Lifestyle
Moo Deng is a worldwide phenomenon. How long can this global love affair last?
CHONBURI PROVINCE, Thailand — Like most babies, Moo Deng spends a lot of her time sleeping.
But for a few hours a day, the 4-month-old pygmy hippo springs to life, gumming on leaves, zooming around the compound and tossing her head in a silent, open-mouthed roar.
These moments, captured by her zookeeper at the Khao Kheow Open Zoo, a two-hour drive south of Bangkok, and shared on social media, have turned her into a global phenomenon — an “It Girl” beloved for her sporadic fits of energy and proclivity for snapping toothlessly at hoses and knees.
Named for a Thai dish that means “bouncy pork,” Moo Deng has become the muse for cakes, clothing, tattoos and fireworks. Make-up tutorials demonstrate how to get her baby-pink cheeks and dewy skin. Partygoers this year dressed up as the pygmy hippo for Halloween. So did comedian Bowen Yang on “Saturday Night Live.”
Her remote home — struggling post-pandemic — has been transformed into a must-see attraction for international visitors and locals alike.
When Dong Kim, a 29-year-old travel blogger, visited in October, the excited hordes reminded him less of a zoo than a South American soccer game or a Black Friday door-buster sale.
Atthapon Nundee, the 31-year-old zookeeper who makes viral videos of Moo Deng, sprays the pygymy hippo and her mother with water.
(Lauren DeCicca / Getty Images)
“I’ve gone to the Great Wall, I’ve been to the Colosseum, I’ve been to Christ the Redeemer in Rio. But [this] was by far the longest line I have ever waited in,” he said. “It literally felt like people would die for this hippo.”
But Moo Deng’s sudden celebrity was not merely a result of cute animal worship or the fact that the pygmy hippo, native to West Africa, is an endangered species. While she was gestating in her mother’s womb, a 31-year-old zookeeper was hatching a plan to make her a star — tapping into a worldwide culture well-versed in capitalizing on internet virality — and save the financially strapped zoo while he was at it.
Today Moo Deng is the most famous animal on the planet — for now.
Nearly 175 years before Moo Deng took the internet by storm, another exotic hippo helped save the world’s first modern zoo.
The London Zoo began in 1828 as a members-only community, but opened to the public in 1847 in an effort to earn enough money to stay afloat. Visitors grew bored until Obaysch, named after an island in the Nile where he was captured, arrived three years later. The first hippo seen in Europe since the Roman Empire, Obaysch doubled annual attendance, drawing up to 10,000 visitors every day.
Baby hippo Moo Deng plays with a zookeeper in the Khao Kheow Open Zoo in September.
(Sakchai Lalit / Associated Press)
“They had to figure out a way to keep the public interested,” said Robert Young, professor of wildlife conservation at the University of Salford in England. “The thing they came up with … celebrity animals.”
Fans quickly grew attached to their favorites. When the zoo sold Jumbo the Elephant to P.T. Barnum in 1882, people protested in the streets. A black bear named Winnipeg became the inspiration for Winnie the Pooh. Guy, a western lowland gorilla, received hundreds of birthday cards every year.
In the 20th century, animals in the news (Sea Biscuit) and movies and TV shows (Lassie, Punxsutawney Phil) captured the hearts of millions. Recently, social media has hastened the celebrity of animals such as Grumpy Cat and JiffPom the Pomeranian.
In 2017, Fiona the hippo went viral as the internet watched her fight to survive infancy. She became the biggest attraction at the Cincinnati Zoo, inspiring her own ice cream flavor and children’s book.
Leasing giant pandas from China has become another strategy to draw visitors. But foot traffic subsides after two years, Young said, while zoos spend hundreds of thousands of dollars a year on bamboo that the pandas sometimes refuse. Pygmy hippos can be housed and supported at a much lower cost.
Huanyuan Zhang, a college lecturer at the University of Oxford who studies West African forest ecology, was surprised to see a sudden uptick this year in references to his research. He was even more perplexed to discover the cause was a pygmy hippo born more than 6,000 miles from its native land.
“It just feels like, out of many friends, one of your normal friends suddenly becomes a celebrity,” said Zhang, who hopes that the world’s love for Moo Deng will raise awareness of deforestation and endangered species. There are fewer than 2,500 pygmy hippos alive today compared with 12,000 in 1982.
