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Mop-mop-swoosh-plop it's rug-washing day in 'Bábo'

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Mop-mop-swoosh-plop it's rug-washing day in 'Bábo'

Illustrations © 2023 by Anait Semirdzhyan

A whole book about a bunch of kids washing rugs with their grandmother? Author Astrid Kamalyan says she’d understand if you heard that pitch and thought, “Huh?”

But — of course — it is so much more than that.

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“It’s actually a book about Armenian joy and the beauty of Armenian family,” says Kamalyan. “It has so much of what made our childhoods so happy.”

In Bábo: A Tale of Armenian Rug-Washing Day, a little girl named Tato steals some cherry plums before grabbing a brush. She joins friends and siblings outside, where they soak, soap, and wash the rugs.

“We scrub. Brushes bop-bop-bop,” Kamalyan writes. “Until our hands are warm. Until our knees and toes tingle a little. Until it’s time to clear the foam. Time to slide!”

“I think it’s the most favorite activity in Armenia,” says Anait Semirdzhyan, who illustrated Bábo. Both Kamalyan and Semirdzhyan are from Armenia — they moved to the United States within three years of each other — and they both grew up washing rugs with their grandmothers.

Semirdzhyan says her grandmother would usually set it all up, and then leave her and her cousins to it. “And then she would come back and check if everything is done properly,” she says.

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“There is no formal rules or ways,” Kamalyan explains. “You kind of just do it and have fun with it.”

Swoosh. We glide. Swoosh. Droplets splash,” she writes. “We twirl. Bubbles pop-pop-pop.”

Bábo

Illustrations © 2023 by Anait Semirdzhyan


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Illustrations © 2023 by Anait Semirdzhyan

Kamalyan wrote Bábo in 2020, right before conflict broke out in Armenia. She says it was important to have her book illustrated by someone who shared her background. She recommended Semirdzhyan, whose work she had long admired.

Semirdzhyan was thrilled when she got the manuscript. “I never, ever expected that I will illustrate a book about my childhood,” she says. Plus, here was a story she could draw from memory — she didn’t need to research what the buildings or streets would look like, or what Armenian kids would wear. Kamalyan says she recognized so much of her own childhood in the illustrations, it was almost like they had communicated telepathically.

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That balcony that Semirdzhyan based on her grandma’s house? “The balcony looks so much like my mom’s balcony,” says Kamalyan.

The gata — an Armenian pastry — on the table at the end of the story, when all the kids sit down for a treat? Kamalyan hadn’t even told Semirdzhyan about her grandma’s favorite gata recipe.

Even Semirdzhyan’s rendition of a chicken coop rang familiar to Kamalyan’s dad, who grew up in an Armenian village. “Apparently, what you have there is the classical — the right — way of doing a chicken coop,” Kamalyan says.

One thing both author and illustrator had to research in order to make this story ring true? The rugs.

“Because we never pay attention to what colors and patterns are used on the rugs,” says Semirdzhyan.

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So Astrid Kamalyan met with a carpet weaving expert — and learned about pattern sizes and color combinations. One of the rugs in her story has a dragon motif — it’s red, white, and blue — a red curve weaves up and down and forms an S-shape. “If it were green, brown, and purple you would know something is a little off,” Kamalyan says she knows now, after looking at thousands of carpets.

Bábo, written by Astrid Kamalyan and illustrated by Anait Semirdzhyan

Illustrations © 2023 by Anait Semirdzhyan

Bábo, written by Astrid Kamalyan and illustrated by Anait Semirdzhyan

Illustrations © 2023 by Anait Semirdzhyan

Another assist came from her grandmother — who caught one crucial omittance: in an early version of the story that Kamalyan was relaying, Tato and Bábo forgot to wash both sides of the rug.

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“I felt like a five year-old girl again,” says Kamalyan. “You know, when parents say, ‘Don’t forget to wash behind your ears.’” So she added it to the book.

“‘Areg, help me turn this one over?’ Sevan asks. The pale mysterious backs of the carpets are like behind our ears. We must wash them, too.”

Anait Semirdzhyan illustrated Bábo digitally — she said the hardest part was that most of the action in this story centers around a single activity that takes place primarily in a single location. How to keep it from becoming boring?

“I realized, oh God, this is so difficult to illustrate,” Kamalyan says. “How do you show all the beauty?”

Semirdzhyan used perspective and angles. Some scenes zoom in on Tato’s feet, as she walks down stone steps to meet her grandmother. Other illustrations zoom out on a scene of the whole neighborhood chasing escaped chickens. There’s a bird’s eye view of the carpets as the kids roll them up — “Figures and patterns all shine bright — dragons, eagles, diamonds and crosses, leaves and flowers in wondrous weaves.”

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After the rugs are clean, the kids roll them up and lay them on a bench. Once the water drips off, they’ll open them up to dry. Meanwhile, everyone hurries off for treats — gata, fruit, apricot pie, walnut preserves.

“What you see on the table is what I usually would eat at my grandma’s house,” says Semirdzhyan.

