Lifestyle
Mitzi Gaynor, star of the big-screen musical ‘South Pacific,’ dies at 93
Actress Mitzi Gaynor poses in her apartment in Beverly Hills, Calif., on May 26, 2021. Gaynor, among the last survivors of the so-called golden age of the Hollywood musical, died of natural causes in Los Angeles on Thursday. She was 93.
Mark J. Terrill/AP
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Mark J. Terrill/AP
LOS ANGELES — Mitzi Gaynor, the effervescent dancer and actor who starred as Nellie Forbush in the 1958 film of “South Pacific” and appeared in other musicals with Bing Crosby, Frank Sinatra and Gene Kelly, has died. She was 93.
Gaynor, among the last survivors of the so-called golden age of the Hollywood musical, died of natural causes in Los Angeles on Thursday morning, her long-time managers Rene Reyes and Shane Rosamonda confirmed in a statement to The Associated Press.
“As we celebrate her legacy, we offer our thanks to her friends and fans and the countless audiences she entertained throughout her long life,” Reyes and Rosamonda said in a joint statement. “Your love, support and appreciation meant so very much to her and was a sustaining gift in her life.”
Her entertainment career spanned eight decades across film, television and the stage, and appeared in several notable films including “We’re Not Married!” and “There’s No Business Like Show Business,” but she is best remembered for her turn in “South Pacific.”
The screen version of “South Pacific” received three Academy Award nominations and won for best sound, while Gaynor was a best actress nominee for a Golden Globe.
The role of the love-sick nurse Nellie, created on Broadway by Mary Martin, had been eagerly sought by Hollywood stars. Sinatra helped Gaynor land it.
She was starring with him in “The Joker Is Wild,” when she had a one-day opportunity to audition for lyricist Oscar Hammerstein II. It was the same day she was scheduled for her biggest scene with Sinatra. When she explained her plight, he told her, “Don’t worry, I’ll change the schedule.”
Hammerstein was impressed with Gaynor, who had already won the approval of director Josh Logan and composer Richard Rodgers. She was cast opposite Rossano Brazzi, about whom she sang “I’m in Love with a Wonderful Guy.”
Gaynor’s career spanned film, television and Vegas
“South Pacific” was not the turning point in her career that Gaynor had hoped it would be, and she shifted her focus from film to television, making early appearances on Donald O’Connor’s variety series “Here Comes Donald,” and on CBS’ “The Jack Benny Hour.” In October of 1959, she was the only women to guest star alongside Sinatra, Crosby, Dean Martin and Jimmy Durante on ABC’s “The Frank Sinatra Timex Show” special.
Later in her career, Gaynor reinvented herself as a performing entertainer. Working with her husband and manager Jack Bean, she starred in her own musical revue that was a big draw in theaters throughout the U.S., Canada, the U.K. and Australia.
She became the highest paid female entertainer in Las Vegas and was the first woman to be awarded the Las Vegas governor’s trophy for “Star Entertainer of the Year” in 1970.
When touring with a full orchestra, a corps of dancers and backstage personnel became too unwieldy and expensive, Gaynor slimmed down the production, eventually making it a one-woman show. They continued touring every year until 2002 when Bean’s illness required a hiatus.
“I love touring; I’ve been doing it much of my life,” Gaynor said in a 2003 interview. “We go back to the same places; it’s like visiting friends. After the show, people come backstage to the dressing room, and we renew friendships. We send out almost 3,000 Christmas cards every year.”
“Off stage, she was a vibrant and extraordinary woman, a caring and loyal friend, and a warm, gracious, very funny and altogether glorious human being. And she could cook, too!” the statement from Rosamonda and Reyes said, referencing a song from the musical “On the Town” that Gaynor sang in one of her revue shows.
Gaynor also starred in several television variety specials, including “Mitzi…Zings Into Springs” and “Mitzi…Roarin’ in the 20’s.” Many of the specials received nominations for Emmy Awards, with wins for choreography, lighting, art design and costume design, the last of which was awarded to Gaynor’s longtime collaborator, Bob Mackie. The specials were the subject of the 2008 documentary “Mitzi Gaynor: Razzle Dazzle! The Special Years.”
She began singing and dancing at a young age
Born Francesca Marlene de Czanyi von Gerber (Mitzi is diminutive for Marlene) in Chicago on Sept. 4, 1931, she was a part of a musically inclined family and started singing and dancing at a young age.
In a 2003 AP interview, Gaynor said she has a clear memory of her stage debut. She had been taking ballet and tap lessons and at age 7 she was scheduled for a tap routine at the dance school recital. She had neglected to use the bathroom, and when she faced the audience, a puddle formed on the stage.
“I ran kicking and screaming off the stage,” she recalls. “But I got huge applause. So I dried off and put some lipstick on. After the next girl did a hula with batons and slipped on the wet floor, I went out and said, ‘I’m OK now. Can I do it?’ And I got cheers!”
Gaynor and Bean married in 1954 and in 1960 bought a spacious house in Beverly Hills that became their home until his death in 2006. They rarely appeared at Hollywood events, preferring to entertain a few close friends. The couple had no children.
Lifestyle
‘How to Rule the World’ explores education and power at Stanford University
Students walk on the Stanford University campus on March 14, 2019, in Stanford, Calif.
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Ben Margot/AP
When Theo Baker arrived at Stanford University a few years ago, he joined the student newspaper, following the path of his journalist parents, Peter Baker, a White House correspondent for The New York Times, and Susan Glasser, a writer for The New Yorker.
Through his reporting as a student journalist, he eventually broke a story about manipulated data in Stanford President Marc Tessier-Lavigne’s neuroscience research that helped lead to the university president’s resignation.
Theo Baker’s book, How to Rule the World: An Education in Power at Stanford University was released May 19. In it, Baker describes Stanford as a place where proximity to Silicon Valley gives rise to a parallel system of influence, recruitment and money, with investors looking to identify promising students almost as soon as they arrive on campus.
He told Morning Edition host Steve Inskeep there was “a sort of Stanford inside Stanford,” where elite students are drawn into an “alternate reality” of excess and access to cut corners.
In the interview, he discusses how Stanford is not just a university but also a pipeline where status and power can matter as much as ideas.
We reached out to Stanford University for comment and have not heard back.
Listen to the interview by clicking play on the blue box above.
Lifestyle
OTB Takes Full Control of Viktor & Rolf
Lifestyle
How having zero points in tennis — or ‘love’ — came to sound so sweet
The scoreboard shows the results of the women’s singles final match between Iga Swiatek of Poland and Amanda Anisimova of the U.S. at the Wimbledon Tennis Championships in London, Saturday, July 12, 2025.
Kirsty Wigglesworth/AP
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Kirsty Wigglesworth/AP
Fifteen points in tennis? Nice. Thirty, 40 — even better. Advantage — that sounds good. “Love” — that also must be great, right? Well, not quite.
As the French Open rolls on and Serena Williams has announced her return to the sport, maybe you’ve been paying a little more attention to tennis. The sport’s scoring system is notably distinct, and can sometimes be hard to grasp for newcomers. But even tennis aficionados might not know why, or how, “love” became the unmistakable callout for zero points. For this installment of NPR’s Word of the Week, we’re exploring how a word that signifies trailing behind got such a sweet name.
“Love” comes from the heart — or an egg?
It’s hard to pinpoint when the first tennis ball went over the net. Tennis is a derivative of lots of other sports, such as “jeu de paume,” a handball game played in France, said JT Buzanga, the collections manager at the International Tennis Hall of Fame museum.

