Lifestyle
Mop-mop-swoosh-plop it's rug-washing day in 'Bábo'
Illustrations © 2023 by Anait Semirdzhyan
A whole book about a bunch of kids washing rugs with their grandmother? Author Astrid Kamalyan says she’d understand if you heard that pitch and thought, “Huh?”
But — of course — it is so much more than that.
“It’s actually a book about Armenian joy and the beauty of Armenian family,” says Kamalyan. “It has so much of what made our childhoods so happy.”
In Bábo: A Tale of Armenian Rug-Washing Day, a little girl named Tato steals some cherry plums before grabbing a brush. She joins friends and siblings outside, where they soak, soap, and wash the rugs.
“We scrub. Brushes bop-bop-bop,” Kamalyan writes. “Until our hands are warm. Until our knees and toes tingle a little. Until it’s time to clear the foam. Time to slide!”
“I think it’s the most favorite activity in Armenia,” says Anait Semirdzhyan, who illustrated Bábo. Both Kamalyan and Semirdzhyan are from Armenia — they moved to the United States within three years of each other — and they both grew up washing rugs with their grandmothers.
Semirdzhyan says her grandmother would usually set it all up, and then leave her and her cousins to it. “And then she would come back and check if everything is done properly,” she says.
“There is no formal rules or ways,” Kamalyan explains. “You kind of just do it and have fun with it.”
“Swoosh. We glide. Swoosh. Droplets splash,” she writes. “We twirl. Bubbles pop-pop-pop.”
Bábo
Illustrations © 2023 by Anait Semirdzhyan
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Illustrations © 2023 by Anait Semirdzhyan
Kamalyan wrote Bábo in 2020, right before conflict broke out in Armenia. She says it was important to have her book illustrated by someone who shared her background. She recommended Semirdzhyan, whose work she had long admired.
Semirdzhyan was thrilled when she got the manuscript. “I never, ever expected that I will illustrate a book about my childhood,” she says. Plus, here was a story she could draw from memory — she didn’t need to research what the buildings or streets would look like, or what Armenian kids would wear. Kamalyan says she recognized so much of her own childhood in the illustrations, it was almost like they had communicated telepathically.
That balcony that Semirdzhyan based on her grandma’s house? “The balcony looks so much like my mom’s balcony,” says Kamalyan.
The gata — an Armenian pastry — on the table at the end of the story, when all the kids sit down for a treat? Kamalyan hadn’t even told Semirdzhyan about her grandma’s favorite gata recipe.
Even Semirdzhyan’s rendition of a chicken coop rang familiar to Kamalyan’s dad, who grew up in an Armenian village. “Apparently, what you have there is the classical — the right — way of doing a chicken coop,” Kamalyan says.
One thing both author and illustrator had to research in order to make this story ring true? The rugs.
“Because we never pay attention to what colors and patterns are used on the rugs,” says Semirdzhyan.
So Astrid Kamalyan met with a carpet weaving expert — and learned about pattern sizes and color combinations. One of the rugs in her story has a dragon motif — it’s red, white, and blue — a red curve weaves up and down and forms an S-shape. “If it were green, brown, and purple you would know something is a little off,” Kamalyan says she knows now, after looking at thousands of carpets.
Illustrations © 2023 by Anait Semirdzhyan
Illustrations © 2023 by Anait Semirdzhyan
Another assist came from her grandmother — who caught one crucial omittance: in an early version of the story that Kamalyan was relaying, Tato and Bábo forgot to wash both sides of the rug.
“I felt like a five year-old girl again,” says Kamalyan. “You know, when parents say, ‘Don’t forget to wash behind your ears.’” So she added it to the book.
“‘Areg, help me turn this one over?’ Sevan asks. The pale mysterious backs of the carpets are like behind our ears. We must wash them, too.”
Anait Semirdzhyan illustrated Bábo digitally — she said the hardest part was that most of the action in this story centers around a single activity that takes place primarily in a single location. How to keep it from becoming boring?
“I realized, oh God, this is so difficult to illustrate,” Kamalyan says. “How do you show all the beauty?”
Semirdzhyan used perspective and angles. Some scenes zoom in on Tato’s feet, as she walks down stone steps to meet her grandmother. Other illustrations zoom out on a scene of the whole neighborhood chasing escaped chickens. There’s a bird’s eye view of the carpets as the kids roll them up — “Figures and patterns all shine bright — dragons, eagles, diamonds and crosses, leaves and flowers in wondrous weaves.”
After the rugs are clean, the kids roll them up and lay them on a bench. Once the water drips off, they’ll open them up to dry. Meanwhile, everyone hurries off for treats — gata, fruit, apricot pie, walnut preserves.
