Lifestyle
Hunker down with these 13 mysteries and thrillers from 2025
Mysteries and thrillers are enjoyable no matter the season, but there’s something extra satisfying about curling up in the winter with a warm drink and an all-engrossing read. The 13 (spooked already?) books in this list, recommended by NPR staff and critics, fit the bill: stalkers, witchcraft, missing persons, suburban horror — there’s something here for every thrill-seeker. And for more nail-biters, check out Books We Love, our annual year-end reading guide.
All the Other Mothers Hate Me, by Sarah Harman
This book got me out of a reading rut! It’s about a mom who is struggling to keep her life together – while simultaneously trying to solve the mystery of her son’s missing classmate. It’s got fun twists and turns and characters who surprise you. Very plot driven and definitely hard to put down. — Elissa Nadworny, correspondent
Audition, by Katie Kitamura
I guess I could explain the plot to you: An actress meets up with a man who is convinced she’s his mother. It turns out she’s not. I think? Maybe she is? Or, maybe she’s not but actually kind of is? What is a mother? The most impressive thing about this Booker Prize finalist is how Katie Kitamura plays with the narrative and toys with the reader without being overly clever about it all. She’s stingy with details and answers, but generous with intrigue and depth. — Andrew Limbong, correspondent, Culture Desk and host, Book of the Day
The Buffalo Hunter Hunter, by Stephen Graham Jones
The Buffalo Hunter Hunter is many things: a clever nesting doll of narratives, a sanguine revenge thriller stitched inside the corpse of an old vampire yarn, and a fearsome accounting of America’s murderous past. Lucky for us, Stephen Graham Jones has bound it all together with a hero (antihero?) for the ages — a man from the Blackfeet tribe, aptly named Good Stab, who is determined to right the wrongs of the past, even if it takes him a few lifetimes. — Cory Turner, correspondent and senior editor, Education
Death of the Author, by Nnedi Okorafor
This book will keep you guessing until the last chapter. The plot jumps back and forth between two connected stories: one about a human author and one about a robot obsessed with human stories. The book tackles some big themes, including fame and immigrant identity. But one of my favorite things about it is that the robot storyline is absolutely gripping. I couldn’t put this book down, and thank goodness I didn’t, or I would have missed the final twist! — Rebecca Hersher, correspondent, Climate Desk
Elita, by Kirsten Sundberg Lunstrum
This absorbing midcentury American take on Nordic noir opens with two men apprehending a seemingly feral girl on Elita, a tiny island in the Puget Sound that for years has been home only to a federal men’s prison. Kirsten Sundberg Lunstrum elevates the moody mystery with her choice of protagonist – Bernadette Baston, a scholar of child development and single mother, who consults on the girl’s case. Bernadette is fascinated by the child’s fierce independence in a world that sets stark constraints on the lives of women and girls. She must fight for her own independence in order to uncover the girl’s origins in this slow-burn study of insular communities and working motherhood. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood
Heartwood, by Amity Gaige
Heartwood is a perfect thriller for people who don’t like thrillers (🙋♀). A nurse nicknamed Sparrow who is trying to move past the trauma of working during the height of the COVID-19 pandemic disappears while hiking the Appalachian Trail. The narration alternates among three women: a state game warden leading the search, a lonely retiree who becomes very invested and the missing woman herself, whose plight is told via the journal that keeps her going while lost. Heartwood is equal parts gripping and moving, filled with empathy and hope — not just for Sparrow’s safe return but for human connection overall. — Arielle Retting, senior editor, Newsroom
Julie Chan Is Dead, by Liann Zhang
Julie and her estranged twin, Chloe, may look identical, but that’s where the similarities end. Julie works at a supermarket, while her sister revels in the love of millions as a social media influencer. But when Chloe dies, Julie realizes she can pass for her twin – if people don’t look too closely. What follows is a thrilling, haunting look at the upkeep of pretending to be someone you’re not, whether on-screen or in person. As Julie goes to brow-raising lengths to keep up the farce and maintain her newfound audience’s love, you’ll find yourself asking whether she has a limit. — Hafsa Fathima, assistant producer, Pop Culture Happy Hour
The Naming of the Birds, by Paraic O’Donnell
This Victorian mystery novel is Dickens meets Sherlock Holmes meets La Femme Nikita, and it wears its genre conventions proudly. The heroes: a brilliant, gruff police officer and his bumbling assistant, aided by a plucky lady journalist. The crimes: elaborate serial murders of insignificant elderly men. The killings are connected to the book’s prologue, a harrowing tale of mistreated orphans seemingly in training to be assassins. The reader knows this, but the detectives do not, giving the events a frisson of dramatic irony as the body count ticks up. — Holly J. Morris, digital trainer
