Lifestyle
‘Left-Handed Girl’ takes on quiet shame across generations in Taipei
Shih-Yuan Ma as I-Ann, Nina Ye as I-Jing and Janel Tsai as Shu-Fen in Left-Handed Girl. The movie is streaming on Netflix starting Friday.
Left-Handed Girl Film Production Co./Netflix
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Left-Handed Girl Film Production Co./Netflix
Early on in Shih-Ching Tsou’s Left-Handed Girl, one of its protagonists, an adorable Taiwanese girl named I-Jing (Nina Ye), is told by her grandpa that her left-handedness is a curse. “Don’t use left-hand in my house,” he says to her, yanking a crayon from her left hand into her right and sending a bolt of fear through the impressionable 5-year-old. “Left hand is evil,” he scolds. “It belongs to the devil.” The premise of Netflix’s newest Mandarin-language film might seem trivial, but learning about her “devil’s hand” brings I-Jing a quiet shame that is difficult to shake. Internalizing an age-old superstition, I-Jing silently begins to navigate the bustling city of Taipei with her much weaker right-hand, which takes on a life of its own. What she doesn’t know is that the rest of her family has their own version of a “devil’s hand” too.
In Tsou’s charming solo directorial debut, I-Jing, her teenage sister and their mother have just moved back to Taipei after years away in the countryside. Their mother Shu-Fen (Janel Tsai), opens a noodle stand in the capital’s famous night markets in an attempt to start a new life for her family. But a fresh start is rarely an easy one. Day after day, Shu-Fen toils to keep her food stall and family afloat — trying to pay the stall’s rent while juggling the debt she accumulated from her ex-husband’s funeral, and taking care of her daughters, who couldn’t be more different. The youngest, I-Jing, is steeped in an innocent earnestness, while her older sister, I-Ann (Shih-Yuan Ma), carries the fierce determination of an angsty teen intent on proving she can support the family better than anyone else.

Tsou and longtime collaborator Sean Baker co-wrote and produced the project, and Baker edited. Their distinct style is abundant throughout Left-Handed Girl, which strikes a delicate balance between intimacy and playfulness in a story that centers those historically on the margins. The two have worked side-by-side since co-directing Take Out in 2004, with Tsou’s influence woven through films that launched Baker into the spotlight, from Tangerine to The Florida Project to Red Rocket. Shot entirely on iPhones, like 2015’s Tangerine, the film uses the city of Taipei as its canvas and shows its landscape through the lens of each of its characters. It’s a treat being immersed in the brightly-colored, and often overwhelming night market from the point of view of I-Jing, who interacts with each stall like it’s her personal playground before dashing off to the next one.
Nina Ye as I-Jing and Shih-Yuan Ma as I-Ann in Left-Handed Girl.
Left-Handed Girl Film Production Co./Netflix
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Left-Handed Girl Film Production Co./Netflix
Shih-Yuan Ma as I-Ann, Nina Ye as I-Jing and Janel Tsai as Shu-Fen in Left-Handed Girl.
Left-Handed Girl Film Production Co./Netflix
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Left-Handed Girl Film Production Co./Netflix
While Left-Handed Girl initially appears to center I-Jing and her cursed hand, the film pays equal attention to its female protagonists. Spanning multiple generations, Tsou offers the viewer a window into each character’s struggle between duty and desire, as they navigate a society where the personal largely remains private. Shu-Fen might be the caretaker of her three-unit family, but she remains the black sheep within her own. “A married daughter’s like water poured out,” her mother says to her after refusing to lend her daughter money, perpetuating a traditional belief that daughters are worthless once they are married. And during a family outing, Shu-Fen reluctantly opens up, only to have her sisters loudly bicker over her decisions as if they were their own.
Meanwhile, I-Ann spends most of her days at the betel nut stall, where she oscillates between flirting with older men for money, making snarky comments at the attractive young woman who just started working there, and sleeping with her sleazy boss. I-Ann’s stonewalled expression and high-pony attitude gives off the impression she doesn’t care about the job, and much less, her boss. But in moments of vulnerability, like after I-Ann attends a party with a former classmate who, unlike her, is attending college, cracks begin to appear in an otherwise tightly-wound facade. I-Ann’s commitment to and reluctance toward fulfilling her responsibilities are felt simultaneously in scenes of transit, as she whizzes through the streets and highways of Taipei on her scooter, en route to pick up her little sister, keep a watchful eye over the noodle stand, or sneak in her own small rebellions. I-Ann might scoff, but at the end of the day, she always shows up.
How much can a family bear before it begins to burst? Left-Handed Girl seeks to ask, as each character’s internal tensions bleed into broader family dynamics, culminating in more of an explosion than a slow unraveling. But perhaps the ultimate test of strength occurs when the dam breaks, Tsou seems to argue — when the water begins to flood, washing away old traditions and instead, creating something surprising and new.
Lifestyle
What worked — and what didn’t — in the ‘Stranger Things’ finale
Sadie Sink as Max Mayfield.
Netflix
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Netflix
Yes, there are spoilers ahead for the final episode of Stranger Things.
