Lifestyle
How to have the best Sunday in L.A., according to Bozoma Saint John
The first home Bozoma Saint John bought in L.A. was a condo in Marina del Rey.
“It was the first time I bought anything on my own, and it was such a boost to my confidence,” said the entrepreneur, marketing executive and star of “Real Housewives of Beverly Hills.” “L.A. has been an interesting place for me from a real estate standpoint.”
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
Saint John has called L.A. home for 11 years, having moved from New York City after her husband died in 2013. “L.A. felt like a refuge that was new and exciting,” she said. “It’s where I’ve found myself in a second act.”
This month, Saint John was one of the tens of thousands of people who lost their homes in the devastating Palisades fire. When we checked in with her in the aftermath of the destruction, she said: “My God, I feel like I’m in purgatory.”
Saint John acknowledged that she is privileged to have a second home, but the loss is still extremely significant to her, as this house in Malibu was one she had “prayed for.”
“I fought for every single inch of that property: from the process of getting it, which is its own terrible story, to the 25 years of work so that I could afford it,” she said. “Nothing that I own has ever been given to me. On top of that, I was intentional with the house in how I revamped it and decorated it so that it wasn’t just mine, but really for my people.”
Typically in the Sunday Funday column, notable folks in L.A. share a play-by-play of their ideal day in the city. But this week, in the wake of the fires, we had a conversation with Saint John about her recent reflections on L.A. and the meaning of “home.” In Sunday Funday form, we also chatted about her favorite places in town. Because, as she says, “That’s home too.”
This interview has been lightly edited for length and clarity.
What was it like moving from New York to L.A.?
Los Angeles felt like home immediately. Maybe it was because of my mindset that I had coming here. I’m not ashamed to say that I was running away from something. I think people often say you shouldn’t run from something in order to go to something. And I’m like, “Why the hell not?” Like, yes, I ran away, and I found Los Angeles, and I said, “I’m gonna make this home.”
What made you want to settle in Malibu? What was it like being a Black female homeowner in Malibu?
I wanted to be in Malibu because I love the water. And Malibu feels like it’s worlds away, even though it’s close enough that I could escape and have a sanctuary without having to book a flight or drive three hours. Someplace where I didn’t have to pack a bag.
And it was very, very, very difficult to get it. First of all, I think we all know the inventory is not [vast], especially if you want to live on the west side of the Pacific Coast Highway. The second thing is that there’s not a lot of diversity when it comes to ownership of homes in that particular strip. I had come up against situations where I put in an offer above asking and was rejected, so I knew that I had to probably find another way to eventually get accepted. I had to put the offer in a trust inside a trust in order to buy that house, so it wasn’t [obvious that it was] me, and that’s how I got it.
I know it’s early, but what do you plan to do? Do you expect to rebuild or settle somewhere else?
Man, I don’t even know. All those questions are in my head right now. There’s a part of me that is a fighter. I’m somebody who doesn’t take no for an answer, and it feels like somebody was trying to tell me no. It’s like, “Well, screw you. I’m coming back.” And then there’s the practical side of me, which is like, “Girl, you don’t want to go through this again.” But where is safe? Where can I go where there will be a guarantee that nothing happens? And is that the kind of life I want to live? I don’t want to make decisions based on my fear of something tragic happening And so my instinctual feeling is that I’ll rebuild.
What do you like best and least about living in L.A.?
I’m gonna sound [like such a] Coloradan and New Yorker, but I love the weather. You can’t beat the weather in L.A. Year-round, I don’t have to worry about wearing a coat too often. I can wear open-toed shoes whenever I want. Can’t beat that. It’s so fantastic.
What do I love least? Traffic. This is why I always try to triangulate where I live, work and where my daughter goes to school, so I don’t have to be involved in too much traffic.
So living in Malibu and being a girl who doesn’t like the cold, do you ever get in the water?
Let me tell you something: No, I don’t [laughs]. I will walk in up to my calves. But that’s the beauty of living in Malibu, your house is your house. Like, I don’t have to make use of getting in the water because there’s no expiration date. When you’re visiting a place, because you’re there for a short amount of time, you feel like, “Oh, I gotta jump in because if I don’t I will never have another chance to.” But prior to this, I would always say, “Ah, next time I’ll go in.”
If you had a perfect L.A. Sunday, what would you do and where would you go?
I’d probably start off going to Reparations Club. I just love all kinds of books, but right now mostly historical fiction based on women’s stories. The last good book I read was Margaret George’s “The Memoirs of Cleopatra.” It’s like 700 pages. And I just love it because I think everybody has an opinion on who Cleopatra was, and this turns it a little bit on its head. You really see the woman, the mother, the warrior.
