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My eyes are different sizes and colors. Will I ever find a date who doesn’t flinch?

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My eyes are different sizes and colors. Will I ever find a date who doesn’t flinch?

I’m sitting across from an orthodontist, sipping a lukewarm coffee and gliding through typical first-date banter about L.A. traffic. But as this Hinge experiment with his simp-y Harry Styles hair and $200 sweatpants tries to lock eyes with me, I’m still staring just past his shoulder at a fake eucalyptus plant. I am silently praying this passes for eye contact, because I know what’s coming when my gaze meets his. The flinch.

If this term isn’t in your immediate search history, the flinch is an inverse of the male gaze; a jaw-tightening, ball-shriveling squint usually directed at my face. It is a subtle move that says without question: We are not the same.

Because I’m blind, and he isn’t.

My brain crackles with anxiety. Now I’m thinking about all those nice folks with herpes and how they have medication to help keep everything under wraps for a while. Now, I’m longing to have herpes and a vast collection of Valtrex as I down my drink. I need to order another round. Do it — do it now. Before this man notes with absolute certainty that you do not have anything close to the deep brown eyes he thought he saw in your dating profile, before he excuses himself and that second drink never happens.

Dating, in theory, is fun. Meeting a stranger at a cafe covered in hipsters and Moroccan tile, sitting at a too-small table and pretending to be interested in the Americano-length version of someone else’s life, can be total fire. But if you’re me, dating mostly makes you want to haul it outta there like you were in an episode of “The Last of Us.”

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Ayla Harrison developed the eye condition retinopathy of prematurity as a newborn.

My face is unfortunate. It is lopsided. My eyes are different sizes and colors. My right eye is lazy, shriveled and blind; it moves like an out-of-control marble circling a drain. My left eye suffers hemorrhages that can cause episodes of total blindness. The reason for my Picasso of a face is because of a retinal disease I snag after my mother goes into labor three months early. She looks that Medicaid doctor right in his very symmetrical face and says through grunts and gritted teeth: “My girl doesn’t like to wait.”

Doctors move me to an ICU and crank my oxygen levels to 100% to keep me stable. Later, a nurse with nicotine stains on her fingernails, tells my parents I have developed retinopathy of prematurity, an eye condition caused by all that one-hundo oxygen. The disease will open me up to a revolving door of vision issues for life.

Then there is rushing. More doctors. A surgeon barely salvages the sight in my left eye, but my right eye can’t be saved. They tell my parents I’ll be blind in that eye forever. A teeny tiny Cyclops. I weigh less than a pound. I am so small the surgeon can place my entire hand on his pinkie nail.

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And for a moment, everyone is staring.

The first boy I love has a rat-tail. We’re both 8 years old. To win his affection, on a dare, I decide to eat a cockroach off the ground during recess. Kids point and lose their collective 8-year-old mind, but the attention makes me feel electric. Then he makes direct eye contact with me. I look down; my performance upended in an instant. He’s staring at me like someone asked him to find Waldo and he stops on my mismatched marble-y eyes. The baby fat in his jaw tightens. Then it happens. My first flinch.

I stop going to recess.

At dinner, I mention my eye contact problem to my mother. She nurses her third rum and Diet Coke and says: “Look boys in the eye like you want to steal their wallet.”

By the time I reach high school, I can’t address another person unless my eyes are glued to the floor.

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In the teenage dating hierarchy, I am a hard pass. Boys in artfully shredded Abercrombie jeans flinch in a chain reaction of disgust as I pass them in the halls. Cheerleaders corner me and demand to know what is wrong with my eyes. The cheer captain shoves me into a locker. I latch onto her perfect French braids and pull down hard until my knuckles go white. Somewhere JV cheerleaders chant “Fight!” like it is a pep rally.

Harrison as a child with her hair in two ponytails.

Harrison in a preschool photo.

(Ayla Harrison)

And for a moment, everyone is staring.

