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'Longlegs' is a terrifying serial killer — who never touches his victims

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'Longlegs' is a terrifying serial killer — who never touches his victims

Lauren Acala plays a girl who encounters the satanic serial killer known as “Longlegs.”

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I have friends who can handle just about any kind of horror movie, except for the ones involving demonic possession and the occult. Oddly enough, that’s the subgenre I’ve always found the most comforting.

Some of these movies, like this year’s Immaculate and The First Omen, may exploit religion for easy scares. But they can also confront and affirm matters of faith with a sincerity that Hollywood rarely attempts. That’s why The Exorcist is not just one of the great horror films, but also one of the great religious films. It gives the devil his due, but it puts the fear of God in you, too.

There’s nothing remotely comforting, however, about the occult activity going on in Longlegs, a tense and frightening new movie in which evil is everywhere and God seems entirely absent. Part of what makes the film so effective is that it doesn’t really depend on secrets or surprises. The writer and director Osgood Perkins summons an atmosphere of dread so intense, it’s practically spoiler-proof.

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We meet the nightmarish villain known as Longlegs in the very first scene. He’s a small-town oddball played with a big fright wig and creepy prosthetic makeup by an almost comically terrifying Nicolas Cage.

The authorities are stumped by Longlegs, a satanic serial killer who never once lays a finger on his victims. His crimes all appear to be clear-cut murder-suicides, in which a husband and father kills his family before taking his own life. But at each crime scene Longlegs leaves behind a letter, written in a code reminiscent of the Zodiac Killer, that makes clear there will be more murders to come.

To help crack the case, the FBI taps an upstart agent — that’s Lee Harker, played by Maika Monroe — who has psychic abilities. The clairvoyant detective is a cliché, but Perkins treats it with a conviction that makes it feel almost fresh.

Monroe came to fame fleeing supernatural terrors in the movie It Follows, and she was quietly mesmerizing a few years ago as a woman being stalked in the Hitchcockian thriller Watcher. Here, even when she’s playing the hunter instead of the hunted, she seems terrified — even haunted — by what she uncovers.

Of all the movies that inspired Longlegs, the clearest influence is The Silence of the Lambs, with its serial-killer cat-and-mouse games; Harker is basically the Clarice Starling to Longlegs’ Hannibal Lecter. Reinforcing the connection between the two movies, Longlegs is set in the ’90s, which explains the lack of cell phones.

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That’s not the only way in which Perkins’ movie seems to have emerged from an earlier era. You’ve seen bits and pieces of this story countless times before: the crime-scene photos, the indecipherable puzzles, the killer’s sadistic taunts, the detectives’ dogged persistence. Longlegs reminded me of many other mysteries in which killers take an insidious hands-off approach, from Agatha Christie’s 1975 novel Curtain to Kiyoshi Kurosawa’s brilliant 1997 thriller, Cure.

But if elements of the story can feel derivative, Perkins’ filmmaking rarely is. Using eerily precise compositions and dimly lit interiors, he finds a brooding menace in seemingly ordinary places. Even when he unleashes a jump scare or a sinister home-video-style flashback, his control of tone never wavers.

Perkins gets sharp performances, too, from actors like Alicia Witt, as Harker’s fanatically religious mother, and Kiernan Shipka, as the one known survivor of Longlegs’ crimes. As for Cage, he’s as memorable as you’d expect. The actor may be no stranger to going wildly over-the-top, but I can’t recall him ever having played a figure of such pure, unmitigated evil.

And it’s that sense of evil, with no hope of escape or redemption in sight, that gives Longlegs its unsettling power. Even so, some of that power does dissipate in the closing stretch, when it’s finally revealed, so to speak, what the hell is going on. The solution makes a certain sense, but it’s also a little deflating. And it’s a reminder that, sometimes, an explanation has a way of ruining things — a joke, a mystery and even a good scare.

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Great movies you may have missed : Pop Culture Happy Hour

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Great movies you may have missed : Pop Culture Happy Hour

Xie Miao and Yang Enyou in The Furious.

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There have been some fantastic movies released this year, and we know you can’t see them all. So we’re recommending four recent movies we missed that you should add to your watchlist: The Furious, Tuner, She’s The He, and Heresy.

