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Kristin Shockley Talks Trending Wedding Décor, Her Maximalist Style and More

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Kristin Shockley Talks Trending Wedding Décor, Her Maximalist Style and More

Overgrown botanicals or miniature jeweled crowns; faux-taxidermy birds; and small bust sculptures hidden like Easter eggs within lush, floral centerpieces are just a few of the design choices that have made Kristin Shockley’s signature maximalist aesthetic hold steadfast through trends in minimalist wedding décor.

“I think with the evolution of weddings in the past 10 years, and how social media has come into play, people care about décor now more than ever,” said Ms. Shockley, the founder and owner of Lustre Theory, an event styling and design studio based in Norfolk, Va. Ms. Shockley, 40, founded her company after 15 years spent working in marketing and graphic design.

In addition to working with couples, with fees starting at $10,000, Ms. Shockley has styled photoshoots, events, runway shows for the brands and campaigns for bridal fashion designers like Monique Lhuillier, Anne Barge, Rami Al Ali and tabletop brands Maison de Carine and Herend.

Ms. Shockley gave us a peek into her creative process. This interview has been lightly edited for length.

How is your work as an event designer different from that of an event planner, and how do you two work together?

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Planners have their eyes on the event as a whole, while I’m laser focused on the design. My role is to be the creative director overseeing all of the design elements for the wedding — from designing table settings and sourcing unique props to managing details that need to be custom built, and staging the lighting, while understanding how those visual components interact with the venue.

What is your signature style?

I would say that I am best known for my still-life, art-inspired table designs and my ability to bring together an old-world, romantic aesthetic with modern elements. Couples who are drawn to my work normally tell me they connect with the dreamy, lush romanticism of the décor, and they love my style of mixing colors, patterns and design elements in surprising ways.

So many ideas in the wedding industry end up being recycled. You see the same things and trends repeatedly, and many couples are working from inspirational pictures that have been online for a few seasons. It’s my job when they show me an idea that has made the rounds to say, “This is nice, but how can we push this idea forward for you?”

Where does your inspiration come from?

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I am constantly looking outside of the wedding industry for inspiration. I turn to runway shows, interior design, nature and books that can be transporting. I am most influenced by art as a worldview — from photography to fine art, like Dutch still-life paintings, which is how I got into incorporating food in décor.

When did you see demand for your work begin to increase?

In early 2021. I was hired for a wedding branding photo shoot for Dover Hall estate in Manakin-Sabot, Va., at the end of 2020, and it received a lot of attention from the bridal industry. I dressed the models in Naeem Khan wedding dresses and the designer shared the images all over their social media accounts several times.

What do you recommend couples do when they are deciding on their wedding décor?

When choosing your venue, make sure that its aesthetic and style is what you want for your event. Take into account the colors, patterns and overall tone. Does it all make sense for your design? I often see couples that really want a certain décor style or specific colors but book a venue that is not the right fit, and then try to force it all to work.

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How has wedding décor changed since you started designing events?

There are more rental and décor choices available. Major cities like Washington, D.C., and New York have more unique options and different companies to work with. But, overall, there are now so many more vendors to pull from. I’m always on the hunt for ways to make a design truly one of a kind, and the best way to do that is to use something that no one has seen before, or to use something in a way that no one else has.

What wedding décor styles do you see trending?

I’m loving all the attention on unique linen and fabric draping, pinning and ruching, which I have also been incorporating into my designs for years. Couples are now playing with bunching, wrinkling and interesting fabric techniques on tables, backdrops and the entire reception space. I think this trend will continue to grow.

Do you style destination weddings? Which destinations are trending right now and which do you see becoming more popular?

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Yes, I take on destination events. Italy has become increasingly popular because of the attention Lake Como is getting with the villa venues there. And I see the coastal area of Croatia gaining popularity. It’s very similar to certain parts of Italy, but the cost of having a wedding there can be less than in other trendy areas in Europe.

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Hollywood pushes OpenAI for consent

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Hollywood pushes OpenAI for consent

Figures from the entertainment industry — including the late Fred Rogers, Tupac Shakur, and Robin Williams — have been digitally recreated using OpenAI’s Sora technology. The app’s ability to do so with ease left many in the industry deeply concerned.

Sora/Open AI/Annotation by NPR


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Sora/Open AI/Annotation by NPR

OpenAI says it has released new policies for an artificial intelligence tool called Sora 2, in response to concerns from Hollywood studios, unions and talent agencies.

The tool allows users to create realistic, high-quality audio and video, using text prompts and images.

“It’s about creating new possibilities,” OpenAI promised in a promotional video for Sora 2. “You can view the power to step into any world or scene, and letting your friends cast you in theirs.”