I walk home alone with a busted lip and decide teenagers in my small Southern town are just wolves in Adidas track pants.

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Years happen. I leave my swampy hometown. Before I go, my childhood eye doctor warns me that I have the eyes of an 80-year-old. I ignore him because I am 22.

I avoid discussing my ROP with anyone, and instead, I diligently plaster my bangs to my forehead to hide my blind eye. It’s a trick I learn working as a waitress at a neon-tinged strip club in some blink-of-an-eye Florida town that pushes all-you-can-eat oysters and lap dances until 3 a.m. I mimic the dance moves of the strippers. Just like the girls swaying onstage in G-strings, I want to feel that burn-a-hole-in-your-pocket desire from men. A dancer, this oiled-up pole ballerina, tells me about a weekend trip she took to L.A. “Life there is like a buzzsaw knocked up a glitter bomb,” she says.

A month later, I move to Santa Monica. I slide into the rip current of L.A. men and let myself fall in love in the time it takes to change a channel. But the relationships either fade or split open like cantaloupe dropped on hot pavement. And then, on one random Wednesday, my left eye hemorrhages and fills with blood. And suddenly, I cannot see.

Again, more doctors — specialists this time. Their offices are in tall towers. And like in many niche areas of medicine, there are silence and bright lights and a lot of nodding. There are lasers and emergency surgeries. Eventually I can see again, but not without a lot of help from a perpetual weekly doctor appointment. I make friends with the 89-year-old nana-and-pop-pop set in the lobby. I am there so often my mother asks if this ophthalmologist gives out a rewards card like at Yogurtland.

A portrait of Ayla Harrison in an orange scarf.

My eyes bleed while I’m in the shower and during yoga. My sight snaps off like a light while I’m at the supermarket. My episodes of blindness go on for months — and still — my mother asks: “When are you going to meet someone? And can you send artisanal doughnuts through the mail?”

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This only reminds me of what’s coming: the flinch.

I need a new plan. Or a therapist. Instead, I call my ophthalmologist, a woman I’ve seen so many times I probably fund a fraction of her vacation house.

In the exam room, my ophthalmologist decides to fit me with therapeutic contact lenses. She explains these fancy lenses will protect my diseased eye and — bonus — they will make my eyes appear to be the same color. She finishes her adjustments, offers me a mirror like I’m in a Marvel movie, and waits for applause. I study my blind eye, tucked in its new costume, and opt for a late-night Google question instead: What if I got another procedure done on my eyes?

I suggest more surgeries — cutting-edge surgeries to fix my bad eye and its marble-y wobbling. My doctor pops a trained, reassuring smile and fires off a lecture on the dangers of continuing to rip open my eyes on the regular. The only thing all of those surgeries will do is make my condition worse, she tells me.

Two weeks later, in a different medical tower, I’m meeting with my retinal specialist this time. I hit him with my question about correcting my mismatched eyes. The response is identical — a list of horrors. He pauses to add, “But you are a single woman now. So maybe think about it,” and moves to a new patient without another word.

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Tears hit me in a wet burst as my doctor shouts to an 82-year-old in the next room: “How are you doing today?” The door closes behind him.

Harrison crosses a street in jeans and a black top.

Harrison crosses 4th Street in Long Beach. She went on a date at a nearby Peruvian restaurant with a man who surprised her.

I call my mother between sobs. I manage to say, “I can’t wear this lens.” I stammer on about how the lens is just a fancy bandage; a device to hide the fact that my vision loss is a ticking time bomb just waiting to go off. And who’s going to love that? My mom patiently waits out my sobs. Finally she says, “What sight you have left could go before I finish this sentence, but no one needs to be OK with that except you.”

Then she asks me if I’ve seen Reese Witherspoon do that one dance on TikTok yet.