But tennis became a patented, official sport in 1874, said Steve Flink, a journalist whose tennis coverage got him inducted into the International Tennis Hall of Fame. It has retained its unique, mysterious scoring system ever since.
“By and large, the original system has held up almost entirely,” Flink said.
The use of “love” goes back to the late 18th century, said Jesse Sheidlower, a lexicographer. But it was used earlier than that in card games such as whist and bridge. Before the term made its way to tennis, the sport favored plain old “nothing,” or “nil,” he said.
Why love in the first place, though? Historians don’t really know for sure, but there are a few theories.
The French could have something to do with it. Some historians believe “love” derives from “l’oeuf,” which means “the egg” in French. Because eggs are shaped like zeros, terms such as “goose egg” and “duck’s egg” have been used in other contexts to mean zero, Sheidlower said.
It’s also possible English speakers mispronounced l’oeuf as “love.” But Sheidlower isn’t convinced that’s the answer.
“It’s the French equivalent of an English expression. But since that expression doesn’t appear in French, the French word wouldn’t have been used,” he said.
To be sure, France has had a lot of influence on tennis culture, Buzanga said. For example, “deuce” or a game tied at 40 points, comes from the French word for “two”: “deux.” But he prefers another prominent theory: that “love” comes from the idiom “for the love of the game.” Even if a player hasn’t scored, it doesn’t matter, because their heart is in it. It’s the theory Sheidlower said is the most plausible, because the idiom was used by the English before tennis was popularized.

Another variation of the “love of the game” theory is that the word could have come from the Dutch “lof,” or “honor” — or the Latin “amare,” meaning “to love,” Flink said.
But if tennis’ “love” doesn’t come from a French word, the theory at least has a French sensibility.
“I think the ‘for the love of the game’ is kind of romantic,” Buzanga said.
“Love” probably isn’t going anywhere
Tennis used to be a sport of leisure. The style of play has changed a lot over the years; players are more athletic and competitive, for instance, Flink said. But the rules of the sport are more steadfast, he said.
“There’s this incredible, enduring respect for tradition in tennis,” he said. “Changes are not made easily.”
There has been one major change in modern history: the tie-break. Matches can go on and on because players have to score two consecutive points to break a deuce, or by two games to break a tied set. But the onset of television meant matches would have to get shorter if the sport wanted to capture a larger audience, Flink said.

Change even came for “love.” An alternative sprouted up in the 1970s, and is still used today: “bagel,” named for its zero shape, Sheidlower said. Novices may say “zero,” and insiders will understand what they mean, but they “will needle them about it,” Flink said.
But “love” still prevails.
“People kind of like it,” Flink said. “It’s different. Why say zero when you can say love?”
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