Male panda Yun Chuan was introduced to the public at the San Diego Zoo on Aug. 8. He and Xin Bao, a female panda, are the first giant pandas to enter the United States in 21 years.
(Myung J. Chun / Los Angeles Times)
Young said zoos often rely on ambassador animals to bring attention to lesser-known species. But social media, he noted, will always favor the Moo Dengs of the world.
“The big issue,” he said, “is how do you get people interested in the uglies? Getting people to want to save a gorilla is quite easy. You try and get people to want to save the aye-aye, possibly the ugliest primate on the planet, it’s a very different situation.”
Four years after the pandemic choked off travel, the Khao Kheow Open Zoo had yet to recover from the financial devastation. With only a couple of thousand visitors per day, the budget to maintain the 2,000-acre zoo was stretched to its limits. Anticipating the birth of Moo Deng, zookeeper Atthapon Nundee sensed an opportunity.
Nundee had studied to become an electrician, but his first job out of college was driving a 10-wheeler truck around the country. After three years, he started looking for something closer to home. The zoo, a five-minute commute, had an opening.
Fans cheer as they see Moo Deng run around her enclosure at the Khao Kheow Open Zoo in November.
(Lauren DeCicca / Getty Images)
Over the next eight years, Nundee cared for baby hippos including two of Moo Deng’s siblings: Moo Wan and Moo Tun, also named after Thai pork dishes. Though Moo Deng is known for her spunky attitude, Nundee said her siblings were just as playful. So with one more on the way, Nundee was ready.
“I know when they become funny, how to set up the camera, which angle to take to see when it’s cute,” he said. “Any animal can become famous like Moo Deng. It’s just about how friendly you are with the animal.”
Moo Deng’s celebrity did not start at the moment of birth. To his dismay, Nundee discovered her crawling around the morning of July 10, placenta still attached. Their star had been born, and no one was there to document it.
But in August, the zoo posted a poll online asking the public to help choose her name. Nundee’s close-ups of her splashing in the water and snapping at the air started circulating on social media. Admirers called her sweet, or feisty, or filled with silent rage. Japanese residents working at the local industrial park shared their fan art, boosting Moo Deng’s popularity in Asia before her stardom spread west.
By September, the meme-ification of Moo Deng caught the attention of Molly Swindall, an influencer who posts about baby animals and attending Taylor Swift concerts. The 29-year-old was so enchanted that, in early October, she flew more than 18 hours to Thailand, stood at Moo Deng’s enclosure for four hours, and then returned to New York the next day.
“She’s absolutely iconic,” Swindall said. “Whether it’s a leaf being stuck to her face for a couple hours, or her moon-walking or biting knees, or running around with rage, she just makes you laugh.”
Moo Deng was so popular the zoo had to impose time limits for viewing.
(Sakchai Lalit / Associated Press)
By the time she returned for a second visit, the zoo had implemented a five-minute limit for spectators, after some were caught tossing water and shells to try and rouse Moo Deng. Swindall still went through the queue three times, waiting about 30 to 40 minutes each round.
The baby hippo’s economic impact has spread far beyond the confines of the sprawling zoo in the Chonburi province.
Miles before the entrance, posters advertise Moo Deng ice cream. The restaurants in the area fill up at lunch time, and on weekends, makeshift stalls sell snacks along the road. The influx of tourists has boosted local incomes by 50% or more, nearby workers said. The month that Moo Deng was born, the zoo had fewer than 85,000 visitors. In October, total attendance rose to 300,000.
Decha Sontanawan, 59, spent about $1,000 to turn an old truck into a merchandise stall for Moo Deng pillows, keychains and T-shirts to sell outside the zoo. He recouped his investment within four days.
Decha Sontanawan sells Moo Deng pillows outside the Khao Kheow Open Zoo.
(Lauren DeCicca / Getty Images)
Now Sontanawan, his wife, his daughter and his son-in-law, who all work at the zoo, take turns manning the Moo Deng truck on their days off. “Everything is better. Everything’s recovered, everything’s booming,” he said.
Skyrocketing demand has transformed Moo Deng into a brand. About 70 companies have paid the zoo for the rights to print Moo Deng on products such as pajamas, pet food and squeezable condensed milk. A supermarket chain launched its own Moo Deng-themed coconut juice after signing a contract that Monday afternoon, and a Thai business newspaper has reported that collaborations are expected to generate as much as $4.3 million by March.
