Lifestyle
Navigating this world-record corn maze is a test of the human psyche
Deep inside one of the world’s largest corn mazes, where the tri-tip sandwiches and soft-serve ice cream purchased at the concession stand have become but a memory and all that can be seen in any direction are dirt paths and dead-end walls of green plants whispering in the breeze, people tend to reveal themselves.
From humble beginnings with a not-very-impressive pumpkin patch two decades ago, a farming family in this Solano County town decided to move into the corn maze game, hoping to have some seasonal fun and earn a little extra cash. And then, fueled by corny ambition and creative use of Excel spreadsheets, the Cooley family of Dixon went big. Really big.
Their Cool Patch Pumpkins corn maze has caused traffic back-ups on Interstate 80. It has prompted a frenzy of 911 calls to the Solano County Sheriff’s Department from people who find themselves lost in the labyrinth. It has twice earned a Guinness World Record as the world’s largest corn maze. And in doing so, it has become “a big part” of the farm’s revenue, according to Tayler Cooley, despite the vast acreage the family farms year-round.
Over the years, the maze has also served as a towering 60-acre experiment in human psychology.
“You can learn a lot” about a person from how they behave in a corn maze, said Brett Herbst, who said he built the first one west of the Mississippi in 1996, and now has a company, the Maize, that designs and builds them each fall for farmers around the country. (Cool Patch is not one of his customers.)
Minions created from hay bales greet drivers en route to Cool Patch Pumpkins in Dixon.
(Hector Amezcua / The Sacramento Bee)
Some people, it turns out, approach a hokey seasonal activity as they would an Olympic race: Speed is the goal. They grip their paper maps with tight fingers and fierce concentration. They blast around corners of corn, barely dodging small children. Woe to anyone in their group who wants to take a rest.
Others like to wander. They turn this way and that through the rustling 10-foot stalks, laughing when they get lost, and pausing for chats, snacks and selfies atop the four elevated bridges that connect different parts of the maze.
Sit quietly amongst the ears of corn, and it becomes easy to spot who is who:
“Guys, pick up the pace,” a young woman from UC Davis screamed at her companions as they ran by on a recent afternoon, explaining that they were racing against another group and could not pause to talk.
Contrast that with Amari Moore, 22, of Sacramento, who was taking a nice long break at one of the bridges. “I’m getting a little tired,” she said.
And then — and there is no nice way to put this — there are the cheaters. These are the people who, despairing of finding their way out honestly, simply smash and bash their way through the corn willy-nilly.
Or, those who lose all hope of escape and in their panic call 911 to plead for rescue from sheriff’s deputies. (The dispatchers tend to counsel waiting for help from on site — or taking the cheater’s route out.)
“You can learn a lot” about a person from how they behave in a corn maze, says professional corn maze designer Brett Herbst.
(Tayler Cooley)
Mazes and labyrinths have been around for thousands of years. In Greek mythology, the Minotaur — with the head of a bull and body of a man — was imprisoned at the center of a labyrinth in Crete and ate anyone who couldn’t find their way out. Theseus managed to kill the Minotaur, but still needed help from a princess to escape.
The farm town of Dixon, population 19,000, made its mark in mazes about 20 years ago — about the time corn mazes began to take off across the U.S. thanks to new computer programming that helps farmers plot out massive labyrinths with a sinuous web of passageways.
Matt Cooley, a second-generation farmer of walnuts, tomatoes, sunflowers, wheat and alfalfa, decided to grow a few pumpkins for Halloween and sell them by the side of the road. Then, someone gave him the idea to create a maze.
The Cool Patch maze, which rises from the flatlands near Interstate 80 just before the Sacramento Valley rolls up into the Vaca Mountains, got ever larger and more creative. Tayler Cooley, Matt’s daughter-in-law, is the designer. Each year, it has a theme. This year, the words “A House Divided Shall Not Stand” are carved into the corn, along with “God Bless America.” Is it a comment on the coming election, and the country’s profoundly divided electorate?
“This year we encourage our visitors and society as a whole to band together for the greater good of our nation,” the Cooley family explains on the Cool Patch website.
In recent years, the farm has also become famous for a symbol that people can get behind no matter their political persuasion: the minions of the “Despicable Me” film franchise. In recent years, one of the farm’s employees, Juan Ramirez, has crafted giant minions out of hay bales that are visible from the freeway.
Some scholars think mazes embody paradoxes. And it may be a paradox of modern agriculture that the Cooleys’ farm is not the only one that now brings in a substantial portion of its income from a maze that sprouts for only a few weeks each autumn. (The corn from the maze is harvested in November, Tayler Cooley said, and becomes animal feed.)
Four elevated bridges connect sections of the massive corn maze at Cool Patch Pumpkins in Dixon.