If you need a few more fun film recommendations, check out these episodes: 

Fun movies you may have missed

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Our favorite movies on Tubi

We debate the best movies to watch on an airplane

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A judge says the Kennedy Center must update him on its plans — and address that tarp

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A judge says the Kennedy Center must update him on its plans — and address that tarp

A tarp covers the facade of the John F. Kennedy Memorial Center for the Performing Arts in Washington, D.C., on June 13. A federal judge has asked the arts complex’s leadership to explain the purpose of the tarp and the surrounding scaffolding.

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On Wednesday, the federal judge overseeing the Kennedy Center lawsuit ordered the center to give him a status report on the center’s operation and programming within the next few weeks. Judge Christopher R. Cooper also said that the Kennedy Center must explain the purpose and status of the tarp and scaffolding that have been placed over the front of the arts complex, where until recently both President Trump and President John F. Kennedy’s names were both displayed.

In a directive issued last Tuesday, Judge Cooper had given Kennedy Center administrators three days to update him on the arts complex’s immediate plans regarding construction, programming and public access. Trump, who now serves as the center’s chairman, had announced July 5 as the date the venue would close for major renovations.

Last Friday, on Cooper’s due date, lawyers for the Kennedy Center filed a request asking for an extension. In that filing, Matt Floca, who was promoted as the center’s president and CEO in March, said that the Kennedy Center’s current management intends to present its board with “an array of options” for trustees to vote on at their next meeting on an unspecified date in mid-July.

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According to Floca, the options are a complete closure for extensive renovations; a partial closure “enabling some continued public access and limited programming” while some renovations are undertaken; and “a highly limited series of phased closures to address only the center’s most serious infrastructure needs while scheduling and maintaining a full slate of programming.”

In his newest order, Cooper denied Floca’s request for an extension. And he mandated that the center file a status report within seven days of the center’s July board meeting or by July 31, whichever date is earliest. He also ruled that the report must “indicate the purpose for and status of the tarp and scaffolding,” which were erected by workers over the center’s front signage in the early morning hours of June 13.

When asked for comment Wednesday, the Kennedy Center pointed back to the documents its legal team submitted to the court.

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4 ways to design a dreamy summer, according to a happiness expert

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4 ways to design a dreamy summer, according to a happiness expert

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I tend to romanticize summer. The movies and TV shows I grew up with made me think that the season was about adventure and big-time transformation.

I imagined myself building a tight-knit friend group and getting out of a pickle together, like in The Sandlot or Camp Nowhere. Or traveling across the world, say, to Greece, like Lena Kaligaris, a character in The Sisterhood of the Traveling Pants, having a whirlwind summer romance and returning an entirely different person.

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I’ve never actually had a summer like that.

Even when your expectations are more modest than mine, “so often, the summer just flies by, and we haven’t taken the picnics or gone for the day trip or whatever it was that we thought we were gonna do,” says happiness expert Gretchen Rubin.

Rubin, author of The Happiness Project and host of the podcast Happier With Gretchen Rubin, has been sharing ideas on social media about how to make the season more memorable and satisfying.

She walks through four exercises to help you get what you want — and more — out of the season. Print out our worksheet here, fill it out and stick it on your fridge to keep you accountable. Or take a screenshot and post it to Instagram (don’t forget to tag @NPRLifeKit!).

🍑 Give your summer a theme

Pick a single word or phrase that you want to embrace this season — something that captures the feeling you want to have over the next few months.

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“My theme for the summer is ‘ketchup,’” Rubin says. “It has a kind of a summer feeling, because you think of putting ketchup on your burger.”

“It’s a metaphor,” she says. It means to look for “whatever I could add [this season] to make something elevated and more fun.”

Meanwhile, my theme word this summer is “juice.” I no longer think that I need to travel far or completely transform to have a delicious summer. I just need to take advantage of the abundance that the season offers: ripe peaches and tomatoes, juicy softball pitches and the opportunity to feel juicy in my body when I wear a bathing suit.

My Dream Summer worksheet to print.

Print out our worksheet here, fill it out and stick it on your fridge to keep you accountable. Or take a screenshot and post it to Instagram (don’t forget to tag @NPRLifeKit!).

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🪣 Create a summer bucket list

What do you want to do this summer? On my bucket list: ride the Ferris wheel at a summer fair, have more barbecues at my parents’ house and see the sunrise at least once.

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