The money now accounts for 30% of revenue, according to Narongwit Chodchoy, the zoo director, with proceeds going to zoo habitats and living conditions, as well as flood victims in Chiang Mai in Northern Thailand.
“We have to try to keep her fame and reputation going,” he said, although, at some point Moo Deng will lose some of her youthful “bounciness,” and thus some of her charm.
That’s why the zoo is already pursuing its next viral hit. A pair of two-toed sloths is on the way, in the hopes that with three — two males and one female— the zoo will produce another small star. If so, the baby also will be managed by Moo Deng’s keeper, who has enjoyed his own rise in fame, if not in pay.
For now, Moo Deng is still going strong. Other baby pygmy hippos born this year in Sydney, Berlin and Edinburgh, have failed to match her allure. The Edinburgh Zoo promoted its newborn pygmy hippo Haggis this month as a rival to Moo Deng’s famed cuteness. It later apologized for pitting the babies against each other.
Skyrocketing demand has transformed Moo Deng into a brand. About 70 companies have paid the zoo for the rights to print Moo Deng on products such as pajamas, pet food and squeezable condensed milk.
(Sakchai Lalit / Associated Press)
When a common hippo was born in Eastern Thailand last month, she was named by an online poll too, and christened Hom Daeng, the Thai word for “Shallot.” Pygmy hippo fans couldn’t help but compare. One Facebook user complained that Hom Daeng was too dry, unlike Moo Deng, who appears perpetually moist in photos.
“This one has no aura at all,” another critic wrote. “It’s like comparing a celebrity to an ordinary person.”
Special correspondent Poypiti Amatatham in Bangkok contributed to this report.
Lifestyle
‘Hamnet’ star Jessie Buckley looks for the ‘shadowy bits’ of her characters
Jessie Buckley has been nominated for an Academy Award for best actress for her portrayal of William Shakespeare’s wife in Hamnet.
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Kate Green/Getty Images
Actor Jessie Buckley says she’s always been drawn to the “shadowy bits” of her characters — aspects that are disobedient, or “too much.” Perhaps that’s what led her to play Agnes, the wife of William Shakespeare, in Hamnet.
Buckley says the film, which is based on Maggie O’Farrell’s 2020 novel, offered a chance to counter a common narrative about the playwright’s wife: that she “had kept him back from his genius,” Buckley says.

But, she adds, “What Maggie O’Farrell so brilliantly did, not just with Agnes and Shakespeare’s wife, but also with Hamnet, their son, was to bring these people … and give them status beside this great man. … [And] give the full landscape of what it is to be a woman.”
The film is nominated for eight Academy Awards, including best actress for Buckley. In it, she plays a woman deeply connected to nature, who faces conflicts in her marriage, as well as the death of their son Hamnet.
Buckley found out she was pregnant a week after the film wrapped. She’s since given birth to her first child, a daughter.

“The thing that this story offered me, that brought me into this next chapter of my life as a mother was tenderness,” she says. “A mother’s tenderness is ferocious. To love, to birth is no joke. To be born is no joke. And the minute something’s born into the world, you’re always in the precipice of life and death. That’s our path. … I wanted to be a mother so much that that overrode the thought of being afraid of it.”
Jessie Buckley stars as Agnes and Joe Alwyn plays her brother Bartholomew in Hamnet.
Courtesy of Focus Features/Courtesy of Focus Features
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Courtesy of Focus Features/Courtesy of Focus Features
Interview highlights
On filming the scene where she howls in grief when her son dies
I didn’t know that that was going to happen or come out, it wasn’t in the script. I think really [director] Chloé [Zhao] asked all of us to dare to be as present as possible. Of course, leading up to it, you’re aware this scene is coming, but that scene doesn’t stand on its own. By the time I’d met that scene, I had developed such a deep bond with Jacobi Jupe, who plays Hamnet, and [co-stars] Paul [Mescal] and Emily Watson, and all the children and we really were a family. And Jacobi Jupe who plays Hamnet is such an incredible little actor and an incredible soul, and we really were a team. …

The death of a child is unfathomable. I don’t know where it begins and ends. Out of utter respect, I tried to touch an imaginary truth of it in our story as best I could, but there’s no way to define that kind of grief. I’m sure it’s different for so many people. And in that moment, all I had was my imagination but also this relationship that was right in front of me with this little boy and that’s what came out of that.
