM’s own annual tribute to the dearly departed within the film industry, TCM Remembers, the latest of which dropped a couple of weeks ago. It feels a little gauche to say I look forward to the release of these short videos every December, but I do; there’s an art to montage, and it’s especially tricky to refine when it’s a montage reflecting morbidity, an inherently maudlin exercise.

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One of the earliest iterations of the classic movie network’s efforts proves this. It’s not terrible, but it’s … pretty boring? Almost as though someone were reading off a list of names while standing in front of a screen projecting clips. Happy recollections of your favorite classic movie performers alone aren’t enough to make a montage like this really sing.

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Over time, however, TCM has become the gold standard for these sorts of exercises, understanding that to achieve an effective in memoriam, you have to strike just the right balance between sentimentality, fond remembrance and aesthetics.

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Sound is crucial. With TCM’s memorials, the song selections are certainly sad and wistful and lamenting, capturing some sort of universal feeling about being young once or wishing to go back to “the night we met” – but they’re not instantly recognizable funeral songbook standards. (If I’m forgetting an instance where the producers resorted to “Hallelujah,” to that I’ll quote Billy Wilder and I.A.L. Diamond: Nobody’s perfect.)

For me at least, the lack of familiarity means the song doesn’t distract from the visual tribute itself, which is meticulously timed to include film clips, audio, and themed Insta-worthy stock imagery (or in the case of this past year’s, an aerial performance) to coincide with the music. There’s usually very little dialogue interspersed, maybe an isolated line from a film here or a quote from a filmmaker there.

On occasion, the lyrical cues can inspire an eyeroll for being so on-the-nose – from 2009: Days, up and down they come/ Like rain on a conga drum … cut to Nuyorican actor Olga San Juan, who was usually typecast as a “spicy” Latina in her heyday – but it’s rare that tension is too fraught. I just about fall to pieces, in a good way, whenever I re-watch the 2008 edition, when Joe Henry sings, “It seems we never were so young,” as Heath Ledger, in a scene from Brokeback Mountain, suddenly flashes upon the screen.

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And unbeholden to the time constraints of live TV and the vanity of live musicians in accompaniment, these videos also seem to include a greater mix of marquee names, character performers, filmmakers, and craftspeople, and each gets their moment. Sure, some of those moments are drawn out longer than others and each person’s placement within the mix isn’t without its politics. But of course, Harry Belafonte landed the grand finale spot in 2023, as did Paul Newman and Liz Taylor in their respective years. Could it be any other way?

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Inevitably, this combo of sound, image, and memory will leave me utterly moved to tears or near-tears, even if the beats at this point have become familiar to any longtime TCM fan. I think it also probably stems from the way this template really echoes the medium it’s honoring, and understands that the power of montage is in its persuasiveness and ability to stir up feelings when done thoughtfully. I don’t think any awards show in memoriam has made me feel this way, and I’m not sure any can.

So long as I have these videos to look forward to, that’ll more than make up for the rest.

P.S.: If you’re curious about how they’re made, I found this article from 2011 that provides some insight through interviews with then-on-air producer Scott McGee and Pola Changnon, who at the time was VP of on-air production. The team behind the 2023 segment included producers and editor David Byrne (not that one!), Christian Hammann, and Gordon Gyor.

This piece also appeared in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.

Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.

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The Frayed Edge: Are Fashion’s Sustainability Efforts Misplaced?

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The Frayed Edge: Are Fashion’s Sustainability Efforts Misplaced?
A disappointing COP30 deal was reached in Brazil, while floods across South and Southeast Asia showed exactly why quicker action is required. Meanwhile the EU watered down sustainability legislation yet again, this time targeting deforestation. In some positive news, bans on fur and misleading ‘green’ ads made headway.
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‘Wait Wait’ for December 13, 2025: With Not My Job guest Lucy Dacus

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‘Wait Wait’ for December 13, 2025: With Not My Job guest Lucy Dacus

Lucy Dacus performs at Spotlight: Lucy Dacus at GRAMMY Museum L.A. Live on October 08, 2025 in Los Angeles, California. (Photo by Rebecca Sapp/Getty Images for The Recording Academy)

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This week’s show was recorded in Chicago with host Peter Sagal, guest judge and scorekeeper Alzo Slade, Not My Job guest Lucy Dacus and panelists Adam Burke, Helen Hong, and Tom Bodett. Click the audio link above to hear the whole show.

Who’s Alzo This Time

Mega Media Merger; Cars, They’re Just Like Us; The Swag Gap

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Panel Questions

An Hourly Marriage

Bluff The Listener

Our panelists tell three stories about a new TV show making headlines, only one of which is true.

Not My Job: Lucy Dacus answers our questions about boy geniuses

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Singer-songwriter Lucy Dacus, one third of the supergroup boygenius, plays our game called, “boygenius, meet Boy Geniuses” Three questions about child prodigies.

Panel Questions

Bedroom Rules; Japan Solves its Bear Problem

Limericks

Alzo Slade reads three news-related limericks: NHL Superlatives; Terrible Mouthwash; The Most Holy and Most Stylish

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Lightning Fill In The Blank

All the news we couldn’t fit anywhere else

Predictions

Our panelists predict what will be the next big merger in the news.

