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Jon Stewart's 'Daily Show' return is so smooth, it's like he never left

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Jon Stewart's 'Daily Show' return is so smooth, it's like he never left

Jon Stewart returned Monday as host of The Daily Show.

Matt Wilson/Comedy Central


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Matt Wilson/Comedy Central


Jon Stewart returned Monday as host of The Daily Show.

Matt Wilson/Comedy Central

After watching Jon Stewart’s triumphant return to The Daily Show last night, I had two thoughts.

The GOAT of late night satire is back. And even some of the show’s biggest fans may not be all that happy to see him return.

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That’s because, in his first episode returning as host — nearly nine years after he originally left — Stewart took on a subject that even his most liberal fans might find touchy: the idea that concerns about how age may have affected President Joe Biden aren’t necessarily overblown.

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He didn’t mince words about the erratic behavior of Biden’s likely opponent for the presidency, Donald Trump, either — showing how the former president couldn’t remember basic things during court depositions like how long he was married to Marla Maples or whether he had bragged about how great his memory was (“It turns out, the leading cause of early onset dementia is being deposed,” Stewart cracked, after showing a montage of Trump’s grown children having similar recall issues).

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But even though some liberals may be sensitive to the idea that comparing Biden’s gaffes with Trump’s behavior is an unfair “both sides” balancing act, Stewart insisted supporters should do a better job showing the current president is vital and effective as they say he is.

“It’s the candidate’s job to assuage concerns,” Stewart said in a 20-minute segment that kicked off last night’s program. “Not the voter’s job not to mention them.”

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Easily slipping back into the host chair

From the show’s opening moments, Stewart eased back into the host’s chair without missing a beat, firing off jokes with a familiar style that felt like he had left just a few weeks ago, rather than in 2015. He brought a confidence the program sorely needs; it’s been searching for a permanent host for more than a year since the departure of Trevor Noah, who succeeded Stewart as host.

Stewart returns in a unique arrangement, hosting The Daily Show on Monday nights and serving as an executive producer for all evenings – similar to an arrangement crafted by another cable TV star, Rachel Maddow on MSNBC. The new setup allows him to avoid the grind of daily hosting, ceding the rest of the week to the show’s correspondents, starting with Jordan Klepper, who hosts Tuesday through Thursday.

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Even as he eased into familiar rhythms last night — poking fun at idea that he’s an old guy returning to his old job, highlighting concerns about two other old guys competing to get their old job back — Stewart faced a new challenge: Reminding everyone why he was such a venerated host in the first place.

In his first 16 years hosting The Daily Show, Stewart elevated the program into an incisive look at the hypocrisies of media, politics and society. Along the way, he helped birth a style of fact-based satire that has exploded all over television, from the work by Daily Show alums John Oliver on HBO’s Last Week Tonight and Stephen Colbert on CBS’ The Late Show to the sharper political tone of Late Night with Seth Meyers and Jimmy Kimmel Live.

But the media environment Stewart has returned to is quite different. Ratings in late night have declined and the young audiences which once fueled the genre have moved on to TikTok and YouTube. With luck, Stewart’s appeal to The Daily Show‘s old school fans will bring better ratings on the cable channel, but it’s still likely to be a smaller crowd than he once commanded.

Regardless, last night’s program shows Stewart’s still got the comedy chops and incisive ideas to power the show at least through the presidential election in November. He has said in interviews that part of the appeal in returning was to have a place to “unload thoughts” as the election season progresses.

Last night’s debut proved Stewart will bring that and more, buying time for an influential show at a crossroads to figure out a new future for itself at least one more time.

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Kumail Nanjiani opens up on his regrets, critical failures and embracing fear : Wild Card with Rachel Martin

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Kumail Nanjiani opens up on his regrets, critical failures and embracing fear : Wild Card with Rachel Martin

A note from Wild Card host Rachel Martin: Here’s my theory about Kumail Nanjiani: He is not a person who is afraid of his feelings. I think he’s the opposite of that kind of person.