On New Year’s Eve, the very popular Netflix show Stranger Things came to an end after five seasons and almost 10 years. With actors who started as tweens now in their 20s, it was probably inevitable that the tale of a bunch of kids who fought monsters would wind down. In the two-plus-hour finale, there was a lot of preparation, then there was a final battle, and then there was a roughly 40-minute epilogue catching up with our heroes 18 months later. And how well did it all work? Let’s talk about it.
Worked: The final battle
The strongest part of the finale was the battle itself, set in the Abyss, in which the crew battled Vecna, who was inside the Mind Flayer, which is, roughly speaking, a giant spider. This meant that inside, Eleven could go one-on-one with Vecna (also known as Henry, or One, or Mr. Whatsit) while outside, her friends used their flamethrowers and guns and flares and slingshots and whatnot to take down the Mind Flayer. (You could tell that Nancy was going to be the badass of the fight as soon as you saw not only her big gun, but also her hair, which strongly evoked Ripley in the Alien movies.) And of course, Joyce took off Vecna’s head with an axe while everybody remembered all the people Vecna has killed who they cared about. Pretty good fight!
Did not work: Too much talking before the fight
As the group prepared to fight Vecna, we watched one scene where the music swelled as Hopper poured out his feelings to Eleven about how she deserved to live and shouldn’t sacrifice herself. Roughly 15 minutes later, the music swelled for a very similarly blocked and shot scene in which Eleven poured out her feelings to Hopper about why she wanted to sacrifice herself. Generally, two monologues are less interesting than a conversation would be. Elsewhere, Jonathan and Steve had a talk that didn’t add much, and Will and Mike had a talk that didn’t add much (after Will’s coming-out scene in the previous episode), both while preparing to fight a giant monster. It’s not that there’s a right or wrong length for a finale like this, but telling us things we already know tends to slow down the action for no reason. Not every dynamic needed a button on it.
Worked: Dungeons & Dragons bringing the group together
It was perhaps inevitable that we would end with a game of D&D, just as we began. But now, these kids are feeling the distance between who they are now and who they were when they used to play together. The fact that they still enjoy each other’s company so much, even when there are no world-shattering stakes, is what makes them seem the most at peace, more than a celebratory graduation. And passing the game off to Holly and her friends, including the now-included Derek, was a very nice touch.
Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington.
Netflix
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Netflix
Did not work: Dr. Kay, played by Linda Hamilton
It seemed very exciting that Stranger Things was going to have Linda Hamilton, actual ’80s action icon, on hand this season playing Dr. Kay, the evil military scientist who wanted to capture and kill Eleven at any cost. But she got very little to do, and the resolution to her story was baffling. After the final battle, after the Upside Down is destroyed, she believes Eleven to be dead. But … then what happened? She let them all call taxis home, including Hopper, who killed a whole bunch of soldiers? Including all the kids who now know all about her and everything she did? All the kids who ventured into the Abyss are going to be left alone? Perfect logic is certainly not anybody’s expectation, but when you end a sequence with your entire group of heroes at the mercy of a band of violent goons, it would be nice to say something about how they ended up not at the mercy of said goons.


Worked: Needle drops
Listen, it’s not easy to get one Prince song for your show, let alone two: “Purple Rain” and “When Doves Cry.” When the Duffer Brothers say they needed something epic, and these songs feel epic, they are not wrong. There continues to be a heft to the Purple Rain album that helps to lend some heft to a story like this, particularly given the period setting. “Landslide” was a little cheesy as the lead-in to the epilogue, but … the epilogue was honestly pretty cheesy, so perhaps that’s appropriate.
Did not work: The non-ending
As to whether Eleven really died or is really just backpacking in a foreign country where no one can find her, the Duffer Brothers, who created the show, have been very clear that the ending is left up to you. You can think she’s dead, or you can think she’s alive; they have intentionally not given the answer. It’s possible to write ambiguous endings that work really well, but this one felt like a cop-out, an attempt to have it both ways. There’s also a real danger in expanding characters’ supernatural powers to the point where they can make anything seem like anything, so maybe much of what you saw never happened. After all, if you don’t know that did happen, how much else might not have happened?
This piece also appears in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.
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Lifestyle
The Best of BoF 2025: Conglomerates, Controversy and Consolidation
Lifestyle
Sunday Puzzle: P-A-R-T-Y words and names
On-air challenge
Today I’ve brought a game of ‘Categories’ based on the word “party.” For each category I give, you tell me something in it starting with each of the letters, P-A-R-T-Y. For example, if the category were “Four-Letter Boys’ Names” you might say Paul, Adam, Ross, Tony, and Yuri. Any answer that works is OK, and you can give answers in any order.
1. Colors
2. Major League Baseball Teams
3. Foreign Rivers
4. Foods for a Thanksgiving Meal
Last week’s challenge
I was at a library. On the shelf was a volume whose spine said “OUT TO SEA.” When I opened the volume, I found the contents has nothing to do with sailing or the sea in any sense. It wasn’t a book of fiction either. What was in the volume?
Challenge answer
It was a volume of an encyclopedia with entries from OUT- to SEA-.
Winner
Mark Karp of Marlboro Township, N.J.
This week’s challenge
This week’s challenge comes from Joseph Young, of St. Cloud, Minn. Think of a two-syllable word in four letters. Add two letters in front and one letter behind to make a one-syllable word in seven letters. What words are these?
If you know the answer to the challenge, submit it below by Wednesday, December 31 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
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