On what inspired her to pursue singing growing up
I grew up around a lot of music. My mom is a harpist and a singer and my dad has always been passionate about music, so it was always something in our house and always something that was encouraged. … Early on, I have very strong memories of seeing and hearing my mom sing in church and this quite intense mercurial conversation that would happen between her, the story and the people that would listen to her. And at the end of it, something had been cracked between them and these strangers would come up with tears in their eyes. And I guess I saw the power of storytelling through my mom’s singing at a very young age, and that was definitely something that made me think I want to do that.
On her first big break performing as a teen on the BBC singing competition I’d Do Anything — and being criticized by judges about her physical appearance
I was raw. I hadn’t trained. I had a lot to learn and to grow in. I was only 17. I think there was part of their criticism which I think was destructive and unfair when it became about my awkwardness, or they would say I was masculine and send me to kind of a femininity school. … They sent me to [the musical production of] Chicago to put heels on and a leotard and learn how to walk in high heels, which was pretty humiliating, to be honest, and I’m sad about that because I think I was discovering myself as a young woman in the world and wasn’t fully formed. … I was different. I was wild, I had a lot of feeling inside me. I could hardly keep my hands beside myself and I think to kind of criticize a body of a young woman at that time and to make her feel conscious of that was lazy and, I think, boring.
On filming parts of the 2026 film The Bride! while pregnant
I really loved working when I was pregnant. I thought it was a pretty wild experience, especially because I was playing Mary Shelley and I was talking about [this] monstrosity, and here I was with two heartbeats inside me. Becoming a mom and being pregnant did something, I think, for me. My experience of it, it’s so real that it really focuses [me to be] allergic to fake or to disconnection.
Since my daughter has come and I know what that connection is and the real feeling of being in a relationship with somebody … as an actress, it’s very exciting to recognize that in yourself and really take ownership of yourself.
I’m excited to go back and work on this other side of becoming a mother in so many ways, because I’ve shed 10 layers of skin by loving more and experiencing life in such a new way with my daughter. I’m also scared to work again because it’s hard to be a mother and to work. That’s like a constant tug because I love what I do and I’m passionate and I want to continue to grow and learn and fill those spaces that are yet to be filled — and also be a mother. And I think every mother can recognize that tug.
On the possibility of bringing her daughter to travel with her as she works
I haven’t filmed for nearly a year and I cannot wait. I’m hungry to create again. And my daughter will come with me. She’s seven months, so at the moment she can travel with us and it’s a beautiful life. And she meets all these amazing people and I have a feeling that she loves life and that’s a great thing to see in a child. And I hope that’s something that I’ve imparted to her in the short time that she’s been on this earth is that life is beautiful and great and complex and alive and there’s no part of you that needs to be less in your life. You might have to work it out, but it’s worth it.
Lauren Krenzel and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
Lifestyle
‘Evil Dead’ Star Bruce Campbell Reveals He Has Cancer
Bruce Campbell
I’m Battling Cancer
Published
Bruce Campbell has revealed he has cancer, but says it’s a type that’s treatable, though not curable.
“The Evil Dead” actor shared the news Monday in a message to fans, writing, “Hi folks, these days, when someone is having a health issue, it’s referred to as an ‘opportunity,’ so let’s go with that — I’m having one of those.” He continued, “It’s also called a type of cancer that’s ‘treatable’ not ‘curable.’ I apologize if that’s a shock — it was to me too.”
Campbell said he wouldn’t go into further detail about his diagnosis, but explained his work schedule will be changing. “Appearances and cons and work in general need to take back seat to treatment,” he wrote, adding he plans to focus on getting “as well as I possibly can over the summer.”
As a result, Campbell says he has to cancel several convention appearances this summer, noting, “Treatment needs and professional obligations don’t always go hand-in-hand.”
He says his plan is to tour this fall in support of his new film, “Ernie & Emma,” which he stars in and directs.
Ending on a determined note, Campbell told fans, “I am a tough old son-of-a-bitch … and I expect to be around a while.”
Lifestyle
‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour
Neve Campbell in Scream 7.
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The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.
Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture
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