Lifestyle
'I've lived in an incredible time': Comic Bob Newhart dies at 94
Bob Newhart played psychologist Robert Hartley in the 1970s sitcom The Bob Newhart Show.
Gerald Smith/NBCUniversal via Getty Images
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Gerald Smith/NBCUniversal via Getty Images
Bob Newhart played psychologist Robert Hartley in the 1970s sitcom The Bob Newhart Show.
Gerald Smith/NBCUniversal via Getty Images
Comic Bob Newhart, best known for an everyman persona that powered two classic TV sitcoms, died Thursday morning of natural causes. He was 94. Newhart was the funniest guy in the room while playing unassuming characters who, in others’ hands, would have been setting up somebody else’s jokes.
Much of his success, according to Newhart himself, came from one mannerism: his stammer. It showed up in his first hit TV sitcom, The Bob Newhart Show in 1972, where he played a psychologist flummoxed by a long line of eccentric patients. And it continued all the way up into his guest appearances on CBS’ hit sitcom The Big Bang Theory starting in 2013, where he played a former kids TV show host bewildered by the fan worship of genius scientist Sheldon Cooper.
The stammer made Newhart sound like an everyman, even as he was slyly proving he was the most hilarious person onstage. In a 2014 PBS documentary, Newhart recalled a TV producer asking him to speak faster once during a scene. Newhart told him: “This stammer has gotten me a home in Beverly Hills, and I’m not about to change it.”
In 2005, the comic told NPR that the stammer served his style of comedy, which some have described as “minimalist.”
“I like to get laughter out of the least and I think one way you do it is by giving the audience some credit for some intelligence,” he said
George Robert Newhart was born in 1929 in Oak Park, Ill. Raised in the Chicago area, he got a degree in business management and served in the Army during the Korean War before landing a job as an accountant.
Bob Newhart won an Emmy for his performance on The Big Bang Theory. He’s shown above on set in August 2013.
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Bob Newhart won an Emmy for his performance on The Big Bang Theory. He’s shown above on set in August 2013.
Kevin Winter/Getty Images
Bored with accounting, Newhart began making up comedy routines over the phone with a co-worker. Eventually, he quit accounting and got a DJ pal to help him get a record deal with Warner Brothers. But there was one problem, as he told NPR’s Talk of the Nation in 2006, Warner Brothers told him: “We’ll record it at your next nightclub,” Newhart recalled. “And I said, ‘Well, see, that’s going to be a problem because I’ve never played a nightclub.’ “
Newhart had two weeks to develop material for his first record, The Button Down Mind of Bob Newhart, released in 1960. It became the first comedy album to hit No. 1 on Billboard’s albums chart, launching his career.
“If you show fear, you’re dead meat,” Newhart told NPR in 2005. “So there was a lot of bravado in the first three or four, five years of my career. … I didn’t want people to catch on to me, you know, how I really didn’t know what I was doing.”
Another comedy album followed, along with appearances on TV shows and movies. But it wasn’t until 1972 that he landed the first of his two classic TV sitcoms, The Bob Newhart Show. He played Bob Hartley, a psychologist surrounded by eccentric, oddball patients.
As Newhart told WHYY’s Fresh Air in 1998, picking his character’s occupation was key. “We said well, you know, Bob is a listener; he’s like a reactor — he reacts to people. What occupation would lend itself to somebody who listens?”
The Bob Newhart Show ended in 1978 after six seasons, by Newhart’s choice. Four years later, he was in another sitcom — just called Newhart. This time, he was playing Vermont innkeeper and TV talk show host Dick Loudon.
That show ran eight seasons. Its famous final scene was suggested by Newhart’s real-life wife Virginia: It featured Newhart’s character waking up in his bed from The Bob Newhart Show, next to Suzanne Pleshette, who played his wife on the 1970s sitcom. There, he relayed to her his dream from the night before: “I was an innkeeper in this crazy little town in Vermont …”
Newhart had other TV series, but they didn’t last long.
He worked steadily as a standup comic and character actor, appearing on shows like ER and Desperate Housewives. In 2006, he released a memoir called I Shouldn’t Even Be Doing This. And that same year, he appeared on the Emmy awards in an inspired bit with Conan O’Brien: “Tonight I have placed beloved TV icon Bob Newhart in an airtight container,” O’Brien told the audience. “If the Emmys run one second over, Bob Newhart dies.”