Weeks later, I go on a date with a man. I sit across from him at a too-small table at a Peruvian restaurant on 4th Street in Long Beach. His voice is a mix of Spanish slang and a SoCal surfer lilt. And I swear he never drops eye contact. Normally this would wreck me. But with my new lens, I feel an odd new confidence. So, I commit first-date seppuku and tell him about my lens and my vision loss. As I talk, my anxiety hijacks my thoughts, and I immediately regret opening my mouth. Because I’m waiting for the flinch — for that lightning-fast jolt of expected pain. And then I realize I am too busy future spiraling to notice that my date is ordering a second round of drinks.

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I am too busy to notice that our date is still going.

It goes until ice melts into the dark amber whiskey in our sweaty cocktail glasses. It goes until it is the soft yellow of morning sunlight. It goes until he holds my hand on a crowded street, and I know it’s my turn to look him in the eye. At a crosswalk, I turn my head and stare at this man.

And for a solid three seconds, I have an overwhelming urge to steal his wallet. I smile. Somewhere, my mother is right.

Then he asks, “Can I kiss you?” I nod. He leans in and kisses me right on my diseased little eyes, right in the middle of that crowded street.

And for a moment, everyone is staring.

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The author is a playwright and screenwriter based in L.A. She’s on Instagram: @outinthestacks

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‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour

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‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour

Millie Bobby Brown in the final season of Stranger Things.

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After five seasons and almost ten years, the saga of Netflix’s Stranger Things has reached its end. In a two-hour finale, we found out what happened to our heroes (including Millie Bobby Brown and Finn Wolfhard) when they set out to battle the forces of evil. The final season had new faces and new revelations, along with moments of friendship and conflict among the folks we’ve known and loved since the night Will Byers (Noah Schnapp) first disappeared. But did it stick the landing?

To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.

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JasonMartin Says Adin Ross Disrespecting Doechii Stops in 2026

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JasonMartin Says Adin Ross Disrespecting Doechii Stops in 2026

JasonMartin
Adin Ross Disrespecting Doechii …
Will Not Be Tolerated!!!

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‘Everything I knew burned down around me’: A journalist looks back on LA’s fires

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‘Everything I knew burned down around me’: A journalist looks back on LA’s fires

A firefighter works as homes burn during the Eaton fire in the Altadena area of Los Angeles County, Calif., on Jan. 7, 2025.

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Josh Edelson/AFP via Getty Images

On New Year’s Eve 2024, journalist Jacob Soboroff was sitting around a campfire with a friend when he made an offhand comment that would come back to haunt him: The last thing he wanted to do in the new year, Soboroff said, was cover a story that would require donning a fire-safe yellow suit.

Just one week later, Soboroff was dressed in the yellow suit, reporting live from a street corner in Los Angeles as fire tore through the Pacific Palisades, the community where he was raised.

“This was a place that I could navigate with my eyes closed,” Soboroff says of the neighborhood. “Every hallmark of my childhood I was watching carbonize in front of me. … There were firefighters there and first responders and other journalists there, but it was an extremely lonely, isolating experience to be standing there as everything I knew burned down around me in real time.”

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In his new book, Firestorm: The Great Los Angeles Fires and America’s New Age of Disaster, Soboroff offers a minute-by-minute account of the catastrophe, told through the voices of firefighters, evacuees, scientists and political leaders. He says covering the wildfires was the most important assignment he’s ever undertaken.

“The experience of doing this is something that I don’t wish on anybody, but in a way I wish everybody could experience,” he says. “It’s given me insane reverence for our colleagues in the local news community here, who, I think, definitionally were exercising a public service in the street-level journalism that they were doing and are still doing. … It was actually beautiful to watch because they are as much a first responder on a frontline as anybody else.”