Kumail has made his emotional life part of his comedy – whether it’s his deep and abiding love for his wife (as told in the hit movie, “The Big Sick”), his obsession with his cat or the anxiety that grips him in the middle of the night – Kumail’s brand of comedy is often about how we feel our way through living.

His new standup special is on Hulu and it’s called “Night Thoughts.”

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Kylie Jenner Shows Off Figure in Backless Feather Dress

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Kylie Jenner Shows Off Figure in Backless Feather Dress

Kylie Jenner
Ultimate Showgirl with Backless, Curve Hugging Gown
… At Kylie Cosmetics Holiday Party!

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‘Harry Potter’ fans are flying to Broadway to see the original Draco Malfoy

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‘Harry Potter’ fans are flying to Broadway to see the original Draco Malfoy

Tom Felton, left, who played Harry Potter’s nemesis Draco Malfoy in eight films, is now playing him live on stage.

Matthew Murphy/Harry Potter and the Cursed Child


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Matthew Murphy/Harry Potter and the Cursed Child

Almost eight years after Harry Potter and the Cursed Child opened, it has become the highest grossing show on Broadway. Why? Tom Felton, who played Draco Malfoy, Harry Potter’s nemesis at Hogwarts in the eight films, is now playing him onstage.

After every performance, crowds gather at the stage door to get autographs, selfies or just a close-up glimpse of Felton.

Anna Chan flew to New York from San Francisco to see him in the show. “I grew up watching the movies and reading the books as a kid,” she said, “so just seeing him reprising his role as Draco Malfoy is really exciting and just heartwarming to see. It’s kinda like a full circle moment for him.”

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Felton feels the audience’s warmth. “I’m somewhat of a bookmark in their youth on the films,” he said. “To see them as excited as I am to be doing that again on the stage was… well, it’s overwhelming and it still is every night.”

Now 38, Felton spent much of his childhood, adolescence and young adulthood getting his hair bleached blond and sneering as the bully Draco Malfoy in the films. For 10 years, he worked with some of the finest actors of British stage and screen, including Dame Maggie Smith, Alan Rickman and Gary Oldman. Felton — and all the other young cast members — learned by example.

“You know, Alan Rickman making teas for the grips,” recalled Felton, “and Jason Isaacs telling anecdotes, Helena Bonham Carter sort of just being playful. I think that’s something that made the early Potter films very special — the adults around us did not take themselves too seriously. And so that allowed us to be playful.”

Tom Felton, right, with John Skelley as Harry Potter in Harry Potter and the Cursed Child, now on Broadway.

Tom Felton, right, with John Skelley as Harry Potter in Harry Potter and the Cursed Child, now on Broadway.

Matthew Murphy/Harry Potter and the Cursed Child


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Matthew Murphy/Harry Potter and the Cursed Child

Post-Potter, Felton has written a memoir and has appeared in films and on London’s West End. When he was given the opportunity to play an adult Draco Malfoy on Broadway for six months, he jumped.

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“I do understand the character somewhat,” he said, “although Draco now is a dad.” In the play, Harry Potter and Draco Malfoy’s sons become friends and get into a mess of trouble.

In the first act, he and the older Harry have a wizard’s duel and Felton said that, during rehearsal, he added a familiar line from the films that wasn’t in the script.

“When Harry and Draco first decide, ‘Come on, let’s have a scrap, let’s have a battle,’ I think it just came up voluntarily. I said, ‘Scared Potter?’ Felton recalled, laughing. “And then it was sort of looked over and then someone came back to me a few days later and said, ‘We’ve got it in, your line suggestion.’”

The audience gets to see Malfoy and Potter fly through the air and electrical arcs come out of their wands live onstage. “Every night you can hear or feel, rather, at least half the audience go back to their childhood or older memories,” Felton said. “The first time that they saw Draco and Harry duel. And because this one’s live and in front of your face, it’s just only more exciting, I think.”

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Felton said he’s proud to be part of the Harry Potter World, on film and on Broadway. He’ll be appearing in Harry Potter and the Cursed Child through May 10.

Jennifer Vanasco edited this story for broadcast and digital. Chloee Weiner mixed the audio.

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