Old Soul, by Susan Barker
Jake and Mariko meet when they both miss their flight out of Osaka and decide to share a meal. Later, drunk, Mariko tells Jake about how her twin brother died, and Jake is eerily reminded of a beloved friend’s strange death. The deceased both began behaving differently shortly before they died, after meeting an exceptionally charming woman, and both had biological oddities discovered during their autopsies. Could it have been the same woman? If so, who is she? And what is she after? If you, too, are a sucker for books that follow a central mystery through the stories of seemingly disparate but ultimately interconnected characters, this one is a must. — Ilana Masad, book critic and author of Beings
The Stalker, by Paula Bomer
The antihero of Paula Bomer’s novel is Doughty, a liar, misogynist and dyed-in-the-wool sociopath who manages to fail upward by preying on women who fall for his deceit. The novel chronicles his time in New York City, where he hurts everyone he can, with no semblance of guilt or even basic humanity. This is, in part, a darkly funny novel, and Bomer walks a fine line brilliantly – the moments of humor don’t detract from the book’s important themes. — Michael Schaub, book critic
The Tokyo Suite, by Giovana Madalosso, translated by Bruna Dantas Lobato
The dual narratives of The Tokyo Suite grip the reader right from the opening chapters, which alternate between the points of view of a mother distracted by her job as an executive and the nanny who kidnaps the exec’s daughter. As this two-hander unfolds, Giovana Madalosso plays with the reader’s sympathies as both protagonists entangle themselves in the consequences of their bad choices. By the end, you’re certain the only path forward is tragedy, but instead you’ll be left thinking about what happens beyond the pages long after you close the book. — Leland Cheuk, book critic and author of No Good Very Bad Asian
Vantage Point, by Sara Sligar
A summer mystery with a rich, troubled family and a curse? Sign me up. Vantage Point is set on a secluded island in Maine and reads like a tech thriller with the soul of a gothic dynastic horror story. It’s told from the dual perspectives of Clara, the youngest member of the wealthy, politically connected and highly unlucky Wieland family, and Jess, Clara’s childhood best friend who’s married to Clara’s brother, Senate hopeful Teddy. When a series of deepfake videos targets Clara and then Jess, it feels as though the famous Wieland curse has come into the digital age. The book is a rich drama about friendship, class and inherited trauma — all in the package of a propulsive yarn. — Barrie Hardymon, senior editor, Investigations Unit
Witchcraft for Wayward Girls, by Grady Hendrix
In the 1970s, young women who got pregnant before marriage were sent to homes to have their babies away from prying eyes. It was like a magic trick — a practice in concealment, disappearance and forgetting. In a state of complete powerlessness, hidden away in the stifling heat of St. Augustine, Fla., Fern — not her real name, never give your real name — meets other young girls like herself. Then a visiting librarian gives Fern a book on witchcraft, and she learns what she is willing to give up in return for that power. — Christina Cala, senior producer, Code Switch
This is just a fraction of the 380+ titles we included in Books We Love this year. Click here to check out this year’s titles, or browse nearly 4,000 books from the last 13 years.
Lifestyle
What worked — and what didn’t — in the ‘Stranger Things’ finale
Sadie Sink as Max Mayfield.
Netflix
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Yes, there are spoilers ahead for the final episode of Stranger Things.
On New Year’s Eve, the very popular Netflix show Stranger Things came to an end after five seasons and almost 10 years. With actors who started as tweens now in their 20s, it was probably inevitable that the tale of a bunch of kids who fought monsters would wind down. In the two-plus-hour finale, there was a lot of preparation, then there was a final battle, and then there was a roughly 40-minute epilogue catching up with our heroes 18 months later. And how well did it all work? Let’s talk about it.
Worked: The final battle
The strongest part of the finale was the battle itself, set in the Abyss, in which the crew battled Vecna, who was inside the Mind Flayer, which is, roughly speaking, a giant spider. This meant that inside, Eleven could go one-on-one with Vecna (also known as Henry, or One, or Mr. Whatsit) while outside, her friends used their flamethrowers and guns and flares and slingshots and whatnot to take down the Mind Flayer. (You could tell that Nancy was going to be the badass of the fight as soon as you saw not only her big gun, but also her hair, which strongly evoked Ripley in the Alien movies.) And of course, Joyce took off Vecna’s head with an axe while everybody remembered all the people Vecna has killed who they cared about. Pretty good fight!