Interview highlights

Firestorm, by Ben Soboroff

On the experience of reporting from the fires

You’re choking with the smoke. And I almost feel guilty describing it from my vantage point because the firefighters would say things to me like: “My eyeballs were burning. We were laying flat on our stomach in the middle of the concrete street because it was so hot, it was the only way that we could open the hoses full bore and try to save anything that we could.” …

I could feel the heat on the back of my neck as we stood in front of these houses that I remember as the houses that cars and people would line up in front of for the annual Fourth of July parade or the road race that we would run through town. Trees were on fire behind us — we were at risk of structures falling at any given minute. It was pretty surreal because this is a place I had spent so much time as a child and going back to as an adult. … I had no choice but to just open my mouth and say what I saw to the millions of people that were watching us around the country.

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On undocumented immigrants being central to rebuilding the city

These types of massive both humanitarian and natural disasters give us X-ray vision for a time into sort of the fissures that are underneath the surface in our society. And Los Angeles, in addition to being one of the most unequal cities between the rich and the poor, has more undocumented people than virtually any other city in the United States of America. Governor Newsom knew that with the policies of the incoming administration, some of the very people that would be responsible for the cleanup and the rebuilding of Los Angeles may end up in the crosshairs of national immigration policy. And I think that that was an understatement. …

Pablo Alvarado in the National Day Laborer Organizing Network said to me that often the first people into a disaster — the second responders after the first — are the day laborers. They went to Florida after Hurricane Andrew, to New Orleans after Katrina, and they’d be ready to go in Los Angeles. And I went out and I cleaned up Altadena and Pasadena with some of them in real time.

And only months later did this wide-scale immigration enforcement campaign begin … on the streets of LA as sort of the Petri dish, the guinea pig for expanding this across the country. And it’s not an exaggeration to say that the parking lots of Home Depots, where workers [were] looking to get involved in the rebuilding of Los Angeles, has been ground zero for that enforcement campaign.

On efforts to rebuild

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The pace is slow and it’s sort of a hopscotch of development. And I think for people who do come back, for people who can afford to come back, it’s going to be a long road ahead. You’re going to have half the houses on your street under construction for years to come. And for people that do inhabit those homes, it’s going to an isolating experience. But there’s an effort underway to rebuild. …

There’s also a lot of for-sale signs. And that’s the sad reality of this, is that there are people who, whether it’s that they can’t afford to come back … or that they just can’t stomach it, I think, sadly, a lot people are not going to be returning to their homes.

On what the Palisades and Altadena look like today

They both look like very big construction sites in a way. There are still some facades, some ruins of the more historic buildings in the Palisades. … But mostly it’s just empty lots. And in Altadena, the same thing. If you drive by the hardware store, the outside is still there. But it’s a patchwork of empty lots. Homes now under construction. And lots and lots of workers. … There are still a handful of people who are living in both the Palisades and in Altadena, but for the most part, these are communities where you’ve got workers going in during the day and coming out at night. …

We have designed this community to be one that’s in the crosshairs of a fire just like the one we experienced and that we will certainly, certainly experience again, because nobody’s packing it up and leaving Los Angeles. People may not return to their communities after they’ve lost their homes, but the ship has sailed on living in the wildland urban interface in the second largest city in the country.

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On seeing this story, personally, as his “most important assignment”

Jacob Soboroff is a correspondent for MS NOW, formerly MSNBC.

Jacob Soboroff is a correspondent for MS NOW, formerly MSNBC.

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Jason Frank Rothenberg/HarperCollins

I don’t think I realized at the time how badly I needed the connections that I made in the wake of the fire, both with the people who have lost homes and the firefighters, first responders who were out there, but also honestly with my own family, my immediate family, my wife and my kids, my mom and my dad and my siblings and myself. I think that this was a really hard year in LA, and I think in the wake of the fire, I was experiencing some level of despair as well. Then the ICE raids happened here and sort of turned our city upside down. And this book for me was just this amazing cathartic blessing of an opportunity to find community with people I don’t think I ever would have otherwise spent time with, and to reconnect with people who I hadn’t seen or heard from in forever.

Anna Bauman and Nico Wisler produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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