I would then probably want to go get something to eat [at the restaurant] Issa Rae just [opened], Somerville. It’s Sunday, so I’m drinking right away. I like Issa’s bubbly, that feels like a nice Sunday drink. And then I would probably want to hit up the All Chill Hip Hop Ice Cream Shop for dessert. I’m a vanilla ice cream type of girl. Maybe you can throw a little chocolate sauce on there, maybe some nuts, but just two scoops of vanilla is good for me.
And then maybe a wine spot like 1010 Wine. And then after all this eating, I probably would want to go take a nap. I’m wearing what I wore [out] and I’m sleeping on the couch. No blanket [laughs]. You can’t nap with the blanket because otherwise you know you’re gonna be asleep.
Afterward, I would definitely hit the gym: Strong House Fitness; shout-out to the owner of the gym, Jerry Housey. He’s amazing. And because it’s Sunday, it’s probably a cardio day. So I’ll run on the treadmill. Actually, I’ll probably run from my house, but it’s not too far so don’t be impressed.
And I’d probably end it at a spa like Elle Marie Spa with a facial or something to brighten my face. I don’t want layers of skin taken off or anything like that. I want one that massages, something that feels soft and relaxing that can take me into the evening right after this full day where I’ve worked out.
After that, I’m going home and getting ready for Monday. I’m thankful to be in a position where almost everything on my calendar I chose to be there. So I like to see what’s coming up, what I need to prepare for. Maybe hitting people up on Sunday like, “Hey, I’m so excited to meet with you this week.” That always feels good. I like to put good energy into meetings. When people feel like you are looking forward to seeing them, the meeting ends up being better. Maybe they were feeling the Sunday scaries, but now they don’t feel that.
Lifestyle
After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’
Wyle, who spent 11 seasons on ER, returns to the hospital in The Pitt. Now in Season 2, the HBO series has earned praise for its depiction of the medical field. Originally broadcast April 21, 2025.
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After years of avoiding the ER, Noah Wyle feels ‘right at home’ in ‘The Pitt’
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Lifestyle
Doctors says ‘The Pitt’ reflects the gritty realities of medicine today
From left: Noah Wyle plays Dr. Michael “Robby” Robinavitch, the senior attending physician, and Fiona Dourif plays Dr. Cassie McKay, a third-year resident, in a fictional Pittsburgh emergency department in the HBO Max series The Pitt.
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The first five minutes of the new season of The Pitt instantly capture the state of medicine in the mid-2020s: a hectic emergency department waiting room; a sign warning that aggressive behavior will not be tolerated; a memorial plaque for victims of a mass shooting; and a patient with large Ziploc bags filled to the brink with various supplements and homeopathic remedies.
Scenes from the new installment feel almost too recognizable to many doctors.
The return of the critically acclaimed medical drama streaming on HBO Max offers viewers a surprisingly realistic view of how doctors practice medicine in an age of political division, institutional mistrust and the corporatization of health care.
Each season covers one day in the kinetic, understaffed emergency department of a fictional Pittsburgh hospital, with each episode spanning a single hour of a 15-hour shift. That means there’s no time for romantic plots or far-fetched storylines that typically dominate medical dramas.
Instead, the fast-paced show takes viewers into the real world of the ER, complete with a firehose of medical jargon and the day-to-day struggles of those on the frontlines of the American health care system. It’s a microcosm of medicine — and of a fragmented United States.

Many doctors and health professionals praised season one of the series, and ER docs even invited the show’s star Noah Wyle to their annual conference in September.
So what do doctors think of the new season? As a medical student myself, I appreciated the dig at the “July effect” — the long-held belief that the quality of care decreases in July when newbie doctors start residency — rebranded “first week in July syndrome” by one of the characters.
That insider wink sets the tone for a season that Dr. Alok Patel, a pediatrician at Stanford Medicine Children’s Health, says is on point. Patel, who co-hosts the show’s companion podcast, watched the first nine episodes of the new installment and spoke to NPR about his first impressions.
To me, as a medical student, the first few scenes of the new season are pretty striking, and they resemble what modern-day emergency medicine looks and sounds like. From your point of view, how accurate is it?
I’ll say off the bat, when it comes to capturing the full essence of practicing health care — the highs, the lows and the frustrations — The Pitt is by far the most medically accurate show that I think has ever been created. And I’m not the only one to share that opinion. I hear that a lot from my colleagues.
OK, but is every shift really that chaotic?
I mean, obviously, it’s television. And I know a lot of ER doctors who watch the show and are like, “Hey, it’s really good, but not every shift is that crazy.” I’m like, “Come on, relax. It’s TV. You’ve got to take a little bit of liberties.”