(Tayler Cooley)
Farming is a tough business, especially for small- and medium-sized farms, which can be rocked by the weather and fluctuations in commodities pricing and fuel costs.
When it comes to agritourism, corn mazes once lurked in the shadows of pumpkin patches, U-pick berry operations and apple orchard hayrides. But, perhaps because of those mythic roots and their ability to test the human psyche, they’ve exploded in popularity.
Herbst, founder of the Maize, said the first commercial corn maze he knows of was grown by a farmer in the early 1990s. Herbst built his own in 1996. These days, his company prepares maze designs for hundreds of farms. For an additional charge, his crew will carve out the maze.
“Corn maze has become a staple word for October, just like pumpkins,” he said.
In 2023, according to Guiness, a farmer in Quebec usurped Cool Patch for the title to world’s largest maze. But for the thousands of people who now view a trip to Dixon as one of their autumn rituals, it hardly matters.
“I grew up coming here,” said Becca Invanusich, 32, who was visiting on a recent Saturday from Santa Rosa with her fiance and two friends.
As a child, her maze style was to cheat: “I would just shoot right through it,” she said, gesturing to the rows of corn.
But as an adult, she said, she savors the mental challenge. Her group planned to solve the puzzle, no matter how long it took.
If you go: Cool Patch Pumpkins is located at 6150 Dixon Ave. W, off Interstate 80 in Dixon. Fall hours are daily, 9 a.m. to 8 p.m., weather permitting. The entry fee runs $22 per person. Children under 5 are free and so is parking.
Lifestyle
‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour
Millie Bobby Brown in the final season of Stranger Things.
Netflix
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Netflix
After five seasons and almost ten years, the saga of Netflix’s Stranger Things has reached its end. In a two-hour finale, we found out what happened to our heroes (including Millie Bobby Brown and Finn Wolfhard) when they set out to battle the forces of evil. The final season had new faces and new revelations, along with moments of friendship and conflict among the folks we’ve known and loved since the night Will Byers (Noah Schnapp) first disappeared. But did it stick the landing?
To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.
Lifestyle
JasonMartin Says Adin Ross Disrespecting Doechii Stops in 2026
JasonMartin
Adin Ross Disrespecting Doechii …
Will Not Be Tolerated!!!
Published
TMZ.com
JasonMartin is putting his foot down after hearing Adin Ross call Doechii a “bitch” one too many times … the culture’s not going for it in 2026!!!
TMZ Hip Hop caught up with JM in L.A. this week, and he says Adin being aggressively addressed is vital to preventing outsiders of Black culture from toeing the line in the future.
Adin Ross is lying about Doechii and one of the biggest Twitter Accounts is behind it… pic.twitter.com/VoAwGJefyV
— Mike Tee (@ItsMikeTee) January 5, 2026
@ItsMikeTee
Adin maintains Doechii targeted him on her new track, “Girl, Get Up,” when she blasted people labeling her “an industry plant” … and blamed Complex magazine for helping fuel the fire.
Joe Budden, Glasses Malone, Wack 100, and Top Dawg Entertainment execs have all chimed in on Adin’s comments, and Jason says it’s bigger than internet tough talk … and won’t allow Adin to hide behind religion or freedom of speech to drag Black women.
Adin went on to collaborate with Tekashi 6ix9ine and Cuff Em on an anti-Lil Tjay and Doechii song, but has since said he’ll stay out of the beef; his chat doesn’t matter to him, and it’s not that deep to him.
TMZ.com
War mongering isn’t Jason’s only goal this year. He released 5 albums — “A Hit Dog Gon Holla,“ “I Told You So,“ “Mafia Cafe,“ “O.T.,“ and “A Lonely Winter” — to close out the 4th quarter and just may be in the “Snowfall” reboot with his buddy, Buddy!!!
Lifestyle
‘Everything I knew burned down around me’: A journalist looks back on LA’s fires
A firefighter works as homes burn during the Eaton fire in the Altadena area of Los Angeles County, Calif., on Jan. 7, 2025.
Josh Edelson/AFP via Getty Images
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Josh Edelson/AFP via Getty Images
On New Year’s Eve 2024, journalist Jacob Soboroff was sitting around a campfire with a friend when he made an offhand comment that would come back to haunt him: The last thing he wanted to do in the new year, Soboroff said, was cover a story that would require donning a fire-safe yellow suit.
Just one week later, Soboroff was dressed in the yellow suit, reporting live from a street corner in Los Angeles as fire tore through the Pacific Palisades, the community where he was raised.
“This was a place that I could navigate with my eyes closed,” Soboroff says of the neighborhood. “Every hallmark of my childhood I was watching carbonize in front of me. … There were firefighters there and first responders and other journalists there, but it was an extremely lonely, isolating experience to be standing there as everything I knew burned down around me in real time.”