It would be another seven years before Newhart won his first Emmy award, in 2013, for his guest appearance on The Big Bang Theory. The following year, NPR asked Newhart if there were any failures in his life or career that troubled him.
“No, I’ve lived in an incredible time,” he answered. “I’ve lived in the days of Johnny Carson, Frank Sinatra, Dean Martin — incredibly rewarding times. … I could never look on my life as a failure — it’s far beyond anything I ever thought I would attain.”
Such humility was a fitting attitude for a performer who became a comedy legend by acting like the buttoned-down guy next door.
Lifestyle
After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’
Wyle, who spent 11 seasons on ER, returns to the hospital in The Pitt. Now in Season 2, the HBO series has earned praise for its depiction of the medical field. Originally broadcast April 21, 2025.
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After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’
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Doctors says ‘The Pitt’ reflects the gritty realities of medicine today
From left: Noah Wyle plays Dr. Michael “Robby” Robinavitch, the senior attending physician, and Fiona Dourif plays Dr. Cassie McKay, a third-year resident, in a fictional Pittsburgh emergency department in the HBO Max series The Pitt.
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The first five minutes of the new season of The Pitt instantly capture the state of medicine in the mid-2020s: a hectic emergency department waiting room; a sign warning that aggressive behavior will not be tolerated; a memorial plaque for victims of a mass shooting; and a patient with large Ziploc bags filled to the brink with various supplements and homeopathic remedies.
Scenes from the new installment feel almost too recognizable to many doctors.
The return of the critically acclaimed medical drama streaming on HBO Max offers viewers a surprisingly realistic view of how doctors practice medicine in an age of political division, institutional mistrust and the corporatization of health care.
Each season covers one day in the kinetic, understaffed emergency department of a fictional Pittsburgh hospital, with each episode spanning a single hour of a 15-hour shift. That means there’s no time for romantic plots or far-fetched storylines that typically dominate medical dramas.
Instead, the fast-paced show takes viewers into the real world of the ER, complete with a firehose of medical jargon and the day-to-day struggles of those on the frontlines of the American health care system. It’s a microcosm of medicine — and of a fragmented United States.

Many doctors and health professionals praised season one of the series, and ER docs even invited the show’s star Noah Wyle to their annual conference in September.
So what do doctors think of the new season? As a medical student myself, I appreciated the dig at the “July effect” — the long-held belief that the quality of care decreases in July when newbie doctors start residency — rebranded “first week in July syndrome” by one of the characters.
That insider wink sets the tone for a season that Dr. Alok Patel, a pediatrician at Stanford Medicine Children’s Health, says is on point. Patel, who co-hosts the show’s companion podcast, watched the first nine episodes of the new installment and spoke to NPR about his first impressions.
To me, as a medical student, the first few scenes of the new season are pretty striking, and they resemble what modern-day emergency medicine looks and sounds like. From your point of view, how accurate is it?
I’ll say off the bat, when it comes to capturing the full essence of practicing health care — the highs, the lows and the frustrations — The Pitt is by far the most medically accurate show that I think has ever been created. And I’m not the only one to share that opinion. I hear that a lot from my colleagues.
OK, but is every shift really that chaotic?
I mean, obviously, it’s television. And I know a lot of ER doctors who watch the show and are like, “Hey, it’s really good, but not every shift is that crazy.” I’m like, “Come on, relax. It’s TV. You’ve got to take a little bit of liberties.”
As in its last season, The Pitt sheds light on the real — sometimes boring — bureaucratic burdens doctors deal with that often get in the way of good medicine. How does that resonate with real doctors?
There are so many topics that affect patient care that are not glorified. And so The Pitt did this really artful job of inserting these topics with the right characters and the right relatable scenarios. I don’t want to give anything away, but there’s a pretty relatable issue in season two with medical bills.
Right. Insurance seems to take center stage at times this season — almost as a character itself — which seems apt for this moment when many Americans are facing a sharp rise in costs. But these mundane — yet heartbreaking — moments don’t usually make their way into medical dramas, right?