As in its last season, The Pitt sheds light on the real — sometimes boring — bureaucratic burdens doctors deal with that often get in the way of good medicine. How does that resonate with real doctors?
There are so many topics that affect patient care that are not glorified. And so The Pitt did this really artful job of inserting these topics with the right characters and the right relatable scenarios. I don’t want to give anything away, but there’s a pretty relatable issue in season two with medical bills.
Right. Insurance seems to take center stage at times this season — almost as a character itself — which seems apt for this moment when many Americans are facing a sharp rise in costs. But these mundane — yet heartbreaking — moments don’t usually make their way into medical dramas, right?
I guarantee when people see this, they’re going to nod their head because they know someone who has been affected by a huge hospital bill.
If you’re going to tell a story about an emergency department that is being led by these compassionate health care workers doing everything they can for patients, you’ve got to make sure you insert all of health care into it.
As the characters juggle multiple patients each hour, a familiar motif returns: medical providers grappling with some heavy burdens outside of work.
Yeah, the reality is that if you’re working a busy shift and you have things happening in your personal life, the line between personal life and professional life gets blurred and people have moments.
The Pitt highlights that and it shows that doctors are real people. Nurses are actual human beings. And sometimes things happen, and it spills out into the workplace. It’s time we take a step back and not only recognize it, but also appreciate what people are dealing with.
2025 was another tough year for doctors. Many had to continue to battle misinformation while simultaneously practicing medicine. How does medical misinformation fit into season two?
I wouldn’t say it’s just mistrust of medicine. I mean that theme definitely shows up in The Pitt, but people are also just confused. They don’t know where to get their information from. They don’t know who to trust. They don’t know what the right decision is.
There’s one specific scene in season two that, again, no spoilers here, but involves somebody getting their information from social media. And that again is a very real theme.
In recent years, physical and verbal abuse of healthcare workers has risen, fueling mental health struggles among providers. The Pitt was praised for diving into this reality. Does it return this season?
The new season of The Pitt still has some of that tension between patients and health care professionals — and sometimes it’s completely projected or misdirected. People are frustrated, they get pissed off when they can’t see a doctor in time and they may act out.
The characters who get physically attacked in The Pitt just brush it off. That whole concept of having to suppress this aggression and then the frustration that there’s not enough protection for health care workers, that’s a very real issue.
A new attending physician, Dr. Baran Al-Hashimi, joins the cast this season. Sepideh Moafi plays her, and she works closely with the veteran attending physician, Dr. Michael “Robby” Robinavitch, played by Noah Wyle. What are your — and Robby’s — first impressions of her?
Right off the bat in the first episode, people get to meet this brilliant firecracker. Dr. Al-Hashimi, versus Dr. Robby, almost represents two generations of attending physicians. They’re almost on two sides of this coin, and there’s a little bit of clashing.
Sepideh Moafi, fourth from left, as Dr. Baran Al-Hashimi, the new attending physician, huddles with her team around a patient in a fictional Pittsburgh teaching hospital in the HBO Max series The Pitt.
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Part of that clash is her clear-eyed take on artificial intelligence and its role in medicine. And she thinks AI can help doctors document what’s happening with patients — also called charting — right?
Yep, Dr. Al-Hashimi is an advocate for AI tools in the ER because, I swear to God, they make health care workers’ lives more efficient. They make things such as charting faster, which is a theme that shows up in season two.
But then Dr. Robby gives a very interesting rebuttal to the widespread use of AI. The worry is that if we put AI tools everywhere, then all of a sudden, the financial arm of health care would say, “Cool, now you can double how many patients you see. We will not give you any more resources, but with these AI tools, you can generate more money for the system.”
The new installment also continues to touch on the growing corporatization of medicine. In season one we saw how Dr. Robby and his staff were being pushed to see more patients.
Yes, it really helps the audience understand the kind of stressors that people are dealing with while they’re just trying to take care of patients.
In the first season, when Dr. Robby kind of had that back and forth with the hospital administrator, doctors were immediately won over because that is such a big point of frustration — such a massive barrier.
There are so many more themes explored this season. What else should viewers look forward to?
I’m really excited for viewers to dive into the character development. It’s so reflective of how it really goes in residency. So much happens between your first year and second year of residency — not only in terms of your medical skill, but also in terms of your development as a person.
I think what’s also really fascinating is that The Pitt has life lessons buried in every episode. Sometimes you catch it immediately, sometimes it’s at the end, sometimes you catch it when you watch it again.
But it represents so much of humanity because humanity doesn’t get put on hold when you get sick — you just go to the hospital with your full self. And so every episode — every patient scenario — there is a lesson to learn.
Michal Ruprecht is a Stanford Global Health Media Fellow and a fourth-year medical student.
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