“What you see on the table is what I usually would eat at my grandma’s house,” says Semirdzhyan.
Illustrations © 2023 by Anait Semirdzhyan
Illustrations © 2023 by Anait Semirdzhyan
Even though Kamalyan has very faithfully and accurately described the process of rug-washing, she does have one word of caution for readers: Do not try this at home!
“If you have heirloom carpets, have them professionally cleaned,” Astrid Kamalyan says. “You have to be careful with the dyes and everything. You can spoil the rug.”
But if you choose to ignore this advice, at least listen to Anait Semirdzhyan.
“When the rug is soaped, it’s very slippery,” she cautions. “So be careful running on that rug.”
Lifestyle
‘Wait Wait’ for December 13, 2025: With Not My Job guest Lucy Dacus
Lucy Dacus performs at Spotlight: Lucy Dacus at GRAMMY Museum L.A. Live on October 08, 2025 in Los Angeles, California. (Photo by Rebecca Sapp/Getty Images for The Recording Academy)
Rebecca Sapp/Getty Images
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Rebecca Sapp/Getty Images
This week’s show was recorded in Chicago with host Peter Sagal, guest judge and scorekeeper Alzo Slade, Not My Job guest Lucy Dacus and panelists Adam Burke, Helen Hong, and Tom Bodett. Click the audio link above to hear the whole show.
Who’s Alzo This Time
Mega Media Merger; Cars, They’re Just Like Us; The Swag Gap
Panel Questions
An Hourly Marriage
Bluff The Listener
Our panelists tell three stories about a new TV show making headlines, only one of which is true.
Not My Job: Lucy Dacus answers our questions about boy geniuses
Singer-songwriter Lucy Dacus, one third of the supergroup boygenius, plays our game called, “boygenius, meet Boy Geniuses” Three questions about child prodigies.
Panel Questions
Bedroom Rules; Japan Solves its Bear Problem
Limericks
Alzo Slade reads three news-related limericks: NHL Superlatives; Terrible Mouthwash; The Most Holy and Most Stylish
Lightning Fill In The Blank
All the news we couldn’t fit anywhere else
Predictions
Our panelists predict what will be the next big merger in the news.
Lifestyle
L.A. Affairs: I had casually known her for 5 years. Was I finally ready to make a move?
In Fairfax, nestled on Beverly Boulevard near Pan Pacific Park, I ran a modest yet beloved pan-Asian restaurant called Buddha’s Belly. More than a place to eat, it was a gathering spot where our team and loyal regulars created an atmosphere of warmth and community. Every day, we exchanged stories about our guests, the generous, the quirky and the kind souls whose smiles lit up our little corner of L.A.
For five years, one regular stood out. The Buddha’s Belly team referred to her as “Aloha.” She had a familiar and beautiful face and she adored our shao bing finger sandwiches and pad Thai. During those five years, all I ever said to her was: “How’s your pad Thai?,” “Nice to see you” and “Thanks for coming in!” Her friendly smile and presence were the highlights of our routine interactions.
Then one hectic afternoon changed everything. Rushing to a meeting and about to leap into my car, I caught a glimpse of Lynda sitting at Table 64, smiling at me through our bamboo-lined patio (a.k.a. “bamboo forest”). I went over to say a quick hi.
“How’s your pad Thai?” I asked, and then I was off.
A couple blocks from the restaurant, I was struck by the feeling that our brief encounter was different this time. There was a spark — a look in her eye. So I did something out of character: I called the manager on duty and asked him to go to Table 64, Seat 3, and ask for her number.
The next day, I found a business card on my desk with Lynda’s cell number. It was on! That small gesture signaled the start of something extraordinary.
Eager to seize the moment, I called and invited her out for a date that same weekend. However, it was her birthday month, and that meant her calendar was booked solid for the next three to four weekends. Not wanting to let time slip away, I proposed an unconventional plan: to join me and an octogenarian friend at our annual opening night at the Hollywood Bowl. Little did I know this would turn out to be equal parts amazing and mortifying. My friend was so excited — she had no filter.
Shortly after picking up our dinner at Joan’s on Third, my friend started asking Lynda questions, first light questions like “Where are you from?” and “What do you do?” Then once seated at the Bowl, her questions continued. But now they were more pointed questions: “Have you ever been married?” and “Do you have kids?”
Amazingly, Lynda didn’t flinch, and her honesty, unfiltered yet graceful, was refreshing and alluring. She had been through life’s fires and knew that when it’s a fit, it should not be based on any false pretense. Although I did manage to get a few questions in that evening, I still chuckle at the memory of myself, sitting back, legs extended with a note pad in hand taking notes!
