Lifestyle
Pharrell wanted to tell his story through Legos — here's why
Pharrell Williams tells the story of his life in Piece By Piece
Courtesy of Focus Features
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Courtesy of Focus Features
Though it may seem like a strange choice on the surface, it felt natural for the musician Pharrell Williams to tell his life story through Legos. “My earliest memories were the Lego sets that my parents would get me when I was really, really, really young,” he says. “Whether you actually really build what the set is all about or you’re just putting pieces together … it’s just magical.”
As a kid, Pharrell lived in the Atlantis Apartments, a densely populated public housing complex in Virginia Beach, Va. Outsiders were afraid to go into his neighborhood, but for Pharrell, the place was special, teeming with talent and fun.
“There were a lot of athletes that were incredibly gifted, a lot of artists that were incredibly gifted,” he says. “You know, you talk about carbon? … That heat, that pressure, that time produced a lot of diamonds.”
The new animated film, Piece By Piece, uses Legos to trace Pharrell’s early life as a boy fueled by creativity and drawn to music. Directed by Academy Award-winner Morgan Neville, the unusual biopic charts Pharrell’s trajectory to becoming a Grammy-winning songwriter, performer and producer who’s collaborated with artists like Jay-Z, Snoop Dogg, Britney Spears and Beyoncé. Perhaps a story as colorful as his can only be told in such a flamboyant way.
Interview highlights
On his synesthesia, which causes him to see color when he hears music
If you take it back to when you were born, all of your nerve endings — sight, sound, smell, taste, feeling — they were all connected. And then when you turn 1, those nerve endings, they prune. And sometimes some of them stay connected. And the ones that stay connected give you synesthesia. And when they’re connected, they send ghost images and ghost information to the different parts of the brain. And so you end up “hearing” a color or “seeing” a sound.
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On writing “Milkshake,” sung by Kelis
The shapes [I see] are hard for me to explain, but it sort of zig zags. And those synth lines are yellow and brown for me. … And the yellow it goes from bright to mustard, marigold, and then there is just very stark brown. …
That song came from a trip that I went to in Brazil, and I just, like, lost my mind. I’d never seen so many beautiful women. They were just everywhere. And forgive the objectification, when I say that. But that was the impression that it made on my mind at that time, I don’t know, 20 years ago. … I’d never seen anything like that. Where am I? And if you could put that energy and feeling if that could be sort of transmuted [into a song]… that was the attempt.
On writing a song for Prince that he rejected
He was different. He was one of those people that, like, he’s a musical savant. There’s not an instrument he couldn’t pick up and play. He’s a brilliant writer. Vocally, he’s incredible. He was an incredible performer and he wrote and produced for so many people. … [He was] like, “Do you own or your masters? If you don’t own your masters, we can’t work together.” … I never heard anyone say that before. Then his other thing was he wanted to sort of talk about religion. And I was like, interesting. And now I do own all of my master recordings. And I’d be happy to square off in a conversation about the business of religion versus the necessity of faith.
On his falsetto singing voice
I had a problem with my voice for many, many, many years because I didn’t feel like I had found my voice. I always thought that my tone sounded like Mickey Mouse. The next time you listen to “Frontin’,” picture Mickey Mouse — you can’t unsee it.
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On writing “Happy”
The song is a sarcastic answer … for a rhetorical question: How do you make a song about someone so happy that nothing can bring them down? … When Despicable Me 2 came out [the studio] couldn’t get it to work [on the] radio because it was alien. It didn’t sound like anything else. … [Radio] didn’t play it until we did the video six months later, when the song was included on a DVD … and there was a budget to do a video for the song. Since we loved it as a companion piece to sell the DVD.
On why being in water helps him write music
When you’re in the shower, you know, and the water’s just consistently running and it creates an effect of white noise. And that’s the reason why you can think clearly when you shower. … Ideas come. Or sometimes people sing in the shower – that’s the reason why they do it is because that consistent noise, that white noise is particularly freeing to the part of your mind that wants to just iterate and not be environmentally distracted. So running water, being near water, being in water, a bath, a pool, seeing the ocean, standing in the shower, washing my hands in the sink. It does it for me.
Ann Marie Baldonado and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Sheldon Pearce adapted it for the web.
Lifestyle
What worked — and what didn’t — in the ‘Stranger Things’ finale
Sadie Sink as Max Mayfield.
Netflix
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Yes, there are spoilers ahead for the final episode of Stranger Things.
On New Year’s Eve, the very popular Netflix show Stranger Things came to an end after five seasons and almost 10 years. With actors who started as tweens now in their 20s, it was probably inevitable that the tale of a bunch of kids who fought monsters would wind down. In the two-plus-hour finale, there was a lot of preparation, then there was a final battle, and then there was a roughly 40-minute epilogue catching up with our heroes 18 months later. And how well did it all work? Let’s talk about it.
