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L.A. Affairs: I expected Prince Charming at dinner. But then he wouldn’t shut up

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L.A. Affairs: I expected Prince Charming at dinner. But then he wouldn’t shut up

I’m walking home when a man, who’s graying and handsome, stops me. “Excuse me,” he says. “You’re gorgeous.” I’m not hallucinating. The fairy tale has come true; my prince has arrived.

It’s the giddy 12-year-old in me who says thank you. It’s also the current me, with all the weight of my 49 years, who gives him my number and tells him to text me by Wednesday so we can have dinner on Friday.

Then I tell everyone: my work buddies, the baker at La Monarca Bakery, the barista at the Starbucks on Occidental, the fruit vendor on the corner of Virgil and West 3rd, and even the Koreatown ahjussi who preps my lunchtime Brussels sprouts.

By Wednesday, as I’m waiting in line at Apollonia’s Pizzeria, I realize Friday dinner is unlikely.

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But around 8 p.m. that night, I get a text. Does dinner at Sushi Gen sound good? Yes. Yes? Yes!

We sit atop the planters outside the restaurant while we wait for a table. The conversation is stilted, so I ask him to tell me about his life and I tell him about my job. I love my work, but I’m worried. My boss just left the company, and what is an executive assistant without an executive to assist? Prince Charming snorts and says I’m lucky. He’s looking for a full-time job. I’m too startled by his snort to respond.

He says that he’s sure I’m great at my job. His best friend’s wife does something similar. She’s a shrew. He can tell I’m not.

I think about what it is to be a shrew and what goes into making a woman shrewish. Our table is called before I have the chance to parse through the implications.

Prince Charming launches into his life story right after we’re seated. I don’t tell him anything about me because he never asks and because he never stops talking. I’ve read enough Jane Austen to know his speech is the context for “A Very Important Declaration I Need to Hear.” His grand announcement is this: He’s been working part-time as a driver and at a car dealership since the early aughts while waiting for his big break. Earlier this year, he realized show biz was not for him. It is now time to settle down.

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Prince Charming speaks his truth with the same gravity that Kevin Costner used to muster when he rhapsodized over cowboy life on “Yellowstone,” a show Costner claimed he loved but not enough to stay. Prince Charming is sincere. It’s wrong that I struggle to keep a straight face.

I understand we all have aspirations. I once wanted to be a professor. When that fell through and after the end of my first marriage, I wanted to be happy and have a job with benefits that covered my ADHD meds and antidepressants. After my second marriage, I also wanted to feel safe, be unharmed and never again be subject to anyone’s blackout rages.

I don’t tell him this, and it doesn’t matter. Because given the opportunity, I’d rather discuss my current life anyway. My summer is spent at the Hollywood Bowl. Winter and fall is for the L.A. Philharmonic, the L.A. Opera and holiday dinners with friends. Many nights are spent just happily lounging around the house. If I could, I’d like to tell him (and any prospective person) that my life is as good as it has ever been. Would he like to join me?

But my date continues to dominate the conversation throughout dinner, and I never speak of my past or my current life. I don’t mind because the eel is delicious and the cucumber salad is on point.

I’m silently thinking about what my options are if I get fired when I notice he’s staring at me. I lost the conversation’s thread a while back, so I ask him, “Do you travel much?”

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My question gives him the opportunity to discuss his last trip to Vietnam. It was difficult, he admits, to stand by silently as his uncle bossed people around because he had more money than they did. He had trouble keeping his mouth shut and showing the proper respect for his elders, mostly because he found their behavior abhorrent.

My interest is piqued. I too have had to negotiate cultural and familial expectations. I was once married to a man who sometimes hit me when he was in a foul mood. In the month after I left him, my sister, a person whom I considered my best friend, invited him for dinner daily even though she knew what he had done. Our relationship frayed permanently the day she kicked me out of her house when I went to pick up her child so we could go to Disneyland.

I understand how difficult it is to negotiate family relations and expectations. But I don’t tell him this either. When he pays for dinner, he tips the waitstaff generously. I’m impressed. I know, my bar is low.

There is a tea shop across the parking lot. As we drink some matcha, he says that right now, all he wants is a job that pays and to feel he’s good at what he does. I understand. The year after I left my marriage, I set down a list of things I needed to do to regain myself — to recoup my life. The primary goal, to feel good about myself again, took about 10 years. At the moment, I really want that for him.

Almost a month later, I got a follow-up text from him inviting me out. I tell him the truth: I can’t because I’m volunteering at StokerCon, the horror literary convention.

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But I wish I had texted him something else. At 49, I’ve already made my fairy-tale life come true. With all my heart, I hope he too is able to create the life he wants for himself. He deserves to have his dream come true. Everyone does. I should have said this.