After dropping her off, she didn’t know if she would hear from me, as she didn’t know anything about me. But I didn’t wait three days to contact Lynda. I called her the next day to make plans to see her again. With it still being her birthday month, I asked her to join me that night for a surf film at the Ford with my best buddy. She said yes, and there we were on another chaperoned date.
By our third date, we were finally alone. We ventured to an underground gem affectionately dubbed the “Blade Runner” restaurant. Hidden on Pico Boulevard behind no obvious sign and characterized by hood-free mesquite grills and stacked wine crates, the place exuded a secret charm. Sharing a bottle of wine with the owner, our conversation deepened, and the electricity between Lynda and me became undeniable.
Our story took another turn when I was opening a new bar named Copa d’Oro (or Cup of Gold) in Santa Monica that was similar to a bar down the street called Bar Copa. The owner of Bar Copa invited me to discuss whether the concept was going to be too like his own. While we waited in the packed room, I instinctively put my hand around the small of Lynda’s back to steady us from the ebb and flow of the crowd of people around us. The intensity of our closeness and the energy between us was palpable, and we soon found ourselves at a quieter bar called Schatzi on Main where we had our first kiss.
Our courtship continued, and it would be defined by ease and grace. There were no mind games or calculations. One of us would ask whether the other was free, and it was an easy yes. Our desire was to be together.
I fondly remember being at a Fatburger not far from where Lynda lived, and I phoned her to ask if she wanted to sit with me as I scarfed down a Double Kingburger with chili and egg (yum!), and she said yes. By the time she arrived, I was halfway through eating the sandwich. But I was practicing a new way of eating a sloppy burger that my brother taught me. Why bother to continuously wipe your mouth when you’re only going to mess it up with the next bite? To save time and energy, wipe your mouth once at the end.
I was practicing this new technique with a smear of sauce on my face, and it didn’t faze her one bit. I could only imagine what her internal monologue was!
After six months of effortless companionship, I asked Lynda to move in, and a year later, while at Zephyr’s Bench, a serene and cherished hiking spot in the Santa Monica Mountains behind Bel-Air, I asked her to marry me.
Now, more than 17 years later, with two beautiful boys and our pandemic dog in tow, I can say I found my own aloha right here in the vibrant chaos of Los Angeles.
The author lives in Santa Monica with his wife and two children. They go to the Hollywood Bowl every chance they can. He’s also aspiring to make it into the Guinness World Records book.
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
‘The Mask’ and ‘Pulp Fiction’ actor Peter Greene dies at 60
Actor Peter Greene at a press conference in New York City in 2010.
Bryan Bedder/Getty Images
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Bryan Bedder/Getty Images
Actor Peter Greene, known for playing villains in movies including Pulp Fiction and The Mask, has died. Greene was found dead in his apartment in New York City on Friday, his manager and friend, Gregg Edwards, told NPR. The cause of death was not immediately provided. He was 60 years old.
The tall, angular character actor’s most famous bad guy roles were in slapstick and gritty comedies. He brought a hammy quality to his turn as Dorian Tyrell, Jim Carrey’s nemesis in the 1994 superhero movie The Mask, and, that same year, played a ruthless security guard with evil elan in the gangster movie Pulp Fiction.
“Peter was one of the most brilliant character actors on the planet,” Edwards said.
He went on to work steadily, earning dozens of credits in movies and on TV, such as the features Judgment Night, Blue Streak and Training Day, a 2001 episode of Law & Order, and, in 2023, an episode of The Continental, the John Wick prequel series.
At the time of his death, the actor was planning to co-narrate the in-progress documentary From the American People: The Withdrawal of USAID, alongside Jason Alexander and Kathleen Turner. “He was passionate about this project,” Edwards said.
Greene was also scheduled to begin shooting Mickey Rourke’s upcoming thriller Mascots next year.
Rourke posted a close-up portrait of Greene on his Instagram account Friday night accompanied by a prayer emoji, but no words. NPR has reached out to the actor’s representatives for further comment.
Peter Greene was born in New Jersey in 1965. He started pursuing acting in his 20s, and landed his first film role in Laws of Gravity alongside Edie Falco in 1992.
The actor battled drug addiction through much of his adult life. But according to Edwards, Greene had been sober for at least a couple of years.
Edwards added that Greene had a tendency to fall for conspiracy theories. “He had interesting opinions and we differed a lot on many things,” said Edwards. “But he was loyal to a fault and was like a brother to me.”
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