Worked: The final battle
The strongest part of the finale was the battle itself, set in the Abyss, in which the crew battled Vecna, who was inside the Mind Flayer, which is, roughly speaking, a giant spider. This meant that inside, Eleven could go one-on-one with Vecna (also known as Henry, or One, or Mr. Whatsit) while outside, her friends used their flamethrowers and guns and flares and slingshots and whatnot to take down the Mind Flayer. (You could tell that Nancy was going to be the badass of the fight as soon as you saw not only her big gun, but also her hair, which strongly evoked Ripley in the Alien movies.) And of course, Joyce took off Vecna’s head with an axe while everybody remembered all the people Vecna has killed who they cared about. Pretty good fight!
Did not work: Too much talking before the fight
As the group prepared to fight Vecna, we watched one scene where the music swelled as Hopper poured out his feelings to Eleven about how she deserved to live and shouldn’t sacrifice herself. Roughly 15 minutes later, the music swelled for a very similarly blocked and shot scene in which Eleven poured out her feelings to Hopper about why she wanted to sacrifice herself. Generally, two monologues are less interesting than a conversation would be. Elsewhere, Jonathan and Steve had a talk that didn’t add much, and Will and Mike had a talk that didn’t add much (after Will’s coming-out scene in the previous episode), both while preparing to fight a giant monster. It’s not that there’s a right or wrong length for a finale like this, but telling us things we already know tends to slow down the action for no reason. Not every dynamic needed a button on it.
Worked: Dungeons & Dragons bringing the group together
It was perhaps inevitable that we would end with a game of D&D, just as we began. But now, these kids are feeling the distance between who they are now and who they were when they used to play together. The fact that they still enjoy each other’s company so much, even when there are no world-shattering stakes, is what makes them seem the most at peace, more than a celebratory graduation. And passing the game off to Holly and her friends, including the now-included Derek, was a very nice touch.
Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington.
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Netflix
Did not work: Dr. Kay, played by Linda Hamilton
It seemed very exciting that Stranger Things was going to have Linda Hamilton, actual ’80s action icon, on hand this season playing Dr. Kay, the evil military scientist who wanted to capture and kill Eleven at any cost. But she got very little to do, and the resolution to her story was baffling. After the final battle, after the Upside Down is destroyed, she believes Eleven to be dead. But … then what happened? She let them all call taxis home, including Hopper, who killed a whole bunch of soldiers? Including all the kids who now know all about her and everything she did? All the kids who ventured into the Abyss are going to be left alone? Perfect logic is certainly not anybody’s expectation, but when you end a sequence with your entire group of heroes at the mercy of a band of violent goons, it would be nice to say something about how they ended up not at the mercy of said goons.


Worked: Needle drops
Listen, it’s not easy to get one Prince song for your show, let alone two: “Purple Rain” and “When Doves Cry.” When the Duffer Brothers say they needed something epic, and these songs feel epic, they are not wrong. There continues to be a heft to the Purple Rain album that helps to lend some heft to a story like this, particularly given the period setting. “Landslide” was a little cheesy as the lead-in to the epilogue, but … the epilogue was honestly pretty cheesy, so perhaps that’s appropriate.
Did not work: The non-ending
As to whether Eleven really died or is really just backpacking in a foreign country where no one can find her, the Duffer Brothers, who created the show, have been very clear that the ending is left up to you. You can think she’s dead, or you can think she’s alive; they have intentionally not given the answer. It’s possible to write ambiguous endings that work really well, but this one felt like a cop-out, an attempt to have it both ways. There’s also a real danger in expanding characters’ supernatural powers to the point where they can make anything seem like anything, so maybe much of what you saw never happened. After all, if you don’t know that did happen, how much else might not have happened?
This piece also appears in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.
Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.
Lifestyle
The Best of BoF 2025: Conglomerates, Controversy and Consolidation
Lifestyle
Sunday Puzzle: P-A-R-T-Y words and names
On-air challenge
Today I’ve brought a game of ‘Categories’ based on the word “party.” For each category I give, you tell me something in it starting with each of the letters, P-A-R-T-Y. For example, if the category were “Four-Letter Boys’ Names” you might say Paul, Adam, Ross, Tony, and Yuri. Any answer that works is OK, and you can give answers in any order.
1. Colors
2. Major League Baseball Teams
3. Foreign Rivers
4. Foods for a Thanksgiving Meal
Last week’s challenge
I was at a library. On the shelf was a volume whose spine said “OUT TO SEA.” When I opened the volume, I found the contents has nothing to do with sailing or the sea in any sense. It wasn’t a book of fiction either. What was in the volume?
Challenge answer
It was a volume of an encyclopedia with entries from OUT- to SEA-.
Winner
Mark Karp of Marlboro Township, N.J.
This week’s challenge
This week’s challenge comes from Joseph Young, of St. Cloud, Minn. Think of a two-syllable word in four letters. Add two letters in front and one letter behind to make a one-syllable word in seven letters. What words are these?
If you know the answer to the challenge, submit it below by Wednesday, December 31 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
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