I guarantee when people see this, they’re going to nod their head because they know someone who has been affected by a huge hospital bill.
If you’re going to tell a story about an emergency department that is being led by these compassionate health care workers doing everything they can for patients, you’ve got to make sure you insert all of health care into it.
As the characters juggle multiple patients each hour, a familiar motif returns: medical providers grappling with some heavy burdens outside of work.
Yeah, the reality is that if you’re working a busy shift and you have things happening in your personal life, the line between personal life and professional life gets blurred and people have moments.
The Pitt highlights that and it shows that doctors are real people. Nurses are actual human beings. And sometimes things happen, and it spills out into the workplace. It’s time we take a step back and not only recognize it, but also appreciate what people are dealing with.
2025 was another tough year for doctors. Many had to continue to battle misinformation while simultaneously practicing medicine. How does medical misinformation fit into season two?
I wouldn’t say it’s just mistrust of medicine. I mean that theme definitely shows up in The Pitt, but people are also just confused. They don’t know where to get their information from. They don’t know who to trust. They don’t know what the right decision is.
There’s one specific scene in season two that, again, no spoilers here, but involves somebody getting their information from social media. And that again is a very real theme.
In recent years, physical and verbal abuse of healthcare workers has risen, fueling mental health struggles among providers. The Pitt was praised for diving into this reality. Does it return this season?
The new season of The Pitt still has some of that tension between patients and health care professionals — and sometimes it’s completely projected or misdirected. People are frustrated, they get pissed off when they can’t see a doctor in time and they may act out.
The characters who get physically attacked in The Pitt just brush it off. That whole concept of having to suppress this aggression and then the frustration that there’s not enough protection for health care workers, that’s a very real issue.
A new attending physician, Dr. Baran Al-Hashimi, joins the cast this season. Sepideh Moafi plays her, and she works closely with the veteran attending physician, Dr. Michael “Robby” Robinavitch, played by Noah Wyle. What are your — and Robby’s — first impressions of her?
Right off the bat in the first episode, people get to meet this brilliant firecracker. Dr. Al-Hashimi, versus Dr. Robby, almost represents two generations of attending physicians. They’re almost on two sides of this coin, and there’s a little bit of clashing.
Sepideh Moafi, fourth from left, as Dr. Baran Al-Hashimi, the new attending physician, huddles with her team around a patient in a fictional Pittsburgh teaching hospital in the HBO Max series The Pitt.
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Part of that clash is her clear-eyed take on artificial intelligence and its role in medicine. And she thinks AI can help doctors document what’s happening with patients — also called charting — right?
Yep, Dr. Al-Hashimi is an advocate for AI tools in the ER because, I swear to God, they make health care workers’ lives more efficient. They make things such as charting faster, which is a theme that shows up in season two.
But then Dr. Robby gives a very interesting rebuttal to the widespread use of AI. The worry is that if we put AI tools everywhere, then all of a sudden, the financial arm of health care would say, “Cool, now you can double how many patients you see. We will not give you any more resources, but with these AI tools, you can generate more money for the system.”
The new installment also continues to touch on the growing corporatization of medicine. In season one we saw how Dr. Robby and his staff were being pushed to see more patients.
Yes, it really helps the audience understand the kind of stressors that people are dealing with while they’re just trying to take care of patients.
In the first season, when Dr. Robby kind of had that back and forth with the hospital administrator, doctors were immediately won over because that is such a big point of frustration — such a massive barrier.
There are so many more themes explored this season. What else should viewers look forward to?
I’m really excited for viewers to dive into the character development. It’s so reflective of how it really goes in residency. So much happens between your first year and second year of residency — not only in terms of your medical skill, but also in terms of your development as a person.
I think what’s also really fascinating is that The Pitt has life lessons buried in every episode. Sometimes you catch it immediately, sometimes it’s at the end, sometimes you catch it when you watch it again.
But it represents so much of humanity because humanity doesn’t get put on hold when you get sick — you just go to the hospital with your full self. And so every episode — every patient scenario — there is a lesson to learn.
Michal Ruprecht is a Stanford Global Health Media Fellow and a fourth-year medical student.
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