Did not work: Too much talking before the fight
As the group prepared to fight Vecna, we watched one scene where the music swelled as Hopper poured out his feelings to Eleven about how she deserved to live and shouldn’t sacrifice herself. Roughly 15 minutes later, the music swelled for a very similarly blocked and shot scene in which Eleven poured out her feelings to Hopper about why she wanted to sacrifice herself. Generally, two monologues are less interesting than a conversation would be. Elsewhere, Jonathan and Steve had a talk that didn’t add much, and Will and Mike had a talk that didn’t add much (after Will’s coming-out scene in the previous episode), both while preparing to fight a giant monster. It’s not that there’s a right or wrong length for a finale like this, but telling us things we already know tends to slow down the action for no reason. Not every dynamic needed a button on it.
Worked: Dungeons & Dragons bringing the group together
It was perhaps inevitable that we would end with a game of D&D, just as we began. But now, these kids are feeling the distance between who they are now and who they were when they used to play together. The fact that they still enjoy each other’s company so much, even when there are no world-shattering stakes, is what makes them seem the most at peace, more than a celebratory graduation. And passing the game off to Holly and her friends, including the now-included Derek, was a very nice touch.
Charlie Heaton as Jonathan Byers, Natalia Dyer as Nancy Wheeler, Maya Hawke as Robin Buckley, and Joe Keery as Steve Harrington.
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Did not work: Dr. Kay, played by Linda Hamilton
It seemed very exciting that Stranger Things was going to have Linda Hamilton, actual ’80s action icon, on hand this season playing Dr. Kay, the evil military scientist who wanted to capture and kill Eleven at any cost. But she got very little to do, and the resolution to her story was baffling. After the final battle, after the Upside Down is destroyed, she believes Eleven to be dead. But … then what happened? She let them all call taxis home, including Hopper, who killed a whole bunch of soldiers? Including all the kids who now know all about her and everything she did? All the kids who ventured into the Abyss are going to be left alone? Perfect logic is certainly not anybody’s expectation, but when you end a sequence with your entire group of heroes at the mercy of a band of violent goons, it would be nice to say something about how they ended up not at the mercy of said goons.


Worked: Needle drops
Listen, it’s not easy to get one Prince song for your show, let alone two: “Purple Rain” and “When Doves Cry.” When the Duffer Brothers say they needed something epic, and these songs feel epic, they are not wrong. There continues to be a heft to the Purple Rain album that helps to lend some heft to a story like this, particularly given the period setting. “Landslide” was a little cheesy as the lead-in to the epilogue, but … the epilogue was honestly pretty cheesy, so perhaps that’s appropriate.
Did not work: The non-ending
As to whether Eleven really died or is really just backpacking in a foreign country where no one can find her, the Duffer Brothers, who created the show, have been very clear that the ending is left up to you. You can think she’s dead, or you can think she’s alive; they have intentionally not given the answer. It’s possible to write ambiguous endings that work really well, but this one felt like a cop-out, an attempt to have it both ways. There’s also a real danger in expanding characters’ supernatural powers to the point where they can make anything seem like anything, so maybe much of what you saw never happened. After all, if you don’t know that did happen, how much else might not have happened?
This piece also appears in NPR’s Pop Culture Happy Hour newsletter. Sign up for the newsletter so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.
Listen to Pop Culture Happy Hour on Apple Podcasts and Spotify.
Lifestyle
The Best of BoF 2025: Conglomerates, Controversy and Consolidation
Lifestyle
Sunday Puzzle: P-A-R-T-Y words and names
On-air challenge
Today I’ve brought a game of ‘Categories’ based on the word “party.” For each category I give, you tell me something in it starting with each of the letters, P-A-R-T-Y. For example, if the category were “Four-Letter Boys’ Names” you might say Paul, Adam, Ross, Tony, and Yuri. Any answer that works is OK, and you can give answers in any order.
1. Colors
2. Major League Baseball Teams
3. Foreign Rivers
4. Foods for a Thanksgiving Meal
Last week’s challenge
I was at a library. On the shelf was a volume whose spine said “OUT TO SEA.” When I opened the volume, I found the contents has nothing to do with sailing or the sea in any sense. It wasn’t a book of fiction either. What was in the volume?
Challenge answer
It was a volume of an encyclopedia with entries from OUT- to SEA-.
Winner
Mark Karp of Marlboro Township, N.J.
This week’s challenge
This week’s challenge comes from Joseph Young, of St. Cloud, Minn. Think of a two-syllable word in four letters. Add two letters in front and one letter behind to make a one-syllable word in seven letters. What words are these?
If you know the answer to the challenge, submit it below by Wednesday, December 31 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
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