In his new book, Firestorm: The Great Los Angeles Fires and America’s New Age of Disaster, Soboroff offers a minute-by-minute account of the catastrophe, told through the voices of firefighters, evacuees, scientists and political leaders. He says covering the wildfires was the most important assignment he’s ever undertaken.
“The experience of doing this is something that I don’t wish on anybody, but in a way I wish everybody could experience,” he says. “It’s given me insane reverence for our colleagues in the local news community here, who, I think, definitionally were exercising a public service in the street-level journalism that they were doing and are still doing. … It was actually beautiful to watch because they are as much a first responder on a frontline as anybody else.”
Interview highlights
On the experience of reporting from the fires
You’re choking with the smoke. And I almost feel guilty describing it from my vantage point because the firefighters would say things to me like: “My eyeballs were burning. We were laying flat on our stomach in the middle of the concrete street because it was so hot, it was the only way that we could open the hoses full bore and try to save anything that we could.” …
I could feel the heat on the back of my neck as we stood in front of these houses that I remember as the houses that cars and people would line up in front of for the annual Fourth of July parade or the road race that we would run through town. Trees were on fire behind us — we were at risk of structures falling at any given minute. It was pretty surreal because this is a place I had spent so much time as a child and going back to as an adult. … I had no choice but to just open my mouth and say what I saw to the millions of people that were watching us around the country.
On undocumented immigrants being central to rebuilding the city

These types of massive both humanitarian and natural disasters give us X-ray vision for a time into sort of the fissures that are underneath the surface in our society. And Los Angeles, in addition to being one of the most unequal cities between the rich and the poor, has more undocumented people than virtually any other city in the United States of America. Governor Newsom knew that with the policies of the incoming administration, some of the very people that would be responsible for the cleanup and the rebuilding of Los Angeles may end up in the crosshairs of national immigration policy. And I think that that was an understatement. …
Pablo Alvarado in the National Day Laborer Organizing Network said to me that often the first people into a disaster — the second responders after the first — are the day laborers. They went to Florida after Hurricane Andrew, to New Orleans after Katrina, and they’d be ready to go in Los Angeles. And I went out and I cleaned up Altadena and Pasadena with some of them in real time.
And only months later did this wide-scale immigration enforcement campaign begin … on the streets of LA as sort of the Petri dish, the guinea pig for expanding this across the country. And it’s not an exaggeration to say that the parking lots of Home Depots, where workers [were] looking to get involved in the rebuilding of Los Angeles, has been ground zero for that enforcement campaign.
On efforts to rebuild
The pace is slow and it’s sort of a hopscotch of development. And I think for people who do come back, for people who can afford to come back, it’s going to be a long road ahead. You’re going to have half the houses on your street under construction for years to come. And for people that do inhabit those homes, it’s going to an isolating experience. But there’s an effort underway to rebuild. …
There’s also a lot of for-sale signs. And that’s the sad reality of this, is that there are people who, whether it’s that they can’t afford to come back … or that they just can’t stomach it, I think, sadly, a lot people are not going to be returning to their homes.
On what the Palisades and Altadena look like today

They both look like very big construction sites in a way. There are still some facades, some ruins of the more historic buildings in the Palisades. … But mostly it’s just empty lots. And in Altadena, the same thing. If you drive by the hardware store, the outside is still there. But it’s a patchwork of empty lots. Homes now under construction. And lots and lots of workers. … There are still a handful of people who are living in both the Palisades and in Altadena, but for the most part, these are communities where you’ve got workers going in during the day and coming out at night. …
We have designed this community to be one that’s in the crosshairs of a fire just like the one we experienced and that we will certainly, certainly experience again, because nobody’s packing it up and leaving Los Angeles. People may not return to their communities after they’ve lost their homes, but the ship has sailed on living in the wildland urban interface in the second largest city in the country.
On seeing this story, personally, as his “most important assignment”
Jacob Soboroff is a correspondent for MS NOW, formerly MSNBC.
Jason Frank Rothenberg/HarperCollins
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Jason Frank Rothenberg/HarperCollins
I don’t think I realized at the time how badly I needed the connections that I made in the wake of the fire, both with the people who have lost homes and the firefighters, first responders who were out there, but also honestly with my own family, my immediate family, my wife and my kids, my mom and my dad and my siblings and myself. I think that this was a really hard year in LA, and I think in the wake of the fire, I was experiencing some level of despair as well. Then the ICE raids happened here and sort of turned our city upside down. And this book for me was just this amazing cathartic blessing of an opportunity to find community with people I don’t think I ever would have otherwise spent time with, and to reconnect with people who I hadn’t seen or heard from in forever.
Anna Bauman and Nico Wisler produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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