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L.A. Affairs: I had casually known her for 5 years. Was I finally ready to make a move?

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L.A. Affairs: I had casually known her for 5 years. Was I finally ready to make a move?

In Fairfax, nestled on Beverly Boulevard near Pan Pacific Park, I ran a modest yet beloved pan-Asian restaurant called Buddha’s Belly. More than a place to eat, it was a gathering spot where our team and loyal regulars created an atmosphere of warmth and community. Every day, we exchanged stories about our guests, the generous, the quirky and the kind souls whose smiles lit up our little corner of L.A.

For five years, one regular stood out. The Buddha’s Belly team referred to her as “Aloha.” She had a familiar and beautiful face and she adored our shao bing finger sandwiches and pad Thai. During those five years, all I ever said to her was: “How’s your pad Thai?,” “Nice to see you” and “Thanks for coming in!” Her friendly smile and presence were the highlights of our routine interactions.

Then one hectic afternoon changed everything. Rushing to a meeting and about to leap into my car, I caught a glimpse of Lynda sitting at Table 64, smiling at me through our bamboo-lined patio (a.k.a. “bamboo forest”). I went over to say a quick hi.

“How’s your pad Thai?” I asked, and then I was off.

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A couple blocks from the restaurant, I was struck by the feeling that our brief encounter was different this time. There was a spark — a look in her eye. So I did something out of character: I called the manager on duty and asked him to go to Table 64, Seat 3, and ask for her number.

The next day, I found a business card on my desk with Lynda’s cell number. It was on! That small gesture signaled the start of something extraordinary.

Eager to seize the moment, I called and invited her out for a date that same weekend. However, it was her birthday month, and that meant her calendar was booked solid for the next three to four weekends. Not wanting to let time slip away, I proposed an unconventional plan: to join me and an octogenarian friend at our annual opening night at the Hollywood Bowl. Little did I know this would turn out to be equal parts amazing and mortifying. My friend was so excited — she had no filter.

Shortly after picking up our dinner at Joan’s on Third, my friend started asking Lynda questions, first light questions like “Where are you from?” and “What do you do?” Then once seated at the Bowl, her questions continued. But now they were more pointed questions: “Have you ever been married?” and “Do you have kids?”

Amazingly, Lynda didn’t flinch, and her honesty, unfiltered yet graceful, was refreshing and alluring. She had been through life’s fires and knew that when it’s a fit, it should not be based on any false pretense. Although I did manage to get a few questions in that evening, I still chuckle at the memory of myself, sitting back, legs extended with a note pad in hand taking notes!

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After dropping her off, she didn’t know if she would hear from me, as she didn’t know anything about me. But I didn’t wait three days to contact Lynda. I called her the next day to make plans to see her again. With it still being her birthday month, I asked her to join me that night for a surf film at the Ford with my best buddy. She said yes, and there we were on another chaperoned date.

By our third date, we were finally alone. We ventured to an underground gem affectionately dubbed the “Blade Runner” restaurant. Hidden on Pico Boulevard behind no obvious sign and characterized by hood-free mesquite grills and stacked wine crates, the place exuded a secret charm. Sharing a bottle of wine with the owner, our conversation deepened, and the electricity between Lynda and me became undeniable.

Our story took another turn when I was opening a new bar named Copa d’Oro (or Cup of Gold) in Santa Monica that was similar to a bar down the street called Bar Copa. The owner of Bar Copa invited me to discuss whether the concept was going to be too like his own. While we waited in the packed room, I instinctively put my hand around the small of Lynda’s back to steady us from the ebb and flow of the crowd of people around us. The intensity of our closeness and the energy between us was palpable, and we soon found ourselves at a quieter bar called Schatzi on Main where we had our first kiss.

Our courtship continued, and it would be defined by ease and grace. There were no mind games or calculations. One of us would ask whether the other was free, and it was an easy yes. Our desire was to be together.

I fondly remember being at a Fatburger not far from where Lynda lived, and I phoned her to ask if she wanted to sit with me as I scarfed down a Double Kingburger with chili and egg (yum!), and she said yes. By the time she arrived, I was halfway through eating the sandwich. But I was practicing a new way of eating a sloppy burger that my brother taught me. Why bother to continuously wipe your mouth when you’re only going to mess it up with the next bite? To save time and energy, wipe your mouth once at the end.

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I was practicing this new technique with a smear of sauce on my face, and it didn’t faze her one bit. I could only imagine what her internal monologue was!

After six months of effortless companionship, I asked Lynda to move in, and a year later, while at Zephyr’s Bench, a serene and cherished hiking spot in the Santa Monica Mountains behind Bel-Air, I asked her to marry me.

Now, more than 17 years later, with two beautiful boys and our pandemic dog in tow, I can say I found my own aloha right here in the vibrant chaos of Los Angeles.

The author lives in Santa Monica with his wife and two children. They go to the Hollywood Bowl every chance they can. He’s also aspiring to make it into the Guinness World Records book.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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