The author is looking for a job and taking allergy shots so that she can one day become a spinster with two cats. She lives in Pasadena. She’s on Instagram: @aledmattoni

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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What worked — and what didn’t — in the ‘Stranger Things’ finale

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What worked — and what didn’t — in the ‘Stranger Things’ finale

Sadie Sink as Max Mayfield.

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Yes, there are spoilers ahead for the final episode of Stranger Things

On New Year’s Eve, the very popular Netflix show Stranger Things came to an end after five seasons and almost 10 years. With actors who started as tweens now in their 20s, it was probably inevitable that the tale of a bunch of kids who fought monsters would wind down. In the two-plus-hour finale, there was a lot of preparation, then there was a final battle, and then there was a roughly 40-minute epilogue catching up with our heroes 18 months later. And how well did it all work? Let’s talk about it.

Worked: The final battle

The strongest part of the finale was the battle itself, set in the Abyss, in which the crew battled Vecna, who was inside the Mind Flayer, which is, roughly speaking, a giant spider. This meant that inside, Eleven could go one-on-one with Vecna (also known as Henry, or One, or Mr. Whatsit) while outside, her friends used their flamethrowers and guns and flares and slingshots and whatnot to take down the Mind Flayer. (You could tell that Nancy was going to be the badass of the fight as soon as you saw not only her big gun, but also her hair, which strongly evoked Ripley in the Alien movies.) And of course, Joyce took off Vecna’s head with an axe while everybody remembered all the people Vecna has killed who they cared about. Pretty good fight!

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Did not work: Too much talking before the fight

As the group prepared to fight Vecna, we watched one scene where the music swelled as Hopper poured out his feelings to Eleven about how she deserved to live and shouldn’t sacrifice herself. Roughly 15 minutes later, the music swelled for a very similarly blocked and shot scene in which Eleven poured out her feelings to Hopper about why she wanted to sacrifice herself. Generally, two monologues are less interesting than a conversation would be. Elsewhere, Jonathan and Steve had a talk that didn’t add much, and Will and Mike had a talk that didn’t add much (after Will’s coming-out scene in the previous episode), both while preparing to fight a giant monster. It’s not that there’s a right or wrong length for a finale like this, but telling us things we already know tends to slow down the action for no reason. Not every dynamic needed a button on it.

Worked: Dungeons & Dragons bringing the group together

It was perhaps inevitable that we would end with a game of D&D, just as we began. But now, these kids are feeling the distance between who they are now and who they were when they used to play together. The fact that they still enjoy each other’s company so much, even when there are no world-shattering stakes, is what makes them seem the most at peace, more than a celebratory graduation. And passing the game off to Holly and her friends, including the now-included Derek, was a very nice touch.

Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington holding up drinks to toast.

Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington.

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Did not work: Dr. Kay, played by Linda Hamilton

It seemed very exciting that Stranger Things was going to have Linda Hamilton, actual ’80s action icon, on hand this season playing Dr. Kay, the evil military scientist who wanted to capture and kill Eleven at any cost. But she got very little to do, and the resolution to her story was baffling. After the final battle, after the Upside Down is destroyed, she believes Eleven to be dead. But … then what happened? She let them all call taxis home, including Hopper, who killed a whole bunch of soldiers? Including all the kids who now know all about her and everything she did? All the kids who ventured into the Abyss are going to be left alone? Perfect logic is certainly not anybody’s expectation, but when you end a sequence with your entire group of heroes at the mercy of a band of violent goons, it would be nice to say something about how they ended up not at the mercy of said goons.

Worked: Needle drops

Listen, it’s not easy to get one Prince song for your show, let alone two: “Purple Rain” and “When Doves Cry.” When the Duffer Brothers say they needed something epic, and these songs feel epic, they are not wrong. There continues to be a heft to the Purple Rain album that helps to lend some heft to a story like this, particularly given the period setting. “Landslide” was a little cheesy as the lead-in to the epilogue, but … the epilogue was honestly pretty cheesy, so perhaps that’s appropriate.

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Did not work: The non-ending

As to whether Eleven really died or is really just backpacking in a foreign country where no one can find her, the Duffer Brothers, who created the show, have been very clear that the ending is left up to you. You can think she’s dead, or you can think she’s alive; they have intentionally not given the answer. It’s possible to write ambiguous endings that work really well, but this one felt like a cop-out, an attempt to have it both ways. There’s also a real danger in expanding characters’ supernatural powers to the point where they can make anything seem like anything, so maybe much of what you saw never happened. After all, if you don’t know that did happen, how much else might not have happened?

This piece also appears in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.

Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.

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The Best of BoF 2025: Conglomerates, Controversy and Consolidation

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The Best of BoF 2025: Conglomerates, Controversy and Consolidation
The beauty industry’s M&A machine roared back into action in 2025, with no shortage of blockbuster sales and surprise consolidation. It was also a year with no shortage of flashpoint moments or controversial characters, reflecting the wider fractious social media and political climate.
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