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But with Sora 2, some creators have also made fake AI-generated videos of historical figures doing things they never did. For example, Martin Luther King, Jr. changing his “I Have a Dream” speech, Michael Jackson, rapping and stealing someone’s chicken nuggets, or Mr. Rogers greeting rapper Tupac Shakur to his neighborhood.

Some videos reimagined the late Robin Williams talking on a park bench and in other locations. His daughter Zelda begged fans to stop sending her such AI-generated content, calling it “horrible slop.”

“You’re not making art,” she wrote on Instagram, “You’re making disgusting, over-processed hotdogs out of the lives of human beings.”

Actress Chaley Rose is one of many in the entertainment industry worried about OpenAI’s  video-generating technology.

Actress Chaley Rose is one of many in the entertainment industry worried about OpenAI’s  video-generating technology.

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“It’s kind of cool, it’s kind of scary,” says actress Chaley Rose, who’s best known for her role in the TV series Nashville. “People can borrow from actors, our vulnerability and our art to teach the characters they create how to do what we do. I would hate to have my image out there and not have given permission or to actually be the one doing the acting and having control over the performance.”

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Hollywood’s top talent agencies first sounded the alarm.

“There is no substitute for human talent in our business, and we will continue to fight tirelessly for our clients to ensure that they are protected,” United Talent Agency wrote in a statement last week. “When it comes to OpenAI’s Sora or any other platform that seeks to profit from our clients’ intellectual property and likeness, we stand with artists. The future of industries based on creative expression and artistry relies on controls, protections, and rightful compensation. The use of such property without consent, credit or compensation is exploitation, not innovation.”

Creative Artists Agency issued a similar warning last week.

Last year, California’s governor Gavin Newsom signed a bill requiring the consent of actors and performers to use their digital replicas.

Now, the talent agencies and SAG-AFTRA (which also represents many NPR employees) announced they and OpenAI are supporting similar federal legislation, called the “NO FAKES” Act.

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Until now, some of the videos created using Sora 2 have relied on copyrighted material. For instance, there’s a video that shows the animated character SpongeBob Squarepants cooking up illicit drugs.

An unauthorized AI-generated video depicts SpongeBob SquarePants preparing illicit drugs.

An unauthorized AI-generated video depicts SpongeBob SquarePants preparing illicit drugs.

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Sora/Open AI/Annotation by NPR

The Motion Picture Association, which represents major Hollywood studios, said in a statement that since Sora 2’s release, “videos that infringe our members’ films, shows, and characters have proliferated on OpenAI’s service and across social media.”

Duncan Crabtree-Ireland, the national executive director of the union SAG-AFTRA told NPR last week that it wasn’t feasible for rightsholders to find every possible use of their material.

“It’s a moment of real concern and danger for everyone in the entertainment industry. And it should be for all Americans, all of us, really,” says Crabtree-Ireland.

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SAG-AFTRA says actor Bryan Cranston alerted the union to possible abuses. Now, the union and talent agencies say they’re grateful OpenAI listened to such concerns.

The company has announced an “opt-in” policy allowing all artists, performers, and individuals the right to determine how and whether they can be simulated. OpenAI says it will block the generation of well-known characters on its public feed and will take down any existing material not in compliance.

Last week, OpenAI agreed to take down phony videos of Martin Luther King, Jr., after his estate complained about the “disrespectful depictions” of the late civil rights leader.

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Lawyer Suing Fat Joe Indicted After Allegedly Running Over Process Server

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Lawyer Suing Fat Joe Indicted After Allegedly Running Over Process Server

Lawyer Suing Fat Joe
Indicted After Allegedly Mowing Down Process Server

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Why the internet sucks (and keeps getting worse) : It’s Been a Minute

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Why the internet sucks (and keeps getting worse) : It’s Been a Minute

Is the internet getting worse?

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Do you ever feel like the internet just doesn’t work as well as it used to?  

Or maybe you wish you could go back to the old internet?  Where your search queries actually served you what you wanted, and your feeds weren’t overrun by ads?  Well, it’s not just you – the internet IS getting worse, and platforms are getting harder to leave. But how did we get here? Journalist and tech activist Cory Doctorow joins Brittany to lay out why in his new book, Enshittification: Why Everything Suddenly Got Worse and What to Do About It.

Follow Brittany Luse on Instagram: @bmluse

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For handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.

This episode was produced by Liam McBain. It was edited by Neena Pathak. Our supervising producer is Barton Girdwood. Our executive producer is Veralyn Williams. Our VP of programming is Yolanda Sangweni.

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