Bábo, written by Astrid Kamalyan and illustrated by Anait Semirdzhyan

Illustrations © 2023 by Anait Semirdzhyan

Bábo, written by Astrid Kamalyan and illustrated by Anait Semirdzhyan

Illustrations © 2023 by Anait Semirdzhyan

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Even though Kamalyan has very faithfully and accurately described the process of rug-washing, she does have one word of caution for readers: Do not try this at home!

“If you have heirloom carpets, have them professionally cleaned,” Astrid Kamalyan says. “You have to be careful with the dyes and everything. You can spoil the rug.”

But if you choose to ignore this advice, at least listen to Anait Semirdzhyan.

“When the rug is soaped, it’s very slippery,” she cautions. “So be careful running on that rug.”

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Yes, romance & fantasy novels are political. : It’s Been a Minute

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Yes, romance & fantasy novels are political. : It’s Been a Minute
How do romantic tropes and fantasies impact how you understand politics?You might be a fan of Romantic Fantasy, or as the internet calls it: Romantasy. Even if you’re not, you would recognize the tradwives or fascism. Romantasies combine supernatural characters and plotlines with the rush of a whirlwind romance novel, and, in this episode, we’re exploring how the politics of some of these books have an effect on politics in the real world.Brittany is joined by Netta Baker,  Advanced Instructor of English at Virginia Tech, and Princess Weekes, video essayist and online pop culture critic. They get into how this genre demolishes misogyny while reinforcing conservative politics.Support Public Media. Join NPR Plus.Follow Brittany Luse on Instagram: @bmluseFor handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.
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Supermodel Carol Alt ‘Memba Her?!

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Supermodel Carol Alt ‘Memba Her?!

American model Carol Alt was only 22 years old — and 5′ 11″ — when she shot to stardom after she was featured on the cover of the 1982 Sports Illustrated Swimsuit issue.

Alt was featured in Vogue, Harper’s Bazaar, Elle and Cosmopolitan, as well as, scoring sought after ad campaigns like Cover Girl, Hanes, Givenchy and Diet Pepsi.

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‘Fireworks’ wins Caldecott, Newbery is awarded to ‘All the Blues in the Sky’

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‘Fireworks’ wins Caldecott, Newbery is awarded to ‘All the Blues in the Sky’

Fireworks, by Matthew Burgess and illustrated by Cátia Chien has won the Caldecott Medal for the most distinguished American picture book for children, and All the Blues in the Sky, written by Renée Watson has been awarded the Newbery Medal for the most outstanding contribution to children’s literature.

Clarion Books; Bloomsbury Children’s Books


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Clarion Books; Bloomsbury Children’s Books

The best books for children and young adults were awarded the country’s top honors by the American Library Association on Monday.

Illustrator Cátia Chien and author Matthew Burgess took home the Caldecott Medal for the book Fireworks. The Caldecott is given annually to the most distinguished American picture book for children. Fireworks follows two young siblings as they eagerly await the start of a July 4th fireworks show. Paired with Chien’s vibrant illustrations, Burgess’ poetic language enhances the sensory experience of fireworks.” When you write poems with kids, you see how immediately they get this,” Burgess told NPR in 2025 in a conversation about his book Words with Wings and Magic Things. “If you read a poem aloud to kids, they start to dance in their seats.”

The Newbery Medal, awarded for the most outstanding contribution to children’s literature, went to Renée Watson for All the Blues in the Sky. This middle-grade novel, also told in verse, follows 13-year-old Sage, who struggles with grief following the death of her best friend. Watson is also the author of Piecing Me Together, which won the 2018 Coretta Scott King Award and was also a Newbery Medal honor book. “I hope that my books provide space for young people to explore, and say, “Yeah, I feel seen,” Watson told NPR in 2018. “That’s what I want young people to do — to talk to each other and to the adults in their lives.”

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This year’s recipients of the Coretta Scott King Book Awards include Will’s Race for Home by Jewell Parker Rhodes (author award) and The Library in the Woods, by Calvin Alexander Ramsey and illustrated by R. Gregory Christie (illustrator award). Arriel Vinson’s Under the Neon Lights received the Coretta Scott King-John Steptoe Award for New Talent.

Los Angeles based artist Kadir Nelson was honored with the Coretta Scott King-Virginia Hamilton Award for Lifetime Achievement. His work has appeared in more than 30 children’s books.

This year’s Newbery Honor Books were The Nine Moons of Han Yu and Luli, by Karina Yan Glaser; A Sea of Lemon Trees: The Corrido of Roberto Alvarez by María Dolores Águila and The Teacher of Nomad Land: A World War II Story by Daniel Nayeri.

Caldecott Honors books were Every Monday Mabel by Jashar Awan, Our Lake by Angie Kang, Stalactite & Stalagmite: A Big Tale from a Little Cave by Drew Beckmeyer, and Sundust by Zeke Peña.

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Edited by Jennifer Vanasco and Beth Novey.

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